Recommendations based on "Anne Frank: The Anne Frank House Authorized Graphic Biography (Turtleback School & Library Binding Edition)"

#1 New York Times Bestseller and #1 International Bestseller • Now a Peacock Original Series starring Harvey Keitel and Melanie LynskeyThis beautiful, illuminating tale of hope and courage is based on interviews that were conducted with Holocaust survivor and Auschwitz-Birkenau tattooist Ludwig (Lale) Sokolov—an unforgettable love story in the midst of atrocity.“The Tattooist of Auschwitz is an extraordinary document, a story about the extremes of human behavior existing side by side: calculated brutality alongside impulsive and selfless acts of love. I find it hard to imagine anyone who would not be drawn in, confronted and moved. I would recommend it unreservedly to anyone, whether they’d read a hundred Holocaust stories or none.”—Graeme Simsion, internationally-bestselling author of The Rosie ProjectIn April 1942, Lale Sokolov, a Slovakian Jew, is forcibly transported to the concentration camps at Auschwitz-Birkenau. When his captors discover that he speaks several languages, he is put to work as a Tätowierer (the German word for tattooist), tasked with permanently marking his fellow prisoners.Imprisoned for over two and a half years, Lale witnesses horrific atrocities and barbarism—but also incredible acts of bravery and compassion. Risking his own life, he uses his privileged position to exchange jewels and money from murdered Jews for food to keep his fellow prisoners alive.One day in July 1942, Lale, prisoner 32407, comforts a trembling young woman waiting in line to have the number 34902 tattooed onto her arm. Her name is Gita, and in that first encounter, Lale vows to somehow survive the camp and marry her.A vivid, harrowing, and ultimately hopeful re-creation of Lale Sokolov's experiences as the man who tattooed the arms of thousands of prisoners with what would become one of the most potent symbols of the Holocaust, The Tattooist of Auschwitz is also a testament to the endurance of love and humanity under the darkest possible conditions.

The first free elections in South Africa's history were held in 1994. Within a year legislation was drafted to create a Truth and Reconcilliation Commission to establish a picture of the gross human rights violations committed between 1960 and 1993. It was to seek the truth and make it known to the public and to prevent these brutal events ever happening again. From 1996 and over the following two years South Africans were exposed almost daily to revelations about their traumatic past. Antije Krog's full account of the Commission's work using the testimonies of the oppressed and oppressors alike is a harrowing and haunting book in which the voices of ordinary people shape the course of history.WINNER OF SOUTH AFRICA'S SUNDAY TIMES ALAN PATON AWARD

Why do major historical events such as the Holocaust occupy the forefront of the collective consciousness, while profound moments such as the Armenian genocide, the McCarthy era, and France's role in North Africa stand distantly behind? Is it possible that history "overly remembers" some events at the expense of others? A landmark work in philosophy, Paul Ricoeur's Memory, History, Forgetting examines this reciprocal relationship between remembering and forgetting, showing how it affects both the perception of historical experience and the production of historical narrative.Memory, History, Forgetting, like its title, is divided into three major sections. Ricoeur first takes a phenomenological approach to memory and mnemonical devices. The underlying question here is how a memory of present can be of something absent, the past. The second section addresses recent work by historians by reopening the question of the nature and truth of historical knowledge. Ricoeur explores whether historians, who can write a history of memory, can truly break with all dependence on memory, including memories that resist representation. The third and final section is a profound meditation on the necessity of forgetting as a condition for the possibility of remembering, and whether there can be something like happy forgetting in parallel to happy memory. Throughout the book there are careful and close readings of the texts of Aristotle and Plato, of Descartes and Kant, and of Halbwachs and Pierre Nora.A momentous achievement in the career of one of the most significant philosophers of our age, Memory, History, Forgetting provides the crucial link between Ricoeur's Time and Narrative and Oneself as Another and his recent reflections on ethics and the problems of responsibility and representation.“His success in revealing the internal relations between recalling and forgetting, and how this dynamic becomes problematic in light of events once present but now past, will inspire academic dialogue and response but also holds great appeal to educated general readers in search of both method for and insight from considering the ethical ramifications of modern events. . . . It is indeed a master work, not only in Ricoeur’s own vita but also in contemporary European philosophy.”—Library Journal“Ricoeur writes the best kind of philosophy—critical, economical, and clear.”— New York Times Book Review

