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Wildly original, funny and moving, The First Fifteen Lives of Harry August is an extraordinary story of a life lived again and again from World Fantasy Award-winning author Claire North.Harry August is on his deathbed. Again.No matter what he does or the decisions he makes, when death comes, Harry always returns to where he began, a child with all the knowledge of a life he has already lived a dozen times before. Nothing ever changes.Until now.As Harry nears the end of his eleventh life, a little girl appears at his bedside. "I nearly missed you, Doctor August," she says. "I need to send a message."This is the story of what Harry does next, and what he did before, and how he tries to save a past he cannot change and a future he cannot allow.

The critically acclaimed novel that is now a major motion picture starring John Boyega and Olivia Cooke, coming to theaters August 6, streaming August 13!A Naked Singularity tells the story of Casi, a child of Colombian immigrants who lives in Brooklyn and works in Manhattan as a public defender--one who, tellingly has never lost a trial. Never. In the book, we watch what happens when his sense of justice and even his sense of self begin to crack--and how his world then slowly devolves. It’s a huge, ambitious novel clearly in the vein of DeLillo, Foster Wallace, Pynchon, and even Melville, and it's told in a distinct, frequently hilarious voice, with a striking human empathy at its center. Its panoramic reach takes readers through crime and courts, immigrant families and urban blight, media savagery and media satire, scatology and boxing, and even a breathless heist worthy of any crime novel. If InfiniteJest stuck a pin in the map of mid-90s culture and drew our trajectory from there, A Naked Singularity does the same for the feeling of surfeit, brokenness, and exhaustion that permeates our civic and cultural life today. In the opening sentence of William Gaddis’s A Frolic of His Own, a character sneers, "Justice? You get justice in the next world. In this world, you get the law." A Naked Singularity reveals the extent of that gap, and lands firmly on the side of those who are forever getting the law.

The Glass Bead Game is an ultra-aesthetic game which is played by the scholars, creamed off in childhood and nurtured in elite schools, in the province of Castalia. The Master of the Glass Bead Game, Joseph Knecht, holds the most exalted office in Castalia. He personifies the detachment, serenity and aesthetic vision which reward a life dedicated to perfection of the intellect. But can, indeed should, man live isolated from hunger, family, children, women, in a perfect world where passions are tamed by meditation, where academic discipline and order are paramount? This is Herman Hesse’s great novel. It is a major contribution to contemporary philosophic literature and has a powerful vision of universality, the inner unity of man’s cultural ideals and his search for personal perfection and social responsibility.

Thomas Bernhard was one of the most original writers of the twentieth century. His formal innovation ranks with Beckett and Kafka, his outrageously cantankerous voice recalls Dostoevsky, but his gift for lacerating, lyrical, provocative prose is incomparably his own.One of Bernhard's most acclaimed novels, The Loser centers on a fictional relationship between piano virtuoso Glenn Gould and two of his fellow students who feel compelled to renounce their musical ambitions in the face of Gould's incomparable genius. One commits suicide, while the other-- the obsessive, witty, and self-mocking narrator-- has retreated into obscurity. Written as a monologue in one remarkable unbroken paragraph, The Loser is a brilliant meditation on success, failure, genius, and fame.

All too often, this brilliant novel of thwarted love and revenge miscarried has been read for its political implications. Now, a quarter century after The Joke was first published and several years after the collapse of the Soviet-imposed Czechoslovak regime, it becomes easier to put such implications into perspective in favor of valuing the book (and all Kundera 's work) as what it truly is: great, stirring literature that sheds new light on the eternal themes of human existence. The present edition provides English-language readers an important further means toward revaluation of The Joke. For reasons he describes in his Author's Note, Milan Kundera devoted much time to creating (with the assistance of his American publisher-editor) a completely revised translation that reflects his original as closely as any translation possibly can: reflects it in its fidelity not only to the words and syntax but also to the characteristic dictions and tonalities of the novel's narrators. The result is nothing less than the restoration of a classic.

