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The story of three generations in twentieth-century China that blends the intimacy of memoir and the panoramic sweep of eyewitness history—a bestselling classic in thirty languages with more than ten million copies sold around the world, now with a new introduction from the author.An engrossing record of Mao’s impact on China, an unusual window on the female experience in the modern world, and an inspiring tale of courage and love, Jung Chang describes the extraordinary lives and experiences of her family members: her grandmother, a warlord’s concubine; her mother’s struggles as a young idealistic Communist; and her parents’ experience as members of the Communist elite and their ordeal during the Cultural Revolution.Chang was a Red Guard briefly at the age of fourteen, then worked as a peasant, a “barefoot doctor,” a steelworker, and an electrician. As the story of each generation unfolds, Chang captures in gripping, moving—and ultimately uplifting—detail the cycles of violent drama visited on her own family and millions of others caught in the whirlwind of history.

An instant #1 New York Times bestseller!A USA Today bestseller!Pacific Rim meets The Handmaid's Tale in this blend of Chinese history and mecha science fiction for YA readers.The boys of Huaxia dream of pairing up with girls to pilot Chrysalises, giant transforming robots that can battle the mecha aliens that lurk beyond the Great Wall. It doesn't matter that the girls often die from the mental strain.When 18-year-old Zetian offers herself up as a concubine-pilot, it's to assassinate the ace male pilot responsible for her sister's death. But she gets her vengeance in a way nobody expected—she kills him through the psychic link between pilots and emerges from the cockpit unscathed. She is labeled an Iron Widow, a much-feared and much-silenced kind of female pilot who can sacrifice boys to power up Chrysalises instead.To tame her unnerving yet invaluable mental strength, she is paired up with Li Shimin, the strongest and most controversial male pilot in Huaxia. But now that Zetian has had a taste of power, she will not cower so easily. She will miss no opportunity to leverage their combined might and infamy to survive attempt after attempt on her life, until she can figure out exactly why the pilot system works in its misogynist way—and stop more girls from being sacrificed.

One of the world's greatest fantasy novels and a rollicking classic of Chinese literature, in a sparkling new translation and published in a Clothbound Classics edition.A shape-shifting trickster on a kung-fu quest for eternal life, Monkey King is one of the most memorable superheroes in world literature. High-spirited and omni-talented, he can transform himself into whatever he chooses and turn each of his body's 84,000 hairs into an army of clones. But his penchant for mischief repeatedly gets him into trouble, and when he raids Heaven's Orchard of Immortal Peaches, the Buddha pins him beneath a mountain. Five hundred years later, Monkey King is finally given a chance to redeem himself: he must protect the pious monk Tripitaka on his journey in search of precious Buddhist sutras that will bring enlightenment to the Chinese empire.Joined by two other fallen immortals - Pigsy, a rice-loving flying pig, and Sandy, a depressive river-sand monster - Monkey King does battle with Red Boy, Princess Jade-Face, the Monstress Dowager, and all manner of dragons, ogres, wizards and femmes fatales; navigates the perils of Fire-Cloud Cave, the River of Flowing Sand and the Water-Crystal Palace; and is serially captured, lacquered, sautéed, steamed and liquefied - but always hatches an ingenious plan to get himself and his fellow pilgrims out of their latest jam.Comparable to The Canterbury Tales or Don Quixote, Monkey King is at once a gripping adventure, a comic satire and a spring of spiritual insight. With this new translation by the award-winning Julia Lovell, the irrepressible rogue hero of one of the Four Great Classical Novels of Chinese literature has the potential to vault, with his signature cloud-somersault, into the hearts of a whole new generation of readers.

The most accessible and authoritative modern English translation of this esoteric but infinitely practical bestselling book."No one has done better in conveying Lao Tsu's simple and laconic style of writing, so as to produce an English version almost as suggestive of the many meanings intended." —Alan WattsFor nearly two generations, Gia-fu Feng and Jane English's bestselling translation of the Tao Te Ching has been the standard for those seeking access to the wisdom of Taoist thought. Now Jane English and her long-time editor, Toinette Lippe, have revised and refreshed the translation so that it more faithfully reflects the Classical Chinese in which it was first written, taking into account changes in our own language and eliminating any lingering infelicities. They have retained the simple clarity of the original rendering of a sometimes seemingly obtuse spiritual text, a clarity that has made this version a classic in itself, selling over a million copies.Written most probably in the sixth century B.C. by Lao Tsu, this esoteric but infintely practical book has been translated into English more frequently than any other work except the Bible. Gia-fu Feng and Jane English's superb translation offers the essence of each word and makes Lao Tsu's teaching immediate and alive. This edition includes an introduction and notes by the well-known writer and scholar of philosophy and comparative religion, Jacob Needleman.

