Empfehlungen basierend auf "The Keeping Quilt"

Punishing Places applies a unique spatial analysis to mass incarceration in the United States. It demonstrates that our highest imprisonment rates are now in small cities, suburbs, and rural areas. Jessica Simes argues that mass incarceration should be conceptualized as one of the legacies of U.S. racial residential segregation, but that a focus on large cities has diverted vital scholarly and policy attention away from communities affected most by mass incarceration today. This book presents novel measures for estimating the community-level effects of incarceration using spatial, quantitative, and qualitative methods. This analysis has broad and urgent implications for policy reforms aimed at ameliorating the community effects of mass incarceration and promoting alternatives to the carceral system.

On the occasion of the twenty-fifth anniversary of its first publication, here is the definitive edition of the book acclaimed as “the most affecting and successful narrative ever done about the Holocaust” (Wall Street Journal) and “the first masterpiece in comic book history” (The New Yorker).The Pulitzer Prize-winning Maus tells the story of Vladek Spiegelman, a Jewish survivor of Hitler’s Europe, and his son, a cartoonist coming to terms with his father’s story. Maus approaches the unspeakable through the diminutive. Its form, the cartoon (the Nazis are cats, the Jews mice), shocks us out of any lingering sense of familiarity and succeeds in “drawing us closer to the bleak heart of the Holocaust” (The New York Times).Maus is a haunting tale within a tale. Vladek’s harrowing story of survival is woven into the author’s account of his tortured relationship with his aging father. Against the backdrop of guilt brought by survival, they stage a normal life of small arguments and unhappy visits. This astonishing retelling of our century’s grisliest news is a story of survival, not only of Vladek but of the children who survive even the survivors. Maus studies the bloody pawprints of history and tracks its meaning for all of us.

In late 1991 and early 1992, at the time of the first Intifada, Joe Sacco spent two months with the Palestinians in the West Bank and Gaza Strip, travelling and taking notes. Upon returning to the United States, he started writing and drawing Palestine, which combines the techniques of eyewitness reportage with the medium of comic-book storytelling to explore this complex, emotionally weighty situation. He captures the heart of the Palestinian experience in image after unforgettable image, with great insight and remarkable humour. The nine-issue comics series won a 1996 American Book Award. It is now published for the first time in one volume, befitting its status as one of the great classics of graphic non-fiction.

‘You are no longer a number’Poland, 1944The train slowed and halted with a squeal of the breaks. It felt like we waited in the carriage for an eternity, but eventually, the heavy doors opened, directly into the chaos inside.Sara Leibovitz, a 16-year-old Jewish girl, was a passenger on the train with her family. They spent their final moments together on the platform in Auschwitz before their horrific fates were sealed. Sara’s mother and baby brothers were sent straight to their deaths. Her father was made to work in the Sonderkommando as one of the men forced to remove the bodies from the gas chambers, and was later executed. Sara survived.This is the powerful true story of Sara Leibovits and the incredible pain and hardships she went through during her time in the death camp. Yet despite the horrors she faced, she always tried to maintain her family’s values of courage, faith and kindness to others. In this compelling memoir, Sara’s story is intertwined with that of her daughter, Eti. Seventy years after the horrors of the Holocaust, Eti reveals the inherited trauma of the second generation and completes the Holocaust survivor’s tale.What readers are saying about The Girl Who Survived Auschwitz:‘Let us never stop reading these novels. These memoirs are the ones that keep all the voices alive’‘Highly recommend… I finished reading it with a newfound sense of love and compassion’‘Reading this family’s memories is a rewarding experience in that it will ensure future generations will remember and learn. Many thanks to the author…for the trust in allowing me to review this life-changing memoir.’‘A raw and gripping Holocaust recount’‘What I loved most about this book is that it is a dual perspective…I was grateful to have a little glimpse into the mind of Eti and her absolute respect for her parents…together they learned, they grieved and they healed’‘It makes me really proud of my Jewish heritage and this story of perseverance. I highly recommend this book for any and all to read so we can keep survivor's stories alive and never let this type of tragedy happen again’‘Powerful, heartbreaking and inspiring. We need to know what happened. It will make your heart break. It is beyond horrific. But we need to know in memory of the six million innocents who died and of those who survived’‘A haunting and beautiful read…I give it a resounding 5 stars’‘We have the perspective of a woman who survived the holocaust as well as her daughter who had never known the horrrors her mother endured, yet asked…I feel honored to have read this memoir’‘Anyone who reads this book will not be left untouched…truly moving'‘This is one of those books everyone should read'‘Remarkable… a profoundly impactful book, one which should be required reading for everyone''Sara Leibovits is an amazing lady. She showed strength of character, resilience and maintained a kind heart, as she shared what little she had with those around her in Auschwitz'

