Empfehlungen basierend auf "The Turquoise Lament"

This grave can never be opened.The head of Scotland’s most powerful crime family is brutally murdered, his body dumped inside an ancient grave in a remote cemetery.This murder can never be forgotten.Detectives Max Craigie and Janie Calder arrive at the scene, a small town where everyone has secrets to hide. They soon realise this murder is part of a blood feud between two Scottish families that stretches back to the 1800s. One thing’s for certain: it might be the latest killing, but it won’t be the last…This killer can never be caught.As the body count rises, the investigation uncovers large-scale corruption at the heart of the Scottish Police Service. Now Max and Janie must turn against their closest colleagues – to solve a case that could cost them far more than just their lives…

The renowned novel from crime fiction master Raymond Chandler, with the "quintessential urban private eye" (Los Angeles Times), Philip Marlowe • Featuring the iconic character that inspired the film Marlowe, starring Liam Neeson.In The Lady in the Lake, hardboiled crime fiction master Raymond Chandler brings us the story of a couple of missing wives—one a rich man's and one a poor man's—who have become the objects of Philip Marlowe's investigation. One of them may have gotten a Mexican divorce and married a gigolo and the other may be dead. Marlowe's not sure he cares about either one, but he's not paid to care.

ONE OF TIME MAGAZINE'S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • One of the most influential crime novels ever written, by a legend of the genre.Tough, hard-boiled, and brilliantly suspenseful, The Last Good Kiss is an unforgettable detective story starring C. W. Sughrue, a Montana investigator who kills time by working at a topless bar. Hired to track down a derelict author, he ends up on the trail of a girl missing in Haight-Ashbury for a decade. The tense hunt becomes obsessive as Sughrue takes a haunting journey through the underbelly of America's sleaziest nightmares.

"He desired women. All shapes, all sizes. He would fix on a woman and build imaginary stories around her. Some of the women he knew well, others not at all. Most of them faded quickly. Only a few became objects of desire. An art history professor and writer and cheerful pervert, James Qatar had a hobby: he took secret photographs of women and turned them into highly sexual drawings. One day, he took the hobby a step further and...well, one thing led to another, and he had to kill her. A man in his position couldn't be too careful, after all. And you know something? He liked it. Already faced with a welter of confusion in his personal life, Deputy Chief Lucas Davenport decides to take this case himself, hoping that some straightforward police work will clear his head, but as the trail begins to take some unexpected turns, it soon becomes clear that nothing is straightforward about this killer. The man is learning as he goes, Lucas realizes, taking great strides forward with each murder. He is becoming a monster--and Lucas may have no choice but to walk right into his lair..."--Provided by publisher.

The welcome return of Leonid McGill, Walter Mosley's NYC-based private eye, his East Coast foil to his immortal L.A.-based detective Easy Rawlins. As the Boston Globe raved, "A poignantly real character, [McGill is] not only the newest of the great fictional detectives, but also an incisive and insightful commentator on the American scene." In the fifth Leonid McGill novel, Leonid finds himself in an unusual pickle of trying to balance his cases with his chaotic personal life. Leonid's father is still out there somewhere, and his wife is in an uptown sanitarium trying to recover from the deep depression that led to her attempted suicide in the previous novel. His wife's condition has put a damper on his affair with Aura Ullman, his girlfriend. And his son, Twill, has been spending a lot of time out of the office with his own case, helping a young thief named Fortune and his girlfriend, Liza. Meanwhile, Leonid is approached by an unemployed office manager named Hiram Stent to track down the whereabouts of his cousin, Celia, who is about to inherit millions of dollars from her father's side of the family. Leonid declines the case, but after his office is broken into and Hiram is found dead, he gets reeled into the underbelly of Celia's wealthy old-money family. It's up to Leonid to save who he can and incriminate the guilty; all while helping his son finish his own investigation; locating his own father; reconciling (whatever that means) with his wife and girlfriend; and attending the wedding of Gordo, his oldest friend.

In The Chase, Clive Cussler introduced an electrifying new hero, the tall, lean, no-nonsense detective Isaac Bell, who, driven by his sense of justice, travels early-twentieth-century America pursuing thieves and killers . . . and sometimes criminals much worse. It is 1907, a year of financial panic and labor unrest. Train wrecks, fires, and explosions sabotage the Southern Pacific Railroad's Cascades express line and, desperate, the railroad hires the fabled Van Dorn Detective Agency. Van Dorn sends in his best man, and Bell quickly discovers that a mysterious saboteur haunts the hobo jungles of the West, a man known as the Wrecker, who recruits accomplices from the down-and-out to attack the railroad, and then kills them afterward. The Wrecker traverses the vast spaces of the American West as if he had wings, striking wherever he pleases, causing untold damage and loss of human life. Who is he? What does he want? Is he a striker? An anarchist? A revolutionary determined to displace the ?privileged few? A criminal mastermind engineering some as yet unexplained scheme? Whoever he is, whatever his motives, the Wrecker knows how to create maximum havoc, and Bell senses that he is far from done'that, in fact, the Wrecker is building up to a grand act unlike anything he has committed before. If Bell doesn't stop him in time, more than a railroad could be at risk'it could be the future of the entire country. Filled with intricate plotting and dazzling set pieces, The Wrecker is one of the most entertaining thrillers in years.

