Recommendations based on "Ghost Lights: A Novel"

In this bestselling follow-up to The Dallergut Dream Department Store, beloved characters must visit a special dream-making district to unlock new secrets about the customers they lost and hope to bring back. It's been a year since Penny first walked through the doors of the Dallergut Dream Department Store, and surviving a year at the store means one thing… She is now an official employee of the dream industry! She can finally take the express commuter train to the Company District, where all the dream-production companies are located, and discover how all raw dream materials and testing equipment are produced. But the Company District is not quite what she expected. Instead it hides a secret underbelly of the magical industry that Penny thought she was a part of. Penny discovers the Civil Complaint Center, full of people filing complaints about their dreams. She also learns about the regular customers who have stopped coming to the store. As she gets to the bottom of each complaint, she begins to expand her horizons, moving beyond the role of dreamseller to understanding what lies in the hearts of their lost regulars. The Dallergut Dream-Making District delves deeper into the dream industry and its customers. Why do some of them buy a dream and never return? And can Penny and her colleagues bring their regulars back?

Ray Bradbury's moving recollection of a vanished golden era remains one of his most enchanting novels. Dandelion Wine stands out in the Bradbury literary canon as the author's most deeply personal work, a semi-autobiographical recollection of a magical small-town summer in 1928.Twelve-year-old Douglas Spaulding knows Green Town, Illinois, is as vast and deep as the whole wide world that lies beyond the city limits. It is a pair of brand-new tennis shoes, the first harvest of dandelions for Grandfather's renowned intoxicant, the distant clang of the trolley's bell on a hazy afternoon. It is yesteryear and tomorrow blended into an unforgettable always. But as young Douglas is about to discover, summer can be more than the repetition of established rituals whose mystical power holds time at bay. It can be a best friend moving away, a human time machine who can transport you back to the Civil War, or a sideshow automaton able to glimpse the bittersweet future.Come and savor Ray Bradbury's priceless distillation of all that is eternal about boyhood and summer.

Two of Steinbeck's best-known short novels depict an assortment of characters who inhabit the outer fringes of society

Brian Attebery's "strategy of fantasy" include not only the writer's strategies for inventing believable impossibiltes, but also the reader's strategies for enjoying, challenging, and conspiring with the text. Drawing on a number of current literary theories (but avoiding most of their jargon), Attebery makes a case for fantasy as a significant movement within postmodern literature rather than as a simple exercise of nostalgia. Attebury examines recent and classic fantasies by Ursula K. Le Guin, John Crowley, J.R.R. Tolkien, Diana Wynne Jones, and Gene Wolfe, among others. In both its popular and postmodern incarnations, fantasic fiction exhibits a remarkable capacity for reinventing narrative concentions. Attebery shows how plots, characters, settings, storytelling frameworks, gender divisions, and references to cultural texts such as history and science are all called into question the moment the marvelous is admited into a story.

As further evidence of his family's bad fortune which they attribute to a curse on a distant relative, Stanley Yelnats is sent to a hellish correctional camp in the Texas desert where he finds his first real friend, a treasure, and a new sense of himself.

Pod, Homily, and Arrietty Clock -- the family of tiny Borrowers -- think they have at last found an ideal home. They've moved into a house in a miniature village built as a hobby by a retired railroad man. The village is the perfect size for the Borrowers, and after the hardships they've faced, the Clocks gratefully settle into the luxury of having a "proper" house. The easy life makes them careless. Or, rather, it makes Arrietty careless. She befriends a "human bean," and the next thing Arrietty knows, she and her family have been kidnapped. Their captors are a greedy married couple, called the Platters, who have big plans for the little people. They have created their own miniature village in a glass case and plan to imprison the Borrowers within -- like animals in a zoo -- for the rest of their lives.

Tolly comes to live with his great-grandmother at the ancient house of Green Knowe and becomes friends with three children who lived there in the seventeenth century. "L.M. Boston's classic is a sophisticated mood piece disguised as a children's ghost story. As young Toseland goes to live with his grandmother in the family's ancestral home, the reader is plunged immediately into the world of Green Knowe. Like Toseland, who actually rows up to his new home in the midst of a flood, we have a hard time finding our bearings. Toseland discovers a funny kind of grandmother awaiting him--one who speaks elliptically of the children and animals she keeps around the house: they might be memories, they might be ghosts. It's never quite clear where real life leaves off and magic begins. Toseland admires a deer: "A deer seems more magic than a horse." His grandmother is quick to respond: "Very beautiful fairy-tale magic, but a horse that thinks the same thoughts that you do is like strong magic wine, a love philtre for boys. With this meshing of the magical and the real, Boston evokes a childlike world of wonder. She compounds the effect by combining gorgeous images and eerily evocative writing. Toseland goes out on a snowy morning: "In front of him, the world was an unbroken dazzling cloud of crystal stars, except for the moat, which looked like a strip of night that had somehow sinned and had no stars in it." The loosely plotted story is given more resonance still through liberal use of biblical imagery and Anglo-Saxon mythology. For those willing to suspend their disbelief and read carefully, the world of Green Knowe offers a wondrous escape." Source: www.amazon.com.

As soon as he sees Trickster, the new horse at Quinn’s Stables, David knows he’s found the horse he was born to ride. But David’s got a reputation as a troublemaker . . . and Trickster’s still recuperating from an accident. David is determined to clear his name and prove to Mr. Quinn that he’s worth taking a chance on. Can he reach his goal?

“Only a fool would pass this one up.” —Laurie R. King In 1205, Theophilos—a fool by trade, a family man by choice, and a spy by design—belongs, along with his family, to the Fools’ Guild, a group that secretly maintains the fragile order of society. In Toulouse, that order is threatened when, unexpectedly, a man claiming to be a full brother of the ruling count is found one morning in a local bordello next to a dead whore, killed with his own sword. Now, Theophilos and his family must uncover the truth.

Book 14 in the delightful 44 Scotland Street series, by worldwide bestselling author Alexander McCall Smith At the bottom of a sharply descending street - in the topographical sense - in Edinburgh's Georgian New Town, new residents have moved in to number 44 Scotland Street, joining the already well-known and much-loved denizens of that remarkable building. They appear to be a bit of a mystery, but so, too, do other things. What exactly did Sister Maria-Fiore, the aphorism-coining socialite nun, find on the No. 23 bus? Could it be the remains of a hitherto unknown Neanderthal, homo Watsoniensis? On the romantic front, long-suffering Stuart's hopes of kindling a new relationship are dashed, thanks to chino-wearing narcissist Bruce, effortlessly exercising his powers of charm. The Promised Land beckons for Bertie who is off to Glagow for a school exchange that takes him doon the watter. Back in Edinburgh, the Duke of Johannesburg's desire to learn a new language, involving his Gaelic-speaking driver Padruig, has gone horribly wrong; to be immersed in a language, it seems, can be a captivating linguistic mistake. And the patrons of Big Lou's cafe are in for a gastronomic treat. In other words, everything in Edinburgh is absolutely normal. 'Perfect escapism' Sunday Times, South Africa 'A vividly surreal cast of outlandish characters [and] McCall Smith's wonderfully wry delivery' Scottish Field