Empfehlungen basierend auf "The Next Conversation: Argue Less, Talk More"

NATIONAL BOOK AWARD FINALISTSHORT-LISTED FOR THE MAN BOOKER PRIZEBrace yourself for the most astonishing, challenging, upsetting, and profoundly moving book in many a season. An epic about love and friendship in the twenty-first century that goes into some of the darkest places fiction has ever traveled and yet somehow improbably breaks through into the light. Truly an amazement—and a great gift for its readers.When four classmates from a small Massachusetts college move to New York to make their way, they're broke, adrift, and buoyed only by their friendship and ambition. There is kind, handsome Willem, an aspiring actor; JB, a quick-witted, sometimes cruel Brooklyn-born painter seeking entry to the art world; Malcolm, a frustrated architect at a prominent firm; and withdrawn, brilliant, enigmatic Jude, who serves as their center of gravity. Over the decades, their relationships deepen and darken, tinged by addiction, success, and pride. Yet their greatest challenge, each comes to realize, is Jude himself, by midlife a terrifyingly talented litigator yet an increasingly broken man, his mind and body scarred by an unspeakable childhood, and haunted by what he fears is a degree of trauma that he’ll not only be unable to overcome—but that will define his life forever.In rich and resplendent prose, Yanagihara has fashioned a tragic and transcendent hymn to brotherly love, a masterful depiction of heartbreak, and a dark examination of the tyranny of memory and the limits of human endurance.

#1 NEW YORK TIMES, WALL STREET JOURNAL, AND BOSTON GLOBE BESTSELLER • One of the most acclaimed books of our time: an unforgettable memoir about a young woman who, kept out of school, leaves her survivalist family and goes on to earn a PhD from Cambridge University“Extraordinary . . . an act of courage and self-invention.”—The New York TimesNAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW • ONE OF PRESIDENT BARACK OBAMA’S FAVORITE BOOKS OF THE YEAR • BILL GATES’S HOLIDAY READING LIST • FINALIST: National Book Critics Circle’s Award In Autobiography and John Leonard Prize For Best First Book • PEN/Jean Stein Book Award • Los Angeles Times Book PrizeBorn to survivalists in the mountains of Idaho, Tara Westover was seventeen the first time she set foot in a classroom. Her family was so isolated from mainstream society that there was no one to ensure the children received an education, and no one to intervene when one of Tara’s older brothers became violent. When another brother got himself into college, Tara decided to try a new kind of life. Her quest for knowledge transformed her, taking her over oceans and across continents, to Harvard and to Cambridge University. Only then would she wonder if she’d traveled too far, if there was still a way home.“Beautiful and propulsive . . . Despite the singularity of [Westover’s] childhood, the questions her book poses are universal: How much of ourselves should we give to those we love? And how much must we betray them to grow up?”—VogueONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, O: The Oprah Magazine, Time, NPR, Good Morning America, San Francisco Chronicle, The Guardian, The Economist, Financial Times, Newsday, New York Post, theSkimm, Refinery29, Bloomberg, Self, Real Simple, Town & Country, Bustle, Paste, Publishers Weekly, Library Journal, LibraryReads, Book Riot, Pamela Paul, KQED, New York Public Library

A young woman is kept in a cage underground with thirty-nine other females, guarded by armed men who never speak; her crimes unremembered...if indeed there were crimes.The youngest of forty--a child with no name and no past--she survives for some purpose long forgotten in a world ravaged and wasted. In this reality where intimacy is forbidden--in the unrelenting sameness of the artificial days and nights--she knows nothing of books and time, of needs and feelings.Then everything changes...and nothing changes.A young woman who has never known men--a child who knows of no history before the bars and restraints--must now reinvent herself, piece by piece, in a place she has never been...and in the face of the most challenging and terrifying of unknowns: freedom. A young woman is kept in a cage underground with thirty-nine other females, guarded by armed men who never speak; her crimes unremembered...if indeed there were crimes.The youngest of forty--a child with no name and no past--she survives for some purpose long forgotten in a world ravaged and wasted. In this reality where intimacy is forbidden--in the unrelenting sameness of the artificial days and nights--she knows nothing of books and time, of needs and feelings.Then everything changes...and nothing changes.A young woman who has never known men--a child who knows of no history before the bars and restraints--must now reinvent herself, piece by piece, in a place she has never been...and in the face of the most challenging and terrifying of unknowns: freedom.

