Recommendations based on "Rules for Aging and Larceny"

When Blasted was first produced at the Royal Court in 1995 it was hailed jointly as a masterpiece and a 'disgusting piece of filth' (Daily Mail). Subsequently that play, and the others that followed, have been produced all over the world. This anthology includes Kane's never-before-published Channel 4 screenplay, Skin."Kane wrote simply and starkly about the world she saw around her...a mature and vividly theatrical response to the pain of living." Guardian

I'll show you what a woman can do . . .Rome 1611.A jewel-bright place of change, with sumptuous new palaces and lavish wealth on display. A city where women are seen but not heard.Artemisia Gentileschi dreams of becoming a great artist. Motherless, she grows up among a family of painters -- men and boys. She knows she is more talented than her brothers, but she cannot choose her own future. She wants to experience the world, but she belongs to her father and will belong to a husband.As Artemisia patiently goes from lesson to lesson, perfecting her craft, she also paints in private, recreating the women who inspire her, away from her father's eyes.Until a mysterious tutor enters her life. Tassi is a dashing figure, handsome and worldly, and for a moment he represents everything that a life of freedom might offer. But then the unthinkable happens.In the eyes of her family, Artemisia should accept her fate. In the eyes of the law, she is the villain.But Artemisia is a survivor. And this is her story to tell.

In the tumultuous years before the First World War, sisters Iris, Marianne, Eva and Clemency, born and raised in industrial Sheffield, seek to follow their dreams.When twenty-year-old Marianne meets handsome, sophisticated Arthur Leighton at a local provincial ball, she knows that she has found the love of her life. Years pass, and Iris, her ambition of a grand marriage dashed, becomes a nurse in a London hospital, surprising herself, and her family, at her ability to deal with the injuries and needs of her patients. When Eva falls in love with the Bohemian, Gabriel Bellamy, her hopes of becoming an artist falter, for though he admires her work, he expects attention in return for his tutelage. Caring for her invalid mother, Clemency remains tied to the family home, stifling her dreams of a life elsewhere. And Marianne’s desire for happiness turns to nightmare when she finds herself trapped in an isolated outpost of the Empire with a cruel and dangerous man. Only her love for her son and her memory of her sisters, thousands of miles away in England, give her the strength to survive.As the clouds darken and war changes the lives all the sisters have known, Iris, Marianne, Eva and Clemency fight to free themselves of the bonds that confine them and discover love at last.

At the vulnerable age of 12, Lara McDonnell was picked out by a gang of men who befriended her, showered her with attention and gained her trust. Manipulated and groomed, her life quickly spiralled out of control as the men trafficked her around the country, deliberately keeping her compliant with drink and drugs. Deeply disturbed, and frightened about what the gang would do to her if she tried to break free, it would take over 4 years for Lara to find the strength to fight back, flee Oxford and escape her nightmare.This is her heartbreaking story.

Mary Tudor is often written off as a hopeless, twisted queen who tried desperately to pull England back to the Catholic Church that was so dear to her mother, and sent many to burn at the stake in the process. In this radical re-evaluation of the first 'real' English queen regnant, Judith M. Richards challenges her reputation as 'Bloody Mary' of popular historical infamy, contending that she was closer to the more innovative, humanist side of the Catholic Church. Richards argues persuasively that Mary, neither boring nor basically bloody, was a much more hard-working, 'hands on', and decisive queen than is commonly recognized. Had she not died in her early forties and failed to establish a Catholic succession, the course of history could have been very different, England might have remained Catholic and Mary herself may even have been treated more kindly by history. This illustrated and accessible biography is essential reading for all those with an interest in one of England's most misrepresented monarchs.

