Recommendations based on "collected_stories"

One Hundred Years of Solitude

"Portrait in Sepia is the best book Allende has published in the United States since her first novel of nearly two decades ago, The House of the Spirits.”—Jonathan Yardley, Washington Post Book World“Portrait in Sepia tightens the weave of a multigenerational fantasy as complete and inspiring as the real world it parallels … Allende’s enchanting historical universe keeps expanding and Portrait in Sepia is a new galactic jewel.”—Chicago TribuneA sequel to Daughter of Fortune, New York Times bestselling author, Isabel Allende, continues her magic with this spellbinding family saga set against war and economic hardship.Aurora del Valle suffers a brutal trauma that erases from her mind all recollection of the first five years of her life. Raised by her ambitious grandmother, the regal and commanding Paulina del Valle, she grows up in a privileged environment, free of the limitations that circumscribe the lives of women at that time, but tormented by horrible nightmares. When she is forced to recognize her betrayal at the hands of the man she loves, and to cope with the resulting solitude, she decides to explore the mystery of her past.Portrait in Sepia is an extraordinary achievement: richly detailed, epic in scope, intimate in its probing of human character, and thrilling in the way it illuminates the complexity of family ties.

From award-winning poet Benjamin Alire Sáenz comes In Perfect Light, a haunting novel depicting the cruelties of cultural displacement and the resilience of those who are left in its aftermath. In Perfect Light is the story of two strong-willed people who are forever altered by a single tragedy. After Andés Segovia's parents are killed in a car accident when he is still a young boy, his older brother decides to steal the family away to Juárez, Mexico. That decision, made with the best intentions, sets into motion the unraveling of an American family. Years later, his family destroyed, Andés is left to make sense of the chaos -- but he is ill-equipped to make sense of his life. He begins a dark journey toward self-destruction, his talent and brilliance brought down by the weight of a burden too frightening and maddening to bear alone. The manifestation of this frustration is a singular rage that finds an outlet in a dark and seedy El Paso bar -- leading him improbably to Grace Delgado. Recently confronted with her own sense of isolation and mortality, Grace is an unlikely angel, a therapist who agrees to treat Andés after he is arrested in the United States. The two are suspicious of each other, yet they slowly arrive at a tentative working relationship that allows each of them to examine his and her own fragile and damaged past. Andés begins to confront what lies behind his own violence, and Grace begins to understand how she has contributed to her own self-exile and isolation. What begins as an intriguing favor to a friend becomes Grace's lifeline -- even as secrets surrounding the death of Andés' parents threaten to strain the connection irreparably. With the urgent, unflinching vision of a true storyteller and the precise, arresting language of a poet, Sáenz's In Perfect Light bears witness to the cruelty of circumstance and, more than offering escape, the novel offers the possibility of salvation.

WINNER OF THE KIRKUS PRIZE FOR NONFICTIONNamed One of The New York Times’ 100 Notable Books of 2023One of Time’s 100 Must-Read Books of 2023 | A Top Ten Book of 2023 at Chicago Public LibraryA new book by the Pulitzer Prize–winning writer about the twenty-first-century Latino experience and identity.In Our Migrant Souls, the Pulitzer Prize–winning writer Héctor Tobar delivers a definitive and personal exploration of what it means to be Latino in the United States right now.“Latino” is the most open-ended and loosely defined of the major race categories in the United States, and also one of the most rapidly growing. Composed as a direct address to the young people who identify or have been classified as “Latino,” Our Migrant Souls is the first account of the historical and social forces that define Latino identity.Taking on the impacts of colonialism, public policy, immigration, media, and pop culture, Our Migrant Souls decodes the meaning of “Latino” as a racial and ethnic identity in the modern United States, and gives voice to the anger and the hopes of young Latino people who have seen Latinidad transformed into hateful tropes and who have faced insult and division—a story as old as this country itself.Tobar translates his experience as not only a journalist and novelist but also a mentor, a leader, and an educator. He interweaves his own story, and that of his parents’ migration to the United States from Guatemala, into his account of his journey across the country to uncover something expansive, inspiring, true, and alive about the meaning of “Latino” in the twenty-first century.A new book by the Pulitzer Prize–winning writer about the twenty-first-century Latino experience and identity.In Our Migrant Souls, the Pulitzer Prize–winning writer Héctor Tobar delivers a definitive and personal exploration of what it means to be Latino in the United States right now. “Latino” is the most open-ended and loosely defined of the major race categories in the United States, and also one of the most rapidly growing. Composed as a direct address to the young people who identify or have been classified as “Latino,” Our Migrant Souls is the first account of the historical and social forces that define Latino identity.Taking on the impacts of colonialism, public policy, immigration, media, and pop culture, Our Migrant Souls decodes the meaning of “Latino” as a racial and ethnic identity in the modern United States, and gives voice to the anger and the hopes of young Latino people who have seen Latinidad transformed into hateful tropes and who have faced insult and division—a story as old as this country itself. Tobar translates his experience as not only a journalist and novelist but also a mentor, a leader, and an educator. He interweaves his own story, and that of his parents’ migration to the United States from Guatemala, into his account of his journey across the country to uncover something expansive, inspiring, true, and alive about the meaning of “Latino” in the twenty-first century.

