Recommendations based on "Belinda"

Discover the rich and complex history of LGBTQ+ people around the world - their struggles, triumphs, and cultural contributions.Exploring and explaining the most important ideas and events in LGBTQ+ history and culture, this book showcases the breadth of the LGBTQ+ experience. This diverse, global account explores the most important moments, movements, and phenomena, from the first known lesbian love poetry of Sappho to Kinsey's modern sexuality studies, and features biographies of key figures from Anne Lister to Audre Lorde.Dive deep into the pages of The LGBTQ + History book to- Thought-provoking graphics and flow-charts demystify the central concepts behind key moments in LGBTQ+ history, from eromenos and erastes in the Ancient World to political lesbianism.- Features insightful quotes from leading historians, philosophers, cultural commentators, economists, anthropologists, sociologists, activists, and politicians.- Includes biography boxes and directory entries on the lives of important but lesser-known individuals, alongside well-known names including Sappho, Oscar Wilde, Anne Lister, Harvey Milk, and Marsha P. Johnson.- Global in scope with a localizable directory.The LGBTQ+ History Book celebrates the victories and untold triumphs of LGBTQ+ people throughout history, such as the Stonewall Riots and first gender affirmation surgeries, as well as commemorating moments of tragedy and persecution, from the Renaissance Italian "Night Police" to the 20th century "Don't Ask Don't Tell" policy. The book also includes major cultural cornerstones - the secret language of polari, Black and Latine ballroom culture, and the many flags of the community - and the history of LGBTQ+ spaces, from 18th-century "molly houses" to modern "gaybourhoods".The LGBTQ+ History Book celebrates the long, proud - and often hidden - history of LGBTQ+ people, cultures, and places from around the world.

A Must-Read: Vogue, Nylon, Chicago Review of Books, Literary Hub, Frieze, The Millions, Publishers Weekly, InsideHook, The Next Big Idea Club,“[Lauren] Elkin is a stylish, determined provocateur . . . Sharp and cool . . . [Art Monsters is] exemplary. It describes a whole way to live, worthy of secret admiration.” —Maggie Lange, The Washington Post“Destined to become a new classic . . . Elkin shatters the truisms that have evolved around feminist thought.” —Chris Kraus, author of I Love Dick and After Kathy Acker: A Literary BiographyWhat kind of art does a monster make? And what if monster is a verb? Noun or a verb, the idea is a dare: to overwhelm limits, to invent our own definitions of beauty.In this dazzlingly original reassessment of women’s stories, bodies, and art, Lauren Elkin—the celebrated author of Flâneuse—explores the ways in which feminist artists have taken up the challenge of their work and how they not only react against the patriarchy but redefine their own aesthetic aims. How do we tell the truth about our experiences as bodies? What is the language, what are the materials, that we need to transcribe them? And what are the unique questions facing those engaged with female bodies, queer bodies, sick bodies, racialized bodies? Encompassing a rich genealogy of work across the literary and artistic landscape, Elkin makes daring links between disparate points of reference—among them Julia Margaret Cameron’s photography, Kara Walker’s silhouettes, Vanessa Bell’s portraits, Eva Hesse’s rope sculptures, Carolee Schneemann’s body art, Theresa Hak Kyung Cha’s trilingual masterpiece DICTEE—and steps into the tradition of cultural criticism established by Susan Sontag, Hélène Cixous, and Maggie Nelson. An erudite, potent examination of beauty and excess, sentiment and touch, the personal and the political, the ambiguous and the opaque, Art Monsters is a radical intervention that forces us to consider how the idea of the art monster might transform the way we imagine—and enact—our lives.

Inspired by the #1 New York Times Bestselling Trilogy, the official FIFTY SHADES OF GREY: Inner Goddess Journal is a beautiful blank book designed for keeping a journal or writing notes. It features a foreword by E L James, brief excerpts from the novels, tips for writers, a writing playlist, elegant color artwork, and fully lined pages throughout. Aspiring writers are encouraged to express their own Inner Goddess, as E L James writes in her foreword: “The best person to write for is yourself—and what better place to start than in a journal.” Produced with eye-catching design and details, the journal has a bonded leather cover with foil stamping, rounded corners, endpapers, and a red-ribbon marker. Perfect for gift-giving and portability.