*A Washington Post Notable Book for February!* The dramatic, absolutely outrageous story of Caroline of Brunswick, a beloved icon of the Regency era, who uplifted the voice of the public and unabashedly defied society’s expectations, yet was shockingly robbed of her crown, from the host of the Vulgar History podcast. Caroline Amelia Elizabeth, Princess of Brunswick, was born in the northern German town of Braunschweig. Her mother and father, the duke and duchess, instantly knew one thing: there was something irrefutably untamable about their daughter. She grew up a wild child, sequestered from others to protect her family's reputation—a Regency-era Rapunzel. She was freed from this gilded cage by an unexpected marriage proposal from George Augustus Frederick, Prince of Wales and the eldest son of George III and Queen Charlotte. Caroline was entirely unprepared for the backstabbing mean girls of the royal court. Always staying true to herself, she stepped into her role of queen-to-be without compromising her character, showing off her affinity for fashion, her many eccentric hobbies, and ultimately, her infallible spirit, despite being ostracized as an outsider by her in-laws. And so Caroline became the unlikely figurehead of the anti-monarchists, aided by the just-emerging tabloid press. Yet, despite her status as a revolutionary heroine, Caroline’s name faded away following her death. Until now. For fans of Normal Women, Ann Foster brings us the riveting story of Caroline of Brunswick, Britain’s uncrowned queen, through an empowering examination of womanhood and autonomy that feels just as relevant today.

From the internationally bestselling author of The Porcelain Moon comes a haunting Gothic novel set in 1911 China. Two young women living in a crumbling, once-grand Shanghai mansion face danger as secrets of their pasts come to light, even as the mansion’s own secret threatens the present. Shanghai, 1911. Lisan Liu is elated when she is hired as secretary to wealthy American Caroline Stanton, the new mistress of Lennox Manor on the outskirts of Shanghai’s International Settlement. However, the Manor has a dark past due to a previous owner’s suicide, and soon Lisan’s childhood nightmares resurface with more intensity and meld with haunted visions of a woman in red. Adding to her unease is the young gardener, Yao, who both entices and disturbs her. Newly married Caroline looks forward to life in China with her husband, Thomas, away from the shadows of another earlier tragedy. But an unwelcome guest, Andrew Grey, attends her party and claims to know secrets she can’t afford to have exposed. At the same party, the notorious princess Masako Kyo approaches Lisan with questions about the young woman’s family that the orphaned Lisan can’t answer. As Caroline struggles with Grey’s extortion and Thomas’s mysterious illness, Lisan’s future is upended when she learns the truth about her past, and why her identity has been hidden all these years. All the while, strange incidents accelerate, driving Lisan to doubt her sanity as Lennox Manor seems unwilling to release her until she fulfills demands from beyond the grave. 

Not wishing to cause a scandal within the Joneses' household, Emma chooses to make a clean break from her old life and takes a train to the sea. As chance would have it, Emma finds herself sharing a car with another maid, one who serves at a large manor in the country. A big house bustling with servants seems an ideal place in which to move forward after losing her mistress and leaving her love back in London. Learning the precise dance of domestic service in her new environment is a welcome challenge, but how long can hard work divert Emma's mind from the longing of her heart?

Clodia Metelli: The Tribune's Sister is the first full-length biography of a Roman aristocrat whose colorful life, as described by her contemporaries, has inspired numerous modern works of popular fiction, art, and poetry. Clodia, widow of the consul Metellus Celer, was one of several prominent females who made a mark on history during the last decades of the Roman Republic. As the eldest sister of the populist demagogue P. Clodius Pulcher, she used her wealth and position to advance her brother's political goals. For that she was brutally reviled by Clodius' enemy, the orator M. Tullius Cicero, in a speech painting her as a scheming, debauched whore. Clodia may also have been the alluring mistress celebrated in the love poetry of Catullus, whom he calls "Lesbia" in homage to Sappho and depicts as beautiful, witty, but also false and corrupt. From Cicero's letters, finally, we receive glimpses of a very different woman, a great lady at her leisure. This study examines Clodia in the contexts of her family background, the societal expectations for a woman of her rank, and the turbulent political climate in which she operated. It weighs the value of the several kinds of testimony about her and attempts to extract a picture as faithful to historical truth as possible. The manner in which Clodia was represented in writings of the period, and the motives of their authors in portraying her as they did, together shed considerable light on the role played by female figures in Roman fiction and historiography.

After scaring off the first governess, Miss Norrie, Martha is faced with Miss Crow. It takes some unusual expeditions for the spirited Scottish girl to realize that there "are" things you can learn from governesses besides sewing and manners.