Empfehlungen basierend auf "The Triumph of the Dark: European International History 1933-1939 (Oxford History of Modern Europe)"

Richard Evans' brilliant book unfolds perhaps the single most important story of the 20th century: how a stable and modern country in less than a single lifetime led Europe into moral, physical and cultural ruin and despair. A terrible story not least because there were so many other ways in which Germany's history could have been played out. With authority, skill and compassion, Evans recreates a country torn apart by overwhelming economic, political and social blows: the First World War, Versailles, hyperinflation and the Great Depression. One by one these blows ruined or pushed aside almost everything admirable about Germany, leaving the way clear for a truly horrifying ideology to take command.

An omnibus edition of Judith Kerr's internationally acclaimed trilogy, When Hitler Stole Pink Rabbit, The Other Way Round and A Small Person Far Away, we see the world through Anna's eyes as she grows up -- from her much loved family to Hitler's holocaust. Anna was a German child when she had to flee from the Nazis before the War. By the time the bombs began to fall she was a stateless adolescent in London, and after it was all over she became a happily married Englishwoman who thought she had put the past behind her. This omnibus edition of the three volumes of Judith Kerr's Hitler trilogy, tells her story beginning with the rise of Hitler in 1933 through to her return to Berlin years after the war.

From Neil Macgregor, The Author Of A History Of The World In 100 Objects, This Is A View Of Germany Like No Other Today, As The Dominant Economic Force In Europe, Germany Looms As Large As Ever Over World Affairs. But How Much Do We Really Understand About It, And How Do Its People Understand Themselves? In This Enthralling New Book, Neil Macgregor Guides Us Through The Complex History, Culture And Identity Of This Most Mercurial Of Countries By Telling The Stories Behind 30 Objects In His Uniquely Magical Way. Beginning With The Fifteenth-century Invention Of The Gutenberg Press, Macgregor Ventures Beyond The Usual Sticking Point Of The Second World War To Get To The Heart Of A Nation That Has Given Us Luther And Hitler, The Beetle And Brecht - And Remade Our World Again And Again. This Is A View Of Germany Like No Other. Neil Macgregor Has Been Director Of The British Museum Since August 2002. He Was Director Of The National Gallery In London From 1987 To 2002. His Celebrated Books Include A History Of The World In 100 Objects, Now Translated Into More Than A Dozen Languages And One Of The Top-selling Titles Ever Published By Penguin Press, And Shakespeare's Restless World.

Sydney Taylor Award-winning novel Berlin Boxing Club is loosely inspired by the true story of boxer Max Schmeling's experiences following Kristallnacht. Publishers Weekly called it "a masterful historical novel" in a starred review.Karl Stern has never thought of himself as a Jew; after all, he's never even been in a synagogue. But the bullies at his school in Nazi-era Berlin don't care that Karl's family doesn't practice religion. Demoralized by their attacks against a heritage he doesn't accept as his own, Karl longs to prove his worth.Then Max Schmeling, champion boxer and German hero, makes a deal with Karl's father to give Karl boxing lessons. A skilled cartoonist, Karl has never had an interest in boxing, but now it seems like the perfect chance to reinvent himself.But when Nazi violence against Jews escalates, Karl must take on a new role: family protector. And as Max's fame forces him to associate with Nazi elites, Karl begins to wonder where his hero's sympathies truly lie. Can Karl balance his boxing dreams with his obligation to keep his family out of harm's way?Includes an author's note and sources page detailing the factual inspirations behind the novel.

“When this book was first published it received some attention from the critics but none at all from the public. Nazism was finished in the bunker in Berlin and its death warrant signed on the bench at Nuremberg.”   That’s Milton Mayer, writing in a foreword to the 1966 edition of They Thought They Were Free. He’s right about the critics: the book was a finalist for the National Book Award in 1956. General readers may have been slower to take notice, but over time they did—what we’ve seen over decades is that any time people, across the political spectrum, start to feel that freedom is threatened, the book experiences a ripple of word-of-mouth interest. And that interest has never been more prominent or potent than what we’ve seen in the past year.   They Thought They Were Free is an eloquent and provocative examination of the development of fascism in Germany. Mayer’s book is a study of ten Germans and their lives from 1933-45, based on interviews he conducted after the war when he lived in Germany. Mayer had a position as a research professor at the University of Frankfurt and lived in a nearby small Hessian town which he disguised with the name “Kronenberg.” “These ten men were not men of distinction,” Mayer noted, but they had been members of the Nazi Party; Mayer wanted to discover what had made them Nazis. His discussions with them of Nazism, the rise of the Reich, and mass complicity with evil became the backbone of this book, an indictment of the ordinary German that is all the more powerful for its refusal to let the rest of us pretend that our moment, our society, our country are fundamentally immune.   A new foreword to this edition by eminent historian of the Reich Richard J. Evans puts the book in historical and contemporary context. We live in an age of fervid politics and hyperbolic rhetoric. They Thought They Were Free cuts through that, revealing instead the slow, quiet accretions of change, complicity, and abdication of moral authority that quietly mark the rise of evil.

