Empfehlungen basierend auf "Yours Cruelly, Elvira: Memoirs of the Mistress of the Dark"

'The book everyone will be talking about' Louise O'Neill 'A package of dynamite' Stephen King An era-defining novel about the relationship between a fifteen-year-old girl and her teacher Vanessa Wye was fifteen-years-old when she first had sex with her English teacher. She is now thirty-two and the teacher, Jacob Strane, has just been accused of sexual abuse by another former student of his. Vanessa is horrified by this news, because she is quite certain that the relationship she had with Strane wasn't abuse. It was love. She's sure of that. But now, in 2017, in the midst of allegations against powerful men, she is being asked to redefine the great love story of her life - her great sexual awakening - as rape. Nuanced, uncomfortable, bold and powerful, and as riveting as it is disturbing, My Dark Vanessa goes straight to the heart of some of the most complex issues our age is grappling with.

NEW YORK TIMES BESTSELLERNow in paperback—Peggy Orenstein, author of the groundbreaking New York Times bestseller Girls & Sex, turns her focus to the sexual lives of young men. “Eye-opening…. Every few pages, the boy world cracks open a little bit…. Even in the most anxiety-provoking moments of Boys & Sex, it’s clear that Orenstein believes in the goodness of boys and the men they can become, and she believes in us, as parents, to raise them” (New York Times Book Review).Peggy Orenstein’s Girls & Sex broke ground, shattered taboos, and launched conversations about young women’s right to pleasure and agency in sexual encounters. It also had an unexpected effect on its author: Orenstein realized that talking about girls is only half the conversation. Boys are subject to the same cultural forces as girls—steeped in the same distorted media images and binary stereotypes of female sexiness and toxic masculinity—which equally affect how they navigate sexual and emotional relationships. In Boys & Sex, Peggy Orenstein dives back into the lives of young people to once again give voice to the unspoken, revealing how young men understand and negotiate the new rules of physical and emotional intimacy.Drawing on comprehensive interviews with young men, psychologists, academics, and experts in the field, Boys & Sex dissects so-called locker room talk; how the word “hilarious” robs boys of empathy; pornography as the new sex education; boys’ understanding of hookup culture and consent; and their experience as both victims and perpetrators of sexual violence. By surfacing young men’s experience in all its complexity, Orenstein is able to unravel the hidden truths, hard lessons, and important realities of young male sexuality in today’s world. The result is a provocative and paradigm-shifting work that offers a much-needed vision of how boys can truly move forward as better men.

From the author of Fun Home—the lives, loves, and politics of cult fav characters Mo, Lois, Sydney, Sparrow, Ginger, Stuart, Clarice, and othersFor twenty-five years Bechdel’s path-breaking Dykes to Watch Out For strip has been collected in award-winning volumes (with a quarter of a million copies in print), syndicated in fifty alternative newspapers, and translated into many languages. Now, at last, The Essential Dykes to Watch Out For gathers a “rich, funny, deep and impossible to put down” (Publishers Weekly) selection from all eleven Dykes volumes. Here too are sixty of the newest strips, never before published in book form.Settle in to this wittily illustrated soap opera (Bechdel calls it “half op-ed column and half endless serialized Victorian novel”) of the lives, loves, and politics of a cast of characters, most of them lesbian, living in a midsize American city that may or may not be Minneapolis.Her brilliantly imagined countercultural band of friends—academics, social workers, bookstore clerks—fall in and out of love, negotiate friendships, raise children, switch careers, and cope with aging parents.Bechdel fuses high and low culture—from foreign policy to domestic routine, hot sex to postmodern theory—in a serial graphic narrative “suitable for humanists of all persuasions.”

Brings together a wealth of research and an expansive selection of photographs to create an enduring account of America's first-known trans network, Casa Susanna.

A heartbreaking and hilarious memoir about the author’s journey from a god-fearing Muslim boy to a proud, queer drag queenMy name is Amrou Al-Kadhi – by day. By night, I am Glamrou, an empowered, confident and acerbic drag queen who wears seven-inch heels and says the things that nobody else dares to.Growing up in a strict Iraqi-British Muslim household, it didn’t take long for me to realise I was different. When I was ten years old, I announced to my family that I was in love with Macaulay Culkin in Home Alone. The resultant fallout might best be described as something like the Iraqi version of Jeremy Kyle. And that was just the beginning.This is the story of how I got from there to here. You’ll read about my teenage obsession with marine biology, and how fluid aquatic life helped me understand my non-binary gender identity. You’ll read about my scholarship at Eton college, during which I wondered if I could forge a new identity as a British aristocrat (spoiler alert: it didn’t work). You’ll read about how I discovered the transformative powers of drag while at Cambridge university; about how I suffered a massive breakdown after I left, and very nearly lost my mind; and about how, after years of rage towards it, I finally began to understand Islam in a new, queer way.Most of all, this is a book about my mother, my first love, the most beautiful and glamorous woman I’ve ever known, the unknowing inspiration for my career as a drag queen – and a fierce, vociferous critic of anything that transgresses normal gender boundaries. It’s about how we lost and found each other, about forgiveness, understanding, hope – and the life-long search for belonging.

