Recommendations based on "What Went Wrong? The Clash Between Islam and Modernity in the Middle East"

The Man Who Inspired the World's Fastest-Growing ReligionMuhammad presents a fascinating portrait of the founder of a religion that continues to change the course of world history. Muhammad's story is more relevant than ever because it offers crucial insight into the true origins of an increasingly radicalized Islam. Countering those who dismiss Islam as fanatical and violent, Armstrong offers a clear, accessible, and balanced portrait of the central figure of one of the world's great religions.

A classic, pioneering account of the lives of women in Islamic history, republished for a new generation This pioneering study of the social and political lives of Muslim women has shaped a whole generation of scholarship. In it, Leila Ahmed explores the historical roots of contemporary debates, ambitiously surveying Islamic discourse on women from Arabia during the period in which Islam was founded to Iraq during the classical age to Egypt during the modern era. The book is now reissued as a Veritas paperback, with a new foreword by Kecia Ali situating the text in its scholarly context and explaining its enduring influence. “Ahmed’s book is a serious and independent-minded analysis of its subject, the best-informed, most sympathetic and reliable one that exists today.”—Edward W. Said “Destined to become a classic. . . . It gives [Muslim women] back our rightful place, at the center of our histories.”—Rana Kabbani, The Guardian

A unique and little-known religion, Sufism follows a mystical teaching and a way of life that has had an enormous though largely unrecognized impact on both the East and West for four thousand years. This authoritative book fills a colossal gap in Western documentation of Eastern subjects.

An Unexpected Journey from Islam to ChristianityIn Seeking Allah, Finding Jesus, Nabeel Qureshi describes his dramatic journey from Islam to Christianity, complete with friendships, investigations, and supernatural dreams along the way.Providing an intimate window into a loving Muslim home, Qureshi shares how he developed a passion for Islam before discovering, almost against his will, evidence that Jesus rose from the dead and claimed to be God. Unable to deny the arguments but not wanting to deny his family, Qureshi’s inner turmoil will challenge Christians and Muslims alike.Engaging and thought-provoking, Seeking Allah, Finding Jesus tells a powerful story of the clash between Islam and Christianity in one man’s heart—and of the peace he eventually found in Jesus."I have seldom seen such genuine intellect combined with passion to match ... truly a 'must-read' book."–Ravi Zacharias

One of the most beloved classics of our time—a collection of poetic essays that are philosophical, spiritual, and, above all, inspirational. Published in 1923, Gibran's masterpiece has been translated into more than twenty languages.Gibran’s musings are divided into twenty-eight chapters covering such sprawling topics as love, marriage, children, giving, eating and drinking, work, joy and sorrow, housing, clothes, buying and selling, crime and punishment, laws, freedom, reason and passion, pain, self-knowledge, teaching, friendship, talking, time, good and evil, prayer, pleasure, beauty, religion, and death.Each essay reveals deep insights into the impulses of the human heart and mind. The Chicago Post said of The Prophet: “Cadenced and vibrant with feeling, the words of Kahlil Gibran bring to one’s ears the majestic rhythm of Ecclesiastes . . . If there is a man or woman who can read this book without a quiet acceptance of a great man’s philosophy and a singing in the heart as of music born within, that man or woman is indeed dead to life and truth.”With twelve full-page drawings by Gibran, this beautiful work makes an incredible gift for anyone seeking enlightenment and inspiration.

Wael B. Hallaq boldly argues that the ÒIslamic state,Ó judged by any standard definition of what the modern state represents, is both impossible and inherently self-contradictory. Comparing the legal, political, moral, and constitutional histories of premodern Islam and Euro-America, he finds the adoption and practice of the modern state to be highly problematic for modern Muslims. He also critiques more expansively modernityÕs moral predicament, which renders impossible any project resting solely on ethical foundations. The modern state not only suffers from serious legal, political, and constitutional issues, Hallaq argues, but also, by its very nature, fashions a subject inconsistent with what it means to be, or to live as, a Muslim. By Islamic standards, the stateÕs technologies of the self are severely lacking in moral substance, and todayÕs Islamic state, as Hallaq shows, has done little to advance an acceptable form of genuine ShariÕa governance. The IslamistsÕ constitutional battles in Egypt and Pakistan, the Islamic legal and political failures of the Iranian Revolution, and similar disappointments underscore this fact. Nevertheless, the state remains the favored template of the Islamists and the ulama (Muslim clergymen). Providing Muslims with a path toward realizing the good life, Hallaq turns to the rich moral resources of Islamic history. Along the way, he proves political and other Òcrises of IslamÓ are not unique to the Islamic world nor to the Muslim religion. These crises are integral to the modern condition of both East and West, and by acknowledging these parallels, Muslims can engage more productively with their Western counterparts.