"Lean forward, grab on, and ride for adventure." So says Library Journal of J. A. Jance's last J. P. Beaumont mystery, Without Due Process. Now Jance's veteran police sleuth is back in Failure to Appear, tracking an insanely clever killer through the well-heeled world of actors, stage folk, and arts patrons. Beaumont doesn't exactly have a simple life, solving murders as one of the Rainy City's finest, staying sober one day at a time, and dealing with his frustrating new girlfriend. But when his eighteen-year-old daughter, Kelly, runs away to join a theatrical commune and announces her plans to marry a krumhorn-playing thespian, Beau hits the wall. He has no choice but to follow her south to the Oregon Shakespeare Festival, thereby landing himself a part in a modern-day Greek tragedy. Murder enters stage left. One of Beau's unsavory acquaintances turns up very messily dead, and the Festival's beloved Juliet, Tanya Dunseth, is the star suspect. Trying to please a headstrong daughter, a difficult girlfriend, and an implacable exwife, Beau agrees to do what he can to clear the actress of the charge. Then a second corpse makes an appearance soon after the mysterious arrival of a kiddie porn tape featuring a very young Tanya in the leading role. Way off his beat, and faced with a territorial local cop who doesn't appreciate out-of-town help, Beau races against time to sort through the tangled plot lines before the final act of this deadly revenge play comes to life. With fascinating characters and tight plotting, Jance tells the story in the unflappable Beaumont style that her readers love and have come to expect. In Failure to Appear, she takes us to new turns in Beau's life and new heightsof storytelling magic.

Juggling a family and a career is never easy—and it's becoming a real challenge for Sheriff Joanna Brady. Coping with the impending delivery of her second child as well as a staff shortage, the last things Joanna needs are two serious crimes.First, the body of an unidentified man is found in the desert, all of his fingers savagely severed. Following the scant clues, Joanna learns that the victim was an ex-con who had served twenty years in prison after confessing to the murder of his pregnant wife. During his last days he was seen following and photographing a young woman.Then one of Joanna's officers is brutally attacked and left for dead while on an unau-thorized stakeout. Because the officer is one of its own, the department throws its resources into finding her attacker. But the murder haunts Joanna. Being a sher-iff is no longer an empty position she wants to hold—somehow it has become what she is. Her job is to avenge man's inhumanity toward man, and finding out who the victim was and why he is dead is what she has been summoned to do with her life. Strapping on a bulletproof vest, she'll risk everything to see that justice is done.

Police Chief Jesse Stone faces his most fearsome adversary in the latest addition to the celebrated series.The last time Jesse Stone, chief of police of Paradise, Massachusetts, saw Wilson "Crow" Cromartie, the Apache Indian hit man was racing away in a speedboat after executing one of the most lucrative and deadly heists in the town's history. Crow was part of a team of ex-cons who plotted to capture Stiles Island, the wealthy enclave off the Paradise coast, by blowing up the connecting bridge. Residents were kidnapped, some were killed, and Crow managed to escape with a boatload of cash, never to be seen again. Until now. So when Crow shows up in Jesse's office some ten years after the crime, it's not to turn himself in. Crow is on another job, and this time he's asking for Jesse's help-by asking him to stay out of his way. Crow's mission is simple: find young Amber Francisco and bring her back to her father, Louis, in Florida. It should be an easy payday for a pro like Crow, but there are complications. Amber, now living in squalor with her mother, Fiona, is mixed up with members of a Latino gang. And when Louis orders Crow to kill Fiona before heading back with Amber, he can't follow through. Crow may be a bad guy, but he doesn't kill women. It's up to Jesse to provide protection. Meanwhile, Jesse's on-again, off-again relationship with ex-wife Jenn picks up steam as Jenn investigates the gang problem for her TV station. As they dig deeper, the danger escalates. The life of a young girl hangs in the balance, and saving Amber could be the miracle Jesse and Jenn need for themselves, too.

Hired to find a purloined painting, reputedly the work of a man who vanished in 1950, Lew Archer unveils an assemblage of murder and family rivalry and deceit