Empfehlungen basierend auf "To Bedlam and Part Way Back"

“The Letters of Sylvia Plath underscores Plath’s jaw-dropping output, her rapid growth from merely talented to singular voice. . . . The result is a comprehensive portrait of the artist as a young woman, ardently — unnervingly — committed to literature and relationships.” —Hamilton Cain, Minneapolis Star-TribuneThe first volume in the definitive, complete collection of the letters of Sylvia Plath—most never before seen.One of the most beloved poets of the modern age, Sylvia Plath continues to inspire and fascinate the literary world. While her renown as one of the twentieth century’s most influential poets is beyond dispute, Plath was also one of its most captivating correspondents. The Letters of Sylvia Plath is the breathtaking compendium of this prolific writer’s correspondence with more than 120 people, including family, friends, contemporaries, and colleagues.The Letters of Sylvia Plath includes her correspondence from her years at Smith, her summer editorial internship in New York City, her time at Cambridge, her experiences touring Europe, and the early days of her marriage to Ted Hughes in 1956.Most of the letters are previously unseen, including sixteen letters written by Plath to Hughes when they were apart after their honeymoon. This magnificent compendium also includes twenty-seven of Plath’s own elegant line drawings taken from the letters she sent to her friends and family, as well as twenty-two previously unpublished photographs.This remarkable, collected edition of Plath’s letters is a work of immense scholarship and care, presenting a comprehensive and historically accurate text of the known and extant letters that she wrote. Intimate and revealing, this masterful compilation offers fans and scholars generous and unprecedented insight into the life of one of our most significant poets.

Here in one volume is the entire canon of Yeat's verse, who was awarded the Nobel Prize for Literature in 1923. He was a poet and playwright, storyteller and visionary. The author also wrote "Yeats: Man and Poet".

The Soul of Rumi is renowned poet Coleman Barks' first major assemblage of newly translated Rumi poems since his bestselling The Essential Rumi.Coleman Barks presents entirely new translations of Rumi's poems, published for the first time in The Soul of Rumi. The poems range over the breadth of Rumi's themes: silence, emptiness, play, God, peace, grief, sexuality, music, to name just a few. But the focus is on the ecstatic experience of human and divine love and their inseparability, conveyed with Rumi's signature passion, daring, and insights into the human heart and the heart's longings.

This collection of forty-eight short pieces on Venice showcase Joseph Brodsky at his very best: witty, intelligent, moving and elegant. Looking at every aspect of Venice, from its waterways, streets and architecture to its food, politics and people, Brodsky captures the magnificence and beauty of the city, and recalls his own memories of the place he called home for many winters, as he remembers friends, lovers and enemies he has encountered.Watermark is an unforgettable piece of writing, and a wonderful portrait of a remarkable, unique city.

It is the astonishment of Louise Glück's poetry that it resists collection. With each successive book her drive to leave behind what came before has grown more fierce, the force of her gaze fixed on what has yet to be imagined. She invented a form to accommodate this need, the book-length sequence of poems, like a landscape seen from above, a novel with lacunae opening onto the unspeakable. The reiterated yet endlessly transfigured elements in this landscape―Persephone, a copper beech, a mother and father and sister, a garden, a husband and son, a horse, a dog, a field on fire, a mountain―persistently emerge and reappear with the dark energy of the inevitable, shot through with the bright aspect of things new-made.From the outset ("Come here / Come here, little one"), Gluck's voice has addressed us with deceptive simplicity, the poems in lines so clear we "do not see the intervening fathoms."From within the earth'sbitter disgrace, coldness and barrennessmy friend the moon rises:she is beautiful tonight, but when is she not beautiful?To read these books together is to understand the governing paradox of a life lived in the body and of the work wrested from it, the one fated to die and the other to endure.

