Empfehlungen basierend auf "Strange Houses: A Novel"

"A bold, laugh-out-loud funny, and heartwarming story about one young woman's attempt to navigate adulthood, new motherhood, and her meager bank account in our increasingly online world-from the PEN/Faulkner finalist and critically acclaimed author of The Knockout Queen"--

Knives Out and Clue meet Agatha Christie and The Thursday Murder Club in this “utterly original” (Jane Harper), “not to be missed” (Karin Slaughter), fiendishly clever blend of classic and modern murder mystery.“A witty twist on classic whodunits… Stevenson not only 'plays fair,' he plays the mystery game very, very well.” -- Maureen Corrigan, Washington PostEveryone in my family has killed someone. Some of us, the high achievers, have killed more than once. I’m not trying to be dramatic, but it is the truth. Some of us are good, others are bad, and some just unfortunate.I’m Ernest Cunningham. Call me Ern or Ernie. I wish I’d killed whoever decided our family reunion should be at a ski resort, but it’s a little more complicated than that.Have I killed someone? Yes. I have.Who was it?Let’s get started.EVERYONE IN MY FAMILY HAS KILLED SOMEONEMy brotherMy stepsisterMy wifeMy fatherMy motherMy sister-in-lawMy uncleMy stepfatherMy auntMe

Combining the early, straightforward seductions of Norwegian Wood and the complex mysteries of The Wind-Up Bird Chronicle, this new novel—his seventh translated into English—is Haruki Murakami at his most satisfying and representative best.The scenario is as simple as it is uncomfortable: a college student falls in love (once and for all, despite everything that transpires afterward) with a classmate whose devotion to Kerouac and an untidy writerly life precludes any personal commitments—until she meets a considerably older and far more sophisticated businesswoman. It is through this wormhole that she enters Murakami’s surreal yet humane universe, to which she serves as guide both for us and for her frustrated suitor, now a teacher. In the course of her travels from parochial Japan through Europe and ultimately to an island off the coast of Greece, she disappears without a trace, leaving only lineaments of her fate: computer accounts of bizarre events and stories within stories. The teacher, summoned to assist in the search for her, experiences his own ominous, haunting visions, which lead him nowhere but home to Japan—and there, under the expanse of deep space and the still-orbiting Sputnik, he finally achieves a true understanding of his beloved.A love story, a missing-person story, a detective story—all enveloped in a philosophical mystery—and, finally, a profound meditation on human longing.

INTERNATIONAL BESTSELLERThe cult Japanese bestseller about a female gourmet cook and serial killer, and the journalist intent on cracking her case, inspired by a true storyThere are two things that I simply cannot tolerate: feminists and margarine.Gourmet cook Manako Kajii sits in the Tokyo Detention House convicted of the serial murders of lonely businessmen, whom she is said to have seduced with her delicious home cooking. The case has captured the nation’s imagination, but Kajii refuses to speak with the press, entertaining no visitors. That is until journalist Rika Machida writes a letter asking for her recipe for beef stew, and Kajii can’t resist writing back.Rika, the only woman in her news office, works late each night, rarely cooking more than ramen. As the visits unfold between her and the steely Kajii, they are closer to a master class in food than journalistic research. Rika hopes this gastronomic exchange will help her soften Kajii, but it seems that Rika might be the one changing. With each meal she eats, something is awakening in her body. Do she and Kajii have more in common than she once thought?Inspired by the real case of a convicted con woman and serial killer—the “Konkatsu Killer”—Asako Yuzuki’s Butter is a vivid, unsettling exploration of misogyny, obsession, romance, and the transgressive pleasures of food in Japan.

