Empfehlungen basierend auf "Snuff Memories"

“Drag embodies the queer possibility that exists within each of us—the infinite ways in which gender, good taste, and art can be lived.”–Sasha VelourThis book is a quilt, piecing together memoir, history, and theory into a living portrait of an artist and an art. Within these pages, illustrated throughout with photos and original artwork, Sasha Velour illuminates drag as a unique form of expression with a rich history and a revolutionary spirit.Each chapter strips off a new layer, removing one tantalizing glove and then another, to reveal all the twists and turns in the life of a queen. As Sasha recalls her own journey, from the women who raised her, to learning the craft of an artist, to success, disaster, and more, she also uncovers the history of queer life around the world that made it all possible.From shamans to “fairies balls,” empresses to RuPaul’s Drag Race (and beyond), The Big Reveal chronicles and celebrates our shared queer pasts. “If we want to be seen as legendary,” writes Sasha, “we have to weave ourselves into history.”From an iconoclastic drag queen comes an equally singular, thought-provoking manifesto that brings necessary and sparkling substance to our understanding of drag, queerness, beauty, and liberation!

A Recommended Book in the Washington Post, the New York Times Style Magazine, Observer, W Magazine, NBC News, E! Online, Queerty, Literary Hub, Stylist, & Publishers Weekly From the National Book Critics Circle Award-winning author of Gay Bar comes a rule-breaking, sweat-soaked, genre-busting story of outlaw love. It’s 1996, and Jeremy Atherton Lin has met the boy of his dreams — a mumbling, starry-eyed Brit — just as, amid a media frenzy, US Congress prepares the Defense of Marriage Act, denying same-sex couples federal rights including immigration. The pair steals away to remote forests and vast deserts, London fashion shows and Berlin sex clubs, dinner parties, back alleys, East Village hotel rooms, and San Francisco dives. Finding no other way to stay together, they shack up illicitly among unlikely allies in a “city of refuge.” With Atherton Lin’s inimitable blend of tenderness and wicked humor, Deep House moves through the couple’s string of rented apartments while unlocking doors to a lineage of gay men who have come before — smuggling a foreign partner through national checkpoints or going public to stand up for the right to get down in the privacy of their own homes. They include hapless criminals, sexpot bartenders, friars, pirates, government workers who subverted the system, activists who went all the way to the Supreme Court, and the celebrated artist Felix Gonzalez-Torres. Following Gay Bar — called “a rich tapestry” by Vanity Fair and “an absolute tour de force” by Maggie Nelson — Deep House juxtaposes whispered disclosures of undocumented domesticity with courtroom drama and political stunts to explore myriad forms of intimacy while questioning the mechanisms that legitimize love. Deep House is at once a historical kaleidoscope and the innermost tale of two boyfriends who made a home in the shadows of a turbulent civil rights battle.  

A brand-new collection from the award-winning poet, the companion piece to the Sunday Times bestselling Slug 'Funny, so smart and refreshingly honest' SARAH MILLICAN 'Hollie McNish's words always sweep me away' GIOVANNA FLETCHER 'Bold, hilarious and tender' SALENA GODDEN This book is written out of both hate and love for the world As people, we are capable of both love and hate; amazement and disgust; fun and misery. So why do we live in a world that is constantly telling us to hate, both ourselves and others? We are told to be repulsed by our own bodies, bodies that let us laugh and sweat and eat toast; to be ashamed of pleasure; to be embarrassed by fun. In this collection, Hollie McNish brings her inimitable style to the question of what have been taught to hate, and if we might learn to love again. 'Never have we needed her more' STYLIST 'I've loved her work for years' JO BRAND 'She writes with honesty, conviction, humour and love' KAE TEMPEST

