Empfehlungen basierend auf "The Bell Jar: A Novel (Perennial Classics)"

This book is about the kind of ordinary dancing you and I might do in our kitchens when a favourite tune comes on. It’s more than a social history: it’s a set of interconnected histories of the overlooked places where dancing happens . . .Why do we dance together? What does dancing tells us about ourselves, individually and collectively? And what can it do for us? Whether it be at home, '80s club nights, Irish dancehalls or reggae dances, jungle raves or volunteer-run spaces and youth centres, Emma Warren has sought the answers to these questions her entire life.Dancing doesn’t just refract the music and culture within which it evolves; it also generates new music and culture. When we speak only of the music, we lose part of the story – the part that finds us dancing as children on the toes of adults; the half that triggers communication across borders and languages; the part that finds us worried that we’ll never be able to dance again, and the part that finds us wondering why we were ever nervous in the first place.At the intersection of memoir, social and cultural history, Dance Your Way Home is an intimate foray onto the dancefloor – wherever and whenever it may be – that speaks to the heart of what it is that makes us move.

Six-year-old Sheila never spoke, she never cried, and her eyes were filled with hate. Abandoned on a highway by her mother, unwanted by her alcoholic father, Sheila was placed in a class for emotionally disturbed children after she committed an atrocious act of violence against another child.Everyone said Sheila was lost forever, everyone except her teacher, Torey Hayden.Torey fought to reach Sheila, to bring the abused child back from her secret nightmare, because beneath the rage, Torey saw in Sheila the spark of genius. And together they embarked on a wondrous journey—a journey gleaming with a child's joy at discovering a world filled with love and a journey sustained by a young teacher's inspiring bravery and devotion.

The long-awaited memoir by the superstar of stage, screen, recordings, and televisionBarbra Streisand is by any account a living legend, a woman who in a career spanning six decades has excelled in every area of entertainment. She is among the handful of EGOT winners (Emmy, Grammy, Oscar, and Tony) and has one of the greatest and most recognizable voices in the history of popular music. She has been nominated for a Grammy 46 times, and with Yentl she became the first woman to write, produce, direct, and star in a major motion picture. In My Name Is Barbra, she tells her own story about her life and extraordinary career, from growing up in Brooklyn to her first star-making appearances in New York nightclubs to her breakout performance in Funny Girl on stage and winning the Oscar for that performance on film. Then came a long string of successes in every medium in the years that followed. The book is, like Barbra herself, frank, funny, opinionated, and charming. She recounts her early struggles to become an actress, eventually turning to singing to earn a living; the recording of some of her acclaimed albums; the years of effort involved in making Yentl; her direction of The Prince of Tides; her friendships with figures ranging from Marlon Brando to Madeleine Albright; her political advocacy; and the fulfillment she’s found in her marriage to James Brolin.No entertainer’s memoir has been more anticipated than Barbra Streisand’s, and this engrossing and delightful book will be eagerly welcomed by her millions of fans.

The Oscar-nominated Precious star and Empire actress delivers a much-awaited memoir—wise, complex, smart, funny—a version of the American experience different from anything we’ve readGabourey Sidibe—“Gabby” to her legion of fans—skyrocketed to international fame in 2009 when she played the leading role in Lee Daniels’s acclaimed movie Precious. In This Is Just My Face, she shares a one-of-a-kind life story in a voice as fresh and challenging as many of the unique characters she’s played onscreen. With full-throttle honesty, Sidibe paints her Bed-Stuy/Harlem family life with a polygamous father and a gifted mother who supports her two children by singing in the subway. Sidibe tells the engrossing, inspiring story of her first job as a phone sex “talker.” And she shares her unconventional (of course!) rise to fame as a movie star, alongside “a superstar cast of rich people who lived in mansions and had their own private islands and amazing careers while I lived in my mom's apartment.”Sidibe’s memoir hits hard with self-knowing dispatches on friendship, depression, celebrity, haters, fashion, race, and weight (“If I could just get the world to see me the way I see myself,” she writes, “would my body still be a thing you walked away thinking about?”). Irreverent, hilarious, and untraditional, This Is Just My Face will resonate with anyone who has ever felt different, and with anyone who has ever felt inspired to make a dream come true.

NEW YORK TIMES BESTSELLER • In her stunning debut, the creator of Black Liturgies weaves stories from three generations of her family alongside contemplative reflections to discover the “necessary rituals” that connect us with our belonging, dignity, and liberation.“This is the kind of book that makes you different when you’re done.”—Ashley C. Ford, New York Times bestselling author of Somebody’s Daughter“Reaches deep beneath the surface of words unspoken, wounds unhealed, and secrets untempered to break them open in order for fresh light to break through.”—Morgan Jerkins, New York Times bestselling author of This Will Be My Undoing and Caul BabyONE OF THE BEST BOOKS OF THE YEAR: The Root, Library Journal“From the womb, we must repeat with regularity that to love ourselves is to survive. I believe that is what my father wanted for me and knew I would so desperately need: a tool for survival, the truth of my dignity named like a mercy new each morning.”So writes Cole Arthur Riley in her unforgettable book of stories and reflections on discovering the sacred in her skin. In these deeply transporting pages, Arthur Riley reflects on the stories of her grandmother and father, and how they revealed to her an embodied, dignity-affirming spirituality, not only in what they believed but in the act of living itself. Writing memorably of her own childhood and coming to self, Arthur Riley boldly explores some of the most urgent questions of life and faith: How can spirituality not silence the body, but instead allow it to come alive? How do we honor, lament, and heal from the stories we inherit? How can we find peace in a world overtaken with dislocation, noise, and unrest? In this indelible work of contemplative storytelling, Arthur Riley invites us to descend into our own stories, examine our capacity to rest, wonder, joy, rage, and repair, and find that our humanity is not an enemy to faith but evidence of it.At once a compelling spiritual meditation, a powerful intergenerational account, and a tender coming-of-age narrative, This Here Flesh speaks potently to anyone who suspects that our stories might have something to say to us.

