Recommendations based on "Lieutenant Bones"

Contains the Bryant Spann Memorial Prize in Literature for 1997, an award-winning essay, "The Very Last Hurrah" by Eric Leif Davin.

From Ernest Hemingway's Preface: 'There are many kinds of stories in this book. I hope you will find some that you like - In going where you have to go, and doing what you have to do, and seeing what you have to see, you dull and blunt the instrument you write with. But I would rather have it bent and dulled and know I had to put it on the grindstone and hammer it into shape and put a whetstone to it, and know that I had something to write about, than to have it bright and shining, and nothing to say, or smooth and well-oiled in the closet, but unused.' This is a collection of Hemingway's first forty-nine short stories, featuring a brief introduction by the author and lesser known as well as familiar tales, including "Up in Michigan", "Fifty Grand", and "The Light of the World", and the "Snows of Kilimanjaro", "Winner Take Nothing" and "Men Without Women" collections.

This revision of the acclaimed and widely assigned Norton Critical Edition of Frederick Douglass’s great autobiography Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself includes key examples of literary and cultural analyses that have engaged scholars over the last three decades. This Norton Critical Edition includes:- Frederick Douglass’s 1845 Narrative, the most influential autobiography of its kind.- A preface and explanatory footnotes by William L. Andrews and William S. McFeely.- Contemporary perspectives by Douglass, Margaret Fuller, James Monroe Gregory, and Elizabeth Cady Stanton.- Essays by William L. Andrews, William S. McFeely, Henry Louis Gates, Jr., Deborah E. McDowell, Houston A. Baker, Jr., Jeannine Marie DeLombard, and Robert D. Richardson, Jr.- A Chronology and a Selected Bibliography.

#1 New York Times bestselling author John Jakes presents part two of the epic North and South Trilogy--the Civil War saga that inspired the classic television miniseries North and South--with over five million copies sold! "Massive, lusty, highly readable...A graphic, fast-paced amalgam of good, evil, love, lust, war, violence, and Americana."--The Washington Post Book World From the first shots at Fort Sumter, the Hazards and the Mains are divided against each other--and themselves. Some will experience the horrors of war on the front lines on some of the bloodiest battlefields of the Civil War. Some will give their lives for their beliefs. But all will be caught in the triumph and tragedy of a conflict that destroyed a country's innocence--and forged a nation.

Originally published in 1935, this is Pulitzer Prize winner Edna Ferber's sprawling novel of Wisconsin's logging days, when fortunes—and families—were made and broken over king lumber. Barney Glasgow, who had fought his way up from chore-boy in the lumber camps of Iron Ridge to lumber king of Wisconsin, is fifty-three and has much reason to be content when the granddaughter of his old friend, Swan Bostrom, disrupts his life. But destiny provides an ironic escape from folly, and Barney's son carries on the story—a story which was to end in those fatal months that closed the year 1929. Rich with the vibrant qualities of life itself, this is more than the story of Barney Glasgow and his children. It is the story of lumber, and the story of the making and breaking of a fortune, during one of the most fascinating periods in the history of Wisconsin, and of the nation.

Rusty Travels Abroad To Fulfil His Dream Of Becoming A WriterRusty Goes To London Is The Fourth Book In Puffin'S New Series Of The Complete Escapades Of Rusty; This Is The First Time That All The Rusty Stories Are Available In Chronological Order. In His Early Twenties Now, Rusty Finally Severs Ties With Dehra And Books A Passage To England, With The Dream Of Writing And Selling His Novel Abroad. First In His Aunt'S House In Jersey, And Then In Rented Lodgings In London, He Works As A Clerk By Day And Writes Away In The Evenings. Eventually The Novel Is Finished And Rusty Even Finds A Publisher. But This, He Discovers, Does Not Mean That His Book Will See The Light Of Day Soon ...While In London, Rusty Has Myriad Adventures, Each More Incredible Than The Last. Strolling Down Baker Street, He Runs Into Sherlock Holmes, Who Gives Him A Few Lessons In Investigative Techniques. At The Victoria And Albert Museum, He Is Accosted By Rudyard Kipling. And Then, Of Course, There Is The Strange Incident At The Chinese Quarter, The Calypso Christmas In His Lodgings, And The Story Of The Vietnamese Girl Vu-Phuong. After Three Years Abroad, However, Rusty Realizes That He Wants To Make India His Permanent Home; All He Really Needs Is A Room Of His Own To Live And Write In, As The Vibrant World That He Has Known And Loved All Along Unfolds Outside. Returning To Dehra, He Renews Some Acquaintances And Makes A Few New Ones, And Settles Into His Role As Full-Time Author. Full Of Interesting Stories And Memorable Characters, Rusty Goes To London Is A Book That Will Delight All Of Ruskin Bond'S Young Fans.

