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Cristabel Seagrave has always wanted her life to be a story, but there are no girls in the books in her dusty family library. For an unwanted orphan who grows into an unmarriageable young woman, there is no place at all for her in a traditional English manor. But from the day that a whale washes up on the beach at the Chilcombe estate in Dorset, and twelve-year-old Cristabel plants her flag and claims it as her own, she is determined to do things differently.With her step-parents blithely distracted by their endless party guests, Cristabel and her siblings, Flossie and Digby, scratch together an education from the plays they read in their freezing attic, drunken conversations eavesdropped through oak-panelled doors, and the esoteric lessons of Maudie their maid.But as the children grow to adulthood and war approaches, jolting their lives on to very different tracks, it becomes clear that the roles they are expected to play are no longer those they want. As they find themselves drawn into the conflict, they must each find a way to write their own story...'Pure heaven, from first word to last' Sunday Times'Utterly captivating' Elizabeth Day'A wonder' Daily Mail'A tour de force' Sarah Winman, author of Still LifeThis is the story of an old English manor house by the sea, with crumbling chimneys, draping ivy and a library full of dusty hardbacks. It's the story of the three children who grow up there, and the adventures they create for themselves while the grown-ups entertain endless party guests: the worlds they imagine from books they aren't supposed to read, and the lessons they learn from eavesdropping through oak-panelled doors.This is the story of a whale that washes up on a beach, whose bones are claimed by a twelve-year-old girl with big ambitions and an even bigger imagination. An unwanted orphan who grows into an unmarriageable young woman, chafing under the confines of her traditional upbringing and fiercely determined to do things differently.But as the children grow to adulthood, another story has been unfolding in the wings. And when the war finally takes centre stage, they find themselves cast, unrehearsed, into roles they never expected to play.They raised themselves on stories. Now it's time for them to write their own...'One of those big chunky stories that swallows you whole' The Times'Beautifully compulsive ... The Whalebone Theatre will feel like a much-loved book even if you're reading it for the first time' Red Magazine'A book that will be loved unreasonably and life-long' Francis Spufford, author of Light Perpetual'Pure heaven, from first word to last' Sunday Times'Utterly captivating' Elizabeth Day'A wonder' Daily Mail'A tour de force' Sarah Winman, author of Still LifeThis is the story of an old English manor house by the sea, with crumbling chimneys, draping ivy and a library full of dusty hardbacks. It's the story of the three children who grow up there, and the adventures they create for themselves while the grown-ups entertain endless party guests: the worlds they imagine from books they aren't supposed to read, and the lessons they learn from eavesdropping through oak-panelled doors.This is the story of a whale that washes up on a beach, whose bones are claimed by a twelve-year-old girl with big ambitions and an even bigger imagination. An unwanted orphan who grows into an unmarriageable young woman, chafing under the confines of her traditional upbringing and fiercely determined to do things differently.But as the children grow to adulthood, another story has been unfolding in the wings. And when the war finally takes centre stage, they find themselves cast, unrehearsed, into roles they never expected to play.They raised themselves on stories. Now it's time for them to write their own...'One of those big chunky stories that swallows you whole' The Times'Beautifully compulsive ... The Whalebone Theatre will feel like a much-loved book even if you're readi

#1 NEW YORK TIMES BESTSELLER ONE OF BARACK OBAMA'S FAVORITE BOOKS OF THE YEAR NAMED A BEST BOOK OF 2020 BY THE NEW YORK TIMES * THE WASHINGTON POST * NPR * PEOPLE * TIME MAGAZINE* VANITY FAIR * GLAMOUR 2021 WOMEN'S PRIZE FINALIST “Bennett’s tone and style recalls James Baldwin and Jacqueline Woodson, but it’s especially reminiscent of Toni Morrison’s 1970 debut novel, The Bluest Eye.” —Kiley Reid, Wall Street Journal “A story of absolute, universal timelessness …For any era, it's an accomplished, affecting novel. For this moment, it's piercing, subtly wending its way toward questions about who we are and who we want to be….” – Entertainment Weekly From The New York Times-bestselling author of The Mothers, a stunning new novel about twin sisters, inseparable as children, who ultimately choose to live in two very different worlds, one black and one white. The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Many years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other secretly passes for white, and her white husband knows nothing of her past. Still, even separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen to the next generation, when their own daughters' storylines intersect? Weaving together multiple strands and generations of this family, from the Deep South to California, from the 1950s to the 1990s, Brit Bennett produces a story that is at once a riveting, emotional family story and a brilliant exploration of the American history of passing. Looking well beyond issues of race, The Vanishing Half considers the lasting influence of the past as it shapes a person's decisions, desires, and expectations, and explores some of the multiple reasons and realms in which people sometimes feel pulled to live as something other than their origins. As with her New York Times-bestselling debut The Mothers, Brit Bennett offers an engrossing page-turner about family and relationships that is immersive and provocative, compassionate and wise.

