Empfehlungen basierend auf "The Second World War"

From Neil MacGregor, the author of A History of the World in 100 Objects, this is a view of Germany like no other For the past 140 years, Germany has been the central power in continental Europe. Twenty-five years ago a new German state came into being. How much do we really understand this new Germany, and how do its people now understand themselves? Neil MacGregor argues that uniquely for any European country, no coherent, over-arching narrative of Germany's history can be constructed, for in Germany both geography and history have always been unstable. Its frontiers have constantly floated. Königsberg, home to the greatest German philosopher, Immanuel Kant, is now Kaliningrad, Russia; Strasbourg, in whose cathedral Johann Wolfgang von Goethe, Germany's greatest writer, discovered the distinctiveness of his country's art and history, now lies within the borders of France. For most of the five hundred years covered by this book Germany has been composed of many separate political units, each with a distinct history. And any comfortable national story Germans might have told themselves before 1914 was destroyed by the events of the following thirty years. German history may be inherently fragmented, but it contains a large number of widely shared memories, awarenesses and experiences; examining some of these is the purpose of this book. Beginning with the fifteenth-century invention of modern printing by Gutenberg, MacGregor chooses objects and ideas, people and places which still resonate in the new Germany - porcelain from Dresden and rubble from its ruins, Bauhaus design and the German sausage, the crown of Charlemagne and the gates of Buchenwald - to show us something of its collective imagination. There has never been a book about Germany quite like it.

“When this book was first published it received some attention from the critics but none at all from the public. Nazism was finished in the bunker in Berlin and its death warrant signed on the bench at Nuremberg.”   That’s Milton Mayer, writing in a foreword to the 1966 edition of They Thought They Were Free. He’s right about the critics: the book was a finalist for the National Book Award in 1956. General readers may have been slower to take notice, but over time they did—what we’ve seen over decades is that any time people, across the political spectrum, start to feel that freedom is threatened, the book experiences a ripple of word-of-mouth interest. And that interest has never been more prominent or potent than what we’ve seen in the past year.   They Thought They Were Free is an eloquent and provocative examination of the development of fascism in Germany. Mayer’s book is a study of ten Germans and their lives from 1933-45, based on interviews he conducted after the war when he lived in Germany. Mayer had a position as a research professor at the University of Frankfurt and lived in a nearby small Hessian town which he disguised with the name “Kronenberg.” “These ten men were not men of distinction,” Mayer noted, but they had been members of the Nazi Party; Mayer wanted to discover what had made them Nazis. His discussions with them of Nazism, the rise of the Reich, and mass complicity with evil became the backbone of this book, an indictment of the ordinary German that is all the more powerful for its refusal to let the rest of us pretend that our moment, our society, our country are fundamentally immune.   A new foreword to this edition by eminent historian of the Reich Richard J. Evans puts the book in historical and contemporary context. We live in an age of fervid politics and hyperbolic rhetoric. They Thought They Were Free cuts through that, revealing instead the slow, quiet accretions of change, complicity, and abdication of moral authority that quietly mark the rise of evil.

From the quintessential author of wartime Germany, A Time to Love and a Time to Die echoes the harrowing insights of his masterpiece All Quiet on the Western Front.After two years at the Russian front, Ernst Graeber finally receives three weeks’ leave. But since leaves have been canceled before, he decides not to write his parents, fearing he would just raise their hopes.Then, when Graeber arrives home, he finds his house bombed to ruin and his parents nowhere in sight. Nobody knows if they are dead or alive. As his leave draws to a close, Graeber reaches out to Elisabeth, a childhood friend. Like him, she is imprisoned in a world she did not create. But in a time of war, love seems a world away. And sometimes, temporary comfort can lead to something unexpected and redeeming.“The world has a great writer in Erich Maria Remarque. He is a craftsman of unquestionably first rank, a man who can bend language to his will. Whether he writes of men or of inanimate nature, his touch is sensitive, firm, and sure.”—The New York Times Book Review

When Hitler's war ended in 1945, the war over Hitler--who he really was, what gave birth to his unique evil--had just begun. Hitler did not escape the bunker in Berlin but, half a century later, he has managed to escape explanation in ways both frightening and profound. Explaining Hitler is an extraordinary quest, an expedition into the war zone of Hitler theories. This is a passionate, enthralling book that illuminates what Hitler explainers tell us about Hitler, about the explainers, and about ourselves.