From a #1 Apple podcast host, Lambda Literary fellow, and dominatrix comes a sex-positive, judgment-free cultural deep-dive into the world of kink.When celebrated BDSM educator Tina Horn first launched Why Are People Into That?!, publications from Vice to Buzzfeed heralded it as one of the best sex podcasts around. Each episode centered around a different fetish or fantasy, thoughtfully examining why, exactly, different strokes work for different folks. From sex workers and scientists to artists and activists, Tina’s wide range of guests helped educate fascinated listeners across the world on the wide spectrum of humanity’s appetites. With her listeners growing more and more insatiable, she soon realized that the only way to address the titular question with all the depth and nuance it deserved was to turn that idea into a book.From spanking, strap-ons, and sluts, to taboos involving cake, chains, and cannibalism, WHY ARE PEOPLE INTO THAT? explores the universal drives that shape even the most specific erotic tastes, and the cultural context that molds and is molded by the way we conceptualize pleasure, gender, fantasy, and power. With buoyant prose, Tina invites us to reconsider everything we thought we knew about sexuality. How, for example, should we think about "consensual nonconsent" in a post-#MeToo era? How does cross-dressing fit in with our evolving cultural understanding of gender performance and identity? And what do foot fetishists, fisters, and FinDoms have in common?Blending insightful cultural criticism, investigative journalism, and spicy anecdotes from Tina’s 15+ years of hard-earned expertise in the sex industry and beyond, WHY ARE PEOPLE INTO THAT? is a philosophical-but-fun exploration of the prismatic spectrum of human desire and the expansive possibilities of pleasure. For fans of adrienne maree brown and Emily Nagoski, this raunchy and rousing book is perfect for anyone who is interested not only in the intricacies of what we desire, but in how desire itself really works.

NEW YORK TIMES BESTSELLERNow in paperback—Peggy Orenstein, author of the groundbreaking New York Times bestseller Girls & Sex, turns her focus to the sexual lives of young men. “Eye-opening…. Every few pages, the boy world cracks open a little bit…. Even in the most anxiety-provoking moments of Boys & Sex, it’s clear that Orenstein believes in the goodness of boys and the men they can become, and she believes in us, as parents, to raise them” (New York Times Book Review).Peggy Orenstein’s Girls & Sex broke ground, shattered taboos, and launched conversations about young women’s right to pleasure and agency in sexual encounters. It also had an unexpected effect on its author: Orenstein realized that talking about girls is only half the conversation. Boys are subject to the same cultural forces as girls—steeped in the same distorted media images and binary stereotypes of female sexiness and toxic masculinity—which equally affect how they navigate sexual and emotional relationships. In Boys & Sex, Peggy Orenstein dives back into the lives of young people to once again give voice to the unspoken, revealing how young men understand and negotiate the new rules of physical and emotional intimacy.Drawing on comprehensive interviews with young men, psychologists, academics, and experts in the field, Boys & Sex dissects so-called locker room talk; how the word “hilarious” robs boys of empathy; pornography as the new sex education; boys’ understanding of hookup culture and consent; and their experience as both victims and perpetrators of sexual violence. By surfacing young men’s experience in all its complexity, Orenstein is able to unravel the hidden truths, hard lessons, and important realities of young male sexuality in today’s world. The result is a provocative and paradigm-shifting work that offers a much-needed vision of how boys can truly move forward as better men.

