Empfehlungen basierend auf "The Fool of New York City: A Novel"

Winner of the International IMPAC Dublin Literary Award: “This sturdily textured debut novel never hesitates or meanders.”―Library Journal Alistair MacLeod musters all of the skill and grace that have won him an international following to give us No Great Mischief, the story of a fiercely loyal family and the tradition that drives it.Generations after their forebears went into exile, the MacDonalds still face seemingly unmitigated hardships and cruelties of life. Alexander, orphaned as a child by a horrific tragedy, has nevertheless gained some success in the world. Even his older brother, Calum, a nearly destitute alcoholic living on Toronto's skid row, has been scarred by another tragedy. But, like all his clansman, Alexander is sustained by a family history that seems to run through his veins. And through these lovingly recounted stories-wildly comic or heartbreakingly tragic-we discover the hope against hope upon which every family must sometimes rely.

A visionary work that combines speculative fiction with deep philosophical inquiry, The Sparrow tells the story of a charismatic Jesuit priest and linguist, Emilio Sandoz, who leads a scientific mission entrusted with a profound task: to make first contact with intelligent extraterrestrial life. The mission begins in faith, hope, and beauty, but a series of small misunderstandings brings it to a catastrophic end.Praise for The Sparrow“A startling, engrossing, and moral work of fiction.”—The New York Times Book Review“Important novels leave deep cracks in our beliefs, our prejudices, and our blinders. The Sparrow is one of them.”—Entertainment Weekly“Powerful . . . The Sparrow tackles a difficult subject with grace and intelligence.”—San Francisco Chronicle“Provocative, challenging . . . recalls both Arthur C. Clarke and H. G. Wells, with a dash of Ray Bradbury for good measure.”—The Dallas Morning News“[Mary Doria] Russell shows herself to be a skillful storyteller who subtly and expertly builds suspense.”—USA Today

The second book in Robertson Davies's acclaimed The Deptford Trilogy, with a new foreword by Kelly LinkHailed by the Washington Post Book World as "a modern classic," Robertson Davies’s acclaimed Deptford Trilogy is a glittering, fantastical, cunningly contrived series of novels, around which a mysterious death is woven. The Manticore—the second book in the series after Fifth Business—follows David Staunton, a man pleased with his success but haunted by his relationship with his larger-than-life father. As he seeks help through therapy, he encounters a wonderful cast of characters who help connect him to his past and the death of his father.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

In the unforgettable sequel to the bestselling Jonathan Livingston Seagull, two barn-storming vagabonds meet in the fields of Midwest America and embark on an entertaining and sometimes startling mystical adventure that presents a new perspective on reality, miracles, and the way many of us could live—if we’re up for the challenge. In the cloud-washed airspace between the cornfields of Illinois and blue infinity, a man puts his faith in the propeller of his biplane. For disillusioned writer and itinerant barnstormer Richard Bach, belief is as real as a full tank of gas and sparks firing in the cylinders . . . until he meets Donald Shimoda—former mechanic and self-described messiah who can make wrenches fly and Richard’s imagination soar. . . . In Illusions, Richard Bach takes to the air to discover the ageless truths that give our souls wings: that people don’t need airplanes to soar . . . that even the darkest clouds have meaning once we lift ourselves above them . . . and that messiahs can be found in the unlikeliest places—like hay fields, one-traffic-light midwestern towns, and most of all, deep within ourselves.

When Lord Trundle finds the old Fern Hollow Castle, he decides it is a perfect place to have the Midsummer Banquet.

Is Hitchcock a superficial, though brilliant, entertainer or a moralist? Do his films celebrate the ideal of romantic love or subvert it? In a new interpretation of the director's work, Richard Allen argues that Hitchcock orchestrates the narrative and stylistic idioms of popular cinema to at once celebrate and subvert the ideal of romance and to forge a distinctive worldview-the amoral outlook of the romantic ironist or aesthete. He describes in detail how Hitchcock's characteristic tone is achieved through a titillating combination of suspense and black humor that subverts the moral framework of the romantic thriller, and a meticulous approach to visual style that articulates the lure of human perversity even as the ideal of romance is being deliriously affirmed. Discussing more than thirty films from the director's English and American periods, Allen explores the filmmaker's adoption of the idioms of late romanticism, his orchestration of narrative point of view and suspense, and his distinctive visual strategies of aestheticism and expressionism and surrealism.

London, 1840: Wagner's latest opera plays to packed houses while disgruntled workers gather in crowded pubs to eat ice cream and plan the downfall of the bourgeoisie. Meanwhile, the Pirate Captain finds himself incarcerated at Scotland Yard, in a case of mistaken identity.Discovering that his doppelgänger is none other than Karl Marx, the Captain and his crew are unwittingly caught up in a sinister plot that involves intellectual giants, enormous beards, and a quest to discover whether ham might really be the opium of the people.Includes, at no additional charge, The Wit and Wisdom of the Pirate Captain—a Major Philosophical Work.On the Matter of Love:If you're off to fight in a battle, snap a ship's biscuit in half and give your girlfriend the other half. When you meet again, they will match—like two halves of a single soul! Hopefully, this will stop her sleeping with other men.On Life in General:Life is like a big shanty. Everything will be fine so long as everyone sings in harmony. But if someone plays a duff note on the accordion or tries to break-dance at a sensitive bit, then there will be all sorts of trouble, mark my words.

The second short story set in Peter Newman’s incredible world of THE VAGRANT. 'It's a story that grabbed me by the scruff of the neck and refused to let go...' Fantasy Faction

“If you’ve never read Dorsey, you need to start.”—Miami Herald The world’s biggest beach party is about to get crashed—Serge A. Storms style—in Gator A-Go-Go, New York Times bestselling author Tim Dorsey’s latest outrageously funny and supremely twisted wild ride. The creator of Nuclear Jellyfish, Triggerfish Twist, and so many more delightfully, seriously insane Serge adventures brings the Sunshine State historian and unrepentant thrill killer back for a Florida Spring Break you’ll never forget. Take the Raleigh News & Observer’s advice and “gobble up the Serge A. Storms stories…and you’ll see what an overrated, humorless dullard Hannibal Lecter has always been.”

“Only a fool would pass this one up.” —Laurie R. King In 1205, Theophilos—a fool by trade, a family man by choice, and a spy by design—belongs, along with his family, to the Fools’ Guild, a group that secretly maintains the fragile order of society. In Toulouse, that order is threatened when, unexpectedly, a man claiming to be a full brother of the ruling count is found one morning in a local bordello next to a dead whore, killed with his own sword. Now, Theophilos and his family must uncover the truth.