Empfehlungen basierend auf "Stung with Love: Poems and Fragments of Sappho (Penguin Classics)"

Mary Innes's classic prose translation of one of the supreme masterpieces of Latin literature"The most beautiful book in the language (my opinion and I suspect it was Shakespeare's)." -Ezra PoundOvid drew on Greek mythology, Latin folklore and legend from ever further afield to create a series of narrative poems, ingeniously linked by the common theme of transformation. Here a chaotic universe is subdued into harmonious order: animals turn to stone; men and women become trees and stars. Ovid himself transformed the art of storytelling, infusing these stories with new life through his subtley, humour and understanding of human nature, and elegantly tailoring tone and pace to fit a variety of subjects. The result is a lasting treasure-house of myth and legend.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A New York Times Bestseller"At once a scholar’s homage to The Iliad and startlingly original work of art….A book I could not put down." —Ann Patchett, author of The Dutch HouseA thrilling, profoundly moving, and utterly unique retelling of the legend of Achilles and the Trojan War from the bestselling author of CirceA tale of gods, kings, immortal fame, and the human heart, The Song of Achilles is a dazzling literary feat that brilliantly reimagines Homer's enduring masterwork, The Iliad. An action-packed adventure, an epic love story, a marvelously conceived and executed page-turner, Miller's monumental debut novel has already earned resounding acclaim from some of contemporary fiction's brightest lights—and fans of Mary Renault, Bernard Cornwell, Steven Pressfield, and Colleen McCullough's Masters of Rome series will delight in this unforgettable journey back to ancient Greece in the Age of Heroes.

This is an invaluable introduction to ancient Greek tragedy which discusses every surviving play in detail and provides all the background information necessary for understanding the context and content of the plays. Edith Hall argues that the essential feature of the genre is that it always depicts terrible human suffering and death, but in a way that invites philosophical enquiry into their causes and effects, This enquiry was played out in the bright sunlight of open-air theatre, which became a key marker of the boundary between living and dead. The first half of the book is divided into four chapters which address the social and physical contexts in which the plays were performed, the contribution of the poets, actors, funders, and audiences, the poetic composition of the texts, their performance conventions, main themes, and focus on religion, politics, and the family. The second half consists of individual essays on each of the surviving thirty-three plays by the Greek tragedians, and an account of the recent performance of Greek tragic theatre and tragic fragments. An up-to-date 'Suggestions for further reading' is included.

From the arrival of the first men in Greece to the fall of the Mycenaean palace-town in the thirteenth century B.C., this work captures the essential qualities of each period of pre-classical civilization: the slow development of the Neolithic culture, the rich and original Early Bronze Age, the fruitful yet tragic encounter between Minoans and Mycenaean Empire. The legacy of Mycenaean religion and art is reviewed, including material found in excavated palaces and their stored wealth of frescoes, carved ivories, silver and gold jewelry, vases, and bronze weapons. The author deals with the invasions of Greece, the growth of a Greek language and some of the problems of Linear B, and the impact of Crete and the East upon the mainstream of Greek development.

Four plays which exemplify his interest in flawed, characters who defy the expectations of Greek societyThe four tragedies collected in this volume all focus on a central character, once powerful, brought down by betrayal, jealousy, guilt and hatred. The first playwright to depict suffering without reference to the gods, Euripides made his characters speak in human terms and face the consequences of their actions. In Medea, a woman rejected by her lover takes hideous revenge by murdering the children they both love, and Hecabe depicts the former queen of Troy, driven mad by the prospect of her daughter's sacrifice to Achilles. Electra portrays a young woman planning to avenge the brutal death of her father at the hands of her mother, while in Heracles the hero seeks vengeance against the evil king who has caused bloodshed in his family. Philip Vellacott's lucid translation is accompanied by an introduction, which discusses the literary background of Classical Athens and examines the distinction between instinctive and civilized behaviour.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Step into Stephen Fry's bewitching retelling of the legend of Troy - a tale of love and war, passion and power - following his sensational bestsellers MYTHOS and HEROES'Troy. The most marvellous kingdom in all the world. The Jewel of the Aegean. Glittering Ilion, the city that rose and fell not once but twice . . .'The story of Troy speaks to all of us - the kidnapping of Helen, a queen celebrated for her beauty, sees the Greeks launch a thousand ships against that great city, to which they will lay siege for ten whole and very bloody years.It is Zeus, the king of the gods, who triggers war when he asks the Trojan prince Paris to judge the fairest goddess of them all. Aphrodite bribes Paris with the heart of Helen, wife of King Menelaus of the Greeks, and naturally, nature takes its course.It is a terrible, brutal war with casualties on all sides. The Greeks cannot defeat the Trojans - since Achilles, the Greek's boldest warrior, is consumed with jealousy over an ally's choice of lover, the Trojan slave Briseis, and will not fight . . .The stage is set for the oldest and greatest story ever told, where monstrous passions meet the highest ideals and the lowest cunning.In Troy you will find heroism and hatred, love and loss, revenge and regret, desire and despair. It is these human passions, written bloodily in the sands of a distant shore, that still speak to us today.Troy is a myth in which we seek the truth about ourselves, which Stephen Fry brings breathtakingly to life for our modern age.PRAISE FOR MYTHOS AND HEROES:'A romp through the lives of ancient Greek gods. Fry is at his story-telling best . . . the gods will be pleased' Times'A head-spinning marathon of legends' Guardian'An Olympian feat. The gods seem to be smiling on Fry - his myths are definitely a hit' Evening Standard'An odyssey through Greek mythology. Brilliant . . . all hail Stephen Fry' Daily Mail'A rollicking good read' Independent