Pulitzer Prize winner Andrew Sean Greer ("A great chronicler of our times." -San Francisco Chronicle) showcases his wit, sophistication and deep knowledge of focaccia in this magical and madcap tale of a young man who takes an unspecified job with a charismatic elderly Baronessa at her crumbling villa in the Tuscan hills Broke and directionless, our young man (the chosen moniker of Villa Coco's narrator) takes a job in the Italian countryside as the all-purpose assistant (technically, the employment ad asked for "adjutant") to Lisabetta, known to her friends as Coco, a strong-willed, wealthy widow of great local renown. Technically, our young man is an archivist, charged with cataloguing Coco's extensive and eclectic collection of art and artifacts, but what are his actual duties? He is charged with ridding the house of a marten, whatever that is, locating the antediluvian septic system, entertaining an endless carousel of guests (from bohemian painters to elderly princesses to handsome nephews), attending a funeral in order to make off with the urn, and not inadvertently sabotaging Coco's great and final plan--to locate the lost love of her life and be reunited before it's too late. Told with the signature wit, insight, and deeply felt humanity that made Less an international phenomenon, Villa Coco is a dazzling, sun-soaked ode to life itself--a romp through a youthfully self-constructed emotional obstacle course, a meditation on what we give and take from others, and a bawdy Mediterranean ballad about becoming who you've always wanted to be.

'Your Face Tomorrow is already being compared with Proust and rightly so' Observer 'One of contemporary literature's major works ... you have to open this book' Ali Smith The concluding part in Javier Marías' spy trilogy masterwork Jacques Deza is back in London and once again working for the secret intelligence agency run by Bertram Tupra. Deza finds himself forced to watch Tupra's collection of incriminating videotapes of important public figures. The recordings document unconventional private lives - and horrific acts. The scenes enter him like a poison, contaminating everything good, yet he is powerless to counteract them. Set against a background of brutality, Poison, Shadow and Farewell asks whether violence can ever be justified and completes the extraordinary journey that has led us on a descent into hell and a re-emergence, not entirely unscathed, into life.

Months before Alma López's digital collage Our Lady was shown at the Museum of International Folk Art in 2001, the museum began receiving angry phone calls from community activists and Catholic leaders who demanded that the image not be displayed. Protest rallies, prayer vigils, and death threats ensued, but the provocative image of la Virgen de Guadalupe (hands on hips, clad only in roses, and exalted by a bare-breasted butterfly angel) remained on exhibition.Highlighting many of the pivotal questions that have haunted the art world since the NEA debacle of 1988, the contributors to Our Lady of Controversy present diverse perspectives, ranging from definitions of art to the artist's intention, feminism, queer theory, colonialism, and Chicano nationalism. Contributors include the exhibition curator, Tey Marianna Nunn; award-winning novelist and Chicana historian Emma Pérez; and Deena González (recognized as one of the fifty most important living women historians in America).Accompanied by a bonus DVD of Alma López's I Love Lupe video that looks at the Chicana artistic tradition of reimagining la Virgen de Guadalupe, featuring a historic conversation between Yolanda López, Ester Hernández, and Alma López, Our Lady of Controversy promises to ignite important new dialogues.

Dionisio Vivo, a young South American lecturer in philosophy, is puzzled by the hideously mutilated corpses that keep turning up outside his front door. To his friend, Ramon, one of the few honest policemen in town, the message is all too clear: Dionisio’s letters to the press, exposing the drug barons, must stop; and although Dionisio manages to escape the hit-men sent to get him, he soon realizes that others are more vulnerable, and his love for them leads him to take a colossal revenge.   Senor Vivo and the Coca Lord is the second novel in a trilogy set in South America. It won a Commonwealth Writers Prize in 1992.

With the same ebullient storytelling, luxuriant prose, and irrepressible eroticism he brought to The War of Don Emmanuel s Nether Parts and Señor Vivo and the Coca Lord, Louis de Bernières continues his chronicle of Cochadebajo, the Andean village where macho philosophers, defrocked priests, and reformed (though hardly inactive) prostitutes cohabit in cheerful anarchy. But this unruly utopia is imperiled when the demon-harried Cardinal Guzman decides to inaugurate a new Inquisition, with Cochadebajo as its ultimate target.       On his side, the Cardinal has an army of fanatics who are all too willing to destroy bodies in order to save souls. The Cochadebajeros have precious little ammunition, unless you count chef Dolores's incendiary Chicken of a True Man, and a civil defense that deems nothing more crucial than the act of love. Part epic, part farce, The Troublesome Offspring of Cardinal Guzman confirms de Bernières's reputation as England's answer to Gabriel García Márquez.

The intellectual autobiography of Mario Vargas Llosa, winner of the Nobel Prize in Literature.From its origins, the liberal doctrine has represented the most advanced forms of democratic culture, and it is what has most defended us from the inextinguishable “call of the tribe.” This book hopes to make a modest contribution to that indispensable project.In The Call of the Tribe, Mario Vargas Llosa surveys the readings that have shaped the way he thinks and has viewed the world over the past fifty years. The Nobel laureate, “tireless in his quest to probe the nature of the human animal” (Marie Arana, The Washington Post), maps out the liberal thinkers who helped him develop a new body of ideas after the great ideological traumas of his disenchantment with the Cuban Revolution and his alienation from the ideas of Jean-Paul Sartre, the author who most inspired Vargas Llosa in his youth.The works of Adam Smith, José Ortega y Gasset, Friedrich A. Hayek, Karl Popper, Raymond Aron, Isaiah Berlin, and Jean-François Revel helped the author enormously during those uneasy years. They showed him another school of thought, one that placed the individual before the tribe, nation, class, or party and defended freedom of expression as a fundamental value for the exercise of democracy. The Call of the Tribe documents Vargas Llosa’s engagement with their work and charts the evolution of his personal ideology.