Recommendations based on "Das Talent: Roman"

Two young people meet at a pub in South East London. Both are Black British, both won scholarships to private schools where they struggled to belong, both are now artists - he a photographer, she a dancer - trying to make their mark in a city that by turns celebrates and rejects them. Tentatively, tenderly, they fall in love. But two people who seem destined to be together can still be torn apart by fear and violence.At once an achingly beautiful love story and a potent insight into race and masculinity, Open Water asks what it means to be a person in a world that sees you only as a Black body, to be vulnerable when you are only respected for strength, to find safety in love, only to lose it. With gorgeous, soulful intensity, Caleb Azumah Nelson has written the most essential British debut of recent years.

Mahlangeni, the Tsonga word for "meeting place", is one of the most remote ranger stations in the Kruger National Park. Far from everywhere, this isolated corner of the wilderness was home for eleven years to Kobie Kruger, wife of the ranger in charge of the station, and their their three daughters. Running a household and raising a family in a place where leopards, elephants, snakes and the like are your only neighbours, where you have no telephone, and where a trip to town means first crossing a river full of hippos and crocodiles, is hardly a straightforward business. But Kobie Kruger tackled each problem with undaunted pragmatism and an energy that gives new meaning to word resourceful.

'A tender and touching love story, beautifully told' Observer 10 Best Debut Novelists of 2021'A beautiful and powerful novel about the true and sometimes painful depths of love' Candice Carty-Williams, bestselling author of QUEENIE'An unforgettable debut... it's Sally Rooney meets Michaela Coel meets Teju Cole' New York Times'A love song to Black art and thought' Yaa Gyasi, bestselling author of HOMEGOING and TRANSCENDENT KINGDOMTwo young people meet at a pub in South East London. Both are Black British, both won scholarships to private schools where they struggled to belong, both are now artists - he a photographer, she a dancer - trying to make their mark in a city that by turns celebrates and rejects them. Tentatively, tenderly, they fall in love. But two people who seem destined to be together can still be torn apart by fear and violence.At once an achingly beautiful love story and a potent insight into race and masculinity, Open Water asks what it means to be a person in a world that sees you only as a Black body, to be vulnerable when you are only respected for strength, to find safety in love, only to lose it. With gorgeous, soulful intensity, Caleb Azumah Nelson has written the most essential British debut of recent years.'An amazing debut novel. You should read this book. Let's hear it for Caleb Azumah Nelson, also known as the future' Benjamin Zephaniah'A very touching and heartfelt book' Diana Evans, award-winning author of ORDINARY PEOPLE'A lyrical modern love story, brilliant on music and art, race and London life, I enjoyed it hugely' David Nicholls, author of ONE DAY and SWEET SORROW'Caleb is a star in the making' Nikesh Shukla, editor of THE GOOD IMMIGRANT and BROWN BABY'A stunning piece of art' Bolu Babalola, bestselling author of LOVE IN COLOUR'For those that are missing the tentative depiction of love in Normal People, Caleb Azumah Nelson's Open Water is set to become one of 2021's unmissable books. Utterly transporting, it'll leave you weeping and in awe.' Stylist'An exhilarating new voice in British fiction' Vogue'A poetic novel about Black identity and first love in the capital from one of Britain's most exciting young voices' Harper's Bazaar'An intense, elegant debut' Guardian

In the spring of 1938, Teodor Mykolayenko returns to his family after nearly two years in prison for the crime of trying to feed them. Given shelter by his sister Anna, his wife, Maria, and their five children barely survived on the harsh and brutal Canadian prairie landscape. Channelling a determination gained from escaping starvation and Stalin's crimes in the Ukraine, Teodor is committed to making a home. With unbending resolve, he takes to the land and as the crops grow, his family heals and strengthens, but their comfort is soon challenged: Anna's rogue husband returns with an unforgivable plan. Mesmerizing and passionate, Under This Unbroken Sky is an astonishing tale of family, love, betrayal, and the resiliency of the human spirit.

