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An essential collection of classic stories that established Flannery O’Connor’s reputation as an American master of fiction―now with a new introduction by New York Times bestselling author Lauren Groff In 1955, with the title story and others in this critical edition, Flannery O’Connor firmly laid claim to her place as one of the most original and provocative writers of her generation. Steeped in a Southern Gothic tradition that would become synonymous with her name, these stories show O’Connor’s unique view of life―infused with religious symbolism, haunted by apocalyptic possibility, sustained by the tragic comedy of human behavior, confronted by the necessity of salvation. These classic stories―including “The Life You Save May Be Your Own,” “Good Country People,” and “The Displaced Person,” among others, are sure to inspire future generations of fans and remind existing readers why she remains a master of the short story.

A Library Journal Best Book of 2022 in Short StoriesA collection of twelve powerful and moving new stories from one of Ireland’s most celebrated writers.Tinged with melancholy but rooted in resiliency, the exquisite stories of Bernard MacLaverty’s Blank Pages display the perseverance of the human spirit. In “A Love Picture,” a middle-aged woman, already no stranger to loss, consults a World War II newsreel to determine the fate of her son. “Blackthorns” tells of a poor, out-of-work Catholic man who falls gravely ill in the sectarian Northern Ireland of 1942 but is brought back from the brink by an unlikely savior. The harrowing but transcendent “The End of Days” imagines life in another pandemic as artist Egon Schiele and his wife, both stricken with the Spanish flu, spend their final days together. And in the poignant title story, an elderly writer takes stock of what remains after losing his life partner.Blank Pages elegantly probes MacLaverty’s signature themes―domestic love, Catholicism, the Troubles, aging―with compassion and insight. A consummately gifted storyteller, MacLaverty uncovers the turbulent undertones of seemingly ordinary human interactions and explores endings of all kinds with tenderness, affection, and wry humor.Acclaimed for his extraordinary emotional range and “telescopic observational powers” (Sam Sacks, Wall Street Journal), MacLaverty captures the joys and sorrows of everyday existence in crystalline, precise prose. Each resonant story in Blank Pages reminds us again why he is regarded as one of the greatest living Irish writers.

This view of a life-altering moment in our history―captured from one photographer’s Brooklyn rooftop―is a testament to human hope and resilience, and what we’ve learned about living in community.The roof of a New York apartment building, like some New York neighbors, can be elusive―you could live there for years and never see it. The unique constraints of 2020’s quarantine drove photographer and Brooklyn transplant Josh Katz up to his Bushwick rooftop and introduced him to both. What he discovered there astonished him. Families, lovers, dogs, meditators, artists, exercise fanatics, daredevils, drinkers, dancers―in this strange time the world below had found a way to continue ticking on up above, subject to new patterns and distances. And then, there were the pigeon fanciers, who had been up there for decades, watching the neighborhood change around them. Josh reached for his camera.The project grew from a man’s attempt to cope with his own isolation to a tender portrait of his community―captured entirely from his own roof―and a resonant chronicle of how some of us found new hope and space in a life-altering year. Characters as heartfelt as any in the now-classic Humans of New York accompany Josh’s keen observations on urban space, human interaction, and new ways of city living we can bring down from the roof to apply in a post-quarantine world. 100+ color illustrations

In this collection of short stories, originally published in 1974, Grace Paley "makes the novel as a form seem virtually redundant" (Angela Carter, London Review of Books). Her stories here capture "the itch of the city, love between parents and children" and "the cutting edge of combat" (Lis Harris, The New York Times Book Review). In this collection of seventeen stories, she creates a "solid and vital fictional world, cross-referenced and dense with life" (Walter Clemons, Newsweek).