From the nationally bestselling author of The Luminous Dead and The Death of Jane Lawrence, a transfixing, intensely atmospheric fever dream of medieval horror.Aymar Castle has been under siege for six months. Food is running low and there has been no sign of rescue. But just as the survivors consider deliberately thinning their number, the castle stores are replenished. The sick are healed. And the divine figures of the Constant Lady and her Saints have arrived, despite the barricaded gates, offering succor in return for adoration.Soon, the entire castle is under the sway of their saviors, partaking in intoxicating feasts of terrible origin. The war hero Ser Voyne gives her allegiance to the Constant Lady. Phosyne, a disorganized, paranoid nun-turned-sorceress, races to unravel the mystery of these new visitors and exonerate her experiments as their source. And in the bowels of the castle, a serving girl, Treila, is torn between her thirst for a secret vengeance against Voyne and the desperate need to escape from the horrors that are unfolding within Aymar’s walls.As the castle descends into bacchanalian madness—forgetting the massed army beyond its walls in favor of hedonistic ecstasy—these three women are the only ones to still see their situation for what it is. But they are not immune from the temptations of the castle’s new masters… or each other; and their shifting alliances and entangled pasts bring violence to the surface. To save the castle, and themselves, will take a reimagining of who they are, and a reorganization of the very world itself.

From the bestselling author of Everyone in My Family Has Killed Someone, a fiendishly fun locked room (train) murder mystery that "offers a tip of the hat to the great Agatha Christie novel while at the same time being a modern reinvention of it" (Nita Prose) -- perfect for fans of Richard Osman and Anthony HorowitzWhen the Australian Mystery Writers’ Society invited me to their crime-writing festival aboard the Ghan, the famous train between Darwin and Adelaide, I was hoping for some inspiration for my second book. Fiction, this time: I needed a break from real people killing each other. Obviously, that didn’t pan out.The program is a who’s who of crime writing royalty:the debut writer (me!)the forensic science writerthe blockbuster writerthe legal thriller writerthe literary writerthe psychological suspense writerBut when one of us is murdered, the remaining authors quickly turn into five detectives. Together, we should know how to solve a crime.Of course, we should also know how to commit one.How can you find a killer when all the suspects know how to get away with murder?

'Stunning' DAZED 'Her prose sparkles' ELIZA CLARK 'Hauntingly good' iNEWS 'A must read' GLAMOUR From the bestselling author of Our Wives Under the Sea, a haunting, heart wrenching novel of three sisters navigating queer love and faith at the end of the world. There's no way to bury a body in earth which is flooded It is a fact consigned to history along with almost everything else It's been raining for a long time now, for so long that the lands have reshaped themselves. Old places have been lost. Arcane rituals and religions have crept back into practice. Sisters Isla, Irene and Agnes have not spoken in some time when their estranged father dies. A famous architect revered for making the new world navigable, he had long cut himself off from public life. They find themselves uncertain of how to grieve his passing when everything around them seems to be ending anyway. As the sisters come together to clear the grand glass house that is the pinnacle of his legacy, they begin to sense that the magnetic influence of their father lives on through it. Something sinister seems to be unfolding, something related to their mother's long-ago disappearance and the strangers who have always been unusually interested in their lives. Soon, it becomes clear that the sisters have been chosen for a very particular purpose, one with shattering implications for their family and their imperilled world. 'Armfield writes so gracefully' THE TIMES 'Evocative yet grounded' OBSERVER 'A chilling vision of a future capital that I've found impossible to shake' INEWS 'Ballard-ian in apocalyptic scope ... Deeply, passionately, messily human' PAUL TREMBLAY 'A signature cocktail of deadpan wit and staggering beauty' ALICE SLATER 'Brilliant, original ... an era-defining writer' KALIANE BRADLEY 'Every page guillotines you with its wisdom' TOM BENN