“Rarely do memoirs of grief combine anguish, love, and fury with such elegance.” ― Entertainment Weekly In 2002, Ann Hood’s five-year-old daughter Grace died suddenly from a virulent form of strep throat. Stunned and devastated, the family searched for comfort in a time when none seemed possible. Hood―an accomplished novelist―was unable to read or write. She could only reflect on her lost daughter―“the way she looked splashing in the bathtub ... the way we sang ‘Eight Days a Week.’” One day, a friend suggested she learn to knit. Knitting soothed her and gave her something to do. Eventually, she began to read and write again. A semblance of normalcy returned, but grief, in ever new and different forms, still held the family. What they could not know was that comfort would come, and in surprising ways. Hood traces her descent into grief and reveals how she found comfort and hope again―a journey to recovery that culminates with a newly adopted daughter.

Constance's mother systematically abused her daughter throughout her childhood. Regularly beaten and starved, she tried to get herself taken into care without success and even drank bleach. When she was 13, her mother left her to fend for herself but Constance found the courage to survive and this is her story.

In this wrenching, darkly funny memoir, a young Indian American woman’s quest for mental health is derailed by a charismatic alternative therapist who pulls her into his Mormon self-help cult.It is hard for Veena Dinavahi to live while her classmates keep dying. The high-achieving daughter of loving Indian immigrants, she lives in a white American suburb like any other—except for its unusually high suicide rate. Veena tries everything to cure her own depression, but nothing works. Then, on one late-night Google search, her mom finds Bob Lyon—a sixty-year-old man in the backwoods of Georgia who says he can make Veena want to live again. He calls himself “The True Happiness Company” and, as their relationship progresses . . . “Daddy.”As Veena is sucked into his strangely close-knit community, Bob’s “suggestions” start to feel less and less optional. Before she knows it, she’s a college dropout, a married mother of three, and a Mormon convert who has gotten way too good at dismissing her gut feeling that something is wrong. But when Bob finally pushes her too far, Veena knows she has to cut ties with him. Driven to understand her journey, she re-enrolls in college, studies psychology, and begins to understand that true happiness cannot be one-size-fits-all.Told with unflinching clarity and shot through with incisive wit, The True Happiness Company is a singular tale of learning to trust your intuition in a world determined to annihilate it.

James Baldwin used to tell Nina Simone, "This is the world you have made for yourself, now you have to live in it." Simone has created for herself a world of magnificent peaks. Often compared to Billie Holiday and Edith Piaf, Simone is known as one of the greatest singers of her generation. She has recorded forty-three albums, ranging from blues to jazz to folk, and her hits like "I Loves You, Porgy," "My Baby Just Cares for Me," "I Put a Spell on You," and "Mississippi Goddam" have confirmed her as an enduring force in popular music. Her song "Young, Gifted, and Black" became the anthem for the Civil Rights Movement and thrust her beyond international stardom into the center of activism. But such worlds as Simone's are not without their grim valleys: disastrous marriages, arrest and the threat of imprisonment, mental breakdown, poverty, and attempted suicide. She has survived these trials and continues to perform throughout Europe and the United States. With undiminished passion and in her unconquerable voice, this is Nina Simone's powerful memoir of her tempestuous life.

The New York Times Book Review Editors' Choice • The engrossing true-crime classic from one of Australia’s most acclaimed writers, that follows a man and his broken life, a community wracked by tragedy, and the long and torturous road to closure •"This House of Grief, in its restraint and control, bears comparison with In Cold Blood."—Kate Atkinson, author of Big Sky and Shrines of Gaiety On the evening of Father’s Day, 2005, separated husband Robert Farquharson was driving his three young sons back to their mom’s house when the car veered off the road and plunged into a dam. Farquharson survived the crash, but his boys drowned. Was this a tragic accident, or an act of revenge? The court case that followed became a national obsession—a macabre parade of witnesses, family members, and the defendant himself, each forced to relive the unthinkable for an audience of millions. In This House of Grief, celebrated writer Helen Garner tells the definitive and deeply absorbing story of it all, from crash to final verdict. Through a panoply of perspectives, including her own as a member of the public, Garner captures the exacting procedure and brutal spectacle of Australia’s criminal justice system. The result is a richly textured portrait—of a man and his broken life, of a community wracked by tragedy, and of the long and torturous road to closure. Considered a literary institution in Australia, Helen Garner’s incisive nonfiction evokes the keen eye of the New Journalists. Brisk, candid, and never dismissive of its flawed subjects, This House of Grief is a masterwork of literary journalism.