Recommendations based on "The Vintage Guide to Love and Romance"

When Blasted was first produced at the Royal Court in 1995 it was hailed jointly as a masterpiece and a 'disgusting piece of filth' (Daily Mail). Subsequently that play, and the others that followed, have been produced all over the world. This anthology includes Kane's never-before-published Channel 4 screenplay, Skin."Kane wrote simply and starkly about the world she saw around her...a mature and vividly theatrical response to the pain of living." Guardian

Barbara Erskine returns with this beautiful and haunting tale of dark forces and mystical powers. In present-day Cambridge, Abi, a recently ordained priest of the Church of England, is appointed to a notoriously difficult parish. The priest in charge is the charismatic but fundamentalist Kier. He objects to her mysticism, her practice of healing in particular. When she sees a vision of a congregation in an old church, Kier accuses her of witchcraft, but Abi soon sees more visions; an entire Roman family history, dark with betrayal and a promise of bloody revenge. With foreboding forces building up to violence, Abi must battle the approaching terror along with her own personal demons, drawing upon the expertise of Druidry and shamanism from a questionable source!

"Superb.... A perceptive, suspenseful account." --The New York Times Book Review"Dunn demythologizes Elizabeth and Mary. In humanizing their dynamic and shifting relationship, Dunn describes it as fueled by both rivalry and their natural solidarity as women in an overwhelmingly masculine world." --Boston HeraldThe political and religious conflicts between Queen Elizabeth I and the doomed Mary, Queen of Scots, have for centuries captured our imagination and inspired memorable dramas played out on stage, screen, and in opera. But few books have brought to life more vividly the exquisite texture of two women’s rivalry, spurred on by the ambitions and machinations of the forceful men who surrounded them. The drama has terrific resonance even now as women continue to struggle in their bid for executive power.Against the backdrop of sixteenth-century England, Scotland, and France, Dunn paints portraits of a pair of protagonists whose formidable strengths were placed in relentless opposition. Protestant Elizabeth, the bastard daughter of Anne Boleyn, whose legitimacy had to be vouchsafed by legal means, glowed with executive ability and a visionary energy as bright as her red hair. Mary, the Catholic successor whom England’s rivals wished to see on the throne, was charming, feminine, and deeply persuasive. That two such women, queens in their own right, should have been contemporaries and neighbours sets in motion a joint biography of rare spark and page-turning power.

___________________________________ 'Scintillating, provocative... An elegant synthesis of royal biography and political thriller.' Daily Telegraph A Times History Book of the Year- a story which inspired the Hollywood film MARY QUEEN OF SCOTS. Mary, Queen of Scots & Elizabeth I of England. Two powerful monarchs on a single island. Threatened by voices who believed no woman could govern. Surrounded by sycophants, spies and detractors. Accosted for their dominion, their favour and their bodies. Besieged by secret plots, devastating betrayals and a terrible final act. Only one queen could survive to rule all. ___________________________________ 'Brings us a fresh Mary, set in a gloriously rich context, a tragic heroine - irresistibly real and relevant... There isn't a line wasted in this taut, dramatic and utterly beguiling biography.' Charles Spencer author of Killers of the King- The Men Who Dared to Execute Charles I 'The perfect combination of scholarship and storytelling, meticulous research and emotional insight, Kate Williams brings Mary vividly to life in all her complexities and contradictions.' Kate Mosse, author of The Burning Chambers 'It takes a special kind of historian to turn an old story on its head. Eye-opening, provocative, this is the great rivalry re-imagined for the #MeToo generation.' Lucy Worsley

Seniors at Immaculate Heart High, Peggy Morrison and Constance Marie Wepplener set out to defy the conventions and strictures of "Nice Catholic Ladyhood," in a bittersweet story of the coming of age

Subtly brilliant comedy of social rivalry between the wars. Emmeline Lucas (known universally to her friends as Lucia) is an arch-snob of the highest order. In Miss Elizabeth Mapp of Mallards Lucia meets her match. Ostensibly the most civil and genteel of society ladies, there is no plan too devious, no plot too cunning, no depths to which they would not sink, in order to win the battle for social supremacy. Using as their deadly weapons garden parties, bridge evenings and charming teas, the two combatants strive to outcharm each other - and the whole of Tilling society - as they vie for the position of doyenne of the town.

Hailed as one of the United States' greatest writers of historical fiction, Eugenia Price presents the stirring events and everyday happenings of Georgia's St. Simons Island. This story of one remarkable woman, Anne Couper Fraser, and her passionate yet intricate marriage to John Fraser, will thrill millions of readers worldwide.When the Frasers finally return to beautiful St. Simons Island, the one place on earth Anne longs to be, John says that he must follow his father-in-law's example and farm with slave labor is he is to support his family. The Coupers sincerely believe that these people are better off under their benevolence than they would be free. But soon Anne must ask herself if the kindness with which they treat their slaves justifies this Southern institution, and if a sacrifice she has asked of John is too great for their once-perfect marriage to endure.

A compelling novel about four young women in wartime London, from the best-selling author of London Belles and My Sweet Valentine. In Article Row, in London’s Holborn – four young women, Tilly, Sally, Dulcie and Agnes – have already been witnesses to the heartache and pain that Hitler’s bombs have inflicted on ordinary Londoners.Tilly is desperate to wed her beau, Drew. Terrified that something will happen to prevent them from being together, her fears seem to be coming true when he is called back home to America.For her mother, Olive, this only adds to her worries for Tilly. But she has her own hands full when her friend and neighbour, Sergeant Dawson, gets some terrible news. When Olive lends a hand, she finds herself at the sharp end of some unwelcome gossip.For Dulcie, the war has brought an old flame, David, back into her life. But his terrible injuries have changed his life forever. Can something more develop out of their friendship? And for Agnes, she is about to find out something that will change her life, too.In this seemingly endless war, the girls will learn about love, loss and heartache. But they, like thousands of other Londoners, are determined to win the battle on the home front – no matter what it takes.

Return to a time of legend—the days of Guinevere and Arthur and the glory that was to become Camelot On the night of Guinevere’s birth, a wise woman declares a prophecy of doom for the child: She will be gwenhwyfar, the white shadow, destined to betray her king, and be herself betrayed. Years pass, and Guinevere becomes a great beauty, riding free across Northern Wales on her beloved horse. She is entranced by the tales of the valorous Arthur, a courageous warrior who seems to Guinevere no mere man, but a legend. Then she finds herself betrothed to that same famous king, a hero who commands her willing devotion. Just as his knights and all his subjects, she falls under Arthur’s spell. At the side of King Arthur, Guinevere reigns strong and true. Yet she soon learns how the dark prophecy will reveal itself. She is unable to conceive. Arthur’s only true heir is Mordred, offspring of a cursed encounter with the witch Morgause. Now Guinevere must make a fateful choice: She decides to raise Mordred, teaching him to be a ruler and to honor Camelot. She will love him like a mother. Mordred will be her greatest joy–and the key to her ultimate downfall. “Guinevere comes alive—a strong, resourceful, and compassionate woman, accessible to modern folk . . . The Arthur-Guinevere-Lancelot triangle comes alive as well—believable, poignant, and bearing the seeds of tragedy.”—Katherine Kurtz