Recommendations based on "Good Night Stories For Rebel Girls - The Chapter Book Collection (s&s Shipment And Assembly)"

Nineteen Arab women journalists speak out about what it’s like to report on their changing homelands in this first-of-its-kind essay collection, with a foreword by CNN chief international correspondent Christiane Amanpour“A stirring, provocative and well-made new anthology . . . that rewrites the hoary rules of the foreign correspondent playbook, deactivating the old clichés.” —Dwight Garner, The New York TimesA growing number of intrepid Arab and Middle Eastern sahafiyat—female journalists—are working tirelessly to shape nuanced narratives about their changing homelands, often risking their lives on the front lines of war. From sexual harassment on the streets of Cairo to the difficulty of traveling without a male relative in Yemen, their challenges are unique—as are their advantages, such as being able to speak candidly with other women at a Syrian medical clinic or with men on Whatsapp who will go on to become ISIS fighters, rebels, or pro-regime soldiers.In Our Women on the Ground, nineteen of these women tell us, in their own words, about what it’s like to report on conflicts that (quite literally) hit close to home. Their daring and heartfelt stories, told here for the first time, shatter stereotypes about the region’s women and provide an urgently needed perspective on a part of the world that is frequently misunderstood.INCLUDING ESSAYS BY: Donna Abu-Nasr, Aida Alami, Hannah Allam, Jane Arraf, Lina Attalah, Nada Bakri, Shamael Elnoor, Zaina Erhaim, Asmaa al-Ghoul, Hind Hassan, Eman Helal, Zeina Karam, Roula Khalaf, Nour Malas, Hwaida Saad, Amira Al-Sharif, Heba Shibani, Lina Sinjab, and Natacha Yazbeck

Nineteen Arab women journalists speak out about what it’s like to report on their changing homelands in this first-of-its-kind essay collection, with a foreword by CNN chief international correspondent Christiane Amanpour “A stirring, provocative and well-made new anthology . . . that rewrites the hoary rules of the foreign correspondent playbook, deactivating the old clichés.” —Dwight Garner, The New York Times A growing number of intrepid Arab and Middle Eastern sahafiyat—female journalists—are working tirelessly to shape nuanced narratives about their changing homelands, often risking their lives on the front lines of war. From sexual harassment on the streets of Cairo to the difficulty of traveling without a male relative in Yemen, their challenges are unique—as are their advantages, such as being able to speak candidly with other women at a Syrian medical clinic or with men on Whatsapp who will go on to become ISIS fighters, rebels, or pro-regime soldiers.  In Our Women on the Ground, nineteen of these women tell us, in their own words, about what it’s like to report on conflicts that (quite literally) hit close to home. Their daring and heartfelt stories, told here for the first time, shatter stereotypes about the region’s women and provide an urgently needed perspective on a part of the world that is frequently misunderstood. INCLUDING ESSAYS BY: Donna Abu-Nasr, Aida Alami, Hannah Allam, Jane Arraf, Lina Attalah, Nada Bakri, Shamael Elnoor, Zaina Erhaim, Asmaa al-Ghoul, Hind Hassan, Eman Helal, Zeina Karam, Roula Khalaf, Nour Malas, Hwaida Saad, Amira Al-Sharif, Heba Shibani, Lina Sinjab, and Natacha Yazbeck

________The Sunday Times BestsellerNational Book Awards - Young Adult Book of the Year 2018!"Brilliant, hysterical, truthful and real. These essays illuminate the path for our future female leaders." - Reese Witherspoon"As a feminist who loves pink, I give this brilliant book of essays an enthusiastic "YES"" - Mindy Kaling"A refreshing and honest celebration of all that it means to be a woman today." - Fearne CottonYou need this book. Funny, powerful and personal writing by women, for women, about what the F word means to them.Every woman has a different story to tell. Reading them all in one book might just change your life.New pink feminists are being announced every week - follow @feminists on Instagram to find out more!Keira Knightley - Gemma Arterton - Bridget Jones (by Helen Fielding) - Saoirse Ronan - Dolly Alderton - Karen Gillan - Alicia Garza - Jameela Jamil - Kat Dennings - Nimco Ali - Beanie Feldstein - Olivia Perez - Amika George - Evanna Lynch - Akilah Hughes - Tanya Burr - Grace Campbell - Alison Sudol - Elyse Fox - Charlie Craggs - Rhyannon Styles - Skai Jackson - Tasha Bishop - Lolly Adefope - Bronwen Brenner - Dr Alaa Murabit - Trisha Shetty - Jordan Hewson - Amy Trigg - Em Odesser - Emi Mahmoud - Lydia Wilson - Swati SharmaMore praise for Feminists Don't Wear Pink:"Pick it up and read one story from your favourite columnist or actress, but I guarantee you'll end up reading the full, illuminating collection, and you'll possibly finish it knowing more about your own personal stance than you imagined." - Glamour.co.uk"This collection of essays curated by writer Scarlett Curtis is a call-to-arm that allows us to unpick what it means to be a feminist in a safe space." - Stylist.co.uk"We advise placing a copy in the hands of every girl (and guy) you know." - Red Magazine**Published in partnership with Girl Up, the UN women's foundation, royalties will benefit this amazing charity**