Authored by one of the most original contemporary thinkers on the subject, this book is an enlightening illustrated cultural history of the sex trade that puts sex workers center stage, revealing how they have lived and worked all around the globe.The history of selling sex is a hidden one―and too often its practitioners are pushed to the margins of history. This book redresses the balance, revealing the history of the sex trade through the eyes of sex workers, from medieval streets to Wild West saloons, and from brothels to state bedrooms. These enthralling tales are brought to life by Whores of Yore creator Kate Lister’s witty and authoritative text, and illuminated by a rich archive of photographs, artworks, and objects offering insight into sex workers’ lives, challenging assumptions about this age-old trade.Harlots, Whores & Hackabouts’ chapters are structured thematically in a broadly chronological order, each one introducing a lively cast of complex and entertaining characters operating in an array of different periods, locations, and settings. In ancient Mesopotamia, the harlot Shamhat was powerful and respected, able to civilize the wild man Enkidu through her charms. In medieval London, Elizabeth Moryng serviced religious clergy under the guise of an embroidery business, though she was eventually jailed for being a prolific panderer and bawd. In the hedonistic floating world of Edo, Japan, Kabuki actresses and geishas entertained and pleasured their patrons. Lister’s engaging and illuminating tales invite readers to look, listen, and reconsider everything they thought they knew about the world’s oldest profession. Together, these captivating tales of sex workers from around the world and throughout history provide a powerful context to contemporary debates about sexuality and the empowerment of women. 500 illustrations

Sappho of Lesbos lived and wrote poetry some twenty-six centuries ago, but hers remains a persistent and effective voice for the expression of a woman's desire for a woman. Lesbian Desire in the Lyrics of Sappho is the first book to examine Sappho's poetry through the lens of lesbian desire, focusing on the active female gaze in the texts and the narrative voice - one that describes female experience and desires as primary, not secondary to the dominant (male) culture. Snyder reads Sappho's songs against a woman-centered framework in which emotional and/or erotic bonds between and among women take center stage. Her close readings demonstrate the ways in which Sappho's lyrics focus on women's emotional lives with one another and on female erotic desire for other females. In Sappho's poetic world, male figures, when they do appear, stand on the periphery. In order to make Sappho accessible to everyone, Snyder presents detailed readings of the one complete existing song and of each of the major fragments of her poetry. She provides a clear English translation and a transliteration into our alphabet; the original Greek text is included in an appendix. Rather than making claims about the specific social contexts out of which the poems may have arisen, Snyder offers a close analysis of the words themselves, with comparative material drawn from other archaic Greek poets where there appear to be appropriate parallels. The book concludes with a chapter addressing Sappho's influence on a number of modern American woman poets, particularly Amy Lowell, H.D., and Olga Broumas. Snyder sees in these three poets qualities similar to Sappho's: a strong sense of self-definition; a display of independencewithin a poetic tradition; a relishing of the erotic and the sensual; and an emphasis on the mutuality of desire; and a blurring of the gaze that disrupts the hierarchy of subject versus object.

