Empfehlungen basierend auf "The Time Traveller's Guide to Medieval England: A Handbook for Visitors to the Fourteenth Century"

A definitive new collection of Oscar Wilde’s best prison letters and poetry, with an introduction by Colm ToibinBankrupt and with his reputation in ruins, Oscar Wilde wrote the astonishing letter “De Profundis” to his lover, Lord Alfred Douglas, while in prison. Editor Colm Toibin, the acclaimed author of The Blackwater Lightship, The Master, and Brooklyn, describes it as Wilde’s “greatest piece of prose writing.” Also included is “The Ballad of Reading Gaol,” Wilde’s most famous poem and one of the greatest ballads in the English language, as well as other letters Wilde wrote from prison that reveal the true effects of incarceration on the people he met. Based on the Penguin Classics edition of the Complete Letters, this collection features a new introduction, notes, and appendices.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A history of book making cites examples from as far back as the eighth century, reveals the stories behind the makings of famous works, and includes such chapters as The Book Maker's Craft and Scrolls and Scribes.

Some of their past the Tudors wanted to remember, other parts they preferred to forget: a new history, a new story, the family behind the myths.The Tudors are a national obsession; they are our most notorious royal family. But, as Leanda de Lisle shows in this gripping new history, beyond the well-worn headlines is a family still more extraordinary than the one we thought we knew.The Tudor canon typically starts with the Battle of Bosworth in 1485, before speeding on to Henry VIII and the Reformation. But this leaves out the family’'s obscure Welsh origins, the ordinary man known as Owen Tudor who would fall (literally) into a Queen’'s lap, and later her bed. It passes by the courage of Margaret Beaufort, the pregnant thirteen-year-old girl who would help found the Tudor dynasty; and the childhood and painful exile of her son, the future Henry VII. It ignores the fact that the Tudors were shaped by their past -- those parts they wished to remember and those they wished to forget.By creating a full family portrait set against the background of this past, Leanda de Lisle enables us to see the Tudors in their own terms, rather than ours; and presents new perspectives and revelations on key figures and events. We see a family dominated by remarkable women doing everything possible to secure its future; understand why the Princes in the Tower disappeared; look again at the bloodiness of Mary’'s reign; at Elizabeth’'s relationships with her cousins; and re-discover the true significance of previously overlooked figures. We see the supreme importance of achieving peace and stability in a violent and uncertain world, and of protecting and securing the bloodline. Tudor tells a family story like no other, and brings it once more to vivid life.

Book may have numerous typos, missing text, images, or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1905. Excerpt: ... ACT I Scene--The octagon room at Sir Robert CHILTern's house in Grosvenor Square. [The room is brilliantly lighted and full of guests. At the top of the staircase stands Lady Chiltern, a woman of grave Greek beauty, about twenty-seven years of age. She receives the guests as they come up. Over the well of the staircase hangs a great chandelier with wax lights, which illumine a large eighteenthcentury French tapestry--representing the Triumph of Love, from a design by Boucher--fhat is stretched on the staircase wall. On the right is the entrance 'to the music-room. The sound of a string quartette is faintly heard. The entrance on the left leads to other reception-rooms. Mrs. Marchmont and Lady Basildon, two very pretty women, are seated together on a Louis Seize sofa. They are types of exquisite fragility. Their affectation of manner- has a delicate charm. Watteau would have loved to paint them.) Mrs. Marchmont. Going on to the Hartlocks' tonight, Margaret? Lady Basildon. I suppose so. Are you? Mrs. Marchmont. Yes. Horribly tedious parties they give, don't they? Lady Basildon. Horribly tedious! Never know why I go. Never know why I go anywhere. Mrs. Marchmont. I come here to be educated. Lady Basildon. Ah! I hate being educated! Mrs. Marchmont. So do I. It puts one almost on a level with the commercial classes, doesn't it? But 1 dear Gertrude Chiltern is always telling me that I should have some serious purpose in life. So I come here to try to find one. Lady Basildon [Looking round through her lorgnette]. I don't see anybody here to-night whom one could possibly call a serious purpose. The man who took me in to dinner talked to me about his wife the whole time. Hrs. MArchmont. How very trivial of him! Lady Basildon. Terribly trivial! What did your man talk about? Mrs. Mabchmont. Abo...

The American Film Institute Catalog easily surpasses all other reference works in its field for comprehensiveness, reliability, and utility. Its decade-by-decade, exhaustive, detailed, and carefully descriptive coverage is simply not approached by any other source. In a field bedevilled by quickly assembled and slipshod reference books, the AFI Catalog volumes are the one essential purchase for every library's film reference shelves, and individual researchers will also find them indispensable.Following the recently published set of volumes on the teen decade, the AFI research staff has now completed this far more massive set on the thirties―reaching into a period where many films have survived, many of them easily available and much beloved by film enthusiasts.For the thirties, the improved methodology developed for the teens is deployed in three vast volumes. Hundreds of films never before identified are included, on the basis of new preservation efforts. Extensive coverage is given to Spanish- and other foreign-language films, to foreign versions produced in the U.S., and to coproductions. Surprisingly, independent films figure largely; in some years, out of 500 films produced, 150-200 were independents―works of special social and cultural significance.

