Recommendations based on "The Anthropologists"

Paperback. Pub Date :2011-11-10 Pages: 300 Language: English Publisher: HarperCollins UK A ruthless and unflinching examination of American life in the late 1960s. from the author of The Year of Magical Thinking.Somewhere out beyond Hollywood. hollowed- out actress Maria Wyeth's life plays out in a numbing routine of perpetual freeway driving.Anaesthetized to pain and pleasure. she is seemingly unaffected by her fraught personal history.In her early thirties. divorced from her husband. dislocated from friends. and somehow detached from her past and future. Wyeth epitomises a generation made ill by too much freedom.Set beyond good and evil - literally in Los Angeles and the barren wastescapes of the Mojave desert. and figuratively in the landscapes of a broken spirit - Play It As It Lays is an immaculately wrought vision of Californian culture on the cusp of the 1970s.Three d...

'Compelling and fine and rich, I devoured it' TESSA HADLEY 'A writer to watch' FRANCIS SPUFFORD A stunning new novel of power, desire and the secrets all families carry, from the acclaimed author of Nightingale, Marina Kemp. When fledgling writer Zoe arrives at the Sicilian holiday home of famed novelist Don Travers, she feels that she has made it. And yet as the week unfolds it is not Don but his children and unknowable wife, Lydia, who come to intrigue Zoe most. On the fringes, Don's youngest, Nemony, watches as her older siblings begin to navigate the treacherous waters of the adult world. When her adored oldest sister makes a terrible mistake, the holiday ends suddenly, shattering the fragile balance of their parents' marriage and the siblings' lives. Many years later and in the wake of loss, the events of that summer continue to haunt. Nemony, now a lonely new mother herself, strikes up a chance friendship with Zoe. With her support, Nemony attempts to grapple with the casual damage enacted by her father. But as their relationship deepens, she is soon forced to question the true extent of Zoe's fascination with the Travers family. Tracing their lives through Sicily, London and the old mining towns of Appalachia, Nemony must uncover the stories untold - about her implacable father, her troubled mother, and the siblings she might still do anything for. 'Exquisitely written, subtle and transporting' SUSSIE ANIE, author of To Fill a Yellow House 'Ambitious, immersive' OLIVIA SUDJIC, author of Sympathy 'Complex and nuanced...I adored it' LUCY CALDWELL, author of These Days 'Unflinching, magnificent' KAREN POWELL, author of Fifteen Wild Decembers

Yoko Ogawa's The Housekeeper and the Professor is an enchanting story about what it means to live in the present, and about the curious equations that can create a family.He is a brilliant math Professor with a peculiar problem―ever since a traumatic head injury, he has lived with only eighty minutes of short-term memory.She is an astute young Housekeeper―with a ten-year-old son―who is hired to care for the Professor.And every morning, as the Professor and the Housekeeper are introduced to each other anew, a strange and beautiful relationship blossoms between them. Though he cannot hold memories for long (his brain is like a tape that begins to erase itself every eighty minutes), the Professor's mind is still alive with elegant equations from the past. And the numbers, in all of their articulate order, reveal a sheltering and poetic world to both the Housekeeper and her young son. The Professor is capable of discovering connections between the simplest of quantities―like the Housekeeper's shoe size―and the universe at large, drawing their lives ever closer and more profoundly together, even as his memory slips away.

A NATALIE PORTMAN BOOK CLUB PICKFINALIST FOR THE 2022 LA TIMES ART SEIDENBAUM AWARD FOR FIRST FICTION.“The electrifying fiction debut that has been called ‘a modern Mrs. Dalloway.’”—THE ATLANTIC"Mind-bending and utterly original."—Brandon Taylor“Slim in the hand, but its impact is massive.”—Ali SmithOne woman. One day. One decision. A blistering, fearless, and unforgettable literary debut from "a stunning new writer." (Bernardine Evaristo)Come of age in the credit crunch. Be civil in a hostile environment. Go to college, get an education, start a career. Do all the right things. Buy an apartment. Buy art. Buy a sort of happiness. But above all, keep your head down. Keep quiet. And keep going.The narrator of Assembly is a black British woman. She is preparing to attend a lavish garden party at her boyfriend’s family estate, set deep in the English countryside. At the same time, she is considering the carefully assembled pieces of herself. As the minutes tick down and the future beckons, she can’t escape the question: is it time to take it all apart?Assembly is a story about the stories we live within – those of race and class, safety and freedom, winners and losers.And it is about one woman daring to take control of her own story, even at the cost of her life. With a steely, unfaltering gaze, Natasha Brown dismantles the mythology of whiteness, lining up the debris in a neat row and walking away.

