Recommendations based on "Sexuality: A Graphic Guide"

Discover the rich and complex history of LGBTQ+ people around the world - their struggles, triumphs, and cultural contributions.Exploring and explaining the most important ideas and events in LGBTQ+ history and culture, this book showcases the breadth of the LGBTQ+ experience. This diverse, global account explores the most important moments, movements, and phenomena, from the first known lesbian love poetry of Sappho to Kinsey's modern sexuality studies, and features biographies of key figures from Anne Lister to Audre Lorde.Dive deep into the pages of The LGBTQ + History book to- Thought-provoking graphics and flow-charts demystify the central concepts behind key moments in LGBTQ+ history, from eromenos and erastes in the Ancient World to political lesbianism.- Features insightful quotes from leading historians, philosophers, cultural commentators, economists, anthropologists, sociologists, activists, and politicians.- Includes biography boxes and directory entries on the lives of important but lesser-known individuals, alongside well-known names including Sappho, Oscar Wilde, Anne Lister, Harvey Milk, and Marsha P. Johnson.- Global in scope with a localizable directory.The LGBTQ+ History Book celebrates the victories and untold triumphs of LGBTQ+ people throughout history, such as the Stonewall Riots and first gender affirmation surgeries, as well as commemorating moments of tragedy and persecution, from the Renaissance Italian "Night Police" to the 20th century "Don't Ask Don't Tell" policy. The book also includes major cultural cornerstones - the secret language of polari, Black and Latine ballroom culture, and the many flags of the community - and the history of LGBTQ+ spaces, from 18th-century "molly houses" to modern "gaybourhoods".The LGBTQ+ History Book celebrates the long, proud - and often hidden - history of LGBTQ+ people, cultures, and places from around the world.

Praised by the Chicago Tribune as "an impressive study" and written with incisive wit and searing perception--the definitive, highly acclaimed landmark work on the portrayal of homosexuality in film.

A moving exploration of how gay men construct their identities, fight to be themselves, and live authenticallyIt goes without saying that even today, it’s not easy to be gay in America. While young gay men often come out more readily, even those from the most progressive of backgrounds still struggle with the legacy of early-life stigma and a deficit of self-acceptance, which can fuel doubt, regret, and, at worst, self-loathing. And this is to say nothing of the ongoing trauma wrought by AIDS, which is all too often relegated to history. Drawing on his work as a clinical psychologist during and in the aftermath of the epidemic, Walt Odets reflects on what it means to survive and figure out a way to live in a new, uncompromising future, both for the men who endured the upheaval of those years and for the younger men who have come of age since then, at a time when an HIV epidemic is still ravaging the gay community, especially among the most marginalized.Through moving stories―of friends and patients, and his own―Odets considers how experiences early in life launch men on trajectories aimed at futures that are not authentically theirs. He writes to help reconstruct how we think about gay life by considering everything from the misleading idea of “the homosexual,” to the diversity and richness of gay relationships, to the historical role of stigma and shame and the significance of youth and of aging. Crawling out from under the trauma of destructive early-life experience and the two epidemics, and into a century of shifting social values, provides an opportunity to explore possibilities rather than live with limitations imposed by others. Though it is drawn from decades of private practice, activism, and life in the gay community, Odets’s work achieves remarkable universality. At its core, Out of the Shadows is driven by his belief that it is time that we act based on who we are and not who others are or who they would want us to be. We―particularly the young―must construct our own paths through life. Out of the Shadows is a necessary, impassioned argument for how and why we must all take hold of our futures.

I still thought breasts might be more trouble than they were worth. Growing up reminded me a little bit of Hide and Go Seek. When it was your time to grow up, Natrue said, "Here I come, ready or not." And Nature could always find you.

Brings together a wealth of research and an expansive selection of photographs to create an enduring account of America's first-known trans network, Casa Susanna.