AN INSTANT NEW YORK TIMES BESTSELLERA New York Times Notable Book of the YearWINNER of the NBCC John Leonard Prize, the Kirkus Prize, the Center for Fiction First Novel Prize, the Dylan Thomas Prize, and the VCU Cabell First Novelist AwardOne of Barack Obama's Favorite Books of 2020A BEST BOOK OF THE YEAR: NPR, The New York Times Book Review, O Magazine, Vanity Fair, Los Angeles Times, Glamour, Shondaland, Boston Globe, and many more!"So delicious that it feels illicit . . . Raven Leilani’s first novel reads like summer: sentences like ice that crackle or melt into a languorous drip; plot suddenly, wildly flying forward like a bike down a hill." ―Jazmine Hughes, The New York Times Book ReviewNo one wants what no one wants.And how do we even know what we want? How do we know we’re ready to take it?Edie is stumbling her way through her twenties―sharing a subpar apartment in Bushwick, clocking in and out of her admin job, making a series of inappropriate sexual choices. She is also haltingly, fitfully giving heat and air to the art that simmers inside her. And then she meets Eric, a digital archivist with a family in New Jersey, including an autopsist wife who has agreed to an open marriage―with rules.As if navigating the constantly shifting landscapes of contemporary sexual manners and racial politics weren’t hard enough, Edie finds herself unemployed and invited into Eric’s home―though not by Eric. She becomes a hesitant ally to his wife and a de facto role model to his adopted daughter. Edie may be the only Black woman young Akila knows.Irresistibly unruly and strikingly beautiful, razor-sharp and slyly comic, sexually charged and utterly absorbing, Raven Leilani’s Luster is a portrait of a young woman trying to make sense of her life―her hunger, her anger―in a tumultuous era. It is also a haunting, aching description of how hard it is to believe in your own talent, and the unexpected influences that bring us into ourselves along the way.“An irreverent intergenerational tale of race and class that’s blisteringly smart and fan-yourself sexy.” ―Michelle Hart, O: The Oprah Magazine

“Uketsu is a disrupter, the master of quiet horror.”—Janice Hallett, internationally bestselling author of The Appeal“Delightfully macabre and fiendishly clever. Seemingly unconnected stories tie themselves into a complicated knot, which Uketsu masterfully unravels.”—G. T. Karber, author of the national bestseller MurdleThe spine-tingling "triumphant international debut" (Publishers Weekly starred review) that has taken Japan by storm—an eerie fresh take on mystery-horror in which a series of seemingly innocent pictures draws you into a disturbing web of unsolved mysteries and shattered psyches.An exploration of the macabre, where the seemingly mundane takes on a terrifying significance. . . .A pregnant woman's sketches on a seemingly innocuous blog conceal a chilling warning.A child's picture of his home contains a dark secret message.A sketch made by a murder victim in his final moments leads an amateur sleuth down a rabbithole that will reveal a horrifying reality.Structured around these nine childlike drawings, each holding a disturbing clue, Uketsu invites readers to piece together the mystery behind each and the over-arching backstory that connects them all. Strange Pictures is the internationally bestselling debut from mystery horror YouTube sensation Uketsu—an enigmatic masked figure who has become one of Japan's most talked about contemporary authors.Translated from the Japanese by Jim Rion

Secrets. Lies. Murder. Let the festivities begin..."An irresistible whodunit with an irresistible Blair Witch-meets-Fyre Festival backdrop." -- People"Sharp, stylish and stunning...Foley's best yet." -- Chris Whitaker, New York Times bestselling author of We Begin at the End"Agatha Christie for the Instagram age." -- GuardianThe deliciously twisty new locked room murder mystery from the #1 New York Times bestselling author of The Guest List and The Paris ApartmentIt’s the opening night of The Manor, and no expense, small or large, has been spared. The infinity pool sparkles; crystal pouches for guests’ healing have been placed in the Seaside Cottages and Woodland Hutches; the “Manor Mule” cocktail (grapefruit, ginger, vodka, and a dash of CBD oil) is being poured with a heavy hand. Everyone is wearing linen.But under the burning midsummer sun, darkness stirs. Old friends and enemies circulate among the guests. Just outside the Manor’s immaculately kept grounds, an ancient forest bristles with secrets. And the Sunday morning of opening weekend, the local police are called. Something’s not right with the guests. There’s been a fire. A body’s been discovered.THE FOUNDER * THE HUSBAND * THE MYSTERY GUEST * THE KITCHEN HELPIt all began with a secret, fifteen years ago. Now the past has crashed the party. And it’ll end in murder at…The Midnight Feast.