Recommendations based on "Mozart: The 'Haydn' Quartets"

Against Interpretation was Susan Sontag's first collection of essays and is a modern classic. Originally published in 1966, it has never gone out of print and has influenced generations of readers all over the world. It includes some of Sontag's best-known works, among them On Style, Notes on 'Camp', and the titular essay Against Interpretation, where Sontag argues that modern cultural conditions have given way to a new critical approach to aesthetics.

This work is a selection from Susan Sontag's early writings about the arts and contemporary culture. First published in 1966, the book quickly became a modern classic and has had enormous influence here and abroad. As well as the title essay, 'On Style' and the famous 'Notes on Camp', the book includes discussion of such figures as Satre, Simone Weil, Genet, Brecht, Beckett, Artaud, and Goddard.

Despite growing interest in her philosophy, Simone de Beauvoir remains widely misunderstood. She is typically portrayed as a mere intellectual follower of her companion, Jean-Paul Sartre. In Philosophical Writings, Beauvoir herself shows that nothing could be further from the truth.Beauvoir's philosophical work suffers from a lack of English-language translation or, worse, mistranslation into heavily condensed popular versions. Philosophical Writings provides an unprecedented collection of complete, scholarly editions of philosophical texts that cover the first twenty-three years of Beauvoir's career, including a number of recently discovered works. Ranging from metaphysical literature to existentialist ethics, Philosophical Writings brings together diverse elements of Beauvoir's work while highlighting continuities in the development of her thought. Each of the translations features detailed notes and a scholarly introduction explaining its larger significance.Revelatory and long overdue, Philosophical Writings adds to the ongoing resurgence of interest in Beauvoir's thought and to her growing influence on today's philosophical curriculum.

The largest collection of poetry ever assembled in English by “the most important Spanish-language writer since Cervantes” (Mario Vargas Llosa)A Penguin Classics Deluxe Edition with flaps and deckle-edged paperThough universally acclaimed for his dazzling fictions, Jorge Luis Borges always considered himself first and foremost a poet. This new bilingual selection brings together some two hundred poems, including scores of poems never previously translated. Edited by Alexander Coleman, it draws from a lifetime's work--from Borges's first published volume of verse, Fervor de Buenos Aires (1923), to his final work, Los conjurados, published just a year before his death in 1986. Throughout this unique collection the brilliance of the Spanish originals is matched by luminous English versions by a remarkable cast of translators, including Robert Fitzgerald, Stephen Kessler, W. S. Merwin, Alastair Reid, Mark Strand, Charles Tomlinson, and John Updike.For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

This is the only English translation of this important book by the world's most distinguished Bach scholar. This work is widely regarded as the most authoritative and comprehensive treatment of the Bach cantatas. It begins with a historical survey of the seventeenth-century background to the cantatas, and performance practice issues. The core of the book is a work-by-work study in which each cantata in turn is represented by its libretto, a synopsis of its movements, and a detailed analytical commentary. This format makes it extremely useful as a reference work for anyone listening to, performing in, or studying any of the Bach cantatas. All the cantata librettos are given in German-English parallel text. For the English edition the text has been carefully revised to bring it up to date, taking account of recent Bach scholarship.

The third volume of one of the greatest novels of the twentieth centuryMark Treharne's acclaimed new translation of The Guermantes Way will introduce a new generation of American readers to the literary richness of Marcel Proust. The third volume in Penguin Classics' superb new edition of In Search of Lost Time—the first completely new translation of Proust's masterpiece since the 1920s—brings us a more comic and lucid prose than English readers have previously been able to enjoy.After the relative intimacy of the first two volumes of In Search of Lost Time, The Guermantes Way opens up a vast, dazzling landscape of fashionable Parisian life in the late nineteenth century, as the narrator enters the brilliant, shallow world of the literary and aristocratic salons. Both a salute to and a devastating satire of a time, place, and culture, The Guermantes Way defines the great tradition of novels that follow the initiation of a young man into the ways of the world.

Antonio Gramsci (1891-1937) is widely celebrated as the most original political thinker in Western Marxism and an all-around outstanding intellectual figure. Arrested and imprisoned by the Italian Fascist regime in 1926, Gramsci died before fully regaining his freedom. Nevertheless, in his prison notebooks, he recorded thousands of brilliant reflections on an extraordinary range of subjects, establishing an enduring intellectual legacy.Columbia University Press's multivolume Prison Notebooks is the only complete critical edition of Antonio Gramsci's seminal writings in English. The notebooks' integral text gives readers direct access not only to Gramsci's influential ideas but also to the intellectual workshop where those ideas were forged. Extensive notes guide readers through Gramsci's extraordinary series of reflections on an encyclopedic range of topics. Volume 1 opens with an introduction to Gramsci's project, describing the circumstances surrounding the composition of his notebooks and examining his method of inquiry and critical analysis. It is accompanied by a detailed chronology of the author's life. An unparalleled translation of notebooks 1 and 2 follows, which laid the foundations for Gramsci's later writings. Most intriguing are his earliest formulations of the concepts of hegemony, civil society, and passive revolution.

