Recommendations based on "The Quran"

BONUS: This eBook includes downloadable videos and a Q&A with Nabeel Qureshi that are not found in the print edition.Having shared his journey of faith in the New York Times bestselling Seeking Allah, Finding Jesus, Nabeel Qureshi now examines Islam and Christianity in detail, exploring areas of crucial conflict and unpacking the relevant evidence.In this anticipated follow-up book, Nabeel reveals what he discovered in the decade following his conversion, providing a thorough and careful comparison of the evidence for Islam and Christianity--evidence that wrenched his heart and transformed his life.In Seeking Allah, Finding Jesus, Nabeel Qureshi recounted his dramatic journey, describing his departure from Islam and his decision to follow Christ. In the years that followed, he realized that the world's two largest religions are far more different than they initially appeared.No God but One: Allah or Jesus? addresses the most important questions at the interface of Islam and Christianity: How do the two religions differ? Are the differences significant? Can we be confident that either Christianity or Islam is true? And most important, is it worth sacrificing everything for the truth?Nabeel shares stories from his life and ministry, casts new light on current events, and explores pivotal incidents in the histories of both religions, providing a resource that is gripping and thought-provoking, respectful and challenging.Both Islam and Christianity teach that there is No God but One, but who deserves to be worshiped, Allah or Jesus?This eBook includes the full text of the book plus bonus content not found in the softcover! Bonuses include a Q&A with Nabeel Qureshi and downloadable videos that answer important questions about Islam and Christianity. Please note that some e-reader devices do not accommodate video play. You can still access the bonus videos by copying the web address provided into an internet browser on a device or computer that accommodates video content.

The Man Who Inspired the World's Fastest-Growing ReligionMuhammad presents a fascinating portrait of the founder of a religion that continues to change the course of world history. Muhammad's story is more relevant than ever because it offers crucial insight into the true origins of an increasingly radicalized Islam. Countering those who dismiss Islam as fanatical and violent, Armstrong offers a clear, accessible, and balanced portrait of the central figure of one of the world's great religions.

Fourteen centuries of Islamic thought have produced a legacy of interpretive readings of the Qu'ran written almost entirely by men. Now, with Qu'ran and Woman, Amina Wadud provides a first interpretive reading by a woman, a reading which validates the female voice in the Qu'ran and brings it out of the shadows. Muslim progressives have long argued that it is not the religion but patriarchal interpretation and implementation of the Qu'ran that have kept women oppressed. For many, the way to reform is the reexamination and reinterpretation of religious texts.Qu'ran and Woman contributes a gender inclusive reading to one of the most fundamental disciplines in Islamic thought, Qu'ranic exegesis. Wadud breaks down specific texts and key words which have been used to limit women's public and private role, even to justify violence toward Muslim women, revealing that their original meaning and context defy such interpretations. What her analysis clarifies is the lack of gender bias, precedence, or prejudice in the essential language of the Qur'an.Despite much Qu'ranic evidence about the significance of women, gender reform in Muslim society has been stubbornly resisted. Wadud's reading of the Qu'ran confirms women's equality and constitutes legitimate grounds for contesting the unequal treatment that women have experienced historically and continue to experience legally in Muslim communities. The Qu'ran does not prescribe one timeless and unchanging social structure for men and women, Wadud argues lucidly, affirming that the Qu'ran holds greater possibilities for guiding human society to a more fulfilling and productive mutual collaboration between men and women than as yet attained by Muslims or non-Muslims.

Wael B. Hallaq boldly argues that the ÒIslamic state,Ó judged by any standard definition of what the modern state represents, is both impossible and inherently self-contradictory. Comparing the legal, political, moral, and constitutional histories of premodern Islam and Euro-America, he finds the adoption and practice of the modern state to be highly problematic for modern Muslims. He also critiques more expansively modernityÕs moral predicament, which renders impossible any project resting solely on ethical foundations. The modern state not only suffers from serious legal, political, and constitutional issues, Hallaq argues, but also, by its very nature, fashions a subject inconsistent with what it means to be, or to live as, a Muslim. By Islamic standards, the stateÕs technologies of the self are severely lacking in moral substance, and todayÕs Islamic state, as Hallaq shows, has done little to advance an acceptable form of genuine ShariÕa governance. The IslamistsÕ constitutional battles in Egypt and Pakistan, the Islamic legal and political failures of the Iranian Revolution, and similar disappointments underscore this fact. Nevertheless, the state remains the favored template of the Islamists and the ulama (Muslim clergymen). Providing Muslims with a path toward realizing the good life, Hallaq turns to the rich moral resources of Islamic history. Along the way, he proves political and other Òcrises of IslamÓ are not unique to the Islamic world nor to the Muslim religion. These crises are integral to the modern condition of both East and West, and by acknowledging these parallels, Muslims can engage more productively with their Western counterparts.

