Empfehlungen basierend auf "What Do We Know: Poems And Prose Poems"

THE SUNDAY TIMES BESTSELLER'An intoxicating mixture of poetry and prose, Slug is a taboo-busting delight' SCOTSMAN'One of the best poets we have' MATT HAIG'She writes with honesty, conviction, humour and love' KAE TEMPESTThe bestselling collection of poetry and prose from the Ted Hughes Award-winning author of Nobody Told MeFrom Finnish saunas and soppy otters to grief, grandparents and Kellogg's anti-masturbation pants, Slug is a book which holds a mirror lovingly up to the world, past and present, through Hollie's driving, funny, hopeful poetry and prose. Slug is about the human condition: of birth and death and how we manage the possibilities in between.'The inimitable words of poet/goddess Hollie McNish once again hold up honest, damn funny and refreshing takes on the everydayness of our lives . . . Never have we needed her more' STYLIST'Hollie always articulates exactly how I feel' CHARLY COX'A tribute to life itself' RED

This revised and expanded edition of The Essential Rumi includes a new introduction by Coleman Barks and more than 80 never-before-published poems.Through his lyrical translations, Coleman Barks has been instrumental in bringing this exquisite literature to a remarkably wide range of readers, making the ecstatic, spiritual poetry of thirteenth-century Sufi Mystic Rumi more popular than ever.The Essential Rumi continues to be the bestselling of all Rumi books, and the definitive selection of his beautiful, mystical poetry.

A collectible new Penguin Classics series: stunning, clothbound editions of ten favourite poets, which present each poet's most famous book of verse as it was originally published. Designed by the acclaimed Coralie Bickford-Smith and beautifully set, these slim, A format volumes are the ultimate gift editions for poetry lovers. Goblin Market and Other Poems was Christina Rossetti's first full volume of poetry, published in 1862. The collection received widespread critical praise and established Rossetti as the foremost female poet of her time. Tennyson, Hopkins and Swinburne all admired her work. The title poem 'Goblin Market' is arguably her most famous, a fairy tale entwining themes of sisterhood, temptation and sexuality. This collection also includes 'Up-hill', an allegorical dialogue on life and death and 'Maude Clare', a ballad of a woman scorned.

One of The Guardian's Best Poetry Books of 2024 "Atmospheric and intoxicating, lyrical and inviting, The Wickedest is a heady night in the dance, and Caleb Femi is the life of the literary party." —Candice Carty-Williams, author of Queenie “Caleb Femi is a gift to us all from the storytelling gods. He is a poet of truth and rage, heartbreak and joy.” —Max Porter, author of Shy An immersive epic taking place over one night at an underground London house party, conjured by a multi-hyphenate sensation. Welcome to the Wickedest, the longest running house party in the South London shoob scene, always held at an undisclosed inner-city spot. You better hope you have the address: this is for locals only. Sweaty and cinematic, pulsing with rhythm and heat, every moment here—from one-on-one intimacies to the swell of the party’s collective roar—is refracted in Caleb Femi’s writing. Ingeniously blending conversations, text messages, sonnets, vignettes, monologues, photos, and lyrics, The Wickedest is a modern epic, told as a minute-by-minute chronicle of an unforgettable night out. Femi, a multi-hyphenate sensation and the author of Poor, which was called “a landmark debut for British poetry” by The Guardian, is a generational storyteller and scene setter. But The Wickedest does more than tell the story of one party; Femi uses the experience of nightlife to document the broader contexts surrounding the shoobs—the marginalization of low-income communities of color, the red tape that bars those on the edges from already shrinking communal space. Still, the party goes on. The Wickedest is a respite and a reckoning, a community of desire, care, and resistance that carries on long past the night’s end.

Mass for Shut-Ins is the 117th volume of the Yale Series of Younger Poets, selected by award-winning poet Rae Armantrout.Mary-Alice Daniel confronts tricontinental culture shock and her curious placement within many worlds. African and Western mythic systems and modern rituals originate an ill-omened universe. Here, it is always night, grim night, under absurd moons. Venturing through dreamscapes, hellscapes, and lurid landscapes, poems map speculative fields of spiritual warfare. This collection is controlled chaos powered by nightmare fuel. It animates an utterly odd organism: a cosmology cobbled with scripture, superstition, mass media, mad science. Horrid, holy, unholy—these pages overrun with the unhinged, intrusive thoughts that obsess us all late into nighttime.

