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von Ursula K. Le Guin

One of The Atlantic’s Great American Novels“One of the greats. . . . Not just a science fiction writer; a literary icon.” —Stephen King"Engrossing. . . . [Le Guin] is a philosopher; an explorer in the landscape of the mind." —Cincinnati EnquirerIn celebration of its fiftieth anniversary, a commemorative edition of Ursula K. Le Guin’s Hugo, Locus, and Nebula Award–winning classic, a profound and thoughtful tale of anarchism and capitalism, individualism and collectivism, and one ambitious man’s quest to bridge the ideological chasm separating two worlds. This special edition includes a new foreword by Karen Joy Fowler.The Dispossessed is the spellbinding story of anarchist Shevek, the “galactically famous scientist,” who single-handedly attempts to reunite two planets cut off from each other by centuries of distrust.Anarres, Shevek’s homeland, is a bleak moon settled by an anarchic utopian civilization, where there is no government, and everyone, at least nominally, is a revolutionary. It has long been isolated from other worlds, including its mother planet, Urras—defined by warring nations, great poverty, and immense wealth. Now Shevek, a brilliant physicist, is determined to unify the two civilizations. In the face of great hostility, outright threats, and the pain of separation from his family, he makes an unprecedented trip to Urras. Greater than any concern for his own wellbeing is the belief that the walls of hatred, distrust, and philosophic division between his planet and the rest of the civilized universe must be torn down. He will seek answers, question the unquestionable, and explore differences in customs and cultures, determined to tear down the walls of hatred that have kept them apart.To visit Urras—to learn, to teach, to share—will require great sacrifice and risks, which Shevek willingly accepts. Almost immediately upon his arrival, he finds not the egotistical philistines he expected, but an intelligent, complex people who warmly welcome him. But soon the ambitious scientist and his gift is seen as a threat, and in the profound conflict that ensues, he must reexamine his beliefs even as he ignites the fires of change.

von Audrey Magee

LONGLISTED FOR THE BOOKER PRIZE“Luminous.” —Jonathan Myerson, The Guardian“Vivid, thought-provoking.” —Malcolm Forbes, Star TribuneIn 1979, as violence erupts all over Ireland, two outsiders travel to a small island off the west coast in search of their own answers, despite what it may cost the islanders.It is the summer of 1979. An English painter travels to a small island off the west coast of Ireland. Mr. Lloyd takes the last leg by currach, though boats with engines are available and he doesn’t much like the sea. He wants the authentic experience, to be changed by this place, to let its quiet and light fill him, give him room to create. He doesn’t know that a Frenchman follows close behind. Jean-Pierre Masson has visited the island for many years, studying the language of those who make it their home. He is fiercely protective of their isolation, deems it essential to exploring his theories of language preservation and identity.But the people who live on this rock—three miles long and half a mile wide—have their own views on what is being recorded, what is being taken, and what ought to be given in return. Over the summer, each of them—from great-grandmother Bean Uí Fhloinn, to widowed Mairéad, to fifteen-year-old James, who is determined to avoid the life of a fisherman—will wrestle with their values and desires. Meanwhile, all over Ireland, violence is erupting. And there is blame enough to go around.An expertly woven portrait of character and place, a stirring investigation into yearning to find one’s way, and an unflinchingly political critique of the long, seething cost of imperialism, Audrey Magee’s The Colony is a novel that transports, that celebrates beauty and connection, and that reckons with the inevitable ruptures of independence.

von Neal Stephenson

A #1 New York Times Bestseller, Anathem is perhaps the most brilliant literary invention to date from the incomparable Neal Stephenson, who rocked the world with Snow Crash, Cryptonomicon, and The Baroque Cycle. Now he imagines an alternate universe where scientists, philosophers, and mathematicians live in seclusion behind ancient monastery walls until they are called back into the world to deal with a crisis of astronomical proportions.Anathem won the Locus Award for Best Science Fiction Novel and the reviews for have been dazzling: “Brilliant” (South Florida Sun-Sentinel), “Daring” (Boston Globe), “Immensely entertaining” (New York Times Book Review), “A tour de force” (St. Louis Post-Dispatch), while Time magazine proclaims, “The great novel of ideas…has morphed into science fiction, and Neal Stephenson is its foremost practitioner.”

von Robert Peal

‘The way Robert Peal describes Georgian England, you’d be mad not to want to live there yourself’ GUARDIANAnne Bonny and Mary Read, pirate queens of the CaribbeanTipu Sultan, the Indian ruler who kept the British at bayOlaudah Equiano, the former slave whose story shocked the worldMary Wollstonecraft, the feminist who fought for women’s rightsLadies of Llangollen, the lovers who built paradise in a Welsh valley‘Mad, bad and dangerous to know’ is how Lord Byron, the poet who drank wine from a monk’s skull and slept with his half-sister, was described by one of his many lovers. But ‘mad, bad and dangerous’ serves as a good description for the entire Georgian period: often neglected, the hundred or so years between the coronation of George I in 1714 and the death of George IV in 1830 were years when the modern world was formed, and changes came thick and fast.Across this century, new foods – pineapples, coffee and pepper – suddenly became available in the shops. Fashion exploded into a riot of colour, frilly shirts and wigs. Gin was drunk like it was water. Demands for women’s rights were heard, and it became possible to question the existence of God without fear of prompt execution.These exciting new developments came, of course, from the expanding British Empire. Britain’s wealth and its sudden access to chocolate, chillies and spices, was entirely bound up with the conquest of overseas territories and the miserable suffering of enslaved workers.This is the backdrop to Robert Peal’s new book, which introduces the Georgian era through the diverse lives of twelve ‘magnificent – if not moral’ people who defined it.