One family's deepest pain. Another family's darkest secret. On a hot day in 1960s Maine, six-year-old Joe watches his little sister Ruthie, sitting on her favourite rock at the edge of the blueberry fields, while their family, Mi'kmaq people from Nova Scotia, pick fruit. That afternoon, Ruthie vanishes without a trace. As the last person to see her, Joe will be forever haunted by grief, guilt, and the agony of imagining how his life could have been. In an affluent suburb nearby, Norma is growing up as the only child of unhappy parents. She is smart, precocious, and bursting with questions she isn't allowed to ask - questions about her missing baby photos; questions about her dark skin; questions about the strange, vivid dreams of campfires and warm embraces that return night after night. Norma senses there are things her parents aren't telling her, but it will take decades to unravel the secrets they have kept buried since she was a little girl. The Berry Pickers is an exquisitely moving story of unrelenting hope, unwavering love, and the power of family - even in the face of grief and betrayal.

#1 NEW YORK TIMES BESTSELLER • The eighth book in Diana Gabaldon’s acclaimed Outlander saga, the basis for the Starz original series.“Features all the passion and swashbuckling that fans of this historical fantasy series have come to expect.”—People1778: France declares war on Great Britain, the British army leaves Philadelphia, and George Washington’s troops leave Valley Forge in pursuit. At this moment, Jamie Fraser returns from a presumed watery grave to discover that his best friend has married his wife, his illegitimate son has discovered (to his horror) who his father really is, and his beloved nephew, Ian, wants to marry a Quaker. Meanwhile, Jamie’s wife, Claire Randall, and his sister, Jenny, are busy picking up the pieces.The Frasers can only be thankful that their daughter Brianna and her family are safe in twentieth-century Scotland. Or not. In fact, Brianna is searching for her own son, who was kidnapped by a man determined to learn her family’s secrets. Her husband, Roger, has ventured into the past in search of the missing boy . . . never suspecting that the object of his quest has not left the present. Now, with Roger out of the way, the kidnapper can focus on his true target: Brianna herself.NAMED ONE OF THE BEST BOOKS OF THE YEAR BY BOOKLIST

In this original Outlander novella, Diana Gabaldon reveals what really happened to Roger MacKenzie Wakefield’s parents. Orphaned during World War II, Roger believed that his mother died during the London Blitz, and that his father, an RAF pilot, was killed in combat. But in An Echo in the Bone, Roger discovers that this may not be the whole story. Now, in “A Leaf on the Wind of All Hallows,” readers learn the truth.   Praise for Diana Gabaldon’s Outlander series   “All you’ve come to expect from Gabaldon . . . adventure, history, romance, fantasy.”—The Arizona Republic, on An Echo in the Bone   “A grand adventure written on a canvas that probes the heart, weighs the soul and measures the human spirit across ten generations.”—CNN, on The Fiery Cross   “Escapist historical fiction at its best.”—San Antonio Express-News, on Drums of Autumn   “A feast for ravenous readers of eighteenth-century Scottish history, heroism and romance.”—Kirkus Reviews, on Outlander

In this stunning debut novel, four generations of complex Black women contend with motherhood and daughterhood, generational trauma and the deeply ingrained tensions and wounds that divide them as they redefine happiness and healing for themselves.Erudite Evelyn, her cynical daughter Charlotte, and Charlotte's optimistic daughter Corinna see the world very differently. Though they love each other deeply, it's no wonder that their personalities often clash. But their conflicts go deeper than run-of-the-mill disagreements. Here, there is deep, dark resentment for past and present hurt.When Corinna gives birth to her own daughter, Camille, the beautiful, intelligent little girl offers this trio of mothers something they all need: hope, joy, and an opportunity to reconcile. They decide to work together to raise their collective daughter with the tenderness and empathy they missed in their own relationships. Yet despite their best intentions, they cannot agree on what that means.After Camille eventually leaves her mother and grandmother in rural Tennessee for a more cosmopolitan life in Washington, DC with her great-grandmother, it's unclear whether this complex and self-contained girl will thrive or be overwhelmed by the fears and dreams of three generations she carries. As she grows into a gutsy young woman, Camille must decide for herself what happiness will look like.In masterful, elegant prose, debut novelist Sarai Johnson has created a rich and moving portrait of Black women's lives today.

