Recommendations based on "Shuggie Bain: Winner of the Booker Prize 2020"
Based on your reading history, we think you will also enjoy the following books.
By Jonathan Swift
'... a most delicious, nourishing, and wholesome food...' Swift's devastating short satire on how to solve a famine Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Jonathan Swift (1667-1745). Swift's works available in Penguin Classics are Gulliver's Travels and A Modest Proposal and Other Writings.
By Bill Bryson
Alternative cover editions for this ISBN can be found here, here, here and hereAs his many British fans already know, bearded Yankee butterball Bill Bryson specialises in going to countries we think we know well, only to return with travelogues that are surprisingly cynical and yet shockingly affectionate. It's a unique style, possibly best suited to the world's weirder destinations. It's helpful here: Bryson's latest subject is that oddest of continents, Australia.For a start, there's the oddly nasty fauna and flora. Barely a page of Down Under is without its lovingly detailed list of lethal antipodean critters: sociopathic jellyfish, homicidal crocs, toilet-dwelling death-spiders, murderous shrubs (yes, shrubs). Bryson's absorbing and informative portrait is of a terrain so intractably vast, a land so climatically extreme, it seems expressly designed to daunt and torment humankind.This very user-unfriendliness throws up another Aussie paradox. If the country is so hostile how come the natives are so laid back, so relaxed? As Bryson shuffles from state to state, he seeks the key to the uniquely cool Australian character and finds it in Australia's tragicomic past, her genetic seeding of convicts, explorers, gold diggers, outlaws. This is a country of lads and mates, of boozy gamblers--nowadays mellowed by sunshine and sporting success.Down Under is a fine book. So it may not be quite as deliciously malicious as Bryson's The Lost Continent, nor as laugh-out-loud funny as Neither Here Nor There. But so what? A Bill Bryson on cruise control is better than most travel writers on turbodrive. --Sean Thomas
By Stuart Hall
'This is a miracle of a book' George Lamming'Compelling. Stuart Hall's story is the story of an age' Owen Jones'Sometimes I feel I was the last colonial'This is the story, in his own words, of the extraordinary life of Stuart Hall: writer, thinker and one of the leading intellectual lights of his age. Growing up in a middle-class family in 1930s Jamaica, then still a British colony, Hall found himself caught between two worlds: the stiflingly respectable middle class in Kingston, who, in their habits and ambitions, measured themselves against the white planter elite; and working-class and peasant Jamaica, neglected and grindingly poor, though rich in culture, music and history. But as colonial rule was challenged, things began to change in Jamaica and across the world.When, in 1951, a scholarship took him across the Atlantic to Oxford University, Hall encountered other Caribbean writers and thinkers, from Sam Selvon and George Lamming to V. S. Naipaul. He also forged friendships with the likes of Raymond Williams and E. P. Thompson, with whom he worked in the formidable political movement, the New Left, and developed his groundbreaking ideas on cultural theory. Familiar Stranger takes us to the heart of Hall's struggle in post-war England: that of building a home and a life in a country where, rapidly, radically, the social landscape was transforming, and urgent new questions of race, class and identity were coming to light.Told with passion and wisdom, this is a story of how the forces of history shape who we are.