The “intimate and expansive” (Time) memoir of “one of the most important artists working in the world today” (Financial Times), telling a remarkable history of China over the last hundred years while also illuminating his artistic process “Poignant . . . An illuminating through-line emerges in the many parallels Ai traces between his life and his father’s.”—The New York Times Book Review (Editors’ Choice) ONE OF THE BEST BOOKS OF THE YEAR: Time, BookPage, Booklist, Kirkus Reviews Once a close associate of Mao Zedong and the nation’s most celebrated poet, Ai Weiwei’s father, Ai Qing, was branded a rightist during the Cultural Revolution, and he and his family were banished to a desolate place known as “Little Siberia,” where Ai Qing was sentenced to hard labor cleaning public toilets. Ai Weiwei recounts his childhood in exile, and his difficult decision to leave his family to study art in America, where he befriended Allen Ginsberg and was inspired by Andy Warhol and the artworks of Marcel Duchamp. With candor and wit, he details his return to China and his rise from artistic unknown to art world superstar and international human rights activist—and how his work has been shaped by living under a totalitarian regime. Ai Weiwei’s sculptures and installations have been viewed by millions around the globe, and his architectural achievements include helping to design the iconic Bird’s Nest Olympic Stadium in Beijing. His political activism has long made him a target of the Chinese authorities, which culminated in months of secret detention without charge in 2011. Here, for the first time, Ai Weiwei explores the origins of his exceptional creativity and passionate political beliefs through his life story and that of his father, whose creativity was stifled. At once ambitious and intimate, Ai Weiwei’s 1000 Years of Joys and Sorrows offers a deep understanding of the myriad forces that have shaped modern China, and serves as a timely reminder of the urgent need to protect freedom of expression.

Yan Lianke―“China’s most feted and most banned author” (Financial Times)―is a master of imaginative satire, and his prize-winning works have been published around the world to the highest honors. Now, his two most acclaimed novellas are collected here in a single volume―masterfully crafted stories that explore the sacrifices made for family, the driving will to survive, and the longing to leave behind a personal legacy.Marrow is the haunting tale of a widow who goes to extremes to provide a normal life for her four disabled children. When she discovers that bones―especially those of kin―can cure their illnesses and prevent future generations from the same fate, she feeds them a medicinal soup made from the skeleton of her dead husband. But after running out of soup, she resorts to a measure that only a mother can take.In the luminous, moving title story, The Years, Months, Days―a bestselling, classic fable in China, and winner of the prestigious Lu Xun Literary Prize―an elderly man stays behind in his small village after a terrible drought forces everyone to leave. Unable to make the grueling march through the mountains, he becomes the lone inhabitant, along with a blind dog. As he fends off the natural world from overtaking his hometown, every day is a victory over death.With touches of the fantastical and with deep humanity, these two magnificent novellas―masterpieces of the short form―reflect the universality of mankind’s will to live, live well, and live with purpose.

A fallen god unravels supernatural mysteries and comes face-to-face with ghosts from his past in this official manhua (comic) adaptation of the New York Times bestselling danmei novel by Mo Xiang Tong Xiu. Featuring stunning art by STARember, the webcomic produced by BILIBILI COMICS is now available in English in print for the first time. The first edition hardcover of Heaven Official’s Blessing (The Comic) will feature designed sprayed edges, custom endpapers, deluxe jacket, and a custom case stamp with gold foil! Xie Lian, once the darling of the heavens, is a twice-banished god infamous for his fall from grace. Eight hundred years have passed since his mortal life as the Crown Prince of Xianle, and he’s now the laughingstock of the three realms. So when he ascends to godhood for a third time, it causes an uproar among his divine peers. Ascension may be nothing new to Xie Lian, but this time he has no followers, little power, and less luck. To repay his heavenly debts, Xie Lian must descend to the Mortal Realm to hunt ghosts that prey upon the living. There, he encounters a mysterious stranger—but is this newcomer friend or foe . . . or something else entirely? Volume 1 includes the prologue and episodes 1–14 of the original webcomic based on the webnovel Tian Guan Ci Fu published on JJWXC.