For the poet, even the most minute details of the natural world are starting points for flights of the imagination, and the pages of this collection celebrating the four seasons are brimming with an extraordinary range of observation and imagery.Here are poets past and present, from Chaucer, Shakespeare, and Wordsworth to Whitman, Dickinson, and Thoreau, from Keats, Blake, and Hopkins to Elizabeth Bishop, Ted Hughes, Amy Clampitt, Mary Oliver, and W. S. Merwin. Here are poems that speak of the seasons as measures of earthly time or as states of mind or as the physical expressions of the ineffable. From Robert Frost’s tribute to the evanescence of spring in “Nothing Gold Can Stay” to Langston Hughes’s moody “Summer Night” in Harlem, from the “stopped woods” in Marie Ponsot’s “End of October” to the chilling “mind of winter” in Wallace Stevens’s “The Snow Man,” the poems in this volume engage vividly with the seasons and, through them, with the ways in which we understand and engage the world outside ourselves.

A proven bestseller time and time again, Robert Frost's Poems contains all of Robert Frost's best-known poems-and dozens more-in a portable anthology. Here are "Birches," "Mending Wall," "Stopping by Woods on a Snowy Evening," "Two Tramps at Mudtime," "Choose Something Like a Star," and "The Gift Outright," which Frost read at the inauguration of John F. Kennedy." An essential addition to every home library, Robert Frost's Poems is a celebration of the New England countryside, Frost's appreciation of common folk, and his wonderful understanding of the human condition. These classic verses touch our hearts and leave behind a lasting impression.* Over 100 poems* All Frost's best known verses from throughout his life

Here starts the journeyEvery day for the past six years, Tyler Knott Gregson has written a simple haiku about love, and posted it online. These heartfelt poems have attracted a large and loyal following around the world. This highly anticipated follow-up to Chasers of the Light, presents Tyler’s favorites, some previously unpublished, accompanied by his signature photographs, which capture the rich texture of daily life.This vibrant collection reveals the intimate reflections of one of poetry's most popular new voices -- honest, vulnerable, generous, and truly present in the gift that is each moment.

It is said that Indiana's best-known poet did not portray but invented the typical Hoosier. Applying imaginative skill, Riley altered and adapted the people around him to suit his purpose. As Jeannette Covert Nolan once put it, the figure who emerged was "a mellow, humorous rustic, a quaint, bucolic philosopher, unlettered but gifted with an earthy shrewdness, a peasant wisdom, a heart of gold, speaking a drawling, hybrid tongue, a dubious dialect as yet unidentified by any philologist."In his heyday Riley was famous all over the world. Though often called a children's poet, he actually wrote about children for adults, delighting in emotional reminders of an irretrievable past--perhaps one that never quite existed. Throughout his life Riley looked back wistfully and sentimentally upon his childhood days, turning the longings and unfulfilled dreams of youth into verse. So celebrated was he in Indiana that in many public elementary schools, students were required to memorize and recite one of his poems every week for admiring audiences of visiting parents.

"By the end of the book, Ashbery has laid out not only a course in contemporary poetics but a portrait of the artist teaching himself to become a thoroughly Modernist poet---in small bites, easy to savor, easy to digest."---Los Angeles Times Book Review"This is a marvelous book by one of our greatest poets. Reading John Ashbery's Selected Prose is like listening to a brilliant talker who not only keeps us entertained and laughing, but who also has wise things to say about all sorts of interesting subjects."---Charles Simic"At last! Many of the fugitive pieces collected in this volume---on Gertude Stein, on Frank O'Hara, on Marianne Moore or Adrienne Rich---published as many of them were in out-of-the way places, have already become collectors' items, providing fascinating---and often startling--- assessments of their subjects as well as new insight into Ashbery himself. Now here they are between two covers, along with many hitherto unknown pieces on subjects ranging from Michel Butor to Mary Butts, Jane Freilicher to Mark Ford. For anyone who cares about the contemporary poetry/art scene, this is an indispensable collection."---Marjorie Perloff, Stanford UniversitySelected Prose contains a broad selection of texts by internationally acclaimed poet and critic John Ashbery. This third collection of Ashbery's critical writings dramatically expands the terrain covered by the first two, Reported Sightings: Art Chronicles 1957-1987 and Other Traditions (first presented as the Norton Lectures at Harvard). These essays on writers, artists, filmmakers and the life of a poet provide insight into Ashbery's evolution as one of the major poets in English. Ashbery's criticism is as essential to the cultural history of the twentieth century as was that of T.S. Eliot and W.H. Auden. His unique sensibility has had a profound impact on the literature and arts of our time, and his influence is certain to be felt for decades to come. Editor Eugene Richie's introduction provides a meaningful context for fifty years' worth of critical and creative prose by one of America's finest poets.