Lea Ypi grew up in one of the most isolated countries on earth, a place where communist ideals had officially replaced religion. Albania, the last Stalinist outpost in Europe, was almost impossible to visit, almost impossible to leave. It was a place of queuing and scarcity, of political executions and secret police. To Lea, it was home. People were equal, neighbours helped each other, and children were expected to build a better world. There was community and hope.Then, in December 1990, a year after the fall of the Berlin Wall, everything changed. The statues of Stalin and Hoxha were toppled. Almost overnight, people could vote freely, wear what they liked and worship as they wished. There was no longer anything to fear from prying ears. But factories shut, jobs disappeared and thousands fled to Italy on crowded ships, only to be sent back. Predatory pyramid schemes eventually bankrupted the country, leading to violent conflict. As one generation's aspirations became another's disillusionment, and as her own family's secrets were revealed, Lea found herself questioning what freedom really meant.Free is an engrossing memoir of coming of age amid political upheaval. With acute insight and wit, Lea Ypi traces the limits of progress and the burden of the past, illuminating the spaces between ideals and reality, and the hopes and fears of people pulled up by the sweep of history.

In the shadow of Auschwitz, a flamboyant German industrialist grew into a living legend to the Jews of Cracow. He was a womaniser, a heavy drinker and a bon viveur, but to them he became a saviour. This is the extraordinary story of Oskar Schindler, who risked his life to protect Jews in Nazi-occupied Poland and who was transformed by the war into a man with a mission, a compassionate angel of mercy.

This is not a book about Chernobyl, but about the world it has left us. Alexievich spent three years interviewing dozens of survivors, victims and witnesses. This is their testimony, their voices, and they are unforgettable

The shocking account of how a unit of average middle-aged Germans became the cold-blooded murderers of tens of thousands of Jews.

LONGLISTED FOR THE 2025 MOORE PRIZE IN HUMAN RIGHTS WRITING 'Prosecuting The Powerful isn't just compelling and very moving, it has all the force of a well-crafted thriller. I literally couldn't stop reading it,' John Simpson, BBC World Affairs Editor 'A compelling account of a revolutionary moment in history,' Philippe Sands, The Spectator 'Powerful, timely and moving,' Baroness Helena Kennedy KC 'A tour de force,' Lindsey Hilsum, International Editor, Channel 4 News 'Absolutely brilliant,' Nick Cohen Could we ever see Vladimir Putin in the dock for his crimes? What about a Western ally like Benjamin Netanyahu? Putting a country's leader on trial once seemed unimaginable. But as Steve Crawshaw describes in Prosecuting the Powerful - a blend of powerful eyewitness reporting and gripping history - the possibilities of justice have been transformed. Crawshaw includes recent stories from the front lines of justice in Ukraine, Israel/Palestine and at The Hague, as well as his earlier encounters with war criminals like Slobodan Milosević. He tells the stories of those who have demanded protection for civilians and accountability for war criminals - from the Geneva Conventions to the Syrian police photographer who helped put one of Bashar al-Assad's torturers behind bars. He also follows the extraordinary unfolding story of two of the world's most powerful and well-connected leaders currently under indictment at the International Criminal Court in The Hague: Putin and Netanyahu. For all the current darkness, this is a historic opportunity. The scales of justice can and must be balanced. Now is the moment.

A noted French thinker's poignant reflections, in words and photographs, on his visit to Auschwitz-Birkenau.On a visit to Auschwitz-Birkenau, Georges Didi-Huberman tears three pieces of bark from birch trees on the edge of the site. Looking at these pieces after his return home, he sees them as letters, a flood, a path, time, memory, flesh. The bark serves as a springboard to Didi-Huberman's meditations on his visit, recorded in this spare, poetic, and powerful book. Bark is a personal account, drawing not on the theoretical apparatus of scholarship but on Didi-Huberman's own history, memory, and knowledge. The text proceeds as a series of reflections, accompanied by Didi-Huberman's photographs of the visit. The photographs are not meant to be art—Didi-Huberman confesses that he “photographed practically everything without looking”—but approach it nevertheless. Didi-Huberman tells us that his grandparents died at Auschwitz, but his account is more universal than biographical. As he walks from place to place, he observes that in German birches are birken; Birkenau designates the meadow where the birches grow. Didi-Huberman sees and photographs the “reconstructed” execution wall; the floors of the crematorium, forgotten witnesses to killing; and the birch trees, lovely but also resembling prison bars. Taking his own photographs, he thinks of the famous photographs taken in 1944 by a member of the Sonderkommando, the only photographic documentation of the camp before the Germans destroyed it, hoping to hide the evidence of their crimes. Didi-Huberman notices a “bizarre proliferation of white flowers on the exact spot of the cremation pits.” The dead are not departed.