Anthony C. Yu’s translation of The Journey to the West,initially published in 1983, introduced English-speaking audiences to the classic Chinese novel in its entirety for the first time. Written in the sixteenth century, The Journey to the West tells the story of the fourteen-year pilgrimage of the monk Xuanzang, one of China’s most famous religious heroes, and his three supernatural disciples, in search of Buddhist scriptures. Throughout his journey, Xuanzang fights demons who wish to eat him, communes with spirits, and traverses a land riddled with a multitude of obstacles, both real and fantastical. An adventure rich with danger and excitement, this seminal work of the Chinese literary canonis by turns allegory, satire, and fantasy. With over a hundred chapters written in both prose and poetry, The Journey to the West has always been a complicated and difficult text to render in English while preserving the lyricism of its language and the content of its plot. But Yu has successfully taken on the task, and in this new edition he has made his translations even more accurate and accessible. The explanatory notes are updated and augmented, and Yu has added new material to his introduction, based on his original research as well as on the newest literary criticism and scholarship on Chinese religious traditions. He has also modernized the transliterations included in each volume, using the now-standard Hanyu Pinyin romanization system. Perhaps most important, Yu has made changes to the translation itself in order to make it as precise as possible. One of the great works of Chinese literature, The Journey to the West is not only invaluable to scholars of Eastern religion and literature, but, in Yu’s elegant rendering, also a delight for any reader.

For the first time ever in a collection, discover the passion, romance and scandals of the Pingkang Li Mysteries, from USA TODAY bestselling author Jeannie Lin! CAPTURING THE SILKEN THIEF Musician Jia needs a valuable book of poems by a famous courtesan to buy her freedom...and she believes Luo Cheng has taken it. Her attempt to steal the book from him fails, but the tall and powerful scholar unexpectedly offers to help her quest. As they search for the book—and the arousing poems and artwork inside—Jia’s longing for freedom is replaced with a new kind of desire for Cheng… THE LOTUS PALACE At the Lotus Palace, the best of society comes to drink and enjoy the company of beautiful and talented courtesans. Bai Huang, an eternal student at the Lotus Palace, is different from practical attendant Yue-ying in every way. But as the two are thrown together in an attempt to solve a deadly mystery, they both start to dream of a different life. Their statuses forbid them from being together, but could they find a way to follow their hearts? THE JADE TEMPTRESS When a powerful official is found dead in a highly suspicious murder, Lotus Palace hostess Mingyu and constable Kaifeng become involved in the dangerous mystery. Amid the chaos, Kaifeng discovers his reluctant, yet fierce attraction to Mingyu, but the temptation to give in to her could destroy them both. After all, a forbidden affair is bound to have consequences…

Douglas Wile translates and analyzes four collections of recently released nineteenth-century manuscripts on T’ai-chi ch’uan. These writings of Wu’s older brothers Ch’eng-ch’ing and Ju-ch’ing, and his nephew Li I-yu, together with the transmissions of Yang Pan-hou, represent a significant addition to the seminal literature. The rich new texts allow us to make a fresh survey of longstanding issues in T’ai-chi history: the origins of the art; the authorship of the “classics;” the differences between Wu, Yang, and Li; and the roles of Chang San-feng, Wang Tsung-yueh, Chiang Fa, and the formerly missing link, Ch’ang Nai-chou. The original Chinese texts of the four new sets of classics have been appended for the convenience of Chinese readers and scholars. The book reconsiders the world of the Wu, Yang, and Li families of Yung-nien and reconstructs it against the background of the Opium Wars, the Taiping Rebellion, and the decline of the Manchu dynasty. New biographical sources illuminate the domestic and political lives of the Yung-nien circle and their orientation to the late imperial intellectual trends. The development of T’ai-chi ch’uan in the nineteenth century is explored in the context of China’s cultural response to the challenge of the West and the role of body-centered arts in Asia during the drive for independence and the ongoing search for national identity.