#1 NEW YORK TIMES BESTSELLER • The “mercilessly entertaining” (Vanity Fair) instant classic “about the nature of identity and the terrible secrets that can survive and thrive in even the most intimate relationships” (Lev Grossman, Time “One of the Best Books of the Decade”)ONE OF TIME'S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME, ONE OF CNN'S MOST INFLUENTIAL BOOKS OF THE DECADE, AND ONE OF ENTERTAINMENT WEEKLY'S BEST BOOKS OF THE DECADEONE OF THE TEN BEST BOOKS OF THE YEAR: Janet Maslin, The New York Times, People, Entertainment Weekly, O: The Oprah Magazine, Slate, Kansas City Star, USA Today, Christian Science MonitorOn a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge. Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer?ONE OF THE BEST BOOKS OF THE YEAR: San Francisco Chronicle, St. Louis Post-Dispatch, Chicago Tribune, HuffPost, Newsday

An exquisitely moving story about grief, love, and family―but especially love―from the global phenomenon Sally Rooney.Aside from the fact that they are brothers, Peter and Ivan Koubek seem to have little in common.Peter is a Dublin lawyer in his thirties―successful, competent, and apparently unassailable. But in the wake of their father’s death, he’s medicating himself to sleep and struggling to manage his relationships with two very different women―his enduring first love, Sylvia, and Naomi, a college student for whom life is one long joke.Ivan is a twenty-two-year-old competitive chess player. He has always seen himself as socially awkward, a loner, the antithesis of his glib elder brother. Now, in the early weeks of his bereavement, Ivan meets Margaret, an older woman emerging from her own turbulent past, and their lives become rapidly and intensely intertwined.For two grieving brothers and the people they love, this is a new interlude―a period of desire, despair, and possibility; a chance to find out how much one life might hold inside itself without breaking.

The extraordinary #1 New York Times bestseller that is now a major motion picture, Markus Zusak's unforgettable story is about the ability of books to feed the soul.It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still.Liesel Meminger is a foster girl living outside of Munich, who scratches out a meager existence for herself by stealing when she encounters something she can’t resist–books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement.In superbly crafted writing that burns with intensity, award-winning author Markus Zusak, author of I Am the Messenger, has given us one of the most enduring stories of our time.

I was supposed to be having the time of my life.When Esther Greenwood wins an internship on a New York fashion magazine in 1953, she is elated, believing she will finally realise her dream to become a writer. But in between the cocktail parties and piles of manuscripts, Esther's life begins to slide out of control. She finds herself spiralling into depression and eventually a suicide attempt, as she grapples with difficult relationships and a society which refuses to take women's aspirations seriously.The Bell Jar, Sylvia Plath's only novel, was originally published in 1963 under the pseudonym Victoria Lucas. The novel is partially based on Plath's own life and has become a modern classic. The Bell Jar has been celebrated for its darkly funny and a razor sharp portrait of 1950s society and has sold millions of copies worldwide.

After she is fatally wounded in an assault, a young woman uses her last few days to try to solve her own murder, from the #1 New York Times bestselling author of A Good Girl's Guide to Murder. Margaret "Jet" Mason has never been able to finish anything. In her twenty-seven years, she's dropped out of school, quit a promising career, and dumped all her boyfriends. Her town's annual Halloween festival is a pageant of the familiar faces of friends and family, each a reminder of her failure to launch, made more surreal by the ghoulish costumes everyone's wearing. But no matter—she's about to leave this town behind and get her fresh start somewhere else. Like with everything else, she quits the party and heads home. But as she walks in her front door, someone attacks her from behind, fracturing her skull—and leaves her for dead. Thirty-six hours later, she wakes up in the hospital to grim news: The attack has left a small bone fragment that's putting pressure on her brain's arterial wall. The doctors tell her that a large aneurysm will soon form, and when it ruptures, the hemorrhage will be fatal. Jet has two choices: Undergo immediate surgery to remove the bone fragment, with less than a ten percent chance of survival. Or don't, and die sometime in the coming week. With the odds stacked against her and death a foregone conclusion, Jet knows what she has to do. She has never finished anything in her life . . . until now. With her last remaining week, she’s going to find out who murdered her.

FOR USE IN SCHOOLS AND LIBRARIES ONLY. When Anastasia Steele, a young literature student, interviews wealthy young entrepreneur Christian Grey for her campus magazine, their initial meeting introduces Anastasia to an exciting new world that will change them both forever.

"Two writers compete for the chance to tell the larger-than-life story of a woman with more than a couple of plot twists up her sleeve in this dazzling and sweeping new novel from Emily Henry. Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they're both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she'll choose the person who'll tell her story, there are three things keeping Alice's head in the game. One: Alice genuinely likes people, which means people usually like Alice--and she has a whole month to win the legendary woman over. Two: She's ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication. Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can't swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they're in the same room. And it's becoming abundantly clear that their story--just like the tale Margaret's spinning-could be a mystery, tragedy, or love ballad . . . depending on who's telling it"--