Germany, 1945. Elizabeth, Karli and their mother are in Dresden when the Allied bombs begin to fall. Their home is destroyed, they must flee the ruined city through the perilous, snow-covered landscape, all the while avoiding the Russian troops who are drawing ever closer.

The most eloquent and expressive statesman of his time - phrases such as 'iron curtain', 'business as usual', 'the few', and 'summit meeting' passed quickly into everyday use - Winston Churchill used language as his most powerful weapon at a time when his most frequent complaint was that the armoury was otherwise empty. In this volume, David Cannadine selects thirty-three orations ranging over fifty years, demonstrating how Churchill gradually hones his rhetoric until the day when, with spectacular effect, 'he mobilized the English language, and sent it into battle' (Edward R. Murrow).

Fascism is a political ideology which has been identified with totalitarianism, state terror, fanaticism, orchestrated violence, and blind obedience. Fascism was directly associated with the Second World War, the most devastating annihilation of human lives in the history of mankind which left more than 40 million dead around the globe and introduced notions of inhumanity the extent of which was heretofore unknown. The mere term stirs up visions of atrocities and wanton cruelty even today, fifty years after the end of the Last European War Yet once again fascism is in the ascendant, suggesting that it is time for us to renew our understanding of its ideas, ideals, and iniquities. This anthology tries to show why fascism holds such strong appeal to many people. With a wide selection of texts written by fascist thinkers and propagandists as well as prominent anti-fascist criticism from both inside and outside Europe, before and after the Second World War, this collection offers a chilling portrait of the most feared political doctrine in modern history. Some of the topics covered in this volume include fascism in Germany and Italy, pre-1922 precursors of fascism, theories of fascism, the abortive fascist movements in the period 1922-1945, anti-fascist movements and reaction, Marxist criticism of fascist ideology, and post-war fascism. With contributions from writers as diverse as Benito Mussolini and Primo Levi, Joseph Goebbels and George Orwell, Martin Heidegger and Max Horkheimer, this insightful book evokes the pernicious effects of fascist ideology.

Ernst Jünger was one of twentieth-century Germany's most important--and most controversial--writers. Decorated for bravery in World War I and the author of the acclaimed western front memoir Storm of Steel, he frankly depicted war's horrors even as he extolled its glories. As a Wehrmacht captain during World War II, Jünger faithfully kept a journal in occupied Paris and continued to write on the eastern front and in Germany until its defeat--writings that are of major historical and literary significance. Jünger's Paris journals document his Francophile excitement, romantic affairs, and fascination with botany and entomology, alongside mystical and religious ruminations and trenchant observations on the occupation and the politics of collaboration. While working as a mail censor, he led the privileged life of an officer, encountering artists such as Céline, Cocteau, Braque, and Picasso. His notes from the Caucasus depict the chaos after Stalingrad and atrocities on the eastern front. Upon returning to Paris, Jünger observed the French resistance and was close to the German military conspirators who plotted to assassinate Hitler in 1944. After fleeing France, he reunited with his family as Germany's capitulation approached. Both participant and commentator, close to the horrors of history but often distancing himself from them, Jünger turned his life and experiences into a work of art. These wartime journals appear here in English for the first time, giving fresh insights into the quandaries of the twentieth century from the keen pen of a paradoxical observer.

The peace treaties represented an almost impossible attempt to solve the problems caused by a murderous world war. In The Lights that Failed: European International History 1919-1933, part of the Oxford History of Modern Europe series, Steiner challenges the common assumption that the Treaty of Versailles led to the opening of a second European war. In a radically original way, this book characterizes the 1920s not as a frustrated prelude to a second global conflict but as a fascinating decade in its own right, when politicians and diplomats strove to re-assemble a viable European order. Steiner examines the efforts that failed but also those which gave hope for future promise, many of which are usually underestimated, if not ignored. She shows that an equilibrium was achieved, attained between a partial American withdrawal from Europe and the self-imposed constraints which the Soviet system imposed on exporting revolution. The stabilization painfully achieved in Europe reached it fragile limits after 1925, even prior to the financial crises that engulfed the continent. The hinge years between the great crash of 1929 and Hitler's achievement of power in 1933 devastatingly altered the balance between nationalism and internationalism. This wide-ranging study helps us grasp the decisive stages in this process. In a second volume, The Triumph of the Night , Steiner will examine the immediate lead up to the Second World War and its early years.