"I'm not on good terms with the present day," Sigizmund Krzhizhanovsky once mused, "but posterity loves me." Virtually unknown during his lifetime and unpublishable under Stalin, he now draws comparisons to Beckett, Borges, Gogol, and Swift. This book presents three tales that encapsulate Krzhizhanovsky's gift for creating philosophical, satirical, and lyrical phantasmagorias. "Stravaging 'Strange'" details the darkly comic adventures of an apprentice magus: lovesick, he imbibes a magic tincture to reduce himself to the size of a dust mote, the better to observe the young lady in question. He stumbles across a talkative king of hearts, a gallant flea, a coven of vindictive house imps, and his romantic rival along the way to a cinematic dénouement. "Catastrophe" wryly parodies Kant's philosophy: an old sage decides to extract the essence from all things and beings in a ruthless attempt to understand reality--and chaos ensues. "Material for a Life of Gorgis Katafalaki," set in Berlin, Paris, London, and Moscow, recounts the absurd trials of an otherworldly outsider of uncertain nationality and unfixed profession with boundless curiosity but scant means. This book also includes excerpts from Krzhizhanovsky's notebooks--aphoristic glimpses of his worldview, moods, humor, and writing methods--and reminiscences of Krzhizhanovsky by his lifelong companion, Anna Bovshek, beginning with their first meeting in Kiev in 1920 and ending with his death in Moscow in 1950.

“Dorsey’s brilliantly, profanely funny 11th novel…zips along like P.G. Wodehouse’s best work.” —Richmond Times-Dispatch Tim Dorsey’s outrageously zany, gleefully violent, and uproariously funny Nuclear Jellyfish marks the triumphant return of lovable, thrill-killing Florida historian and tireless civic booster Serge A. Storms. The bestselling author of Atomic Lobster, Triggerfish Twist, and Florida Roadkill, Dorsey can match Carl Hiaasen punch-for-punch when it comes to fictionally depicting Sunshine State madness—and he’s taken his rightful place alongside Christopher Moore in the pantheon of top American humorists. Nuclear Jellyfish is a veritable WMD of radioactive hilarity—as Denver’s Rocky Mountain News so aptly puts it, “It doesn’t get any better.”

From the “most talented writer of his generation” (The New York Times), a lightning flash of a novel that is at once a gripping emotional drama and a brilliant examination of the devices, digital and literary, we use to store—or to erase—our memories.The narrator of Ben Lerner’s new novel has traveled to Providence, Rhode Island, where he is to conduct what will be the final published interview with Thomas, his ninety-year-old mentor and the father of his college friend, Max. Thomas is a giant in the arts who seems to hail “from the future and the past simultaneously” and who “reenchants the air” when he speaks. But the narrator drops his smartphone in the hotel sink. He arrives at Thomas’s house with no recording device, a fact he is mysteriously unable to confess.What unfolds from this dreamlike circumstance is both the unforgettable story of the triangle formed by Thomas, Max, and the narrator, and a brilliant meditation on those technologies that enrich or impoverish our connection to one another, that store or obliterate memory. Haunted by Kafka (there are echoes of “The Judgement” and “A Hunger Artist”), but utterly contemporary, Lerner combines trenchant insight with lyric mystery. Ultimately, Transcription demonstrates what only a work of fiction can record.

Challenging convention with the SF nonconformist Roger Zelazny combined poetic prose with fearless literary ambition to become one of the most influential science fiction writers of the 1960s. Yet many critics found his later novels underachieving and his turn to fantasy a disappointment. F. Brett Cox surveys the landscape of Zelazny's creative life and contradictions. Launched by the classic 1963 short story "A Rose for Ecclesiastes," Zelazny soon won the Hugo Award for Best Novel with ...And Call Me Conrad and two years later won again for Lord of Light. Cox looks at the author's overnight success and follows Zelazny into a period of continued formal experimentation, the commercial triumph of the Amber sword and sorcery novels, and renewed acclaim for Hugo-winning novellas such as "Home Is the Hangman" and "24 Views of Mt. Fuji, by Hokusai." Throughout, Cox analyzes aspects of Zelazny's art, from his preference for poetically alienated protagonists to the ways his plots reflected his determined individualism. Clear-eyed and detailed, Roger Zelazny provides an up-to-date reconsideration of an often-misunderstood SF maverick.