Winner of the National Jewish Book Award · New York Times Bestseller"A brilliant and heart-wrenching book, with universal and timely lessons about the power of information—and misinformation. Is it possible to stop mass murder by telling the truth?" — Yuval Noah Harari, bestselling author of Sapiens: A Brief History of Humankind and Homo Deus: A Brief History of TomorrowA complex hero. A forgotten story. The first witness to reveal the full truth of the Holocaust . . .Award-winning journalist and bestselling novelist Jonathan Freedland tells the astonishing true story of Rudolf Vrba, the man who broke out of Auschwitz to warn the world of a truth too few were willing to hear.In April 1944, Rudolf Vrba became one of the very first Jews to escape from Auschwitz and make his way to freedom—among only a tiny handful who ever pulled off that near-impossible feat. He did it to reveal the truth of the death camp to the world—and to warn the last Jews of Europe what fate awaited them. Against all odds, Vrba and his fellow escapee, Fred Wetzler, climbed mountains, crossed rivers, and narrowly missed German bullets until they had smuggled out the first full account of Auschwitz the world had ever seen—a forensically detailed report that eventually reached Franklin Roosevelt, Winston Churchill, and the Pope.And yet too few heeded the warning that Vrba had risked everything to deliver. Though Vrba helped save two hundred thousand Jewish lives, he never stopped believing it could have been so many more.This is the story of a brilliant yet troubled man—a gifted “escape artist” who, even as a teenager, understood that the difference between truth and lies can be the difference between life and death. Rudolf Vrba deserves to take his place alongside Anne Frank, Oskar Schindler, and Primo Levi as one of the handful of individuals whose stories define our understanding of the Holocaust.

Award-winning author Ayelet Gundar-Goshen returns with a timely and suspenseful exploration of the fault lines in a community, a school, and a family, as a mother begins to suspect her teenage son of committing a terrible crime.Lilach has it all: a beautiful home in the heart of Silicon Valley, a successful husband and stable marriage, and a teenage son, Adam, with whom she has always felt a particular closeness. Israeli immigrants, the family has now lived in the U.S. long enough that they consider it home. But after a brutal attack on a local synagogue shakes their sense of safety, Adam enrolls in a self-defense class taught by a former Israeli Special Forces officer. There, for the first time, he finds a sense of confidence and belonging.Then, tragedy strikes again when an African American boy dies at a house party, apparently from a drug overdose. Though he was a high school classmate, Adam claims not to know him. Yet rumors begin to circulate that the death was not accidental, and that Adam and his new friends had a history with Jamal. As more details surface and racial tensions in the community are ignited, Lilach begins to question everything she thought she knew about her son. Could her worst fears be possible? Could her quiet, reclusive child have had something to do with Jamal’s death?Praised for “instilling emotional depth into a thriller plot” (New York Times Book Review on Waking Lions), Ayelet Gundar-Goshen once again brings together taut, page-turning suspense, superb writing, and razor-sharp insight into the fault lines of race, identity, and privilege and the dark secrets we hide from those we love most.

A powerful chronicle of the women who used their sewing skills to survive the Holocaust, stitching beautiful clothes at an extraordinary fashion workshop created within one of the most notorious WWII death camps.At the height of the Holocaust twenty-five young inmates of the infamous Auschwitz-Birkenau concentration camp—mainly Jewish women and girls—were selected to design, cut, and sew beautiful fashions for elite Nazi women in a dedicated salon. It was work that they hoped would spare them from the gas chambers.This fashion workshop—called the Upper Tailoring Studio—was established by Hedwig Höss, the camp commandant’s wife, and patronized by the wives of SS guards and officers. Here, the dressmakers produced high-quality garments for SS social functions in Auschwitz, and for ladies from Nazi Berlin’s upper crust.Drawing on diverse sources—including interviews with the last surviving seamstress—The Dressmakers of Auschwitz follows the fates of these brave women. Their bonds of family and friendship not only helped them endure persecution, but also to play their part in camp resistance. Weaving the dressmakers’ remarkable experiences within the context of Nazi policies for plunder and exploitation, historian Lucy Adlington exposes the greed, cruelty, and hypocrisy of the Third Reich and offers a fresh look at a little-known chapter of World War II and the Holocaust.

In his final book before his death, Primo Levi returns once more to his time at Auschwitz in a moving meditation on memory, resiliency, and the struggle to comprehend unimaginable tragedy.Drawing on history, philosophy, and his own personal experiences, Levi asks if we have already begun to forget about the Holocaust. His last book before his death, Levi returns to the subject that would define his reputation as a writer and a witness.Levi breaks his book into eight essays, ranging from topics like the unreliability of memory to how violence twists both the victim and the victimizer. He shares how difficult it is for him to tell his experiences with his children and friends. He also debunks the myth that most of the Germans were in the dark about the Final Solution or that Jews never attempted to escape the camps. As the Holocaust recedes into the past and fewer and fewer survivors are left to tell their stories, The Drowned and the Saved is a vital first-person testament.Along with Elie Wiesel and Hannah Arendt, Primo Levi is remembered as one of the most powerful and perceptive writers on the Holocaust and the Jewish experience during World War II. This is an essential book both for students and literary readers. Reading Primo Levi is a lesson in the resiliency of the human spirit.