The much-anticipated follow up to the groundbreaking anthology Disability Visibility: another revolutionary collection of first-person writing on the joys and challenges of the modern disability experience, and intimacy in all its myriad forms. What is intimacy? More than sex, more than romantic love, the pieces in this stunning and illuminating new anthology offer broader and more inclusive definitions of what it can mean to be intimate with another person. Explorations of caregiving, community, access, and friendship offer us alternative ways of thinking about the connections we form with others—a vital reimagining in an era when forced physical distance is at times a necessary norm.  But don't worry: there's still sex to consider—and the numerous ways sexual liberation intersects with disability justice. Plunge between these pages and you'll also find disabled sexual discovery, disabled love stories, and disabled joy. These twenty-five stunning original pieces—plus other modern classics on the subject, all carefully curated by acclaimed activist Alice Wong—include essays, photo essays, poetry, drama, and erotica: a full spectrum of the dreams, fantasies, and deeply personal realities of a wide range of beautiful bodies and minds. Disability Intimacy will free your thinking, invigorate your spirit, and delight your desires.

A brand-new collection from the award-winning poet, the companion piece to the Sunday Times bestselling Slug 'Funny, so smart and refreshingly honest' SARAH MILLICAN 'Hollie McNish's words always sweep me away' GIOVANNA FLETCHER 'Bold, hilarious and tender' SALENA GODDEN This book is written out of both hate and love for the world As people, we are capable of both love and hate; amazement and disgust; fun and misery. So why do we live in a world that is constantly telling us to hate, both ourselves and others? We are told to be repulsed by our own bodies, bodies that let us laugh and sweat and eat toast; to be ashamed of pleasure; to be embarrassed by fun. In this collection, Hollie McNish brings her inimitable style to the question of what have been taught to hate, and if we might learn to love again. 'Never have we needed her more' STYLIST 'I've loved her work for years' JO BRAND 'She writes with honesty, conviction, humour and love' KAE TEMPEST

Male homosexual activity in public and semipublic locations is a central but seldom explored dimension of gay culture around the world. The majority of existing research emphasizes the impersonality of such erotic interaction and underscores the element of danger involved. While never denying the danger of anonymous public sex in the age of AIDS, the contributors to Public Sex/Gay Space go beyond narrow moralisms about the need to regulate unsafe sexual practices to discuss the significance of sex in public. William Leap has brought together contributions from such fields as anthropology, sociology, literary criticism, and history to reinvigorate the discussion on this issue, with twelve essays providing a more nuanced portrait of why public sexual activity is such an integral part of gay culture. The authors present rich ethnographic snapshots of male sex in public places--many drawn from interviews with participants or, in some instances, the authors' personal experiences.Contributors investigate a broad cultural spectrum of gay sexual space and activity: in a public park in contemporary Hanoi, at the beachfront community of New York's Fire Island, and in nineteenth-century Amsterdam, for example. They explore issues such as visibility and secrecy, as well as economic status and social class, and interrogate the historical trajectories through which certain locations come to be favored sites for sexual encounters. Together, they offer insight into the ways in which public sex calls into question the very line that divides "public" from "private."

