Empfehlungen basierend auf "The Kingdom of the Hittites"

Ted Gioia's History of Jazz has been universally hailed as a classic--acclaimed by jazz critics and fans around the world. Now Gioia brings his magnificent work completely up-to-date, drawing on the latest research and revisiting virtually every aspect of the music, past and present.Gioia tells the story of jazz as it had never been told before, in a book that brilliantly portrays the legendary jazz players, the breakthrough styles, and the world in which it evolved. Here are the giants of jazz and the great moments of jazz history--Jelly Roll Morton, Louis Armstrong, Duke Ellington at the Cotton Club, cool jazz greats such as Gerry Mulligan, Stan Getz, and Lester Young, Charlie Parker and Dizzy Gillespie's advocacy of modern jazz in the 1940s, Miles Davis's 1955 performance at the Newport Jazz Festival, Ornette Coleman's experiments with atonality, Pat Metheny's visionary extension of jazz-rock fusion, the contemporary sounds of Wynton Marsalis, and the post-modernists of the current day. Gioia provides the reader with lively portraits of these and many other great musicians, intertwined with vibrant commentary on the music they created. He also evokes the many worlds of jazz, taking the reader to the swamp lands of the Mississippi Delta, the bawdy houses of New Orleans, the rent parties of Harlem, the speakeasies of Chicago during the Jazz Age, the after hours spots of corrupt Kansas city, the Cotton Club, the Savoy, and the other locales where the history of jazz was made. And as he traces the spread of this protean form, Gioia provides much insight into the social context in which the music was born.

THIS BOOK ANSWERS THE MOST OBVIOUS, THE MOST IMPORTANT, YET THE MOST DIFFICULT QUESTION ABOUT HUMAN HISTORY: WHY HISTORY UNFOLDED SO DIFFERENTLY ON DIFFERENT CONTINENTS. GEOGRAPHY AND BIOGRAPHY, NOT RACE, MOULDED THE CONTRASTING FATES OF EUROPEANS, ASIANS, NATIVE AMERICANS, SUB-SAHARAN AFRICANS, AND ABORIGINAL AUSTRALIANS. AN AMBITIOUS SYNTHESIS OF HISTORY, BIOLOGY, ECOLOGY AND LINGUISTICS, GUNS, GERMS AND STEEL IS ONE OF THE MOST IMPORTANT AND HUMANE WORKS OF POPULAR SCIENCE.

A Beguiling Cultural History Of Colour By The Bafta Nominated Broadcaster And Art Historian James Fox 'this Book Is A Triumph. James Fox's Passionate And Illuminating Exploration Of The Extraordinary Relationship We Have With Colour Is Itself Extraordinary. It Is An Intellectual Feast As Well As A Visual One - A True Biography Of Colour Which Will Delight Readers.' Edmund De Waal, Author Of The Hare With Amber Eyes The Subject Of This Book Is Humankind's Extraordinary Relationship With Colour. It Is Composed Of A Series Of Voyages, Ranging Across The World And Throughout History, Which Reveal The Meanings That Have Been Attached To The Colours We See Around Us And The Ways These Have Shaped Our Culture And Imagination. It Takes Seven Primary Colours - Black, Red, Yellow, Blue, White, Purple And Green - And Uncovers Behind Each A Root Idea, Based On Visual Resemblances Or Properties So Rudimentary As To Be Common To All Societies. The Book Traces These Meanings To Show How They Changed And Multiplied, The Role That They Have Played In Our Culture And History, And How Understanding Them Allows Us To See Many Of The Milestones In The History Of Art - From Bronze Age Gold-work To Turner, Titian To Yves Klein - In A New Way. It Proceeds By Stories, Which Cumulatively Tell Another, Larger One: A History Of The World From The Black Nothing Which Preceded Existence To The Birth Of Our Red-blooded Species; The Gilded Gods Who Animated The World In Antiquity To The Blue Horizons Which Framed The Age Of Discovery; The Pristine Aspirations Of Enlightenment, The Technicolour Innovation Which Fuelled The Industrial Revolution And The Colour Which Most Embodies The Environmental Crisis Which Now Faces Us.

A beguiling cultural history of colour, by one of the rising stars of art history The subject of this book is mankind's extraordinary relationship with colour. It is composed of a series of voyages, ranging across the world and throughout history, which reveal the meanings that have been attached to the colours we see around us and the ways these have shaped our culture and imagination. It takes seven primary colours - black, red, yellow, blue, white, purple and green - and uncovers behind each a root idea, based on visual resemblances or properties so rudimentary as to be common to all societies. The book traces these meanings to show how they changed and multiplied, the role that they have played in our culture and history, and how understanding them allows us to see many of the milestones in the history of art - from Bronze Age gold-work to Turner, Titian to Yves Klein - in a new way. It proceeds by stories, which cumulatively tell another, larger one- a history of the world from the black nothing which preceded existence to the birth of our red-blooded species; the gilded gods who animated the world in antiquity to the blue horizons which framed the Age of Discovery; the pristine aspirations of Enlightenment, the technicolour innovation which fuelled the Industrial Revolution and the colour which most embodies the environmental crisis which now faces us.