‘You are no longer a number’Poland, 1944The train slowed and halted with a squeal of the breaks. It felt like we waited in the carriage for an eternity, but eventually, the heavy doors opened, directly into the chaos inside.Sara Leibovitz, a 16-year-old Jewish girl, was a passenger on the train with her family. They spent their final moments together on the platform in Auschwitz before their horrific fates were sealed. Sara’s mother and baby brothers were sent straight to their deaths. Her father was made to work in the Sonderkommando as one of the men forced to remove the bodies from the gas chambers, and was later executed. Sara survived.This is the powerful true story of Sara Leibovits and the incredible pain and hardships she went through during her time in the death camp. Yet despite the horrors she faced, she always tried to maintain her family’s values of courage, faith and kindness to others. In this compelling memoir, Sara’s story is intertwined with that of her daughter, Eti. Seventy years after the horrors of the Holocaust, Eti reveals the inherited trauma of the second generation and completes the Holocaust survivor’s tale.What readers are saying about The Girl Who Survived Auschwitz:‘Let us never stop reading these novels. These memoirs are the ones that keep all the voices alive’‘Highly recommend… I finished reading it with a newfound sense of love and compassion’‘Reading this family’s memories is a rewarding experience in that it will ensure future generations will remember and learn. Many thanks to the author…for the trust in allowing me to review this life-changing memoir.’‘A raw and gripping Holocaust recount’‘What I loved most about this book is that it is a dual perspective…I was grateful to have a little glimpse into the mind of Eti and her absolute respect for her parents…together they learned, they grieved and they healed’‘It makes me really proud of my Jewish heritage and this story of perseverance. I highly recommend this book for any and all to read so we can keep survivor's stories alive and never let this type of tragedy happen again’‘Powerful, heartbreaking and inspiring. We need to know what happened. It will make your heart break. It is beyond horrific. But we need to know in memory of the six million innocents who died and of those who survived’‘A haunting and beautiful read…I give it a resounding 5 stars’‘We have the perspective of a woman who survived the holocaust as well as her daughter who had never known the horrrors her mother endured, yet asked…I feel honored to have read this memoir’‘Anyone who reads this book will not be left untouched…truly moving'‘This is one of those books everyone should read'‘Remarkable… a profoundly impactful book, one which should be required reading for everyone''Sara Leibovits is an amazing lady. She showed strength of character, resilience and maintained a kind heart, as she shared what little she had with those around her in Auschwitz'

"Both heartbreaking and life-affirming" (Edith Eger, author of The Choice), the long-awaited New York Times bestselling memoir of Holocaust survivor Hannah Pick-Goslar, who shares an intimate look into her life and friendship with Anne Frank.In 1933, Hannah Pick-Goslar and her family fled Nazi Germany to live in Amsterdam, where she struck up a close friendship with her next-door neighbor, an outspoken and fun-loving young girl named Anne Frank. For several years, the inseparable pair enjoyed a carefree childhood of games, sleepovers, and treats with the other children in their neighborhood of Rivierenbuurt. But in 1942, Hannah and Anne's lives abruptly changed forever. As the Nazi occupation of Amsterdam progressed, Anne and the Frank family seemingly vanished, leaving behind unmade beds and dishes in the sink—but no trace of Anne's precious diary. Torn from her dear friend without warning, Hannah spent the next two years tormented by questions about Anne's fate, wondering if she had, by some miracle, managed to escape danger.In this long‑awaited memoir, Hannah shares the story of her childhood during the Holocaust, from the introduction of anti-Jewish laws in Amsterdam to the gradual disappearance of classmates and, eventually, the Frank family, to Hannah and her family's imprisonment in the Bergen-Belsen concentration camp. As Hannah chronicles the experiences of her own life during and after the war, she provides a searing look at what countless children endured at the hands of the Nazi regime, as well as an intimate, never‑before‑seen portrait of the most recognizable victim of the Holocaust. Culminating in an astonishing fateful reunion, My Friend Anne Frank is the profoundly moving story of childhood and friendship during one of the darkest periods in the world's history.

"Levine is a true artist, who grinds his bones—and anything else he can get his hands on—to make his bread." — The Sunday Times Reminiscent of Bernard Malamud and Cynthia Ozick, Norman Levine’s short fiction was largely ignored in his lifetime. Yet they remain some of the most skillfully-crafted and moving works of the last half of the twentieth century. Taken together, these stories make a convincing argument for Levine’s mastery, and as a writer in need of urgent rediscovery.