Recommendations based on "Dear Enemy (The Best Sellers of 1916 Series)"

The Republic of Gilead offers Offred only one function: to breed. If she deviates, she will, like dissenters, be hanged at the wall or sent out to die slowly of radiation sickness. But even a repressive state cannot obliterate desire - neither Offred's nor that of the two men on which her future hangs...

In 'Corrag', Susan Fletcher tells us the story of an epic historic event, of the difference a single heart can make - and how deep and lasting relationships can come from the most unlikely places.Other titles:The Highland WitchWitch Light

'An outstanding work' – Philippa Gregory 'A powerful narrative told with frankness and sensitivity' Helen Fry, historian and author of Women In Intelligence

Wife. Mother. Politician. Traitor. Fighter. Survivor. CECILY "Rebellion?" The word is a spark. They can start a fire with it, or smother it in their fingertips. She chooses to start a fire. You are born high, but marry a traitor's son. You bear him twelve children, carry his cause and bury his past. You play the game, against enemies who wish you ashes. Slowly, you rise. You are Cecily. But when the King who governs you proves unfit, what then? Loyalty or treason - death may follow both. The board is set. Time to make your first move. Told through the eyes of its greatest unseen protagonist, this astonishing debut plunges you into the blood and exhilaration of the first days of the Wars of the Roses, a war as women fight it.

Sharp-witted and sharp-tongued, Arcangela Tarabotti (1604-52) yearned to be formally educated and enjoy an independent life in Venetian literary circles. But instead, at sixteen, her father forced her into a Benedictine convent. To protest her confinement, Tarabotti composed polemical works exposing the many injustices perpetrated against women of her day.Paternal Tyranny, the first of these works, is a fiery but carefully argued manifesto against the oppression of women by the Venetian patriarchy. Denouncing key misogynist texts of the era, Tarabotti shows how despicable it was for Venice, a republic that prided itself on its political liberties, to deprive its women of rights accorded even to foreigners. She accuses parents of treating convents as dumping grounds for disabled, illegitimate, or otherwise unwanted daughters. Finally, through compelling feminist readings of the Bible and other religious works, Tarabotti demonstrates that women are clearly men's equals in God's eyes.An avenging angel who dared to speak out for the rights of women nearly four centuries ago, Arcangela Tarabotti can now finally be heard.

AN EPIC FEMINIST RETELLING OF THE WAR OF THE ROSES1431 is a dangerous time for a woman to be defiant.England has been fighting France for 100 years. At home, power-hungry men within a corrupt government manipulate a weak king - and name Cecily's husband, York's loyal duke, an enemy. As the king's grasp on sanity weakens, plots to destroy York take root... It will take all of Cecily's courage and cunning to save her family. But when the will to survive becomes ambition for a crown, will she risk treason to secure it? Inside closed bedchambers and upon bloody battlefields, Cecily portrays war as women fight it.__________ ACCLAIM FOR CECILY"A startling heroine" Sarah Moss, Summerwater"A vividly female perspective on the Wars of the Roses" Imogen Hermes Gower, The Mermaid and Mr Hancock"Wolf Hall for the 2020s" Manda Scott, Boudica"Absorbing" Times"Has the new Hilary Mantel arrived?" Sunday Telegraph"Masterful and majestic; England's unspoken history told by one brilliant woman through the life of another. This important novel blazes on every page from its brutal first scene to its glittering final act" Chris Cleave, author of Everyone Brave is Forgiven"Entirely absorbing and utterly compelling. Fifteenth century England leaps from the page, with all its political turmoil and bloodshed. I loved it" Caroline Lea, author of The Glass Women"Masterfully written and wholly immersive, with characters that live and breathe. Cecily is a tour de force. I loved every sentence" Joanne Burn, author of The Hemlock Cure"Annie Garthwaite writes about the past with the sort of intimacy, immediacy and empathy that can only come from graft and craft" Toby Clements, author of Kingmaker"BLOODY GREAT. So modern, so political, it could almost be set in Downing Street' KATE SAWYER, author of The Stranding"Shines a light into a dark corner of our history and reclaims the voice and story of a powerful and forgotten woman" Liz Hyder, author of The Gifts"An extraordinary achievement . . .I could touch and breathe Cecily's world as if I was walking in her shadow" Carol McGrath, author of The Silken Rose"Impeccably researched, written with style and shot through with energy, heart and power. A perfectly paced tale of intrigue, influence and victory wrenched from defeat. Cecily has been overlooked for centuries. Not anymore" AJ West, author of The Spirit Engineer

Murder, loyalty and vengeance collide in Jessie Keane's gritty fourth novel. Lily King has spent years behind bars Convicted of murdering her husband, London villain Leo King, she hasn't been missed. Everyone believes she got what she deserved, but Lily knows she was fitted up. Now she's out, and she doesn't do forgiveness. In her absence, things have moved on and the old order has changed. But now she's ready to reclaim her position as head of the King family. Fuelled by vengeance, Lily King is back, and some people aren't going to know what's hit them.

The Grddha Mullicks take pride in the ancient lineage they trace from four hundred years before Christ. They burst with marvellous tales of hangmen and hangings in which the Grddha Mullicks figure as eyewitnesses to the momentous events that have shaped the history of the subcontinent. In the present day, Chetna, the youngest member of the family, is appointed the first woman executioner in India. Thrust suddenly into the public eye, Chetna's life explodes under the harsh lights of television cameras. As the day of her first execution approaches, she breaks out of the shadow of a domineering father and the thrall of a brutally manipulative lover, transforming into a charismatic performer in her own right. Meera's spectacular imagination turns the story of Chetna's life into an epic and perverse coming-of-age tale. Will the ardent young woman be able to escape the love that binds her? Will she add lustre to the illustrious name of Grddha Mullick? Or will she succumb to the dazzle of celebrity and the thrill of power over life and death? The lurid pleasures of voyeurism and the punishing ironies of violence are kept in agile balance as the drama hurtles to its inevitable climax.

She is the symbol of success, the beautiful woman who parlayed her inheritance into an international conglomerate. Winner of a unique position among the wealthy and world-renowned. And she's a survivor, indomitable as her father, the man who returned from the edge of death to wrench a fortune in diamonds from the bleak South African earth. Now, celebrating her ninetieth birthday, Kate surveys the family she has manipulated, dominated, and loved: the fair and the grotesque, the mad and the mild, the good and the evil -- her winnings in life. Is she the ... -- from http://www.barnesandnoble.com (August 27, 2013).

Jennifer Worth came from a sheltered background when she became a midwife in the Docklands in the 1950s. The conditions in which many women gave birth just half a century ago were horrifying, not only because of their grimly impoverished surroundings, but also because of what they were expected to endure. But while Jennifer witnessed brutality and tragedy, she also met with amazing kindness and understanding, tempered by a great deal of Cockney humour. She also earned the confidences of some whose lives were truly stranger, more poignant and more terrifying than could ever be recounted in fiction. Attached to an order of nuns who had been working in the slums since the 1870s, Jennifer tells the story not only of the women she treated, but also of the community of nuns (including one who was accused of stealing jewels from Hatton Garden) and the camaraderie of the midwives with whom she trained. Funny, disturbing and incredibly moving, Jennifer's stories bring to life the colourful world of the East End in the 1950s.