Recommendations based on "A Silent Voice 5"

Vintage Readers are a perfect introduction to some of the greatest modern writers presented in attractive, accessible paperback editions. “Murakami’s bold willingness to go straight over the top is a signal indication of his genius. . . . A world-class writer who has both eyes open and takes big risks.” —The Washington Post Book World Not since Yukio Mishima and Yasunari Kawabata has a Japanese writer won the international acclaim enjoyed by Haruki Murakami. His genre-busting novels, short stories and reportage, which have been translated into 35 languages, meld the surreal and the hard-boiled, deadpan comedy and delicate introspection. Vintage Murakami includes the opening chapter of the international bestseller Norwegian Wood; “Lieutenant Mamiya’s Long Story: Parts I and II” from his monumental novel The Wind-Up Bird Chronicle; “Shizuko Akashi” from Underground, his non-fiction book on the Toyko subway attack of 1995; and the short stories “Barn Burning,” “Honeypie.” Also included, for the first time in book form, the short story, “Ice Man.”

In April 1926, the Japanese poet Taneda Santoka (1882–1940) set off on the first of many walking trips, journeys in which he tramped thousands of miles through the Japanese countryside. These journeys were part of his religious training as a Buddhist monk as well as literary inspiration for his memorable and often painfully moving poems. The works he wrote during this time comprise a record of his quest for spiritual enlightenment.Although Santoka was master of conventional-style haiku, which he wrote in his youth, the vast majority of his works, and those for which he is most admired, are in free-verse form. He also left a number of diaries in which he frequently recorded the circumstances that had led to the composition of a particular poem or group of poems. In For All My Walking, master translator Burton Watson makes Santoka's life story and literary journeys available to English-speaking readers and students of haiku and Zen Buddhism. He allows us to meet Santoka directly, not by withholding his own opinions but by leaving room for us to form our own. Watson's translations bring across not only the poetry but also the emotional force at the core of the poems.This volume includes 245 of Santoka's poems and of excerpts from his prose diary, along with a chronology of his life and a compelling introduction that provides historical and biographical context to Taneda Santoka's work.

The daughter of a Chinese mother and a Japanese father, Gail Tsukiyama's The Samurai's Garden uses the Japanese invasion of China during the late 1930s as a somber backdrop for this extraordinary story.A 20-year-old Chinese painter named Stephen is sent to his family's summer home in a Japanese coastal village to recover from a bout with tuberculosis. Here he is cared for by Matsu, a reticent housekeeper and a master gardener. Over the course of a remarkable year, Stephen learns Matsu's secret and gains not only physical strength, but also profound spiritual insight.Matsu is a samurai of the soul, a man devoted to doing good and finding beauty in a cruel and arbitrary world, and Stephen is a noble student, learning to appreciate Matsu's generous and nurturing way of life and to love Matsu's soulmate, gentle Sachi, a woman afflicted with leprosy.

Now available to today s readers in an enhanced new edition with photographs, this acclaimed work offers a complete portrait of the life and the far-reaching influence of the man many Japanese critics refer to as "the father of modern haiku." Beichman puts Shiki s brief, energetic life, his personality, and his fertile work--including haiku, tanka, and diaries--into fascinating context. As the earliest to write haiku that were modern in both theme and subject, Masaoka Shiki (1867-1902) is a prominent figure in modern Japanese literature. Born one year before the Meiji Restoration, he was in many ways a transitional figure, with his writings standing midway between the pre-modern and modern periods and his character and life shaped by both. Janine Beichman takes care in this elucidating work not to overemphasize Shiki s popular image as a haiku poet, and informs readers about other important yet little-known aspects of Shiki s work. Includes translations acclaimed for their sensitivity, as well as understandable literary analysis.

Noise, an underground music made through an amalgam of feedback, distortion, and electronic effects, first emerged as a genre in the 1980s, circulating on cassette tapes traded between fans in Japan, Europe, and North America. With its cultivated obscurity, ear-shattering sound, and over-the-top performances, Noise has captured the imagination of a small but passionate transnational audience. For its scattered listeners, Noise always seems to be new and to come from somewhere else: in North America, it was called "Japanoise." But does Noise really belong to Japan? Is it even music at all? And why has Noise become such a compelling metaphor for the complexities of globalization and participatory media at the turn of the millennium? In Japanoise, David Novak draws on more than a decade of research in Japan and the United States to trace the "cultural feedback" that generates and sustains Noise. He provides a rich ethnographic account of live performances, the circulation of recordings, and the lives and creative practices of musicians and listeners. He explores the technologies of Noise and the productive distortions of its networks. Capturing the textures of feedback—its sonic and cultural layers and vibrations—Novak describes musical circulation through sound and listening, recording and performance, international exchange, and the social interpretations of media.

Yoko (winner of the Akutagawa Prize in 1971) is the story of a sensitive young man's relationship with the title character, a beautiful young woman who is suffering from an apparently hereditary mental illness. Through Y¯ko's vivid but distorted perceptions of the world, Furui highlights the process by which reality and identity are created. Above all, however, Yoko is a touching, if somewhat unusual, tale of a young couple's deepening love.The other two short stories in this collection, "The Plain of Sorrows" and "The Doll," deal with the subject of coming to terms with aging and death, thus shifting the focus from the crises of young adulthood to those of middle age."This important author's work has been hard to find in the West, and one is grateful for the translations and accompanying commentaries by Donna George Storey."--William Ferguson, New York Times Book ReviewFurui Yoshikichi has won the Akutagawa Prize (1971), the Nihon Bungaku Taisho¯ (1980), the Tanizaki Prize (1983), the Kawabata Yasunari Prize (1988), and the Yomiuri Prize (1989).Donna George Storey is a Visiting Assistant Professor in Japanese Literature, University of California, Berkeley.

In this book, the two field mice celebrate winter while discovering the joy of friendship and generosity. Guri and Gura are having a snowball fight when, suddenly, they come upon huge footprints in the snow. Following the prints to their house, they find inside an unexpected winter guest - an old man with a long white beard. With a joyous 'Merry Christmas', he presents Guri and Gura with a beautiful cake, which they share with their friends in the forest.

"Guri and Gura accidentally trip over a piece of yarn while out on a picnic one fine day. In true-to-themselves fashion, they unravel this mystery with a new friendship and a good meal. The two field mice Guri and Gura are the beloved companions of generations of Japanese children; now translated into English, the Guri and Gura series can enchant a new audience."

The delightful and often funny poetry of Zen’s quintessential free spirit, Master Ryokan—in a fresh translation by a beloved American Zen figure Ryokan Taigu (1758-1831) was a monk in the Soto lineage of Japanese Zen who spent a good part of his life as a hermit, writing poetry, playing with children, and creating simple and exquisitely beautiful calligraphies—sometimes using twigs as his instrument when he couldn't afford a brush. He was never head of a monastery or temple and as an old man, he fell in love with a young Zen nun who also became his student. His affection for her colors the mature poems of his late period. This loving tribute to the great legendary nonconformist includes more than 140 of his poems, 13 examples of his art, and a selection of laugh-out-loud funny anecdotes about his highly idiosyncratic teaching behavior.

The beguiling story of the Minaguchi-ya, an ancient inn on the Tokaido Road, founded on the eve of the establishment of the Tokugawa shogunate. Travelers and guests flow into and past the inn—warriors on the march, lovers fleeing to a new life, pilgrims on their merry expeditions, great men going to and from the capital. The story of the Minaguchi-ya is a social history of Japan through 400 years, a ringside seat to some of the most stirring events of a stirring period.