*The definitive and comprehensive edition of Robert Graves's classic retelling of the Greek myths* 'Icarus disobeyed his father's instructions and began soaring towards the sun, rejoiced by the lift of his great sweeping wings. Presently, when Daedalus looked over his shoulder, he could no longer see Icarus; but scattered feathers floated on the waves below...' These are the greatest stories ever told - the labours of Hercules, the voyage of the Argonauts, Theseus and the minotaur, Midas and his golden touch, the Trojan War and Odysseus's journey home - brought together into one epic and unforgettable story. Ideal for the first time reader, it can be read as a single page-turning narrative, while full commentaries as well as a comprehensive index of names make it equally valuable for anyone seeking an authoritative and detailed account of the spectacular stories that make up the bedrock of Western literature. The Greek Myths is a classic among classics, a treasure trove of extraordinary tales and a masterful work of literature in its own right.

The Iliad, Homer's epic tale of the abduction of Helen and the decade-long Trojan War, has fascinated mankind for millennia. Even today, the war inspires countless articles and books, extensive archaeological excavations, movies, television documentaries, even souvenirs and collectibles. But while the ancients themselves believed that the Trojan War took place, scholars of the modern era have sometimes derided it as a piece of fiction.Combining archaeological data and textual analysis of ancient documents, this Very Short Introduction considers whether or not the war actually took place and whether archaeologists have really discovered the site of ancient Troy. To answer these questions, archaeologist and ancient historian Eric H. Cline examines various written sources, including the works of Homer, the Epic Cycle (fragments from other, now-lost Greek epics), classical plays, and Virgil's Aeneid. Throughout, the author tests the literary claims against the best modern archaeological evidence, showing for instance that Homer, who lived in the Iron Age, for the most part depicted Bronze Age warfare with accuracy. Cline also tells the engaging story of the archaeologists--Heinrich Schliemann and his successors Wilhelm Dörpfeld, Carl Blegen, and Manfred Korfmann--who found the long-vanished site of Troy through excavations at Hisarlik, Turkey.Drawing on evidence found at Hisarlik and elsewhere, Cline concludes that a war or wars in the vicinity of Troy probably did take place during the Late Bronze Age, forming the nucleus of a story that was handed down orally for centuries until put into final form by Homer. But Cline suggests that, even allowing that a Trojan War took place, it probably was not fought because of Helen's abduction, though such an incident may have provided the justification for a war actually fought for more compelling economic and political motives.About the Series:Oxford's Very Short Introductions series offers concise and original introductions to a wide range of subjects--from Islam to Sociology, Politics to Classics, Literary Theory to History, and Archaeology to the Bible. Not simply a textbook of definitions, each volume in this series provides trenchant and provocative--yet always balanced and complete--discussions of the central issues in a given discipline or field. Every Very Short Introduction gives a readable evolution of the subject in question, demonstrating how the subject has developed and how it has influenced society. Eventually, the series will encompass every major academic discipline, offering all students an accessible and abundant reference library. Whatever the area of study that one deems important or appealing, whatever the topic that fascinates the general reader, the Very Short Introductions series has a handy and affordable guide that will likely prove indispensable.

In three paperback volumes, the Grene and Lattimore editions offer a selection of the most important and characteristic plays of Aeschylus, Sophocles, and Euripides from the nine-volume anthology of The Complete Greek Tragedies. Over the years these authoritative, critically acclaimed editions have been the preferred choice of more than three million readers for personal libraries and individual study as well as for classroom use.

The scene is at a dinner party for the literati of Athens, the action a series of speeches by the guests. From these emerge a complete and compex philosphy of love. The pivot of the argument is Socrates' speech in which sensuality is transcended and we move from the sensible to the ideal world. But just as the preceeding speeches are vital to the theme and scheme of progression, so too is the brilliant character sketch of Socrates by Alcibiades which rounds off the dialogue. By combining his formidible skills as a philospher and as an artist, Plato creates in The Symposium an ingenious harmony of thought and word, idea and expression that is playful, profound and provocative.