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Effia and Esi: two sisters with two very different destinies. One sold into slavery; one a slave trader's wife. The consequences of their fate reverberate through the generations that follow. Taking us from the Gold Coast of Africa to the cotton-picking plantations of Mississippi; from the missionary schools of Ghana to the dive bars of Harlem, spanning three continents and seven generations, Yaa Gyasi has written a miraculous novel - the intimate, gripping story of a brilliantly vivid cast of characters and through their lives the very story of America itself.Epic in its canvas and intimate in its portraits, Homegoing is a searing and profound debut from a masterly new writer.

NATIONAL BESTSELLER • From the author of The Covenant of Water: An enthralling family saga of Africa and America, doctors and patients, exile and home. • “Filled with mystical scenes and deeply felt characters.... Verghese is something of a magician as a novelist.” —USA TodayMarion and Shiva Stone are twin brothers born of a secret union between a beautiful Indian nun and a brash British surgeon. Orphaned by their mother’s death and their father’s disappearance, bound together by a preternatural connection and a shared fascination with medicine, the twins come of age as Ethiopia hovers on the brink of revolution.Moving from Addis Ababa to New York City and back again, Cutting for Stone is an unforgettable story of love and betrayal, medicine and ordinary miracles—and two brothers whose fates are forever intertwined.This sweeping, emotionally riveting novel that "shows how history and landscape and accidents of birth conspire to create the story of a single life" (Los Angeles Times).

The New York Times #1 Bestseller Oprah Book Club Pick 'one Of The Best Books I Have Ever Read In My Entire Life. I Haven't Felt This Way Since I First Read Beloved . . .' Oprah Winfrey Lose Yourself In The Stunning Debut Novel Everyone Is Talking About - The Unmissable Historical Story Of Injustice And Redemption That Resonates Powerfully Today Hiram Walker Is A Man With A Secret, And A War To Win. A War For The Right To Life, To Family, To Freedom. Born Into Bondage On A Virginia Plantation, He Is Also Born Gifted With A Mysterious Power That He Won't Discover Until He Is Almost A Man, When He Risks Everything For A Chance To Escape. One Fateful Decision Will Carry Him Away From His Makeshift Plantation Family And Into The Heart Of The Underground War On Slavery... 'a Transcendent Work From A Crucial Political And Literary Artist' Diana Evans 'i've Been Wondering Who Might Fill The Intellectual Void That Plagued Me After James Baldwin Died. Clearly It Is Ta-nehisi Coates' Toni Morrison

The establishment of South Africa's Truth and Reconciliation Commission was a pioneering international event. Never had any country sought to move forward from despotism to democracy both by exposing the atrocities committed in the past and achieving reconciliation with its former oppressors. At the center of this unprecedented attempt at healing a nation has been Archbishop Desmond Tutu, whom President Nelson Mandela named as Chairman of the Truth and Reconciliation Commission. With the final report of the Commission just published, Archbishop Tutu offers his reflections on the profound wisdom he has gained by helping usher South Africa through this painful experience.In No Future Without Forgiveness, Tutu argues that true reconciliation cannot be achieved by denying the past. But nor is it easy to reconcile when a nation "looks the beast in the eye." Rather than repeat platitudes about forgiveness, he presents a bold spirituality that recognizes the horrors people can inflict upon one another, and yet retains a sense of idealism about reconciliation. With a clarity of pitch born out of decades of experience, Tutu shows readers how to move forward with honesty and compassion to build a newer and more humane world.

We Wish to Inform You That Tomorrow We Will Be Killed with Our Families is the winner of the National Book Critics Circle Award for Nonfiction.An unforgettable firsthand account of a people's response to genocide and what it tells us about humanity.This remarkable debut book from Philip Gourevitch chronicles what has happened in Rwanda and neighboring states since 1994, when the Rwandan government called on everyone in the Hutu majority to murder everyone in the Tutsi minority. Though the killing was low-tech--largely by machete--it was carried out at shocking speed: some 800,000 people were exterminated in a hundred days. A Tutsi pastor, in a letter to his church president, a Hutu, used the chilling phrase that gives Gourevitch his title.With keen dramatic intensity, Gourevitch frames the genesis and horror of Rwanda's "genocidal logic" in the anguish of its aftermath: the mass displacements, the temptations of revenge and the quest for justice, the impossibly crowded prisons and refugee camps. Through intimate portraits of Rwandans in all walks of life, he focuses on the psychological and political challenges of survival and on how the new leaders of postcolonial Africa went to war in the Congo when resurgent genocidal forces threatened to overrun central Africa.Can a country composed largely of perpetrators and victims create a cohesive national society? This moving contribution to the literature of witness tells us much about the struggle everywhere to forge sane, habitable political orders, and about the stubbornness of the human spirit in a world of extremity.