In the eighteenth century, India's share of the world economy was as large as Europe's. By 1947, it had decreased six-fold. In Inglorious Empire, Shashi Tharoor tells the real story of the British in India, from the arrival of the East India Company in 1757 to the end of the Raj, and reveals how Britain's rise was built upon its depredations in India. India was Britain's biggest cash cow, and Indians literally paid for their own oppression. Britain's Industrial Revolution was founded on India's deindustrialisation, and the destruction of its textile industry. Under the British, millions died from starvation--including 4 million in 1943 alone, after national hero Churchill diverted Bengal's food stocks to the war effort. Beyond conquest and deception, the Empire blew rebels from cannons, massacred unarmed protesters and entrenched institutionalised racism. British imperialism justified itself as enlightened despotism for the benefit of the governed. Tharoor takes on and demolishes the arguments for the Empire, demonstrating how every supposed imperial 'gift', from the railways to the rule of law, was designed in Britain's interests alone. This incisive reassessment of colonialism exposes to devastating effect the inglorious reality of Britain's stained Indian legacy.

A TIMES BOOK OF THE YEAR'As brilliant a history of the Vikings as one could possibly hope to read' Tom HollandThe 'Viking Age' is traditionally held to begin in June 793 when Scandinavian raiders attacked the monastery of Lindisfarne in Northumbria, and to end in September 1066, when King Harald Hardrada of Norway died leading the charge against the English line at the Battle of Stamford Bridge. This book, the most wide-ranging and comprehensive assessment of the current state of our knowledge, takes a refreshingly different view. It shows that the Viking expansion began generations before the Lindisfarne raid, and traces Scandinavian history back centuries further to see how these people came to be who they were.The narrative ranges across the whole of the Viking diaspora, from Vinland on the eastern American seaboard to Constantinople and Uzbekistan, with contacts as far away as China. Based on the latest archaeology, it explores the complex origins of the Viking phenomenon and traces the seismic shifts in Scandinavian society that resulted from an economy geared to maritime war. Some of its most striking discoveries include the central role of slavery in Viking life and trade, and the previously unsuspected pirate communities and family migrations that were part of the Viking 'armies' - not least in England.Especially, Neil Price takes us inside the Norse mind and spirit-world, and across their borders of identity and gender, to reveal startlingly different Vikings to the barbarian marauders of stereotype. He cuts through centuries of received wisdom to try to see the Vikings as they saw themselves - descendants of the first human couple, the Children of Ash and Elm. Healso reminds us of the simultaneous familiarity and strangeness of the past, of how much we cannot know, alongside the discoveries that change the landscape of our understanding. This is an eye-opening and surprisingly moving book.

Synthesizing exceptional cartography and impeccable scholarship, the Atlas of World History traces 12,000 years of history with 450 full-color maps and over 200,000 words of text. Its outstanding features include:* More than 200 illustrations and tables* Longer essays on worldwide trends, political developments, and military conflicts, highlighting the most significant socioeconomic, cultural, and religious themes for five pivotal historical periods* Devotion to the rich past of Africa, Asia, and the Americas* Cross-references and an 8,000-entry index with alternative name forms permitting movement through regions and time periods with the utmost of easeThe Atlas of World History is sure to appeal to a wide audience of history and geography buffs and scholars, as well as students.

"The Death of Yugoslavia" is a survey of the pressures and events that contributed to the break-up of former Yugoslavia, considered from a historical rather than a political or sociological point of view.

More than three decades after its first publication, Edward Said's groundbreaking critique of the West's historical, cultural, and political perceptions of the East has become a modern classic.In this wide-ranging, intellectually vigorous study, Said traces the origins of "orientalism" to the centuries-long period during which Europe dominated the Middle and Near East and, from its position of power, defined "the orient" simply as "other than" the occident. This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding. Essential, and still eye-opening, Orientalism remains one of the most important books written about our divided world.

150 years of American photography come alive in this exciting new book, placing it in its cultural context for the first time. Orvell examines this fascinating subject through a wide range of well known and less-well known images. He ranges from portraiture and landscape photography, family albums and memory, and analyses the particularly 'American' way in which American photographers have viewed the world around them.Orvell combines a clear overview of the changing nature of photographic thinking and practice in this period with an exploration of key concepts. The result is the first coherent history of American photography, which examines issues such as the nature of photographic exploitation, experimental techniques, the power of the photograph to shock, and whether we should subscribe to the notion of a visual history.