Empfehlungen basierend auf "The Beggar Student"

NATIONAL BOOK AWARD FINALISTSHORT-LISTED FOR THE MAN BOOKER PRIZEBrace yourself for the most astonishing, challenging, upsetting, and profoundly moving book in many a season. An epic about love and friendship in the twenty-first century that goes into some of the darkest places fiction has ever traveled and yet somehow improbably breaks through into the light. Truly an amazement—and a great gift for its readers.When four classmates from a small Massachusetts college move to New York to make their way, they're broke, adrift, and buoyed only by their friendship and ambition. There is kind, handsome Willem, an aspiring actor; JB, a quick-witted, sometimes cruel Brooklyn-born painter seeking entry to the art world; Malcolm, a frustrated architect at a prominent firm; and withdrawn, brilliant, enigmatic Jude, who serves as their center of gravity. Over the decades, their relationships deepen and darken, tinged by addiction, success, and pride. Yet their greatest challenge, each comes to realize, is Jude himself, by midlife a terrifyingly talented litigator yet an increasingly broken man, his mind and body scarred by an unspeakable childhood, and haunted by what he fears is a degree of trauma that he’ll not only be unable to overcome—but that will define his life forever.In rich and resplendent prose, Yanagihara has fashioned a tragic and transcendent hymn to brotherly love, a masterful depiction of heartbreak, and a dark examination of the tyranny of memory and the limits of human endurance.

“Much like Donna Tartt’s The Secret History, M. L. Rio’s sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.”―Cynthia D’Aprix Sweeney, New York Times bestselling author of The Nest"Nerdily (and winningly) in love with Shakespeare…Readable, smart.”―New York Times Book ReviewOn the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it.A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras.But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent.If We Were Villains was named one of Bustle's Best Thriller Novels of the Year, and Mystery Scene says, "A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth."

Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith.A Penguin Classics HardcoverRegarded as one of world literature's foremost novelists, Fyodor Dostoyevsky's short stories are also some of the best ever written. “White Nights” tells of love and loss on the streets of St. Petersburg, “A Nasty Business” presents the hilarious tale of a general dropping in on the wedding of a subordinate, while “The Meek One” is an existentialist tale of marriage and tragedy.

Bringing together novelist Osamu Dazai’s best autobiographical shorts in a single, slim volume, Self-Portraits shows the legendary writer at his best―and worst“Art dies the moment it acquires authority.” So said Japan’s quintessential rebel writer Osamu Dazai, who, disgusted with the hypocrisy of every kind of establishment, from the nation’s obsolete aristocracy to its posturing, warmongering generals, went his own way, even when that meant his death―and the death of others. Faced with pressure to conform, he declared his individuality to the world―in all its self-involved, self-conscious, and self-hating glory. “Art,” he wrote, “is ‘I.’”In these short stories, collected and translated by Ralph McCarthy, we can see just how closely Dazai’s life mirrored his art, and vice versa, as the writer/narrator falls from grace, rises to fame, and falls again. Addiction, debt, shame, and despair dogged Dazai until his self-inflicted death, and yet despite all the lies and deception he resorted to in life, there is an almost fanatical honesty to his writing. And that has made him a hero to generations of readers who see laid bare, in his works, the painful, impossible contradictions inherent in the universal commandment of social life―fit in and do as you are told―as well as the possibility, however desperate, of defiance.Long out of print, these stories will be a revelation to the legions of new fans of No Longer Human, The Setting Sun, and The Flowers of Buffoonery.

Fyodor Dostoyevsky’s seminal classic, now in a beautiful clothbound edition designed by Coralie Bickford-Smith.Nominated as one of America’s best-loved novels by PBS’s The Great American ReadRaskolnikov, a destitute and desperate former student, wanders through the slums of St Petersburg and commits a random murder without remorse or regret. He imagines himself to be a great man, a Napoleon: acting for a higher purpose beyond conventional moral law. But as he embarks on a dangerous game of cat and mouse with a suspicious police investigator, Raskolnikov is pursued by the growing voice of his conscience and finds the noose of his own guilt tightening around his neck. Only Sonya, a downtrodden prostitute, can offer the chance of redemption.David McDuff’s vivid translation has been acclaimed as the most accessible version of Dostoyevsky’s great novel, rendering its dialogue with a unique force and naturalism. This edition of Crime and Punishment also includes a new chronology of Dostoyevsky’s life and work.Penguin Classics is the leading publisher of classic literature in the English-speaking world, representing a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Fourteen tales selected from the breadth of Dazai’s fabled career, some never before seen in EnglishNo one really understands how we suffer. One day, when we’re adults, we may come to recall this suffering, this misery, as silly and laughable, but how are we to get through the long, hateful period until then? No one bothers to teach us that.Osamu Dazai was a master raconteur who plumbed―in an addictive, easy style―the absurd complexities of life in a society whose expectations cannot be met without sacrificing one's individual ideals on the altar of conformity. The gravitational pull of his prose is on full display in these stories. In “Lantern,” a young woman, in love with a well-born but impoverished student, shoplifts a bathing suit for him―and ends up in the local newspaper indicted as a crazed, degenerate communist. In “Chiyojo,” a high-school girl shows early promise as a writer, but as her uncle and mother relentlessly push her to pursue a literary career, she must ask herself: is this what I really want? Or am I supposed to fulfill their own frustrated ambitions? In “Shame,” a young reader writes a fan letter to a writer she admires, only to find out, upon visiting him, that he’s a bourgeoise sophisticate nothing like the desperate rebels he portrays, and decides (in true Dazai style): “Novelists are human trash. No, they’re worse than that; they’re demons. . . They write nothing but lies.”This collection of 14 tales―a half-dozen of which have never before appeared in English―is based on a Japanese collection of, as Dazai described them, “soliloquies by female narrators.” No One Knows includes the quietly brilliant long story “Schoolgirl” and shows the fiction of this 20th-century genius in a fresh light.

Enthralled by his own exquisite portrait, Dorian Gray exchanges his soul for eternal youth and beauty. Influenced by his friend Lord Henry Wotton, he is drawn into a corrupt double life; indulging his desires in secret while remaining a gentleman in the eyes of polite society. Only his portrait bears the traces of his decadence.