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Set between the last years of the “Chinese Windrush” in 1966 and Hong Kong’s Handover to China in 1997, a mysterious inheritance sees a young woman from London uncovering buried secrets in her late mother’s homeland in this captivating, wry debut about family, identity, and the price of belonging.Hong Kong, 1966. Sook-Yin is exiled from Kowloon to London with orders to restore honor to her family. But as she trains to become a nurse in cold and wet England, Sook-Yin realizes that, like so many transplants, she must carve out a destiny of her own to survive.Thirty years later in London, having lost her mother as a small child, biracial misfit Lily can only remember what Maya, her preternaturally perfect older sister, has told her about Sook-Yin. Unexpectedly named in the will of a powerful Chinese stranger, Lily embarks on a secret pilgrimage across the world to discover the lost side of her identity and claim the reward. But just as change is coming to Hong Kong, so Lily learns Maya’s secrecy about their past has deep roots, and that good fortune comes at a price.Heartfelt, wry and achingly real, Ghost Girl, Banana marks the stunning debut of a writer-to-watch.

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“Messy Roots is a laugh-out-loud, heartfelt, and deeply engaging story of their journey to find themself--as an American, as the daughter of Chinese immigrants, as a queer person, and as a Wuhanese American in the middle of a pandemic.”—Malaka Gharib, author of I Was Their American DreamAfter spending her early years in Wuhan, China, riding water buffalos and devouring stinky tofu, Laura immigrates to Texas, where her hometown is as foreign as Mars—at least until 2020, when COVID-19 makes Wuhan a household name.In Messy Roots, Laura illustrates her coming-of-age as the girl who simply wants to make the basketball team, escape Chinese school, and figure out why girls make her heart flutter.Insightful, original, and hilarious, toggling seamlessly between past and present, China and America, Gao’s debut is a tour de force of graphic storytelling.

A Most Anticipated Book of 2023 from: LA Times * Boston Globe * The Millions * LitHub * ShondalandBy the New York Times bestselling author of the award-winning AFTERPARTIES comes a collection like none other: sharply funny, emotionally expansive essays and linked short fiction exploring family, queer desire, pop culture, and raceThe late Anthony Veasna So’s debut story collection, Afterparties, was a landmark publication, hailed as a “bittersweet triumph for a fresh voice silenced too soon” (Fresh Air). And he was equally known for his comic, soulful essays, published in n+1, The New Yorker, and The Millions.Songs on Endless Repeat gathers those essays together, along with previously unpublished fiction. Written with razor-sharp wit and an unflinching eye, the essays examine his youth in California, the lives of his refugee parents, his intimate friendships, loss, pop culture, and more. And in linked fiction following three Cambodian American cousins who stand to inherit their late aunt’s illegitimate loan-sharking business, So explores community, grief, and longing with inimitable humor and depth.Following “one of the most exciting contributions to Asian American literature in recent years” (Vulture), Songs on Endless Repeat is an astonishing final expression by a writer of “extraordinary achievement and immense promise” (The New Yorker).

"Emily X.R. Pan's brilliantly crafted, harrowing first novel portrays the vast spectrum of love and grief with heart-wrenching beauty and candor. This is a very special book."--John Green, bestselling author of The Fault in Our Stars and Turtles All the Way DownAn instant New York Times bestseller, this stunning, heartbreaking novel about grief, love, and family is perfect for fans of Jandy Nelson and Celeste Ng.Leigh Chen Sanders is absolutely certain about one thing: When her mother died by suicide, she turned into a bird.Leigh, who is half Asian and half white, travels to Taiwan to meet hermaternal grandparents for the first time. There, she is determined tofind her mother, the bird. In her search, she winds up chasing afterghosts, uncovering family secrets, and forging a new relationship withher grandparents. And as she grieves, she must try to reconcile the fact that on the same day she kissed her best friend and longtime secretcrush, Axel, her mother was taking her own life.Alternating between reality and magic, past and present, hope and despair, The Astonishing Color of After is a luminous debut novel about finding oneself through family history, art, bravery, and love.

NAMED A BEST BOOK OF THE YEAR 2023 BY THE NEW YORKER WOMEN'S NATIONAL BOOK ASSOCIATION 2023 Great Group Read This extraordinary memoir shares an insight into the lives of the Uyghurs, a people and culture being systematically destroyed by China—and a woman who gave up everything to help her people. In February 2018, twenty-four members of Gulchehra Hoja's family disappeared overnight. Her crime – and thus that of her family – was her award-winning investigations on the plight of her people, the Uyghurs, whose existence and culture is being systematically destroyed by the Chinese government. A Stone is Most Precious Where it Belongs is Gulchehra’s stunning memoir, taking us into the everyday world of life under Chinese rule in East Turkestan (more formally known as the Xinjiang Autonomous Region of China), from her idyllic childhood to its modern nightmare. The grandchild of a renowned musician and the daughter of an esteemed archaeologist, Gulchehra grew up with her people’s culture and history running through her veins. She showed her gifts early on as a dancer, actress, and storyteller, putting her on a path to success as a major television star. Slowly though, she began to understand what China was doing to her people, as well as her own complicity as a journalist. As her rising fame and growing political awakening coincided, she made it her mission to expose the crimes Beijing is committing in the far reaches of its nation, no matter the cost. Reveling in the beauty of East Turkestan and its people – its music, its culture, its heritage, and above all its emphasis on community and family – this groundbreaking memoir gives us a glimpse beyond what the Chinese state wants us to see, showcasing a woman who was willing to risk not just her own life, but also that of everyone she loves, to expose her people’s story to the world.