'a Matchless Compound Of Hug, Tonic And Kiss' Stephen Fry 'i Keep My Copy With The Brandy And Aspirin' Jeanette Winterson Sometimes Only A Poem Will Do. For Countless People, The Poetic Prescriptions And Wise Words Of Advice From William Sieghart's Bestselling Poetry Pharmacy Have Offered Comfort, Delight And Inspiration; A Space For Reflection, And That Precious Realization - I'm Not The Only One Who Feels Like This. 'marvellous ... Balm For The Soul, Fire For The Belly, A Cooling Compress For The Fevered Brow, Solace For The Wounded, An Arm Around The Lonely Shoulder' Stephen Fry 'delightful; It Rightly Resituates Poetry In Relation To Its Biggest And Most Serious Task: Helping Us To Live And Die Well' Alain De Botton 'sieghart's Enthusiasm For Poetry Is So Generous, Optimistic And Open-hearted, It's Hard To Resist' Evening Standard 'one For The Bedside, A Solace For Sleepless Nights' Daily Mail

Finalist for the 2005 National Book Critics Circle Award in Poetry—an erotic, powerful collection“One of the best books of contemporary poetry.”—Victoria Chang, Huffington Post“Vital, immediate, and cinematic in scope.”—Library Journal (Best Poetry of 2005)Selected by Nobel Prize laureate and competition judge Louise Glück as the 2004 winner of the Yale Younger Poets prize, Richard Siken’s Crush is a powerful collection of poems driven by obsession and love. Siken writes with ferocity, and his reader hurtles unstoppably with him. His poetry is confessional, gay, savage, and charged with violent eroticism. In the world of American poetry, Siken's voice is striking.In her introduction to the book, Glück hails the “cumulative, driving, apocalyptic power, [and] purgatorial recklessness” of Siken’s poems. She notes, “Books of this kind dream big. . . . They restore to poetry that sense of crucial moment and crucial utterance which may indeed be the great genius of the form.”

WINNER OF THE NOBEL PRIZE IN LITERATUREA dreamlike collection from the Nobel Prize-winning poetA Village Life, Louise Glück's eleventh collection of poems, begins in the topography of a village, a Mediterranean world of no definite moment or place:All the roads in the village unite at the fountain.Avenue of Liberty, Avenue of the Acacia Trees―The fountain rises at the center of the plaza;on sunny days, rainbows in the piss of the cherub.―from "tributaries"Around the fountain are concentric circles of figures, organized by age and in degrees of distance: fields, a river, and, like the fountain's opposite, a mountain. Human time superimposed on geologic time, all taken in at a glance, without any undue sensation of speed.Glück has been known as a lyrical and dramatic poet; since Ararat, she has shaped her austere intensities into book-length sequences. Here, for the first time, she speaks as "the type of describing, supervising intelligence found in novels rather than poetry," as Langdon Hammer has written of her long lines―expansive, fluent, and full―manifesting a calm omniscience. While Glück's manner is novelistic, she focuses not on action but on pauses and intervals, moments of suspension (rather than suspense), in a dreamlike present tense in which poetic speculation and reflection are possible.

Charles Bukowski examines cats and his childhood in You Get So Alone at Times, a book of poetry that reveals his tender side. The iconic tortured artist/everyman delves into his youth to analyze its repercussions."The Walt Whitman of Los Angeles."—Joyce Carol Oates"He brought everybody down to earth, even the angels."—Leonard Cohen, songwriter

As a neurasthenic, kleptomaniac, man-chasing proto-punk poet and artist, the Baroness Elsa von Freytag-Loringhoven left in her wake a ripple that is becoming a rip -- one hundred years after she exploded onto the New York art scene. As an agent provocateur within New York's modernist revolution, "the first American Dada" not only dressed and behaved with purposeful outrageousness, but she set an example that went well beyond the eccentric divas of the twenty-first century, including her conceptual descendant, Lady Gaga. Her delirious verse flabbergasted New Yorkers as much as her flamboyant persona. As a poet, she was profane and playfully obscene, imagining a farting God, and transforming her contemporary Marcel Duchamp into M'ars (my arse). With its ragged edges and atonal rhythms, her poetry echoes the noise of the metropolis itself. Her love poetry muses graphically on ejaculation, orgasm, and oral sex. When she tired of existing words, she created new ones: "phalluspistol," "spinsterlollipop," "kissambushed." The Baroness's rebellious, highly sexed howls prefigured the Beats; her intensity and psychological complexity anticipates the poetic utterances of Anne Sexton and Sylvia Plath. Published more than a century after her arrival in New York, Body Sweats is the first major collection of Elsa von Freytag-Loringhoven's poems in English. The Baroness's biographer Irene Gammel and coeditor Suzanne Zelazo have assembled 150 poems, most of them never before published. Many of the poems are themselves art objects, decorated in red and green ink, adorned with sketches and diagrams, presented with the same visceral immediacy they had when they were composed.