“A beautiful book. . . . There are phrases in here that will make you laugh out loud, and others that will stop your heart. A definite triumph.” — David Rakoff, author of Love, Dishonor, Marry, Die, Cherish, Perish From Heather O'Neill, the Giller-shortlisted author of Daydreams of Angels and The Girl Who Was Saturday Night, a heartbreaking and wholly original novel about a young girl fighting to preserve a bruised innocence on the feral streets of a big city Baby, all of thirteen years old, is lost in the gangly, coltish moment between childhood and the strange pulls and temptations of the adult world. Her mother is dead; her father Jules is always on the lookout for his next score. Baby knows that “chocolate milk” is Jules’ slang for heroin and sees a lot more of that in her house than the real article. But she takes vivid delight in the scrappy bits of happiness and beauty that find their way to her, and moves through the threat of the streets as if she’s been choreographed in a dance. Soon, though, a hazard emerges that is bigger than even her hard-won survival skills can handle. Alphonse, the local pimp, has his eye on her for his new girl; he wants her body and soul—and what the johns don’t take he covets for himself. At the same time, a tender and naively passionate friendship unfolds with a boy from her class at school, who has no notion of the dark claims on her—which even her father, lost on the nod, cannot totally ignore. Jules consigns her to a stint in juvie hall, and for the moment this perceived betrayal preserves Baby from terrible harm—but after that, her salvation has to be her own invention. Channeling the artlessly affecting voice of her thirteen-year-old heroine with extraordinary accuracy and power, O’Neill’s dazzles with a novel of extraordinary prescience and power, a subtly understated yet searingly effective story of a young life on the streets—and the strength, wits, and luck necessary for survival.

“A complete knockout. Readers will be thinking of this story long after they finish the final page.” —Adalyn Grace, New York Times bestselling author of Belladonna“Utterly compelling and impossible to put down.” —Rachel Griffin, New York Times bestselling author of Bring Me Your Midnight“I’ve never read a book that felt so much like picking up pieces of a broken heart—powerful, poignant, and true.” —Axie Oh, New York Times bestselling author of The Girl Who Fell Beneath the Sea and XOXOAtlas has lost her way.In a last-ditch effort to pull her life together, she’s working on a community service program rehabbing trails in the Western Sierras. The only plus is that the days are so exhausting that Atlas might just be tired enough to forget that this was one of her dad’s favorite places in the world. Before cancer stole him from her life, that is.Using real names is forbidden on the trail. So Atlas becomes Maps, and with her team—Books, Sugar, Junior, and King—she heads into the wilderness. As she sheds the lies she’s built up as walls to protect herself, she realizes that four strangers might know her better than anyone has before. And with the end of the trail racing to meet them, Maps is left counting down the days until she returns to her old life—without her new family, and without King, who’s become more than just a friend.

“A heartbreaking and bittersweet novel about the need for queer joy even in the midst of the horrors of war. The ending had me in tears.”—Malinda Lo, New York Times bestselling and National Book Award–winning author of Last Night at the Telegraph ClubFor fans of Ruta Sepetys and Malinda Lo, a heart-wrenching queer historical YA romance set in the Swing Youth movement of World War II BerlinCharlotte Kraus would follow Angelika Haas anywhere. Which is how she finds herself in an underground club one Friday night the summer before World War II, dancing to contraband American jazz and swing music, suddenly feeling that anything might be possible.Unable to resist the allure of sharing this secret with Geli, Charlie returns to the club again and again, despite the dangers of breaking the Nazi Party’s rules. Soon, terrified by the tightening vise of Hitler’s power, Charlie and the other Swingjugend are drawn to larger and larger acts of rebellion. But the war will test how much they are willing to risk—and to lose.From the critically acclaimed author of Who I Was with Her, this beautifully told story of hope, love, and resistance will captivate readers of Girl in the Blue Coat and Last Night at the Telegraph Club.

An unforgettable debut novel about the journey of three women and one extremely endangered snail through contemporary Ukraine 'One of the leading post-Soviet writers of her generation' The Nation 'Open this book, fasten your seatbelt, and brace for impact' Ben Fountain, author of Billy Lynn's Long Halftime Walk Ukraine, 2022. Yeva is a maverick scientist who scours the country's forests and valleys, trying and failing to breed rare snails while her relatives urge her to settle down and start a family of her own. What they don't know: Yeva already dates plenty of men-not for love, but to fund her work-entertaining Westerners who come to Ukraine on guided romance tours believing they'll find docile brides untainted by feminism. Nastia and her sister, Solomiya, are also entangled in the booming marriage industry, posing as a hopeful bride and her translator while secretly searching for their missing mother, who vanished after years of fierce activism against the romance tours. So begins a journey of a lifetime across a country on the brink of war: three angry women, a truckful of kidnapped bachelors, and Lefty, a last-of-his-kind snail with one final shot at perpetuating his species. Praise for GOOD CITIZENS NEED NOT FEAR: 'Bright, funny, satirical and relevant. . . . A new talent to watch!' MARGARET ATWOOD (via Twitter) 'Bang-on brilliant' MIRIAM TOEWS 'Outstanding' ANTHONY DOERR