Like nothing you’ ve read before, How to Loiter in a Turf War is a lucid, genre-bending, cinematic work of fiction from one of Aotearoa’ s most versatile artists. It’ s a day in the life of three friends beefing with their own city, Tamaki Makaurau. With gentrification closing in and racial tensions sweltering, the girls must cling to their friendship like a life raft, determined not to let their neighbourhood drift out to sea. Fast, ferociously brilliant, crack-up funny and unforgettably true.

Winner of the National Book Award, a Newbery Honor, and a #1 New York Times bestseller!Inspired by the author's childhood experience as a refugee—fleeing Vietnam after the fall of Saigon and immigrating to Alabama—this coming-of-age debut told in verse has been celebrated for its touching child's-eye view of family and immigration.This Harper Classic edition includes an author's note explaining how and why Thanhha Lai translated her personal experiences into this book, an interview with the author, an activity you can do with your family, tips on writing poetry, and discussion questions.Hà has only ever known Saigon: the thrills of its markets, the joy of its traditions, and the warmth of her friends close by. But now the Vietnam War has reached her home. Hà and her family are forced to flee as Saigon falls, and they board a ship headed toward hope—toward America.Inside Out and Back Again is the moving story of one girl's year of change, dreams, grief, and healing. This book was named to multiple state lists, received four starred reviews, and was hailed as a best book of the year by Publishers Weekly, Kirkus, School Library Journal, and the Chicago Public Library.

Yeonmi Park has told the harrowing story of her escape from North Korea as a child many times, but never before has she revealed the most intimate and devastating details of the repressive society she was raised in and the enormous price she paid to escape. Park’s family was loving and close-knit, but life in North Korea was brutal, practically medieval. Park would regularly go without food and was made to believe that, Kim Jong Il, the country’s dictator, could read her mind. After her father was imprisoned and tortured by the regime for trading on the black-market, a risk he took in order to provide for his wife and two young daughters, Yeonmi and her family were branded as criminals and forced to the cruel margins of North Korean society. With thirteen-year-old Park suffering from a botched appendectomy and weighing a mere sixty pounds, she and her mother were smuggled across the border into China.I wasn’t dreaming of freedom when I escaped from North Korea. I didn’t even know what it meant to be free. All I knew was that if my family stayed behind, we would probably die—from starvation, from disease, from the inhuman conditions of a prison labor camp. The hunger had become unbearable; I was willing to risk my life for the promise of a bowl of rice. But there was more to our journey than our own survival. My mother and I were searching for my older sister, Eunmi, who had left for China a few days earlier and had not been heard from since. Park knew the journey would be difficult, but could not have imagined the extent of the hardship to come. Those years in China cost Park her childhood, and nearly her life.  By the time she and her mother made their way to South Korea two years later, her father was dead and her sister was still missing. Before now, only her mother knew what really happened between the time they crossed the Yalu river into China and when they followed the stars through the frigid Gobi Desert to freedom. As she writes, “I convinced myself that a lot of what I had experienced never happened. I taught myself to forget the rest.” In In Order to Live, Park shines a light not just into the darkest corners of life in North Korea, describing the deprivation and deception she endured and which millions of North Korean people continue to endure to this day, but also onto her own most painful and difficult memories. She tells with bravery and dignity for the first time the story of how she and her mother were betrayed and sold into sexual slavery in China and forced to suffer terrible psychological and physical hardship before they finally made their way to Seoul, South Korea—and to freedom. Still in her early twenties, Yeonmi Park has lived through experiences that few people of any age will ever know—and most people would never recover from. Park confronts her past with a startling resilience, refusing to be defeated or defined by the circumstances of her former life in North Korea and China. In spite of everything, she has never stopped being proud of where she is from, and never stopped striving for a better life. Indeed, today she is a human rights activist working determinedly to bring attention to the oppression taking place in her home country. Park’s testimony is rare, edifying, and terribly important, and the story she tells in In Order to Live is heartbreaking and unimaginable, but never without hope. Her voice is riveting and dignified. This is the human spirit at its most indomitable.

Juxtaposing short stories, poetry, painting, and photographs, Troubling Borders showcases the creative work of women of Vietnamese, Cambodian, Lao, Thai, and Filipino ancestry. This thematically arranged collection interrupts borders of categorization and gender, in what preface author Shirley Geok-Lin Lim describes as a "leap over the barbed fences that have kept these women apart in these, our United States of America."The sixty-two contributors have been shaped by colonization, wars, globalization, and militarization. For some of these women on the margins of the margin, crafting and showing their work is a bold act in itself. Their provocative and accessible creations tell unique stories, provide sharp contrasts to familiar stereotypes―Southeast Asian women as exotic sex symbols, dragon ladies, prostitutes, or "bar girls"―and serve as entry points for broader discussions about questions of history, memory, and identity.