A Young Woman From Nigeria Leaves Behind Her Home And Her First Love To Start A New Life In America, Only To Find Her Dreams Are Not All She Expected. Ifemelu -- Beautiful, Self-assured -- Left Nigeria 15 Years Ago, And Now Studies In Princeton As A Graduate Fellow. She Seems To Have Fulfilled Every Immigrant's Dream: Ivy League Education; Success As A Writer Of A Popular Political Blog; Money For The Things She Needs. But What Came Before Is More Like A Nightmare: Painful Departure From Family; Humiliating Jobs Under A False Name. She Feels For The First Time The Weight Of Something She Didn't Think About Back Home: Race. Obinze -- Handsome And Kind-hearted -- Was Ifemelu's Teenage Love. He'd Hoped To Join Her In America, But Post-9/11 America Wouldn't Take Him. His Journey Leads Him Through Back Alleys Of Illegal Employment In London; To A Fake Marriage For The Sake Of A Work Card; And Finally To A Set Of Handcuffs As He Is Exposed And Deported. Yet Once Home He Too Finds Success -- As The Kind Of 'big Man' In Lagos He'd Scorned In His Youth. One Day, Answering A Text Message From Obinze That She Cannot Resist, Ifemelu Decides To Return Home, Only To Discover She's Become An 'americanah' -- A Different Version Of Herself, One With A New Accent And Attitude. Chimamanda Ngozi Adichie.

New

We Wish to Inform You That Tomorrow We Will Be Killed with Our Families is the winner of the National Book Critics Circle Award for Nonfiction.An unforgettable firsthand account of a people's response to genocide and what it tells us about humanity.This remarkable debut book from Philip Gourevitch chronicles what has happened in Rwanda and neighboring states since 1994, when the Rwandan government called on everyone in the Hutu majority to murder everyone in the Tutsi minority. Though the killing was low-tech--largely by machete--it was carried out at shocking speed: some 800,000 people were exterminated in a hundred days. A Tutsi pastor, in a letter to his church president, a Hutu, used the chilling phrase that gives Gourevitch his title.With keen dramatic intensity, Gourevitch frames the genesis and horror of Rwanda's "genocidal logic" in the anguish of its aftermath: the mass displacements, the temptations of revenge and the quest for justice, the impossibly crowded prisons and refugee camps. Through intimate portraits of Rwandans in all walks of life, he focuses on the psychological and political challenges of survival and on how the new leaders of postcolonial Africa went to war in the Congo when resurgent genocidal forces threatened to overrun central Africa.Can a country composed largely of perpetrators and victims create a cohesive national society? This moving contribution to the literature of witness tells us much about the struggle everywhere to forge sane, habitable political orders, and about the stubbornness of the human spirit in a world of extremity.

In this play, the theme of Sopocles' "Oedipus Rex" is skillfully transplanted to African soil. King Odewale's progress towards knowledge of the murder and incest that must be expiated before his kingdom can be restored to ealth is unfolded with a dramatic intensity heightened by the richness of the play's Nigerian setting. It had its first performance in Nigeria at the Ife Festival of the Arts in 1968, has since been staged with great success in other West African countries, and was awarded the first prize in the African Arts/Arts d'Afrique playwriting contest in 1969.

Spirited and intelligent, Morayo grows up surrounded by school friends and family in busy, modern-day Ibadan, Nigeria. An adoring little sister, their traditional parents, and a host of aunties and cousins make Morayo's home their own. So there's nothing unusual about her charming but troubled cousin Bros T moving in with the family. At first Morayo and her sister are delighted, but in her innocence, nothing prepares Morayo for the shameful secret Bros T forces upon her.Thrust into a web of oppressive silence woven by the adults around her, Morayo must learn to fiercely protect herself and her sister from a legacy of silence many women in Morayo's family share. Only Aunty Morenike—once shielded by her own mother—provides Morayo with a safe home and a sense of female community that sustains her as she grows into a young woman in bustling, politically charged, often violent Nigeria.

Tandia is a child of all Africa: half Indian, half African, beautiful and intelligent, she is only sixteen when she is first brutalised by the police. Her fear of the white man leads her to join the black resistance movement, where she trains as a terrorist. With her in the fight for justice is the one white man Tandia can trust, the welterweight champion of the world, Peekay. Now he must fight their common enemy in order to save both their lives.