Blending intellectual speculation with anecdote and personal reflection, the Renaissance thinker and writer Michel de Montaigne pioneered the modern essay form. This edition contains all of his idiosyncratic and timeless writings on subjects as varied as the virtues of solitude, the power of the imagination, the pleasures of reading, the importance of sleep and why we sometimes laugh and cry at the same things. Montaigne's complete Essays, translated by M. A. Screech, are presented here as a beautifully produced, desirable collector's edition. This oversize volume is printed in two-colour, bound in high-quality rich blue cloth and embellished with gold foil stamped into the design. Michel Eyquem, Seigneur de Montaigne, was born in 1533. He was brought up to speak Latin as his mother tongue and always retained a Latin turn of mind; though he knew Greek, he preferred to use translations. In 1569 he published his French version of the Natural Theology of Raymond Sebond; his Apology is only partly a defence of Sebond and sets sceptical limits to human reasoning about God, man and nature. He retired in 1571 to his lands at Montaigne, devoting himself to reading and reflection and composing his Essays (first version 1580). He loathed the fanaticism and cruelties of the religious wars of the period, but sided with Catholic orthodoxy and legitimate monarchy. He died at Montaigne in 1592 while preparing the final, and richest, edition of his Essays. M. A. Screech is an Emeritus Fellow of All Souls College, Oxford. He is recognised as a world authority on the Renaissance, especially for his studies on Rabelais, Erasmus and Montaigne. His translation of Montaigne was immediately welcomed for its discrete learning and elegance. In recognition of his achievements the French Republic made him a Chevalier dans l'Ordre national du Merite and then a Chevalier dans la Legion d' Honneur.

In the final decade of his life, Camille Pissarro abandoned his experimentation with neo-Impressionist technique and developed new forms of pictorial expression that drew more on the Impressionism of his earlier career. During this period - from 1893 to 1903 - Pissarro besides continuing to explore the landscape genre that had been his main subject matter, also began to grapple with urban scenes, and his paintings of Paris, Rouen, and the busy ports of Dieppe and Le Havre became an important component of his artistic output. At this time, Pissarro, like Monet, started to work on canvases in series, often painting six or seven canvases simultaneously and discarding one temporarily when the light, the traffic, the weather, or his mood altered. He started all of them at the scene, in the manner perfected by the Impressionists, and worked with extraordinary speed and deftness. By 1899, he lived part-time in Paris and, from his combined studio and living space, painted a series that included over forty views of the same motif. Richard Bretell and Joachim Pissarro begin this book on Pissarro's cityscapes by setting the paintings in their broad, art-historical context, tracing the tradition of the image of the city both within and prior to Impressionism and looking also at contemporary treatments of the urban scene by Vuillard, Bonnard, and Toulouse-Lautrec. The authors examine the history of the representation of the city in the literature, poetry, and philosophical writings of the nineteenth century and discuss Pissarro's knowledge of these alternative theories of the city. Using Pissarro's extensive correspondence from this period of his life, they describe the artist's attitudes toward his final works. The book also includes a catalogue of Pissarro's urban series, each one introduced by an overview covering the history of the cityscape pictured and the production, exhibition history, and early critical reception of the series. Full data on each painting follows.

This book is a magisterial account of the life and times of Marcel Proust, one of the greatest literary voices of the twentieth century. Based on a host of recently available letters, memoirs, and manuscripts, it sheds new light on Proust's character, his development as an artist, and his masterpiece In Search of Lost Time (long known in English as Remembrance of Things Past). The biography also sets Proust's life in the decadent artistic and social context of the French fin de sihcle and the years leading up to World War I. The glittering Parisian world of which Proust was a part was also home to such luminaries as Anatole France, Jean Cocteau, and Andri Gide. William Carter brings this vibrant social world to life while he explores the inner world of Proust's intellectual and artistic development, as well as his most intimate personal experience. Carter examines Proust's passionate attachment to his mother, his deep love for the scenes of his youth, his flirtation with Parisian high society, his complicated sexual desires, and his irrevocable commitment to literary truth and shows how all these played out in the making of his great novel. In the book's abundance of detail, its we