"Rejection is unrelentingly brutal and gut-bustingly funny and spares no one—not you, not me. Tulathimutte is a pervert and a madman and a stone-cold genius." —Carmen Maria Machado, author of Her Body and Other PartiesFrom the Whiting and O. Henry–winning author of Private Citizens (“the first great millennial novel,” New York Magazine), an electrifying novel-in-stories that follows a cast of intricately linked characters as rejection throws their lives and relationships into chaos.Sharply observant and outrageously funny, Rejection is a provocative plunge into the touchiest problems of modern life. The seven connected stories seamlessly transition between the personal crises of a complex ensemble and the comic tragedies of sex, relationships, identity, and the internet.In “The Feminist,” a young man’s passionate allyship turns to furious nihilism as he realizes, over thirty lonely years, that it isn’t getting him laid. A young woman’s unrequited crush in “Pics” spirals into borderline obsession and the systematic destruction of her sense of self. And in “Ahegao; or, The Ballad of Sexual Repression,” a shy late bloomer’s flailing efforts at a first relationship leads to a life-upending mistake. As the characters pop up in each other’s dating apps and social media feeds, or meet in dimly lit bars and bedrooms, they reveal the ways our delusions can warp our desire for connection.These brilliant satires explore the underrated sorrows of rejection with the authority of a modern classic and the manic intensity of a manifesto. Audacious and unforgettable, Rejection is a stunning mosaic that redefines what it means to be rejected by lovers, friends, society, and oneself.

What We Talk about When We Talk about Love (Vintage Classices)

The beloved American classic about a young girl's coming-of-age at the turn of the century, Betty Smith's A Tree Grows in Brooklyn is a poignant and moving tale filled with compassion and cruelty, laughter and heartache, crowded with life and people and incident. The story of young, sensitive, and idealistic Francie Nolan and her bittersweet formative years in the slums of Williamsburg has enchanted and inspired millions of readers for more than sixty years. By turns overwhelming, sublime, heartbreaking, and uplifting, the daily experiences of the unforgettable Nolans are raw with honesty and tenderly threaded with family connectedness -- in a work of literary art that brilliantly captures a unique time and place as well as incredibly rich moments of universal experience.

'Stunning' DAZED 'Her prose sparkles' ELIZA CLARK 'Hauntingly good' iNEWS 'A must read' GLAMOUR From the bestselling author of Our Wives Under the Sea, a haunting, heart wrenching novel of three sisters navigating queer love and faith at the end of the world. There's no way to bury a body in earth which is flooded It is a fact consigned to history along with almost everything else It's been raining for a long time now, for so long that the lands have reshaped themselves. Old places have been lost. Arcane rituals and religions have crept back into practice. Sisters Isla, Irene and Agnes have not spoken in some time when their estranged father dies. A famous architect revered for making the new world navigable, he had long cut himself off from public life. They find themselves uncertain of how to grieve his passing when everything around them seems to be ending anyway. As the sisters come together to clear the grand glass house that is the pinnacle of his legacy, they begin to sense that the magnetic influence of their father lives on through it. Something sinister seems to be unfolding, something related to their mother's long-ago disappearance and the strangers who have always been unusually interested in their lives. Soon, it becomes clear that the sisters have been chosen for a very particular purpose, one with shattering implications for their family and their imperilled world. 'Armfield writes so gracefully' THE TIMES 'Evocative yet grounded' OBSERVER 'A chilling vision of a future capital that I've found impossible to shake' INEWS 'Ballard-ian in apocalyptic scope ... Deeply, passionately, messily human' PAUL TREMBLAY 'A signature cocktail of deadpan wit and staggering beauty' ALICE SLATER 'Brilliant, original ... an era-defining writer' KALIANE BRADLEY 'Every page guillotines you with its wisdom' TOM BENN

‘A beautiful read / a perfect primer for an explosive lesbian affair / an essential truth’ Lena Dunham‘I have meditated repeatedly on what it was about Finn that had me so dismantled.'A young woman moves from the countryside to the city.Inexplicably, in¬exorably and immediately, she falls in love with another woman for the first time in her life.Finn is nineteen years older than her, wears men’s clothes, has a cocky smirk of a smile – and a long-term girlfriend.With precision, wit and tenderness, Women charts the frenzy and the fall out of love.

A novel of loss and love. The author has also written Sexing the Cherry and Oranges are Not the Only Fruit which won the 1985 Whitbread Prize and was later adapted as an award-winning BBC dramatization. Her book The Passion won the 1987 John Llewellyn Rhys Memorial Prize.