Linda Nochlins Seminal Essay On Women Artists Is Widely Acknowledged As The First Real Attempt At A Feminist History Of Art. Nochlin Refused To Handle The Question Of Why There Had Been No Great Women Artists On Its Own, Corrupted, Terms. Instead, She Dismantled The Very Concept Of Greatness, Unravelling The Basic Assumptions That Had Centred A Male-coded Genius In The Study Of Art. With Unparalleled Insight And Startling Wit, Nochlin Laid Bare The Acceptance Of A White Male Viewpoint In Art Historical Thought As Not Merely A Moral Failure, But An Intellectual One. Freedom, As She Sees It, Requires Women To Risk Entirely Demolishing The Art Worlds Institutions, And Rebuilding Them Anew In Other Words, To Leap Into The Unknown. In This Stand-alone Anniversary Edition, Nochlins Essay Is Published Alongside Its Reappraisal, Thirty Years After. Written In An Era Of Thriving Feminist Theory, As Well As Queer Theory, Race And Postcolonial Studies, Thirty Years After Is A Striking Reflection On The Emergence Of A Whole New Canon. With Reference To Joan Mitchell, Louise Bourgeois, Cindy Sherman And Many More, Nochlin Diagnoses The State Of Women And Art With Unmatched Precision And Verve. Why Have There Been No Great Women Artists? Has Become A Slogan And Rallying Cry That Resonates Across Culture And Society; Dior Even Adopted It In Their 2018 Collections. In The 2020s, At A Time When Certain Patriarchal Values Are Making A Comeback, Nochlin's Message Could Not Be More Urgent: As She Herself Put It In 2015, There Is Still A Long Way To Go.

The story of four remarkable women who shaped the intellectual history of the 20th century: Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch.On the cusp of the Second World War, four women went to Oxford to begin their studies: a fiercely brilliant Catholic convert; a daughter of privilege longing to escape her stifling upbringing; an ardent Communist and aspiring novelist with a list of would-be lovers as long as her arm; and a quiet, messy lover of newts and mice who would become a great public intellectual of our time. They became lifelong friends. At the time, only a handful of women had ever made lives in philosophy. But when Oxford's men were drafted in the war, everything changed.As Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch labored to make a place for themselves in a male-dominated world, as they made friendships and families, and as they drifted toward and away from each other, they never stopped insisting that some lives are better than others. They argued that courage and discernment and justice--and love--are the heart of a good life.This book presents the first sustained engagement with these women's contributions: with the critique and the alternative they framed. Drawing on a cluster of recently opened archives and extensive correspondence and interviews with those who knew them best, Benjamin Lipscomb traces the lives and ideas of four friends who gave us a better way to think about ethics, and ourselves.

One hundred great folk tales and fairy tales from all over the world about strong, smart, brave heroines.Dismayed by the predominance of male protagonists in her daughters' books, Kathleen Ragan set out to collect the stories of our forgotten heroines. Gathered from around the world, from regions as diverse as sub-Saharan Africa and Western Europe, from North and South American Indian cultures and New World settlers, from Asia and the Middle East, these 100 folktales celebrate strong female heroines.Fearless Girls, Wise Women, and Beloved Sisters is for all women who are searching to define who they are, to redefine the world and shape their collective sensibility. It is for men who want to know more about what it means to be a woman. It is for our daughters and our sons, so that they can learn to value all kinds of courage, courage in battle and the courage of love. It is for all of us to help build a more just vision of woman.

The twentieth anniversary edition of a transformative blueprint for ancestral healing—featuring new material and gateways, from the renowned herbalist, natural health expert, and healer of women’s bodies and souls“This book was one of the first that helped me start practices as a young woman that focused on my body and spirit as one.”—Jada Pinkett SmithThrough extraordinary meditations, affirmations, holistic healing plant-based medicine, KMT temple teachings, and The Rites of Passage guidance, Queen Afua teaches us how to love and rejoice in our bodies by spiritualizing the words we speak, the foods we eat, the relationships we attract, the spaces we live and work in, and the transcendent woman spirit we manifest. With love, wisdom, and passion, Queen Afua guides us to accept our mission and our mantle as Sacred Women—to heal ourselves, the generations of women in our families, our communities, and our world.

In this first digital original novella set in the world of the Front Lines series, Michael Grant showcases the real-life female journalists of World War II who became the first women war correspondents in history.   When fierce reporter Anne “Spats” Patrone joins the front lines, she gains access to the female soldiers of Second Squad, Fifth Platoon, Company A, 119th Division, including Rio Richlin. During her journalistic investigation on the front lines she will discover that women are capable of much more than fighting. But what starts out as a pursuit for a story turns deadly when Germans attack. Will Spats make it out alive?

In this well-structured, fluent and lively account, Paula Bartley uses new archival material to assess whether Pankhurst should be seen as a heroine or a tyrant, a conservative or a progressive.Emmeline Pankhurst was the most prominent campaigner for the women's right to vote and was transformed into a popular heroine of the early twentieth century. Early in life she was attracted to socialism, she grew into an entrenched and militant suffragette and ended up as a Conservative Party candidate.This new biography examines the guiding principles that underpinned all of Emmeline Pankhurst's actions, and places her achievements within a wider social and political context.

A New York Times Best Art Book of 2019“A riveting book . . . few stones are left unturned.”—Roberta Smith’s “Top Art Books of 2019,” The New York TimesThis fascinating and enlightening study of the tie-on pocket combines materiality and gender to provide new insight into the social history of women’s everyday lives—from duchesses and country gentry to prostitutes and washerwomen—and to explore their consumption practices, sociability, mobility, privacy, and identity. A wealth of evidence reveals unexpected facets of the past, bringing women’s stories into intimate focus.“What particularly interests Burman and Fennetaux is the way in which women of all classes have historically used these tie-on pockets as a supplementary body part to help them negotiate their way through a world that was not built to suit them.”—Kathryn Hughes, The Guardian“A brilliant book.”—Ulinka Rublack, Times Literary Supplement