'It's the kind of book that makes you wonder, 'why wasn't this written before?' It could change lives' EVENING STANDARD 'Turns everything you've been taught about sex on its head' RUBY RARE An urgent, myth-busting book that dismantles sex misinformation and reimagines sexual freedom for today. Clueless about everything from her own anatomy to relationships, Sophia Smith Galer's sex education classes left her with more questions than answers. But what she didn't know was that this lack of knowledge was about to turn her life upside down - as it does to countless people in the UK every year. Thanks to inadequate sex education, many of us are finishing school knowing more about STDs and condoms than the bigger sexual picture - our own physicality, pleasure and consent. And the effects can last a lifetime. In Losing It, Smith Galer shares the eye-opening stories of ordinary people affected by sex misinformation and finds that many of us are unable to access the world of sexual freedom that we've been promised. She draws on her own experiences - and the expertise of a new generation of sex educators - to uncover a world that subscribes to a wide catalogue of sex myths. This book tackles: The Virginity Myth: Does having sex for the first time alter us biologically? The Sexlessness Myth: Who is abstaining and why? The Virility Myth: Why do men feel so much pressure to have sex? The Consent Myth: Is there more to it than just saying no? Losing It challenges the status quo and empowers people from all backgrounds and any age to rewrite the story of their sex lives.

With an introduction from RuPaul's Drag Race winner Sasha VelourTheir greatest act of resistance was simply existing In 1950s New York, a group of drag pioneers found work in a small number of Lower East Side clubs. They occupied the margins of society, determined to live authentically, despite the attentions of the police. These girls were unstoppable, fearless and fabulous, but their very existence was deemed a criminal threat to society.When a secret cache of their letters was discovered in 2014, these individuals were given a voice for the first time. The letters reveal personal triumphs and tragedies, and a fascinating world that has rarely been documented.Expertly weaving social, political and cultural history, Craig Olsen illuminates the lives and loves of our exceptional LGBTQ+ forebears.P.S. Burn This Letter Please is the ground-breaking result: a deeply moving encounter with a generation of survivors, and a necessary account of how modern drag culture was born.

I saw Roxane speak on a PBS NewsHour segment recently, and she sounded like she had some thought-provoking ideas going on in this book. Or maybe, just the idea OF the book was thought-provoking, because she talks about weight and self-esteem, but it's not like most women or men who have sold memoirs about how they have successfully lost weight. Instead, it's an account of living with the trauma of rape. ( on-line review)

Butch Queens Up in Pumpsexamines Ballroom culture, in which inner-city LGBT individuals dress, dance, and vogue to compete for prizes and trophies. Participants are affiliated with a house, an alternative family structure typically named after haute couture designers and providing support to this diverse community. Marlon M. Bailey’s rich first-person performance ethnography of the Ballroom scene in Detroit examines Ballroom as a queer cultural formation that upsets dominant notions of gender, sexuality, kinship, and community.

These thirty-nine stories chronicle the gay experience over the course of the last century, beginning with the unarticulated longing of two boys swimming in D.H. Lawrence's "A Poem of Friendship" and ending with the explicit sexual interaction of two boys in a bathtub in A.M. Homes's "The Whiz Kids."In between there is every imaginable kind of gay story written by every imaginable kind of writer—gay and straight, male and female—all illuminating the common ground of the gay male experience and its astonishing diversity.“The book is like a long enjoyable party, at which the celebrated rub elbows with the neglected.”—Times Literary Supplement

Impassioned verses by a Greek-born writer are characterized by their explicit eroticism and the legacy of Greek myth

"In The Third Body, the poet, novelist, feminist critic, and theorist Helene Cixous interweaves a loose narrative line with anecdotal presentations, autobiography, lyricism, myth, dream, fantasy, philosophical insights, and intertextual citations of and conversations with other authors and thinkers. Cixous evokes the relationship of the female narrator and her lover, a relationship of alternating presences and absences, separations and rejoinings - a passionate and ever-buoyant relationship in which the partners partake of life and death, memory and oblivion, desire and discovery, the transgressive and the visionary, and the chimerical and the "real." This relationship assumes protean forms within a complex web of writing, creating a "third body" out of the entwined bodies of the narrator and her lover. This is a sensuous body endowed with flesh-and-blood reality, and it is also the body of the text: for Cixous, writing is grounded in the physical body, and the physical body becomes writing." "The three dominant texts that Cixous cites or alludes to Wilhelm Jensen's novel Gradiva; Freud's interpretation of that work in the essay "Delusion and Dream"; and Kleist's "Earthquake in Chile" - are integrated with reminiscences of the narrator's dead father, juxtaposed with thoughts about her lover; evocations of the narrator's mother; and ruminations on figures taken from Scripture, classical mythology, and fairy tales." --Book Jacket.