Recommendations based on "The Modern British Horror Film"

THE MIND-BENDING CULT CLASSIC ABOUT A HOUSE THAT’S LARGER ON THE INSIDE THAN ON THE OUTSIDE • A masterpiece of horror and an astonishingly immersive, maze-like reading experience that redefines the boundaries of a novel.''Simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious." —Michiko Kakutani, The New York Times"Thrillingly alive, sublimely creepy, distressingly scary, breathtakingly intelligent—it renders most other fiction meaningless." —Bret Easton Ellis, bestselling author of American Psycho“This demonically brilliant book is impossible to ignore.” —Jonathan Lethem, award-winning author of Motherless BrooklynOne of The Atlantic’s Great American Novels of the Past 100 YearsYears ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth—musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies—the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children.Now made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices, the story remains unchanged. Similarly, the cultural fascination with House of Leaves remains as fervent and as imaginative as ever. The novel has gone on to inspire doctorate-level courses and masters theses, cultural phenomena like the online urban legend of “the backrooms,” and incredible works of art in entirely unrealted mediums from music to video games.Neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of the impossibility of their new home, until the day their two little children wandered off and their voices eerily began to return another story—of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

WINNER OF THE AMERICAN LIBRARY ASSOCIATION’S BEST HORROR NOVEL OF THE YEAR“As much F. Scott Fitzgerald as Dean Koontz” (#1 New York Times bestselling author Patricia Briggs), Christopher Buehlman excels in twisting the familiar into newfound dread in his “genre-bending” (California Literary Review) novels. Now the acclaimed author of Those Across the River delivers his most disquieting tale yet...The secret is, vampires are real and I am one.The secret is, I’m stealing from you what is most truly yours and I’m not sorry...New York City in 1978 is a dirty, dangerous place to live. And die. Joey Peacock knows this as well as anybody—he has spent the last forty years as an adolescent vampire, perfecting the routine he now enjoys: womanizing in punk clubs and discotheques, feeding by night, and sleeping by day with others of his kind in the macabre labyrinth under the city’s sidewalks.The subways are his playground and his highway, shuttling him throughout Manhattan to bleed the unsuspecting in the Sheep Meadow of Central Park or in the backseats of Checker cabs, or even those in their own apartments who are too hypnotized by sitcoms to notice him opening their windows. It’s almost too easy.Until one night he sees them hunting on his beloved subway. The children with the merry eyes. Vampires, like him…or not like him. Whatever they are, whatever their appearance means, the undead in the tunnels of Manhattan are not as safe as they once were.And neither are the rest of us.

The International Movement for the Safety & Protection Of Our Kids & Youth (IMSPOOKY) dictates that Seymour cannot live in the mansion at 43 Old Cemetery Road "without the benefit of parents." Ignatius B. Grumply tries to explain to Dick Tater, the head of IMSPOOKY, that he and Seymour are in a lovely living (and publishing!) arrangement with the ghost of Olive C. Spence. Dick Tater is not convinced. But this clever trio can’t be broken up as easily as he imagines . . .This companion to Dying to Meet You, the first book in the 43 Old Cemetery Road series, is another spooky tale told in letters, drawings, newspaper articles, and television scripts.

With their enemies clamoring for blood, the vampires prepare for a deadly battle--and Darren Shan is framed as public enemy number one in this ninth installment of the "New York Times" bestselling series, now in mass-market paperback.

Don't Miss The First-ever Graphic Novel For Five Nights At Freddy's, An Adaptation Of The #1 New York Times Bestselling Novel, The Silver Eyes, Illustrated By Fan-favorite Game Artist Claudia Schr_der! Ten Years After The Horrific Murders At Freddy Fazbear's Pizza That Ripped Their Town Apart, Charlie - Whose Father Owned The Restaurant - And Her Childhood Friends Reunite On The Anniversary Of The Tragedy And Find Themselves At The Old Pizza Place Which Had Been Locked Up And Abandoned For Years. After They Discover A Way Inside, They Realize That Things Are Not As They Used To Be. The Four Adult-sized Animatronic Mascots That Once Entertained Patrons Have Changed. They Now Have A Dark Secret... And A Murderous Agenda. Complete With New Information And Tense, Terrifying Illustrations, Fans Won't Want To Miss This Graphic Novel Adaptation By Scott Cawthon, Kira Breed-wrisley, And Claudia Schr_der, Whose Stunning Artwork Has Been Featured In The Games.