By Willy Russell
The hilarious, bittersweet novel from the playwright behindEDUCATING RITA, SHIRLEY VALENTINE and award-winning musical BLOOD BROTHERS .Dear Morrissey,I'm feeling dead depressed and down. Like a streetlamp without a bulb or a goose at the onset of Christmas time.Anyroad, I thought I'd pen a few lines to someone who'd understand...It's 1991. Raymond Marks is a normal boy, from a normal family, in a normal northern town. Only lately, he's been feeling dead down. His dad left home after falling in love with a five-string banjo. His fun-hating grandma believes she should have married Jean-Paul 'I could never read his books, but y' could tell from his picture, there was nothing frivolous about John-Paul Sartre.' Felonious Uncle Jason and Appalling Aunty Paula are lusting after the satellite dish.And so he turns to the one person who'll understand what he's going Morrissey. Told through a series of heartfelt letters to the frontman of The Smiths, this is a laugh-out-loud funny, incredibly poignant tale from a character you can't help but love.'Big-hearted, wonderfully funny and engrossing' THE MIRROR'A warm, funny, poignant story. I loved The Wrong Boy - and so will you' SUNDAY TELEGRAPH'A comic masterpiece' BEL MOONEY, MAIL ON SUNDAY
By Michael Nott
A no-holds-barred biography of the great poet and sexual rebel, who could “give the dead a voice, make them sing” (Hilton Als, The New Yorker).Thom Gunn was not a confessional poet, and he withheld much, but inseparable from his rigorous, formal poetry was a ravenous, acute experience of life and death.Raised in Kent, England, and educated at Cambridge, Gunn found a home in San Francisco, where he documented the city’s queerness, the hippie mentality (and drug use) of the sixties, and the tragedy and catastrophic impact of the AIDS crisis in the eighties and beyond. As Jeremy Lybarger wrote in The New Republic, the author of Moly and The Man with Night Sweats was “an agile poet who renovated tradition to accommodate the rude litter of modernity.” Thom Gunn: A Cool Queer Life chronicles, for the first time, the largely undocumented life of this revolutionary poet. Michael Nott, a coeditor of The Letters of Thom Gunn, draws on letters, diaries, notebooks, interviews, and Gunn’s poetry to create a portrait as vital as the man himself.Nott writes with insight and intimacy about the great sweep of Gunn’s life: his traditional childhood in England; his mother’s suicide; the mind-opening education he received at Cambridge, reading Shakespeare and John Donne; his decades in San Francisco and with his life partner, Mike Kitay; and his visceral experience of sex, drugs, and loss. Thom Gunn: A Cool Queer Life is a long-awaited, landmark study of one of England and America’s most innovative poets.
By Erma Bombeck
“[Erma Bombeck] is marvelously funny, direct as a hypodermic, a virtuoso in the field of suburban living.”—VogueIt’s the exposé to end all exposés—the truth about the suburbs: where they planted trees and crabgrass came up, where they planted the schools and taxes came up, where they died of old age trying to merge onto the freeway and where they finally got sex out of the schools and back into the gutters.
By Lemony Snicket, Daniel Handler
Lemony Snicket's work is filled with bitter truths, like: 'It is always cruel to laugh at people, of course, although sometimes if they are wearing an ugly hat it is hard to control yourself.' Or: 'It is very easy to say that the important thing is to try your best, but if you are in real trouble the most important thing is not trying your best, but getting to safety.'For all of life's ups and downs, its celebrations and its sorrows, here is a book to commemorate it all – especially for those not fully soothed by chicken soup. Witty and irreverent, Horseradish is a book with universal appeal, a delightful vehicle to introduce Snicket's uproariously unhappy observations to a crowd not yet familiar with the Baudelaires' misadventures.
By Jonathan Coe
The hilarious 1980s political satire by Jonathan Coe, published as a Penguin Essential for the first time.It is the 1980s and the Winshaw family are getting richer and crueller by the year:Newspaper-columnist Hilary gets thousands for telling it like it isn't; Henry's turning hospitals into car parks; Roddy's selling art in return for sex; down on the farm Dorothy's squeezing every last pound from her livestock; Thomas is making a killing on the stock exchange; and Mark is selling arms to dictators.But once their hapless biographer Michael Owen starts investigating the family's trail of greed, corruption and immoral doings, the time growing ripe for the Winshaws to receive their comeuppance. . .This wickedly funny take on life under the Thatcher government was the winner of the 1995 John Llewellyn Rhys Prize'A sustained feat of humour, suspense and polemic, full of twists and ironies' Hilary Mantel, Sunday Times'A riveting social satire on the chattering and all-powerful upper classes' Time Out'Big, hilarious, intricate, furious, moving' Guardian
By P.G. Wodehouse
P.G. Wodehouse (1881-1975) was perhaps the most widely acclaimed British humorist of the twentieth century. Throughout his career, he brilliantly examined the complex and idiosyncratic nature of English upper-crust society with hilarious insight and wit. The works in this volume provide a wonderful introduction to Wodehouse’s work and his unique talent for joining fantastic plots with authentic emotion.In The Code of the Woosters, Wodehouse’s most famous duo, Bertie Wooster and his unflappable valet Jeeves, risks all to steal a cream jug. Uncle Fred in the Springtime, part of the famous Blandings Castle series, follows Uncle Fred as he attempts to ruin the Duke of Blandings while he is preoccupied with his favorite pig. Fourteen stories feature some of Wodehouse’s most memorable characters, and three autobiographical pieces provide a revealing look into Wodehouse’s life.With his gift for hilarity and his ever-human tone, Wodehouse and his work have never felt more lively. With a New Introduction by John Mortimer