Key artists' writings that have influenced and catalyzed contemporary queer artistic practice.Historically, "queer" was the slur used against those who were perceived to be or made to feel abnormal. Beginning in the 1980s, "queer" was reappropriated and embraced as a badge of honor. While queer draws its politics and affective force from the history of non-normative, gay, lesbian, and bisexual communities, it is not equivalent to these categories, nor is it an identity. Rather, it offers a strategic undercutting of the stability of identity and of the dispensation of power that shadows the assignment of categories and taxonomies. Artists who identify their practices as queer today call forth utopian and dystopian alternatives to the ordinary, adopt outlaw stances, embrace criminality and opacity, and forge unprecedented kinships, relationships, loves, and communities.Rather than a book of queer theory for artists, this is a book of artists' queer tactics and infectious concepts. By definition, there can be no singular "queer art." Here, in the first Documents of Contemporary Art anthology to be centered on artists' writings, numerous conversations about queer practice are brought together from diverse individual, social and cultural contexts. Together these texts describe and examine the ways in which artists have used the concept of queer as a site of political and institutional critique, as a framework to develop new families and histories, as a spur to action, and as a basis from which to declare inassimilable difference.Artists and writers includeNayland Blake, Gregg Bordowitz, Leigh Bowery, AA Bronson, A. K. Burns, Giuseppe Campuzano, Tee Corinne, Barbara DeGenevieve, Dyke Action Machine , Elmgreen & Dragset, Rotimi Fani-Kayode, Simon Fujiwara, Malik Gaines, Felix Gonzalez-Torres, Gran Fury, Sunil Gupta, Hahn Thi Pham, Harmony Hammond, Sharon Hayes, Hudson, Roberto Jacoby, Derek Jarman, Isaac Julien, Mahmoud Khaled, Zoe Leonard, Lesbian Avengers, Catherine Lord, Ma Liuming, LTTR, Allyson Mitchell, Zanele Muholi, Carlos Motta, Oca a, H lio Oiticica, Catherine Opie, Ridykeulous (Nicole Eisenman & A.L. Steiner), Marlon Riggs, Emily Roysdon, Prem Sahib, Assoto Saint, Tejal Shah, Amy Sillman, Jack Smith, Wolfgang Tillmans, Toxic Titties, Danh Vo, David Wojnarowicz, Wu Tsang, Yan Xing, Las Yeguas del Apocalipsis, Akram Zaatari, Sergio Zevallos

The men of Renaissance Florence were so renowned for sodomy that "Florenzer" in German meant "sodomite." Indeed, in the late fifteenth century, as many as one in two Florentine men had come to the attention of the authorities for sodomy by the time they were thirty. In the seventy years from 1432 to 1502, some 17,000 men--in a city of only 40,000--were investigated for sodomy; 3,000 were convicted and thousands more confessed to gain amnesty. Michael Rocke vividly depicts this vibrant sexual culture in a world where these same-sex acts were not the deviant transgressions of a small minority, but an integral part of a normal masculine identity. In 1432 The Office of the Night was created specifically to police sodomy in Florence. Seventy years of denunciations, interrogations, and sentencings left an extraordinarily detailed record, which Rocke uses to its fullest in this richly documented portrait. He describes a wide range of sexual experiences between males, ranging from boys such as fourteen-year-old Morello di Taddeo, who prostituted himself to fifty-seven men, to the notorious Jacopo di Andrea, a young bachelor implicated with forty adolescents over a seventeen-year period and convicted thirteen times; same-sex "marriages" like that of Michele di Bruno and Carlo di Berardo, who were involved for several years and swore a binding oath to each other over an altar; and Bernardo Lorini, a former Night Officer himself with a wife and seven children, accused of sodomy at the age of sixty-five. (Mortified, he sent his son Taddeo to confess for him and plead for a discreet resolution of his case.) Indeed, nearly all Florentine males probably had some kind of same-sex experience as a part of their "normal" sexual life. Rocke uncovers a culture in which sexual roles were strictly defined by age, with boys under eighteen the "passive" participants in sodomy, youths in their twenties and older men the "active" participants, and most men at the age of thirty marrying women, their days of sexual frivolity with boys largely over. Such same sex activities were a normal phase in the transition to adulthood, and only a few pursued them much further. Rather than precluding heterosexual experiences, they were considered an extension of youthful and masculine lust and desire. As Niccolo Machiavelli quipped about a handsome man, "When young he lured husbands away from their wives, and now he lures wives away from their husbands." Florentines generally accepted sodomy as a common misdemeanor, to be punished with a fine, rather than as a deadly sin and a transgression against nature. There was no word, in the otherwise rich Florentine sexual lexicon, for "homosexual," nor was there a distinctive and well-developed homosexual "subculture." Rather, sexual acts between men and boys were an integral feature of the dominant culture. Rocke roots this sexual activity in the broader context of Renaissance Florence, with its social networks of families, juvenile gangs, neighbors, patronage, workshops, and confraternities, and its busy political life from the early years of the Republic through the period of Lorenzo de' Medici, Savonarola, and the beginning of Medici princely rule. His richly detailed book paints a fascinating picture of a vibrant time and place and calls into question our modern conceptions of gender and sexual identity.