Longlisted for the Booker Prize 2020A Spectator Book of the Year‘A literary rendering of the Top Boy generation… I cannot conjure another work which captures this culture in such depth – or with such brutal honesty – as only lived experience can tell ’ Graeme Armstrong, author of The Young Team’An astonishingly powerful book’ Cathy Rentzenbrink, author of The Last Act of LoveThis life is like being in an ocean. Some people keep swimming towards the bottom. Some people touch the bottom with one foot, or even both, and then push themselves off it to get back up to the top, where you can breathe. Others get to the bottom and decide they want to stay there. I don’t want to get to the bottom because I’m already drowning.This is a story of a London you won’t find in any guidebooks.This is a story about what it’s like to exist in the moment, about boys too eager to become men, growing up in the hidden war zones of big cities – and the girls trying to make it their own way.This is a story of reputations made and lost, of violence and vengeance – and never counting the cost.This is a story of concrete towers and blank eyed windows, of endless nights in police stations and prison cells, of brotherhood and betrayal.This is about the boredom, the rush, the despair, the fear and the hope.This is about what’s left behind.Perfect for fans of Diane Cook, Douglas Stuart and Colum McCann.

Tandia is a child of all Africa: half Indian, half African, beautiful and intelligent, she is only sixteen when she is first brutalised by the police. Her fear of the white man leads her to join the black resistance movement, where she trains as a terrorist. With her in the fight for justice is the one white man Tandia can trust, the welterweight champion of the world, Peekay. Now he must fight their common enemy in order to save both their lives.

Octavia Butler makes Faulkner's aphorism about the past not being past literal in this tale of a modern black woman, Dana, who is drawn unwittingly back through time to the Antebellum South to interact with her ancestors. Dana is pulled back and forth between past and present, each stay in the slave quarters lasting longer and becoming more dangerous, and as the tension and brutality rises she struggles to understand the connections that are drawing her back in order to escape. Originally written in the?70s, Butler?s portrayal of the ways that the injustices of the past are woven intimately into the fabric of our present? and our inability to move forward until we gain an understanding of that? rings truer than ever.

St Matthias Mission 1902: 'There are men who know that when you are finished with this war of yours and have raised your flag to the glory of your Empire - the one that we, as black men, are supposed to revere for having bestowed on us education, faith, prosperity and all the other high-sounding gifts - that you will sell us out - perhaps against the advance of metaphorical cattle - and say it is expedient. You will sacrifice our rights in order to secure your peace with the Boers and shrug us off. It is for this expedience that men like Tom and Reuben and Sonwabo Pumami are dead. There will be thousands like them in the time to come. ' Against a backdrop of drought, the rinderpest pandemic, the South African War, the burgeoning gold-mining industry and the complex birth of the exploitative system of recruiting migrant labour, Shades explores the growing tensions between cultures in South Africa at the turn of the twentieth century and the deepening awareness of the black mission-educated elite, empowered by the printing press, of the need to articulate their political and spiritual beliefs. Set within the microcosm of an isolated Eastern Cape mission, Shades is not only a love story and the chronicle of a family but a sensitive and perceptive insight into the country's wider conflicts. It explores the slow but inexorable destruction of the fabric of a community, the assault on its traditions and the struggle to reconcile two faiths: the Christian and the traditional beliefs of the amaXhosa in their ancestral shades. It is the story of those far-sighted enough to seek convergence and those destined to undermine its wisdom. Primarily, Shades is an intimate tale of love, friendship, acceptance and profound loss: of life, of faith and of belonging.

As a child, Donald MacIntosh's heroine was Mary Kingsley, a nineteenth century traveller who successfully took on the forbidding forests and swamps of West Africa. It was an adventure he was to follow for much of his adult life, spending thirty years as a forester in the so-called 'white man's grave'. MacIntosh, however, more than lived to tell his tales, which he does so here with characteristic gusto and relish.Here are stories of a somewhat salty nature, both in style and subject matter. In Africa, MacIntosh writes, the sea never sleeps and Forest of Memories is equally vibrant. As always, the tales are rich with characters and humour: Laval, the temperamental but highly successful fishing baboon; Jig-time Charlie, ladies' man and local footballing legend; and the beautiful Titi, who employed both feminine guile and cat droppings to win an international angling competition.As sharp and cutting as the teeth of the tigerfish, this latest collection finds Donald MacIntosh in splendidly wicked form once again.