Recommendations based on "Doctor Faustus: The B Text"

Presents the three classic plays "Salome," "Lady Windermere's Fan," and "The Importance of Being Earnest"

amateur production of The Tempest provides a colourful backdrop for an hilarious look at unrequited love. Mathematics teacher Hector Mackilwraith, stirred and troubled by Shakespeare's play, falls in love with the beautiful Griselda Webster. When Griselda shows that she has plans of her own, Hector despairs and tries to commit suicide on the play's opening night.

This text is part of a series of selected Shakepeare texts designed for student use. The introduction provides criticsim, covering themes, characters and dramatic structure, and helpful notes are provided at the right level on every page, facing the text.

Anthology for Music in the Renaissance, part of the Western Music in Context series, is the ideal companion to Music in the Renaissance. Twenty-seven carefully chosen works including an isorhythmic motet by Ciconia, an English carol, a Janequin chanson, and lute composition by Ortiz offer representative examples of the genres and composers of the period. Commentaries following each score present a careful analysis of the music, and online links to purchase and download recordings make listening easier than ever. "

Long before the satirical comedy of The Daily Show and The Colbert Report, the comic operas of W. S. Gilbert and Arthur Sullivan were the hottest send-ups of the day's political and cultural obsessions. Gilbert and Sullivan's productions always rose to the level of social commentary, despite being impertinent, absurd, or inane. Some viewers may take them straight, but what looks like sexism or stereotype was actually a clever strategy of critique. Parody was a powerful weapon in the culture wars of late-nineteenth-century England, and with defiantly in-your-face sophistication, Gilbert and Sullivan proved that popular culture can be intellectually as well as politically challenging.Carolyn Williams underscores Gilbert and Sullivan's creative and acute understanding of cultural formations. Her unique perspective shows how anxiety drives the troubled mind in the Lord Chancellor's "Nightmare Song" in Iolanthe and is vividly realized in the sexual and economic phrasing of the song's patter lyrics. The modern body appears automated and performative in the "Junction Song" in Thespis, anticipating Charlie Chaplin's factory worker in Modern Times. Williams also illuminates the use of magic in The Sorcerer, the parody of nautical melodrama in H.M.S. Pinafore, the ridicule of Victorian aesthetic and idyllic poetry in Patience, the autoethnography of The Mikado, the role of gender in Trial by Jury, and the theme of illegitimacy in The Pirates of Penzance. With her provocative reinterpretation of these artists and their work, Williams recasts our understanding of creativity in the late nineteenth century.

Henry V of England, the princely hero of Shakespeare's play, who successfully defeated the French at the Battle of Agincourt and came close to becoming crowned King of France, is one of the best known and most compelling monarchs in English history. This new biography takes a fresh look at his entire life and nine year reign, and gives a balanced view of Henry, who is traditionally seen as a great hero but has been more recently depicted as an obsessive egotist or, worse, a ruthless warlord. The book locates Henry's style of kingship in the context of the time, and looks at often neglected other figures who influenced and helped him, such as his father and his uncles, Henry and Thomas Beaufort. John Matusiak shows that the situation confronting Henry at the outset of his reign was far more favourable than is often supposed but that he was nonetheless a man of prodigious gifts whose extraordinary achievements in battle left the deepest possible impression upon his contemporaries.

Richard II is one of the most enigmatic of English kings. Shakespeare depicted him as a tragic figure, an irresponsible, cruel monarch who nevertheless rose in stature as the substance of power slipped from him. By later writers he has been variously portrayed as a half-crazed autocrat or a conventional ruler whose principal errors were the mismanagement of his nobility and disregard for the political conventions of his age. This book--the first full-length biography of Richard in more than fifty years--offers a radical reinterpretation of the king. Nigel Saul paints a picture of Richard as a highly assertive and determined ruler, one whose key aim was to exalt and dignify the crown. In Richard's view, the crown was threatened by the factiousness of the nobility and the assertiveness of the common people. The king met these challenges by exacting obedience, encouraging lofty new forms of address, and constructing an elaborate system of rule by bonds and oaths. Saul traces the sources of Richard's political ideas and finds that he was influenced by a deeply felt orthodox piety and by the ideas of the civil lawyers. He shows that, although Richard's kingship resembled that of other rulers of the period, unlike theirs, his reign ended in failure because of tactical errors and contradictions in his policies. For all that he promoted the image of a distant, all-powerful monarch, Richard II's rule was in practice characterized by faction and feud. The king was obsessed by the search for personal security: in his subjects, however, he bred only insecurity and fear. A revealing portrait of a complex and fascinating figure, the book is essential reading for anyone with an interest in the politics and culture of the English middle ages.

Five comedies from Ancient Greece that freely blend satire and slapstick Offering a window into the world of ordinary Athenians, Aristophanes' The Birds and Other Plays is a timeless set of comedies, combining witty satire and raucous slapstick to wonderful effect. The plays in this volume all contain Aristophanes' trademark bawdy comedy and dazzling verbal agility. In The Birds, two cunning Athenians persuade the birds to build the utopian city of 'Much Cuckoo in the Clouds' in the sky, blockading the Olympian gods and installing themselves as new deities. The Knights is a venomous satire on Cleon, a prominent Athenian demagogue, who vies with a humble sausage-seller for the approval of the people; while The Assembly-Women deals with the battle of the sexes as the women of Athens infiltrate the all-male Assembly in disguise. The lengthy conflict with Sparta is the subject of Peace, inspired by the hope of a settlement in 421 BC, and Wealth reflects on the economic catastrophe that hit Athens after the war. These lively translations by David Barrett and Alan H. Sommerstein capture the full humour of the plays. The introduction examines Aristophanes' life and times, and the comedy and poetry of his works, and this edition also includes an introductory note for each play. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

With a foreword by Faridah Àbíké-Íyímídé, author of Ace of Spades‘Something is rotten in the state of Denmark’The King of Denmark is dead. When Hamlet, Prince of Denmark, meets the King’s ghost and discovers he was murdered, he swears vengeance against the killer: his father’s brother, Claudius, who has married Hamlet’s mother and taken the throne. Furious at this betrayal, Hamlet devises a complex plot to reveal the truth and enact his revenge. But Claudius has a devious plan of his own. Together, they will bring devastation to the entire court.Hamlet is Shakespeare’s timeless story of grief and a revenge so unrelenting that by curtain’s close, all the major players are dead.Discover STAGED, a limited collection of Shakespeare’s unabridged plays that celebrates the genius of the Bard and the tropes that continue to delight YA readers to this day.Explore the rest of the STAGED collection:As You Like It – With a foreword by Talia HibbertMacbeth – With a foreword by Kat DelacorteA Midsummer Night’s Dream – With a foreword by Becky AlbertalliMuch Ado About Nothing – With a foreword by Holly BourneRomeo and Juliet – With a foreword by Jennifer Niven

Set in a courtly world of masked revels and dances, this play turns on the archetypal story if a lady falsely accused of unfaithfulness, spurned by her bridegroom, and finally vindicated and reunited with him. Villainy, schemes, and deceit threatens to darken the brilliant humor and sparkling wordplay--but the hilarious counterplot of a warring couple, Beatrice and Benedick, steals the scene as the two are finally tricked into admitting their love for each other in Shakespeare's superb comedy of manners.