Recommendations based on "A Drinking Life"

Previously published in 1959, Frank's most famous and influential photography book contained a series of deceptively simple photos that he took on a trip through America in 1955 and 1956. These pictures of everyday people still speak to us today, 40 years and several generations later.

We left Robert a long way from home, a sixteen-year-old recruit in the RAF. Now, we follow his escape from the Forces (until National Service a few years later!), his return to Glasgow and life down the pit. Once more, Robert's fantastic memory for people, places and anecdotes, combined with an ear for individual voices and the brilliant ability to evoke a bygone sense of community, will enchant his readers and sometimes appal them with the brutality of conditions he experienced.

Who was Gandhi? In the midst of resurging interest in the man who freed India, inspired the American Civil Rights Movement, and is revered, respected, and misunderstood all over the world, the time is proper to listen to Gandhi himself — in his own words, his own "confessions," his Autobiography.Gandhi made scrupulous truth-telling a religion, and his Autobiography inevitably reminds one of other saints who have suffered and burned for their lapses. He gives a simply narrated account of his boyhood in Gujarat, marriage at age 13, legal studies in England, and a growing desire for purity and reform. He details his gradual conversion to vegetarianism and ahimsa (non-violence) and the state of celibacy (brahmacharya, self-restraint) that became one of his more arduous spiritual trials.Gandhi was a fascinating, complex man, a brilliant leader and guide, a seeker of truth who died for his beliefs but had no use for martyrdom or sainthood. In the political realm he outlines the beginning of Satyagraha in South Africa and India, with accounts of the first Indian fasts and protests, his initial errors and misgivings, his jailings, and continued cordial dealings with the British overlords.Mahatma Gandhi writes of this book: "My purpose is to describe experiments in the science of Satyagraha, not to say how good I am."Satyagraha, Gandhi's nonviolent protest movement (satya = true, agraha = firmness), came to stand, like its creator, as a moral principle and a rallying cry; the principle was truth and the cry freedom. The life of Gandhi has given fire and fiber to freedom fighters and to the untouchables of the world: hagiographers and patriots have capitalized on Mahatma myths. Yet Gandhi writes: "Often the title [Mahatma, Great Soul] has deeply pained me. . . . But I should certainly like to narrate my experiments in the spiritual field which are known only to myself, and from which I have derived such power as I possess for working in the political field."His story, the path to his vision of Satyagraha and human dignity, is a critical work of the twentieth century, and timeless in its courage and inspiration.Dover publishes history books featuring autobiographies and biographies of famous figures, great war battles, politics, various eras, and global cultures and history including Tudor England, Ancient Rome, medieval times, the writings of Gandhi, Lenin, Lincoln, and Machiavelli — books for the scholar and general reader, including many reprints of hard-to-find classics.

When Black Boy exploded onto the literary scene in 1945, it caused a sensation. Orville Prescott of the New York Times wrote that "if enough such books are written, if enough millions of people read them maybe, someday, in the fullness of time, there will be a greater understanding and a more true democracy." Opposing forces felt compelled to comment: addressing Congress, Senator Theodore Bilbo of Mississippi argued that the purpose of this book "was to plant seeds of hate and devilment in the minds of every American." From 1975 to 1978, Black Boy was banned in schools throughout the United States for "obscenity" and "instigating hatred between the races."This new edition of the once controversial, now classic American autobiography measures the brutality and rawness of the Jim Crow South against the sheer desperate will it took to survive as "black boy." Richard Wright grew up in the woods of Mississippi, with poverty, hunger, fear, and hatred. He lied, stole, and raged at those about him; at six he was "a drunkard," hanging about taverns. Surly, brutal, cold, suspicious, and self-pitying, he was surrounded on one side by whites who were either indifferent to him, pitying, or cruel, and on the other by blacks who resented anyone trying to rise above the common lot. At the end of Black Boy, Wright sits poised with pencil in hand, determined to "hurl words into this darkness and wait for an echo."Wright's eloquent account is at once a profound indictment and an unashamed confession -- a poignant and disturbing record of social injustice and human suffering.HarperCollins is proud to celebrate the sixtieth anniversary of the book's publication with this special hardcover edition, which utilizes the restored text established by The Library of America and features a new foreword by Edward P. Jones, author of the Pulitzer Prize-winning novel The Known World.

The American film industry transformed itself during the 1970s: a new order emerged out of the chaos of the former studio system. A new rating system freed directors to explore serious subjects but allowed for the expansion of exploitation films as well. So while unprecedented social and political commentary emanated from the film-school-trained "New Hollywood" auteurs, the bigger change was the major studios' embrace of sensationalist content, mass advertising, and saturation booking. The methods of fringe exploitation producers became the norm.Some of the films discussed in this book include: Five Easy Pieces, Chinatown, Carnal Knowledge, Straw Dogs, A Clockwork Orange, Mean Streets, The Conversation, Nashville, Shampoo, Taxi Driver, and Apocalypse Now.