Rumi's Masnavi is widely recognized as the greatest Sufi poem ever written, and is sometimes called 'the Koran in Persian'. The thirteenth-century Muslim mystic Rumi composed his work for the benefit of his disciples in the Sufi order named after him, better known as the whirling dervishes .In order to convey his message of divine love and unity he threaded together entertaining stories and penetrating homilies. Jawid Mojaddedi's sparkling new unabridged verse translation of Book One follows the original in presenting Rumi's most mature mystical teachings in simple and attractive rhyming couplets. - ;'The pen would smoothly write the things it knew But when it came to love it split in two, A donkey stuck in mud is logic's fate - Love's nature only love can demonstrate.' Rumi's Masnavi is widely recognized as the greatest Sufi poem ever written, and has been called 'the Koran in Persian'. The thirteenth-century Muslim mystic Rumi composed his work for the benefit of his disciples in the Sufi order named after him, better known as the whirling dervishes. In order to convey his message of divine love and unity he threaded together entertaining stories and penetrating homilies. Drawing from folk tales as well as sacred history, Rumi's poem is often funny as well as spiritually profound. Jawid Mojaddedi's sparkling new verse translation of Book One is consistent with the aims of the original work in presenting Rumi's most mature mystical teachings in simple and attractive rhyming couplets. -

Distinguished political scientist and anthropologist Mahmood Mamdani, father of New York City mayoral candidate Zohran Mamdani, offers an “exceptionally clear [and] especially shocking” (San Francisco Chronicle) examination of political Islam, the factors that led to 9/11, and the global repercussions on Muslims everywhere.“This provocative and thoughtful inquiry is a valuable contribution to the understanding of some of the most important developments in the contemporary era.”—Noam ChomskyIn Good Muslim, Bad Muslim, Mahmood Mamdani brings his expertise and insight toa question many Americans have been asking since 9/11: how did this happen?Mamdani dispels the idea of “good” (secular, westernized) and “bad” (premodern, fanatical) Muslims, pointing out that these judgments refer to political rather than cultural or religious identities. The presumption that there are “good” Muslims readily available to be split off from “bad” Muslims masks a failure to make a political analysis of our times. Political Islam, Mamdani argues, emerged as the result of a modern encounter with Western power, and that the terrorist movement at the center of Islamist politics is an even more recent phenomenon, one that followed America’s embrace of proxy war after its defeat in Vietnam. He writes with great insight about the Reagan years, showing America’s embrace of the highly ideological politics of “good” against “evil.” Identifying militant nationalist governments as Soviet proxies in countries such as Nicaragua and Afghanistan, the Reagan administration readily backed terrorist movements, hailing them as the “moral equivalents” of America’s Founding Fathers. The era of proxy wars came to an end with the invasion of Iraq, where, as in Vietnam, America was not fighting terrorism but nationalism, a battle that cannot be won by occupation.Good Muslim, Bad Muslim is a provocative and important book that will profoundly change our understanding both of Islamist politics and the way America is perceived in the world today.

The Islamic scientific tradition has been described many times in accounts of Islamic civilization and general histories of science, with most authors tracing its beginnings to the appropriation of ideas from other ancient civilizations--the Greeks in particular. In this thought-provoking and original book, George Saliba argues that, contrary to the generally accepted view, the foundations of Islamic scientific thought were laid well before Greek sources were formally translated into Arabic in the ninth century. Drawing on an account by the tenth-century intellectual historian Ibn al-Nadim [macron over i] that is ignored by most modern scholars, Saliba suggests that early translations from mainly Persian and Greek sources outlining elementary scientific ideas for the use of government departments were the impetus for the development of the Islamic scientific tradition. He argues further that there was an organic relationship between the Islamic scientific thought that developed in later centuries and the science that came into being in Europe during the Renaissance. Saliba outlines the conventional accounts of Islamic science, then discusses their shortcomings and proposes an alternate narrative. Using astronomy as a template for understanding the progress of science in Islamic civilization, Saliba demonstrates the originality of Islamic scientific thought. He details the innovations (including new mathematical tools) made by the Islamic astronomers from the thirteenth to sixteenth centuries, and offers evidence that Copernicus could have known of and drawn on their work. Rather than viewing the rise and fall of Islamic science from the often-narrated perspectives of politics and religion, Saliba focuses on the scientific production itself and the complex social, economic, and intellectual conditions that made it possible.