The multi-million-copy bestseller that blends truth and fiction in a “devastating indictment of American policy” (New York Times Book Review). A piercing exposé of American incompetence and corruption in Southeast Asia, The Ugly American captivated the nation when it was first published in 1958. The book introduces readers to an unlikely hero in the titular “ugly American”—and to the ignorant politicians and arrogant ambassadors who ignore his empathetic and commonsense advice. In linked stories and vignettes set in the fictional nation of Sarkhan, William J. Lederer and Eugene Burdick draw an incisive portrait of American foreign policy gone dangerously wrong—and how it might be fixed. Eerily relevant sixty years after its initial publication, The Ugly American reminds us that “today, as the battle for hearts and minds has shifted to the Middle East, we still can’t speak Sarkhanese” (New York Times).

George MacDonald Fraser's famous Flashman series appearing for the first time in B-format with an exciting new series style, ready to please his legions of old fans and attract armies of new ones. The illustrious Flashy gets up to his old tricks in another installment of The Flashman Papers. 'Forward the Light Brigade' Was there a man dismayed? Indeed there was. As the British cavalry prepared to launch themselves against the Russian guns at Balaclava, Harry Flashman was not so much dismayed as terrified. But the Crimea was only the beginning: beyond lay snowbound wastes of the Great Russian slave-empire, torture and death from relentless enemies, headlong escapes, savage tribal hordes to the right of him, passionate and beautiful females to the left of him, and finally that unknown but desperate war on the roof of the world, when India was the mighty prize and there was nothing to stop the armed might of Imperial Russia but the wavering sabre and terrified ingenuity of old Flashy himself.

When Norman Maclean sent the manuscript of A River Runs through It and Other Stories to New York publishers, he received a slew of rejections. One editor, so the story goes, replied, “it has trees in it.” Forty years later, the title novella is recognized as one of the great American tales of the twentieth century, and Maclean as one of the most beloved writers of our time. The finely distilled product of a long life of often surprising rapture—for fly-fishing, for the woods, for the interlocked beauty of life and art—A River Runs through It has established itself as a classic of the American West. This new edition will introduce a fresh audience to Maclean’s beautiful prose and understated emotional insights. Elegantly redesigned, A River Runs through It includes a new foreword by Robert Redford, director of the Academy Award-winning 1992 film adaptation of River. Based on Maclean’s own experiences as a young man, the book’s two novellas and short story are set in the small towns and mountains of western Montana. It is a world populated with drunks, loggers, card sharks, and whores, but also one rich in the pleasures of fly-fishing, logging, cribbage, and family. By turns raunchy and elegiac, these superb tales express, in Maclean’s own words, “a little of the love I have for the earth as it goes by.”

For jazz historians, Louis Armstrong's Hot Five and Hot Seven recordings mark the first revolution in the history of a music riven by upheaval. Yet few traces of this revolution can be found in the historical record of the late 1920s, when the records were made. Even black newspapers covered Armstrong as just one name among many, and descriptions of his playing, while laudatory, bear little resemblance to those of today. For this reason, the perspective of Armstrong's first listeners is usually regarded as inadequate, as if they had missed the true significance of his music. This attitude overlooks the possibility that those early listeners might have heard something valuable on its own terms, something we ourselves have lost. If we could somehow recapture their perspective-without abandoning our own-how might it change our understanding of these seminal recordings? In Louis Armstrong's Hot Five and Hot Seven Recordings, Harker selects seven exceptional records to study at length: "Cornet Chop Suey," "Big Butter and Egg Man," "Potato Head Blues," "S.O.L. Blues"/"Gully Low Blues," "Savoy Blues," and "West End Blues." The world of vaudeville and show business provide crucial context, revealing how the demands of making a living in a competitive environment could catalyze Armstrong's unique artistic gifts. Technical achievements such as virtuosity, structural coherence, harmonic improvisation, and high-register playing are all shown to have a basis in the workaday requirements of Armstrong's profession. Invoking a breadth of influences ranging from New Orleans clarinet style to Guy Lombardo, and from tap dancing to classical music, this book offers bold insights, fresh anecdotes, and, ultimately, a new interpretation of Louis Armstrong and his most influential body of recordings.