The men of Renaissance Florence were so renowned for sodomy that "Florenzer" in German meant "sodomite." Indeed, in the late fifteenth century, as many as one in two Florentine men had come to the attention of the authorities for sodomy by the time they were thirty. In the seventy years from 1432 to 1502, some 17,000 men--in a city of only 40,000--were investigated for sodomy; 3,000 were convicted and thousands more confessed to gain amnesty. Michael Rocke vividly depicts this vibrant sexual culture in a world where these same-sex acts were not the deviant transgressions of a small minority, but an integral part of a normal masculine identity. In 1432 The Office of the Night was created specifically to police sodomy in Florence. Seventy years of denunciations, interrogations, and sentencings left an extraordinarily detailed record, which Rocke uses to its fullest in this richly documented portrait. He describes a wide range of sexual experiences between males, ranging from boys such as fourteen-year-old Morello di Taddeo, who prostituted himself to fifty-seven men, to the notorious Jacopo di Andrea, a young bachelor implicated with forty adolescents over a seventeen-year period and convicted thirteen times; same-sex "marriages" like that of Michele di Bruno and Carlo di Berardo, who were involved for several years and swore a binding oath to each other over an altar; and Bernardo Lorini, a former Night Officer himself with a wife and seven children, accused of sodomy at the age of sixty-five. (Mortified, he sent his son Taddeo to confess for him and plead for a discreet resolution of his case.) Indeed, nearly all Florentine males probably had some kind of same-sex experience as a part of their "normal" sexual life. Rocke uncovers a culture in which sexual roles were strictly defined by age, with boys under eighteen the "passive" participants in sodomy, youths in their twenties and older men the "active" participants, and most men at the age of thirty marrying women, their days of sexual frivolity with boys largely over. Such same sex activities were a normal phase in the transition to adulthood, and only a few pursued them much further. Rather than precluding heterosexual experiences, they were considered an extension of youthful and masculine lust and desire. As Niccolo Machiavelli quipped about a handsome man, "When young he lured husbands away from their wives, and now he lures wives away from their husbands." Florentines generally accepted sodomy as a common misdemeanor, to be punished with a fine, rather than as a deadly sin and a transgression against nature. There was no word, in the otherwise rich Florentine sexual lexicon, for "homosexual," nor was there a distinctive and well-developed homosexual "subculture." Rather, sexual acts between men and boys were an integral feature of the dominant culture. Rocke roots this sexual activity in the broader context of Renaissance Florence, with its social networks of families, juvenile gangs, neighbors, patronage, workshops, and confraternities, and its busy political life from the early years of the Republic through the period of Lorenzo de' Medici, Savonarola, and the beginning of Medici princely rule. His richly detailed book paints a fascinating picture of a vibrant time and place and calls into question our modern conceptions of gender and sexual identity.

Boy, girl, artist, advocate. Courtney is more than the sum of her parts. Meet Shane Jenek. Raised in the Brisbane suburbs by loving parents, Shane realises from a young age that he's not like all the other boys. He finds his tribe at a performing arts agency, where he discovers his passion for song, dance and performance. Shane makes a promise to himself: to find a bigger stage. Meet Courtney Act. Born in Sydney around the turn of the millennium, Courtney makes her name in the gay bars of Oxford Street and then on Australian Idol. Over ten years later, she makes star turns on RuPaul's Drag Race and Celebrity Big Brother UK, bringing her unique take on drag and gender to the world. Behind this rise to national and global fame is a story of searching for and finding oneself. Told with Courtney's trademark candour and wit, Caught in the Act is about our journey towards understanding gender, sexuality and identity. It's an often hilarious and at times heartbreaking memoir from a beloved drag and entertainment icon. Most of all, it's a bloody good time. y and identity. It's an often hilarious and at times heartbreaking memoir from a beloved drag and entertainment icon. Most of all, it's a bloody good time. y and identity. It's an often hilarious and at times heartbreaking memoir from a beloved drag and entertainment icon. Most of all, it's a bloody good time. y and identity. It's an often hilarious and at times heartbreaking memoir from a beloved drag and entertainment icon. Most of all, it's a bloody good time.

Secretly gay school bullies. Punks with make-up tips. Heroic hairdressers. Queer parents. Suburban pride marches. Police hassle. With nods of recognition and unexpected flirtations, chosen families and desperate escapes, this is a new way of seeing suburbia: a place where things aren't always as straightforward - or straight - as they seem. 'Breaks new ground' - David Kynaston 'Grindrod is one of the best chroniclers of British life' - Jude Rogers Throughout LGBTQ+ history, suburbia has been seen as somewhere to escape from: a place where heterosexuality rules; where difference will not be tolerated; where you'll never find a soulmate. But for many, those streets of twitching curtains and pebble-dashed semis were - or still are - a place to call home. From Addlestone to Wilmslow, Tales of the Suburbs explores the relatively untold twentieth century tale of lesbian, gay, bisexual, trans and queer people in small towns and suburbia. Through remarkable archive material and original interviews, social historian John Grindrod reveals stories that are messy and moving, dark and funny, uplifting and extraordinary. Together, they reclaim suburbia as a space for all - or those that want it - where counter-cultural expression thrives despite the Neighbourhood Watch, and queer love and friendship bloom against the odds.