“Jackson at her best: plumbing the extraordinary from the depths of mid-twentieth-century common. [Just an Ordinary Day] is a gift to a new generation.”—San Francisco ChronicleAcclaimed in her own time for her short story “The Lottery” and her novel The Haunting of Hill House—classics ranking with the work of Edgar Allan Poe—Shirley Jackson blazed a path for contemporary writers with her explorations of evil, madness, and cruelty. Soon after her untimely death in 1965, Jackson’s children discovered a treasure trove of previously unpublished and uncollected stories, many of which are brought together in this remarkable collection. Here are tales of torment, psychological aberration, and the macabre, as well as those that display her lighter touch with humorous scenes of domestic life. Reflecting the range and complexity of Jackson’s talent, Just an Ordinary Day reaffirms her enduring influence and celebrates her singular voice, rich with magic and resonance.    Praise for Shirley Jackson   “[Jackson’s] work exerts an enduring spell.”—Joyce Carol Oates   “Shirley Jackson’s stories are among the most terrifying ever written.”—Donna Tartt   “An amazing writer . . . If you haven’t read [Jackson] you have missed out on something marvelous.”—Neil Gaiman   “Shirley Jackson is unparalleled as a leader in the field of beautifully written, quiet, cumulative shudders.”—Dorothy Parker   “An author who not only writes beautifully but who knows what there is, in this world, to be scared of.”—Francine Prose   “The world of Shirley Jackson is eerie and unforgettable.”—A. M. Homes   “Jackson enjoyed notoriety and commercial success within her lifetime, and yet it still hardly seems like enough for a writer so singular. When I meet readers and other writers of my generation, I find that mentioning her is like uttering a holy name.”—Victor LaValle

In this keenly awaited new collection, Zadie Smith brings her unique skills as an essayist to bear on a range of subjects which have captured her attention in recent years. She takes an exhilaratingly close look at artists Toyin Ojih Odutola, Kara Walker and Celia Paul. She invites us along to the movies, to see and to think about Tar, and to Glastonbury to witness the ascendance of Stormzy. She takes us on a walk down Kilburn High Road in her beloved North West London and invites us to mourn with her the passing of writers Joan Didion, Martin Amis, Hilary Mantel, Philip Roth and Toni Morrison. She considers changes of government on both sides of the Atlantic - and the meaning of 'the commons' in all our lives. Throughout this thrilling collection, Zadie Smith shows us once again her unrivalled ability to think through critically and humanely some of the most urgent preoccupations and tendencies of our troubled times.

This first collection of fifteen stories deals with the strategies of emotional survival and offers sharp, brittle, and intelligent looks at staying alive, at how to manage a life truly one's own, and how to resist becoming a victim

Indhold: A perfect day for bananafish ; Uncle Wiggily in Connecticut ; The laughing man ; Down at the Dinghy ; Just before the war with the Eskimos ; For Esmé - with love and squalor ; Pretty mouth and green my eyes ; De Daumier-Smith's blue period ; Teddy.

'Extraordinary . . . It will touch your heart and mind in ways you will not see coming' JANICE HALLETT 'And that's why I want to be called Scout' 'It's most unusual, said Clock. 'She's the one who listens and learns,' Scout said. 'She's like me.' She paused and set her voice to pensive. 'You already have names. I'd like one too.' In a self-running smart house, a young sentient hoover listens as her owner, Harold, reads aloud to his dying wife, Edie. Mesmerized by To Kill a Mockingbird and craving human connection, the little vacuum renames herself Scout and embarks on a journey of self-discovery. But when Edie passes away, Scout and her fellow appliances discover that the omnipresent Grid, which monitors every household in the City, wants to displace Harold from the home he's lived in for fifty years. With the help of a neighbourhood boy, and Harold and Edie's daughter, the humans and the appliances must come together to outwit the Grid before they lose everything they hold dear. . .

In her new essay collection, the beloved author of High Tide in Tucson brings to us out of one of history's darker moments an extended love song to the world we still have. From its opening parable gleaned from recent news about a lost child saved in an astonishing way, the book moves on to consider a world of surprising and hopeful prospects, ranging from an inventive conservation scheme in a remote jungle to the backyard flock of chickens tended by the author's small daughter. Whether she is contemplating the Grand Canyon, her vegetable garden, motherhood, adolescence, genetic engineering, TV-watching, the history of civil rights, or the future of a nation founded on the best of all human impulses, these essays are grounded in the author's belief that our largest problems have grown from the earth's remotest corners as well as our own backyards, and that answers may lie in those places, too. In the voice Kingsolver's readers have come to rely on—sometimes grave, occasionally hilarious, and ultimately persuasive—Small Wonder is a hopeful examination of the people we seem to be, and what we might yet make of ourselves.