Just as Norman Maclean writes at the end of "A River Runs through It" that he is "haunted by waters," so have readers been haunted by his novella. A retired English professor who began writing fiction at the age of 70, Maclean produced what is now recognized as one of the classic American stories of the twentieth century. Originally published in 1976, A River Runs through It and Other Stories now celebrates its twenty-fifth anniversary, marked by this new edition that includes a foreword by Annie Proulx.Maclean grew up in the western Rocky Mountains in the first decades of the twentieth century. As a young man he worked many summers in logging camps and for the United States Forest Service. The two novellas and short story in this collection are based on his own experiences—the experiences of a young man who found that life was only a step from art in its structures and beauty. The beauty he found was in reality, and so he leaves a careful record of what it was like to work in the woods when it was still a world of horse and hand and foot, without power saws, "cats," or four-wheel drives. Populated with drunks, loggers, card sharks, and whores, and set in the small towns and surrounding trout streams and mountains of western Montana, the stories concern themselves with the complexities of fly fishing, logging, fighting forest fires, playing cribbage, and being a husband, a son, and a father.By turns raunchy, poignant, caustic, and elegiac, these are superb tales which express, in Maclean's own words, "a little of the love I have for the earth as it goes by." A first offering from a 70-year-old writer, the basis of a top-grossing movie, and the first original fiction published by the University of Chicago Press, A River Runs through It and Other Stories has sold more than a million copies. As Proulx writes in her foreword to this new edition, "In 1990 Norman Maclean died in body, but for hundreds of thousands of readers he will live as long as fish swim and books are made."

Ed Abbey called The Monkey Wrench Gang, his 1975 novel, a "comic extravaganza." Some readers have remarked that the book is more a comic book than a real novel, and it's true that reading this incendiary call to protect the American wilderness requires more than a little of the old willing suspension of disbelief. The story centers on Vietnam veteran George Washington Hayduke III, who returns to the desert to find his beloved canyons and rivers threatened by industrial development. On a rafting trip down the Colorado River, Hayduke joins forces with feminist saboteur Bonnie Abbzug, wilderness guide Seldom Seen Smith, and billboard torcher Doc Sarvis, M.D., and together they wander off to wage war on the big yellow machines, on dam builders and road builders and strip miners. As they do, his characters voice Abbey's concerns about wilderness preservation ("Hell of a place to lose a cow," Smith thinks to himself while roaming through the canyonlands of southern Utah. "Hell of a place to lose your heart. Hell of a place... to lose. Period"). Moving from one improbable situation to the next, packing more adventure into the space of a few weeks than most real people do in a lifetime, the motley gang puts fear into the hearts of their enemies, laughing all the while. It's comic, yes, and required reading for anyone who has come to love the desert.

Between 1948 and 1961, Earnest Hemingway and A. E. Hotchner traveled together from New York to Paris to Spain, fished the waters off Cuba, hunted in Idaho, and ran with the bulls in Pamplona. And everywhere they talked. For 14 years, Hotchner and Hemingway shared a conversation. Hemingway reminisced about his childhood, recalled the Paris literary scene in the twenties, remembered his early years as a writer, and recounted the real events that lay behind his fiction. And Hotchner took it all down. His notes on the many occasions he spent with his friend Papa -- in Venice and Rome, in Key West, on the Riviera, in Ketchum, Idaho, where Hemingway died by his own hand in 1961 - provide the material for this utterly truthful, profoundly compassionate bestselling memoir of the Nobel and Pulitzer Prize-winning author. What emerges is an extraordinary portrait of a great writer who had, and determined, the time of his life.

Mules and Men is a treasury of black America's folklore as collected by a famous storyteller and anthropologist who grew up hearing the songs and sermons, sayings and tall tales that have formed an oral history of the South since the time of slavery. Returning to her hometown of Eatonville, Florida, to gather material, Zora Neale Hurston recalls "a hilarious night with a pinch of everything social mixed with the storytelling." Set intimately within the social context of black life, the stories, "big old lies," songs, Vodou customs, and superstitions recorded in these pages capture the imagination and bring back to life the humor and wisdom that is the unique heritage of African Americans.

With 25 million copies in print, Wagons West remains the bestselling historical series. As America felt the pains of growing under President Grant, economic turmoil brought ruin to farmers and businessmen alike. Desperate times bred desperate men, for one man plotted against the President's life.