The Muslim thinker al-Ghazali (d. 1111) was one of the most influential theologians and philosophers of Islam and has been considered an authority in both Western and Islamic philosophical traditions. Born in northeastern Iran, he held the most prestigious academic post in Islamic theology in Baghdad, only to renounce the position and teach at small schools in the provinces for no money. His contributions to Islamic scholarship range from responding to the challenges of Aristotelian philosophy to creating a new type of Islamic mysticism and integrating both these traditions-falsafa and Sufism-into the Sunni mainstream. This book offers a comprehensive study of al-Ghazali's life and his understanding of cosmology-how God creates things and events in the world, how human acts relate to God's power, and how the universe is structured. Frank Griffel presents a serious revision of traditional views on al-Ghazali, showing that his most important achievement was the creation of a new rationalist theology in which he transformed the Aristotelian views of thinkers such as Avicenna to accord with intellectual currents that were well-established within Muslim theological discourse. Using the most authoritative sources, including reports from al-Ghazali's students, his contemporaries, and his own letters, Griffel reconstructs every stage in a turbulent career. The al-Ghazali that emerges offers many surprises, particularly on his motives for leaving Baghdad and the nature of his "seclusion" afterwards. Griffel demonstrates that al-Ghazali intended to create a new cosmology that moved away from concerns held earlier by Muslim theologians and Arab philosophers. This new theology aimed to provide a framework for the pursuit of the natural sciences and a basis for Islamic science and philosophy to flourish beyond the 12th century. Al-Ghazali's Philosophical Theology is the most thorough examination to date of this important thinker.

In this study of everyday religious culture in early modern Syria and Palestine, James Grehan offers a social history that looks beyond conventional ways of thinking about religion in the Middle East. The most common narratives about the region introduce us to the separate traditions of Islam, Christianity, and Judaism, highlighting how each one has created its own distinctive traditions and communities. Twilight of the Saints offers a reinterpretation of religious and cultural history in a region which is today associated with division and violence. Exploring the religious habits of ordinary people, from the late seventeenth to the end of the nineteenth century, when the region was part of the Ottoman Empire, Grehan shows that members of different religious groups participated in a common, overarching religious culture that was still visible at the beginning of the twentieth century. Most evident in the countryside, though present everywhere, this religious mainstream thrived in a society in which few people had access to formal religious teachings. This older, folk religious culture was steeped in notions and rituals that the modern world, with its mainly theological conception of religion, has utterly repudiated. Indeed, the people of Syria and Palestine today would hardly recognize religion as it was experienced in the not-so-distant past. Only by uncovering this lost lived religion, argues Grehan, can we appreciate the largely unacknowledged revolution in religion that has taken place in the region over the last century.

A bilingual anthology of poems from the sixth century to the present, Arabic Poems is a one-of-a-kind showcase of a fascinating literary tradition, here presented in stunning pocket-sized hardcover, with English and Arabic on facing pages. The Arabic poetic legacy is as vast as it is deep, spanning a period of fifteen centuries in regions from Morocco to Iraq. Themes of love, nature, religion, and politics recur in works drawn from the pre-Islamic oral tradition through poems anticipating the recent Arab Spring.Editor Marlé Hammond has selected more than fifty poems reflecting desire and longing of various kinds: for the beloved, for the divine, for the homeland, and for change and renewal. Poets include the legendary pre-Islamic warrior ‘Antara, medieval Andalusian poet Ibn Zaydun, the mystical poet Rabi‘a al-‘Adawiyya, and the influential Egyptian Romantic Ahmad Zaki Abu Shadi. Here too are literary giants of the past century: Khalil Jibran, author of the best-selling The Prophet; popular Syrian poet Nizar Qabbani; Palestinian feminist Fadwa Tuqan; Mahmoud Darwish, bard of occupation and exile; acclaimed iconoclast Adonis; and more. In their evocations of heroism, nostalgia, mysticism, grief, and passion, the poems gathered here transcend the limitations of time and place.Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.