Distinguished political scientist and anthropologist Mahmood Mamdani, father of New York City mayoral candidate Zohran Mamdani, offers an “exceptionally clear [and] especially shocking” (San Francisco Chronicle) examination of political Islam, the factors that led to 9/11, and the global repercussions on Muslims everywhere.“This provocative and thoughtful inquiry is a valuable contribution to the understanding of some of the most important developments in the contemporary era.”—Noam ChomskyIn Good Muslim, Bad Muslim, Mahmood Mamdani brings his expertise and insight toa question many Americans have been asking since 9/11: how did this happen?Mamdani dispels the idea of “good” (secular, westernized) and “bad” (premodern, fanatical) Muslims, pointing out that these judgments refer to political rather than cultural or religious identities. The presumption that there are “good” Muslims readily available to be split off from “bad” Muslims masks a failure to make a political analysis of our times. Political Islam, Mamdani argues, emerged as the result of a modern encounter with Western power, and that the terrorist movement at the center of Islamist politics is an even more recent phenomenon, one that followed America’s embrace of proxy war after its defeat in Vietnam. He writes with great insight about the Reagan years, showing America’s embrace of the highly ideological politics of “good” against “evil.” Identifying militant nationalist governments as Soviet proxies in countries such as Nicaragua and Afghanistan, the Reagan administration readily backed terrorist movements, hailing them as the “moral equivalents” of America’s Founding Fathers. The era of proxy wars came to an end with the invasion of Iraq, where, as in Vietnam, America was not fighting terrorism but nationalism, a battle that cannot be won by occupation.Good Muslim, Bad Muslim is a provocative and important book that will profoundly change our understanding both of Islamist politics and the way America is perceived in the world today.

The Koran, as N. J. Dawood states, is 'not only one of the most influential books of prophetic literature but also a literary masterpiece in its own right. Universally accepted by Muslims to be the infallible Word of God as revealed to Mohammed by the Angel Gabriel nearly fourteen hundred years ago, the Koran still provides the rules of conduct fundamental to the Arab way of life. N. J. Dawood's masterly translation, first published in the mid-1950s and now completely revised in the light of a life-long study of the language and style of the Koran, presents the English reader with a clear, fluent and authoritative rendering, while fully reflecting the characteristic flavour and rhythm of the original. The present edition follows the original sequence of the Koranic suras and is accompanied by a comprehensive index and a parallel Arabic text.

A major translation achievement, this anthology presents a rich assortment of classical Arabic poems and literary prose, from pre-Islamic times until the 18th century, with short introductions to guide non-specialist students and informative endnotes and bibliography for advanced scholars. Both entertaining and informative, Classical Arabic Literature ranges from the early Bedouin poems with their evocation of desert life to refined urban lyrical verse, from tender love poetry to sonorous eulogy and vicious lampoon, and from the heights of mystical rapture to the frivolity of comic verse. Prose selections include anecdotes, entertaining or edifying tales and parables, a fairy-tale, a bawdy story, samples of literary criticism, and much more.   With this anthology, distinguished Arabist Geert Jan van Gelder brings together well-known texts as well as less familiar pieces new even to scholars. Classical Arabic Literature reveals the rich variety of pre-modern Arabic social and cultural life, where secular texts flourished alongside religious ones. This masterful anthology introduces this vibrant literary heritage—including pieces translated into English for the first time—to a wide spectrum of new readers.

Suleiman's book considers national identity in relation to language, the way in which language can be manipulated to signal political, cultural or historical difference. As a language with a long-recorded heritage and one spoken by the majority of those in the Middle East in various dialects, Arabic is a particularly appropriate vehicle for such an investigation. It is also a penetrating device for exploring the conflicts of the Middle East.'This is a well-crafted, well organized, and eloquent book. 'Karin Ryding, Georgetown University