In a lecture delivered before the University of Oxford's Anglo-French Society in 1936, Gertrude Stein described romance as "the outside thing, that . . . is always a thing to be felt inside." Hannah Roche takes Stein's definition as a principle for the reinterpretation of three major modernist lesbian writers, showing how literary and affective romance played a crucial yet overlooked role in the works of Stein, Radclyffe Hall, and Djuna Barnes. The Outside Thing offers original readings of both canonical and peripheral texts, including Stein's first novel Q.E.D. (Things As They Are), Hall's Adam's Breed and The Well of Loneliness, and Barnes's early writing alongside Nightwood. Is there an inside space for lesbian writing, or must it always seek refuge elsewhere? Crossing established lines of demarcation between the in and the out, the real and the romantic, and the Victorian and the modernist, The Outside Thing presents romance as a heterosexual plot upon which lesbian writers willfully set up camp. These writers boldly adopted and adapted the romance genre, Roche argues, as a means of staking a queer claim on a heteronormative institution. Refusing to submit or surrender to the "straight" traditions of the romance plot, they turned the rules to their advantage. Drawing upon extensive archival research, The Outside Thing is a significant rethinking of the interconnections between queer writing, lesbian living, and literary modernism.

Sappho of Lesbos lived and wrote poetry some twenty-six centuries ago, but hers remains a persistent and effective voice for the expression of a woman's desire for a woman. Lesbian Desire in the Lyrics of Sappho is the first book to examine Sappho's poetry through the lens of lesbian desire, focusing on the active female gaze in the texts and the narrative voice - one that describes female experience and desires as primary, not secondary to the dominant (male) culture. Snyder reads Sappho's songs against a woman-centered framework in which emotional and/or erotic bonds between and among women take center stage. Her close readings demonstrate the ways in which Sappho's lyrics focus on women's emotional lives with one another and on female erotic desire for other females. In Sappho's poetic world, male figures, when they do appear, stand on the periphery. In order to make Sappho accessible to everyone, Snyder presents detailed readings of the one complete existing song and of each of the major fragments of her poetry. She provides a clear English translation and a transliteration into our alphabet; the original Greek text is included in an appendix. Rather than making claims about the specific social contexts out of which the poems may have arisen, Snyder offers a close analysis of the words themselves, with comparative material drawn from other archaic Greek poets where there appear to be appropriate parallels. The book concludes with a chapter addressing Sappho's influence on a number of modern American woman poets, particularly Amy Lowell, H.D., and Olga Broumas. Snyder sees in these three poets qualities similar to Sappho's: a strong sense of self-definition; a display of independencewithin a poetic tradition; a relishing of the erotic and the sensual; and an emphasis on the mutuality of desire; and a blurring of the gaze that disrupts the hierarchy of subject versus object.

In an uncensored journal, named her "ultimate confidante," the author of Henry and June and Incest reveals her private self, her doubts and weaknesses, and the intimate details of her physical relationships.

A Yale Drama Series-winning play about self-defense, desire, and healing in the aftermath of a college rapeSeven college students gather for a DIY self-defense workshop after a sorority sister is raped. They practice using their bodies as weapons. They wrestle with their desires. They learn the limits of self-defense.This new play by writer, director, actor, and community builder Liliana Padilla explores the intersection of sex, community, and what it means to heal in a violent world. Padilla shows how learning self-defense becomes a channel for these college students’ rage, anxiety, confusion, trauma, and desire. The play examines what one wants, how to ask for it, and the ways rape culture threatens one’s body and sense of belonging.It is the thirteenth winner of the Yale Drama Series prize and the second one chosen by Pulitzer Prize–winning playwright Ayad Akhtar.

Queerness is everywhere and it always has been. But queer stories, culture and communities have been often hidden . . . Shortlisted for the SLA Information Book Awards 2025 'This affirming whistlestop tour through queer history and culture features an A-Z of camp icons as well as protest timelines, changing terminology, iconic artists, music, film and more. Engaging, witty and thoughtful, it’s full of a supportive kindness that LGBTQ+ teens may find indispensable.’ – The Guardian Queerbook is an invitation to discover and celebrate queer joy, past and present. It’s a whistlestop tour of all the fun (and serious) queer stuff that the foghorn of straight culture drowns out, and that you deserve to know: heroes and histories, science and stories, art, spaces, music, film, TV, fashion – along with jargon-free breakdowns of terms from sexuality and gender identity, to code-switching, intersectionality, bi-erasure, straightwashing, and much, much more. You don’t need any specific interests to read Queerbook – all you need is curiosity and a desire to learn more about what it means to be LGBTQ+. So, say no to the Straightrix and enter the technicolour world over the rainbow ... Ready? Queer we go!