The only complete collection of writings by Anne Frank, this impressive volume contains three of the extant versions of her Diary (including pages that came to light in 1998), Tales from the Secret Annex (he lesser known short stories, fables, and personal reminiscences), and Cady’s Life (her unfinished novel), along with the latest, most definitive scholarly research into Frank’s life.Anne Frank’s diary has become a modern classic. It stands alone as the moving testimony of a young girl whose world collapsed around her in the nightmare of Hitler’s Final Solution. Published in the United States in 1952, Anne Frank: A Diary of a Young Girl has been translated from the Dutch into nearly seventy languages, and millions of people the world over continue to respond to her extraordinary voice. The Diary of Anne Frank: The Revised Critical Edition presents the most fascinating, comprehensive study of that diary in existence.Prepared by the Netherlands Institute for War Documentation, this monumental work allows the reader to compare the three versions of the diary itself: Anne’s original entries; the diary as she herself edited it in the hiding place of the “Secret Annex”; and the version most popularly known, as edited by Anne’s father, Otto Frank, and a Dutch publishing house after World War II, when they removed certain family and sexual references. Every aspect of the diary—including Anne’s handwriting and the paper used—is meticulously examined, providing compelling proof and historical of its poignant testament. Absorbing biographical information on the Frank family enhances Anne’s personal perceptions, and a summary of critical events during and after the family’s arrest—including how the Nazi authorities learned about the Franks and their secret hiding places—adds a new dimension to this tragic, still resonant story.Illustrated throughout with black-and-white photographs, the Diary of Anne Frank: The Revised Critical Edition is an invaluable contribution to our awareness of the Holocaust and a stirring tribute to the author’s impressionable spirit.

Intimate photo essays of thirty-eight important writers, including Margaret Atwood, Gabriel García Márquez, Zadie Smith, and Colm Tóibín“We’ve all seen writers on the dust jackets of their books. These portraits, it seemed to me, generally failed to convey either character or personality. Writers deserve better. I wanted to make compelling pictures that would stick in the mind’s eye.”—Laura WilsonInspired by the classic photo essays that once appeared in Life magazine, renowned photographer Laura Wilson presents dynamic portraits of thirty-eight internationally acclaimed writers. Through her photos and accompanying texts, she gives us vivid, revealing glimpses into the everyday lives of such luminaries as Rachel Cusk, Edwidge Danticat, David McCullough, Haruki Murakami, and the late Carlos Fuentes and Seamus Heaney, among others. Margaret Atwood works in her garden. Tim O’Brien performs magic tricks for his family. And Louise Erdrich, who contributes an introduction, speaks with customers in her Minneapolis bookstore. At once inviting and poignant, the book reflects on writing and photography’s shared concerns with invention, transformation, memory, and preservation. With 220 duotone images, The Writers: Portraits will appeal to fans of literature and photography alike.Published in association with the Harry Ransom Center at The University of Texas at AustinExhibition Schedule:Harry Ransom Center at The University of Texas at AustinAugust 26, 2022–January 1, 2023

The classic portrayal of court life in tenth-century JapanWritten by the court gentlewoman Sei Shonagon, ostensibly for her own amusement, The Pillow Book offers a fascinating exploration of life among the nobility at the height of the Heian period, describing the exquisite pleasures of a confined world in which poetry, love, fashion, and whim dominated, while harsh reality was kept firmly at a distance. Moving elegantly across a wide range of themes including nature, society, and her own flirtations, Sei Shonagon provides a witty and intimate window on a woman's life at court in classical Japan.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The three novels which make up The Forsyte Saga chronicle the ebbing social power of the commercial upper-middle class Forsyte family between 1886 and 1920. Galsworthy's masterly narrative examines not only their fortunes but also the wider developments within society, particularly the changing position of women. This is the only critical edition of the work available, with Notes that explain contemporary artistic and literary allusions and define the slang of the time.

Samuel Pepys is as much a paragon of literature as Chaucer and Shakespeare. His Diary is one of the principal sources for many aspects of the history of its period. In spite of its significance, all previous editions were inadequately edited and suffered from a number of omissions―until Robert Latham and William Matthews went back to the 300-year-old original manuscript and deciphered each passage and phrase, no matter how obscure or indiscreet.The Diary deals with some of the most dramatic events in English history. Pepys witnessed the London Fire, the Great Plague, the Restoration of Charles II, and the Dutch Wars. He was a patron of the arts, having himself composed many delightful songs and participated in the artistic life of London. His flair for gossip and detail reveals a portrait of the times that rivals the most swashbuckling and romantic historical novels. In none of the earlier versions was there a reliable, full text, with commentary and notation with any claim to completeness. This edition, first published in 1970, is the first in which the entire diary is printed with systematic comment. This is the only complete edition available; it is as close to Pepys’s original as possible.