Presenting the desperate conflict of the First World War through the eyes of an ordinary German soldier, Ernst Jünger's Storm of Steel is translated by Michael Hofmann in Penguin Modern Classics. 'As though walking through a deep dream, I saw steel helmets approaching through the craters. They seemed to sprout from the fire-harrowed soil like some iron harvest.' A memoir of astonishing power, savagery and ashen lyricism, Storm of Steel depicts Ernst Jünger's experience of combat on the front line - leading raiding parties, defending trenches against murderous British incursions, and simply enduring as shells tore his comrades apart. One of the greatest books to emerge from the catastrophe of the First World War, it illuminates like no other book not only the horrors but also the fascination of a war that made men keep fighting for four long years. Ernst Jünger (1895-1998) the son of a wealthy chemist, ran away from home to join the Foreign Legion. His father dragged him back, but he returned to military service when he joined the German army on the outbreak of the First World War. Storm of Steel (Stahlgewittern) was Jünger's first book, published in 1920. Greatly admired by the Nazis, Jünger remained at a distance from the regime, with books such as his allegorical work On the Marble Cliffs (1939) functioning as a covert criticism of Nazi ideology and methods. If you enjoyed Storm of Steel, you might like Edward Blunden's Undertones of War, also available in Penguin Modern Classics. 'To read this extraordinary book is to gain a unique insight into the compelling nature of organized, industrialized violence' Niall Ferguson, author of War of the World 'Hofmann's interpretation is superb' The Times 'Unique in the literature of this or any other war is its brilliantly vivid conjuration of the immediacy and intensity of battle' Telegraph 'Storm of Steel is what so many books claim to be but are not: a classic account of war' Evening Standard

Germany, 1945. Elizabeth, Karli and their mother are in Dresden when the Allied bombs begin to fall. Their home is destroyed, they must flee the ruined city through the perilous, snow-covered landscape, all the while avoiding the Russian troops who are drawing ever closer.

"The leading nonfiction best seller in Germany since its publication, with translations in preparation in seventeen countries, Mr. Fest's monumental work on the most fateful historical figure of our time stands out as a towering achievement. Absorbingly readable, it tells and interprets the extraordinarily dramatic story of a man's and nation's rise from impotence and insignificance to a brief period of absolute power, as Germany and Hitler, from shared premises, entered into their covenant. Convincingly, Fest exhibits the true source of Hitler's overwhelming dynamism, the basis of his stupendous initial success in peace and war, and finally the real effects of his policies to this day ... The Germany of the times comes vividly alive with its contrasts of misery and grandiosity, with its fierce strife and the varied company of both is good and evil figures. The preliminaries of World War II are unraveled with skillful lucidity, Hitler's purposeful actions contrasted with the hesitancy or hubris of his opponents. In the last analysis, however, Fest uncovers in Hitler a constantly destructive personality who aimed at and achieved destruction on an unprecedented scale, not least because an insecure world gave him opportunities. In a final irony, he changed the world irrevocably, thoughnow as he wished or foresaw, for all of us."--Jacket.

Winston Churchill's six-volume history of the cataclysm that swept the world remains the definitive history of the Second World War. Lucid, dramatic, remarkable both for its breadth and sweep and for its sense of personal involvement, it is universally acknowledged as a magnificent reconstruction and is an enduring, compelling work that led to his being awarded the Nobel Prize for literature. Their Finest Hour enthrallingly recounts key events and battles from May to December 1940 as Britain stood isolated while Nazi Germany pursued its seemingly unconquerable war path - the fall of France, Dunkirk and the Battle of Britain, the horrors of the Blitz and Hitler's plans to invade and crush Russia, his sole ally in Europe.

Winston Churchill's six-volume history of the cataclysm that swept the world remains the definitive history of the Second World War. Lucid, dramatic, remarkable both for its breadth and sweep and for its sense of personal involvement, it is universally acknowledged as a magnificent reconstruction and is an enduring, compelling work that led to his being awarded the Nobel Prize for literature. Triumph and Tragedy recounts the dramatic months as the War drew to a close - the Normandy landings, the liberation of Western Europe, the bombing of Hiroshima and Nagasaki, and the surrender of Germany and Japan.

The combination of Michael Dobbs' excellent writing skills and historical passion, and the legendary character of Winston Churchill, have provided two triumphantly successful books in WINSTON'S WAR and NEVER SURRENDER. In 1941, the war appears to be going badly on many fronts. Churchill is the confirmed leader and so his domestic political struggles are slightly lessened, but battered, bloody and almost bankrupt, Britain limps on. Churchill knows his country cannot win the war alone. An alliance with America is paramount, and Churchill is determined to develop and use a friendship with Averall Harriman, American Ambassador to Britain, and personal friend of President Franklin Roosevelt. But his son's wife exploits this first. Pamela Churchill's passionate affair, conducted under her father-in-law's roof, presents Churchill with the appalling dilemma between saving his country, and allowing his son Randolph to be cuckolded. With no British battlefield successes, and with a jubilant Germany controlling Europe, 1941 was a bleak year. America continued resolute against fighting, but by the year's close Pearl Harbour had forced America into the war. Why had the Japanese been persuaded to attack American targets? And how were the rumours of the attack prevented from reaching American ears? Decisions of love and war are often matters of perception. And so it was in this case. This is an extraordinary novel of a man at bay, a nation facing disaster, and the political skills, human dilemmas and brilliant leadership that saved the day.