von Sanghera Sathnam

WINNER OF THE 2022 BRITISH BOOK AWARD FOR NARRATIVE NONFICTION***THE BOOK THAT INSPIRED THE CHANNEL 4 DOCUMENTARY 'EMPIRE STATE OF MIND'***THE SUNDAY TIMES BESTSELLER'The real remedy is education of the kind that Sanghera has embraced - accepting, not ignoring, the past' Gerard deGroot, The Times_____________________________________________________EMPIRE explains why there are millions of Britons living worldwide.EMPIRE explains Brexit and the feeling that we are exceptional.EMPIRE explains our distrust of cleverness.EMPIRE explains Britain's particular brand of racism.Strangely hidden from view, the British Empire remains a subject of both shame and glorification. In his bestselling book, Sathnam Sanghera shows how our imperial past is from how we live and think to the foundation of the NHS and even our response to the COVID-19 crisis.At a time of great division, when we are arguing about what it means to be British, Empireland is a groundbreaking revelation - a much-needed and enlightening portrait of contemporary British society, shining a light on everything that usually gets left unsaid._______________________________________________________' Empireland takes a perfectly-judged approach to its contentious but necessary subject' Jonathan Coe'I only wish this book has been around when I was at school' Sadiq Khan, Mayor of London'This remarkable book shines the brightest of lights into some of the darkest and most misunderstood corners of our shared history' James O'Brien

von Gregory David Roberts

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

von Thomas Pynchon

Charles Mason (1728-1786) and Jeremiah Dixon (1733-1779) were the British surveyors best remembered for running the boundary between Pennsylvania and Maryland that we know today as the Mason-Dixon Line. Here is their story as re-imagined by Thomas Pynchon, featuring Native Americans and frontier folk, ripped bodices, naval warfare, conspiracies erotic and political, and major caffeine abuse. We follow the mismatched pair--one rollicking, the other depressive; one Gothic, the other pre-Romantic--from their first journey together to the Cape of Good Hope, to pre-Revolutionary America and back, through the strange yet redemptive turns of fortune in their later lives, on a grand tour of the Enlightenment's dark hemisphere, as they observe and participate in the many opportunities for insanity presented them by the Age of Reason.

von Thomas Pynchon

“[Pynchon's] funniest and arguably his most accessible novel.” —The New York Times Book Review“Raunchy, funny, digressive, brilliant.” —USA Today“Rich and sweeping, wild and thrilling.” —The Boston GlobeSpanning the era between the Chicago World's Fair of 1893 and the years just after World War I, and constantly moving between locations across the globe (and to a few places not strictly speaking on the map at all), Against the Day unfolds with a phantasmagoria of characters that includes anarchists, balloonists, drug enthusiasts, mathematicians, mad scientists, shamans, spies, and hired guns. As an era of uncertainty comes crashing down around their ears and an unpredictable future commences, these folks are mostly just trying to pursue their lives. Sometimes they manage to catch up; sometimes it's their lives that pursue them.

von Eugenia Price

Eugenia Price has long shared with her millions of devoted readers her fascination with St. Simons Island and the families who built their lives in that beautiful corner of Georgia. Bright Captivity opens in the last days of the War of 1812, when the British invade the southern United States, and a young officer of the British Royal Marines takes one very special prisoner...Anne Couper knew that one day love would come for her-love for one man, endless and abiding. But she never expected that the very first time she looked into the eyes of Lieutenant John Fraser on her eighteenth birthday she would see there the certainty that this man, her enemy, loved her as deeply as she loved him. The lush plantation of Dungeness would become her prison, the man she loved would be her jailer, and together they would learn that while love offers joy, it also brings harsh choices.

von Morgan Llywelyn

The Irish Century series is the narrative of the epic struggle of the Irish people for independence through the tumultuous twentieth century. Morgan Llywelyn's magisterial multi-novel chronicle of that story began with 1916, continued in 1921 and 1949 and now continues with 1972. In 1972, Morgan Llywelyn tells the story of Ireland from 1950-1972 as seen through the eyes of young Barry Halloran, son and grandson of Irish revolutionaries. Northern Ireland has become a running sore, poisoning life on both sides of the Irish border. Following family tradition, at eighteen Barry joins the Irish Republican Army to help complete what he sees as 'the unfinished revolution'.But things are no longer as clear cut as they once were. His first experience of violence in Northern Ireland shocks and disturbs him. Yet he has found a sense of family in the Army which is hard to give up. He makes a partial break by becoming a photographer, visually documenting events in the north rather than physically taking part in them. An unhappy early love affair is followed by a tempestuous relationship with Barbara Kavanagh, a professional singer from America. Events lead Barry into a totally different life from the one he expected, yet his allegiance to the ideal of a thirty-two county Irish republic remains undimmed as the problems, and the violence, of Northern Ireland escalate. Then Barry finds himself in the middle of the most horrific event of all: Bloody Sunday in Derry, 1972.