A Harvey Award Nominee!An NAACP Image Awards Nominee!A Mary Sue Best YA Graphic Novel!A 2025 CBC Best Children's Book of the Year selection! Ghost Roast delivers a paranormal adventure full of first crushes, lost histories, and the impossible task of fitting in when your dad is a professional ghosthunter, all in one stand-alone YA graphic novel from authors Shawneé and Shawnelle Gibbs and debut artist Emily Cannon!For as long as she can remember, Chelsea Grant has tried everything she can think of to distance herself from the disastrous damage her father does to her social life. It's not easy to shake her reputation as Ghost Girl when Dad keeps advertising his business as a "paranormal removal expert" in big, bold, loud letters all over New Orleans!This year, Chelsea's all grown up, attending one of the most prestigious high schools in the city, and she's finally made friends with the popular crowd. Things are looking up--until a night on the town backfires spectacularly, landing her in hot water at home.Her punishment? Working for her dad at Paranormal Removal Services. All. Summer.Worst of all, her new job reveals an unexpected secret she has to keep: While Dad hunts ghosts with his own DIY tech, Chelsea can actually see them. And when she meets Oliver, a friendly spirit, at the fancy mansion her dad is getting a handsome fee to exorcize, she realizes she has to save his afterlife, even if it risks everything her father's worked for."A wonderfully executed remix of the Classic Southern Gothic ghost story. Beautiful, romantic, exciting, and essential." --John Jennings, #1 New York Times bestselling, Eisner Award-winning illustrator of Kindred: A Graphic Novel Adaptation

Soon to be a major motion picture by Warner Bros., "Cirque Du Freak" is the compelling saga of a young boy's journey into a dark world of vampires. Filled with grotesque creatures, murderous vampires, and an expected ending, the book contains "a plot full of twists which leaves the reader hungry for more" (J.K. Rowling).

Goosebumps now on Disney+!Just in time for the Goosebumps movie, in theaters October 16, 2015!Ben and Jenny Renfro are terrified of puppets and they don't know why. It's just been a fear that the twins have shared for as long as they can remember. Yes, they are creeped out by all kinds of puppets, but especially marionettes. Something about all of those wires is extra scary.The twins are determined to defeat their class rivals by winning their school's talent contest. And that means doing whatever it takes. Even if they have to surround themselves by the thing they hate most--puppets! But there is more to these guys than just string and glue. Something evil is hanging around. Will Ben and Jenny be able to take control?

Two zombie apocalypse survivors search for a cure and fight the undead together in this inventive and darkly funny romantic comedy perfect for fans of Pride and Prejudice and Zombies. Sarah and David have survived the zombie apocalypse. They stood side by side and fought the undead, mad scientists, and even bionic monsters until the unthinkable happened. A zombie bite. But not even that could stop them. Now, with a possible cure in hand, they're headed east, looking for a safe zone behind the rumored "Wall." They're feeling pretty optimistic.That is until Dave stops sleeping and starts lifting huge objects.Eat. Slay. Love.Because they haven't got a prayer.

Now a Netflix original series! The fifth book in the New York Times, USA Today, and Wall Street Journal bestselling series, with over 7 million copies in print! "Terrifyingly fun! Delivers big thrills and even bigger laughs."--Jeff Kinney, author of the #1 New York Times bestseller Diary of a Wimpy Kid The 5th book of the New York Times bestselling series! Surviving their first winter after the Monster Apocalypse was no easy feat, yet Jack and his buddies waste no time springing to action against some of the nastiest, most evil monsters around. When Jack discovers his Louisville Slicer has new, otherworldly powers, he's thrown into epic training to find out what kind of destruction the blade can wield. But between fighting off zombies, fleeing from strange, glowy Vine-Thingies erupting from the ground, and squeezing in a video game session or two, there's barely time left to figure out what's wrong with their buddy, Dirk, who's been acting weird any time he's around the undead. When an unexpected villain appears, can Jack and his friends save themselves--and the rest of the world--from cosmic domination? Note: most illustrations are printed in black-and-white, with the occasional gray-and-white image.