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From the self-described 'black, lesbian, mother, warrior, poet', these soaring, urgent essays on the power of women, poetry and anger are filled with darkness and light.Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

"Sylvia Plath's last poems have impressed themselves on many readers with the force of myth. They are among the handful of writings by which future generations will seek to know us and give us a name." — The Critical QuarterlySylvia Plath's celebrated collection.When Sylvia Plath died, she not only left behind a prolific oeuvre but also her unpublished literary masterpiece, Ariel. Ted Hughes helped bring the collection to life in 1966, and its publication garnered worldwide acclaim. This collection showcases the beloved poet’s brilliant, provoking, and always moving poems, including "Ariel," "The Applicant," "Lady Lazarus," and "Edge", and once again shows why readers have fallen in love with her work over generations.

An Instant New York Times BestsellerThe author of the #1 New York Times bestseller What Kind of Woman returns with a collection of erasure poems created from notes she received from followers, supporters and detractors—an artform that reclaims the vitriol from online trolls and inspires readers to transform what is ugly or painful in their own lives into something beautiful.“I'm sure you could benefit from jumping on a treadmill”“Women WANT a male leader . . . It’s honest to god the basic human playbook”These are some of the thousands of messages that Kate Baer has received online. Like countless other writers—particularly women—with profiles on the internet, as Kate’s online presence grew, so did the darker messages crowding her inbox. These missives from strangers have ranged from “advice” and opinions to outright harassment.At first, these messages resulted in an immediate delete and block. Until, on a whim, Kate decided to transform the cruelty into art, using it to create fresh and intriguing poems. These pieces, along with ones made from notes of gratitude and love, as well as from the words of public figures, have become some of her most beloved work.I Hope This Finds You Well is drawn from those works: a book of poetry birthed in the darkness of the internet that offers light and hope. By cleverly building on the harsh negativity and hate women often receive—and combining it with heartwarming messages of support, gratitude, and connection, Kate Baer offers us a lesson in empowerment, showing how we too can turn bitterness into beauty.

The Decent Of Alette is a rich odyssey of transformation in the tradition of The Inferno. Alice Notley presents a feminist epic: a bold journey into the deeper realms. Alette, the narrator, finds herself underground, deep beneath the city, where spirits and people ride endlessly on subways, not allowed to live in the world above. Traveling deeper and deeper, she is on a journey of continual transformation, encountering a series of figures and undergoing fragmentations and metamorphoses as she seeks to confront the Tyrant and heal the world. Using a new measure, with rhythmic units indicated by quotations marks, Notley has created a "spoken" text, a rich and mesmerizing work of imagination, mystery, and power.

A collectible new Penguin Classics series: beautiful clothbound editions of the most famous verse collections by ten favourite poets. Designed by the acclaimed Coralie Bickford-Smith and attractively set, these slim, A format volumes are the ultimate gift editions for poetry lovers. Songs of Innocence and Experience is one of the best-loved poetry collections of all time, an innovative and groundbreaking experiment in which Blake intertwined text and image to dazzling effect. The volume, published sometimes as two separate collections, juxtaposes the innocent world of childhood with the corrupt and repressed one of adults, and includes such favourites as 'The Lamb', 'The Chimney Sweeper' and 'The Tyger'.

Longlisted for the 2022 National Book Award for PoetryLonglisted for the 2023 PEN Open Book AwardFinalist for the Poetry Society of America's Norma Farber First Book Award“Outstanding . . . the poetry in these pages is intelligent, lyrical, as invested in the past as the present and future with witty nods to pop culture.” —Roxane Gay, author of Hunger “I’ve never read anything like it. Truly a sublime experience.” —Jason Reynolds, author of Ain’t Burned All the BrightA groundbreaking collection about Afropioneerism past and present from Pushcart Prize-nominated poet and New York Times bestselling author Rio CortezFrom a visionary writer praised for her captivating work on Black history and experience comes a poetry collection exploring personal, political, and artistic frontiers, journeying from her family's history as "Afropioneers" in the American West to shimmering glimpses of transcendent, liberated futures.  In poems that range from wry, tongue-in-cheek observations about contemporary life to more nuanced meditations on her ancestors—some of the earliest Black pioneers to settle in the western United States after Reconstruction—Golden Ax invites readers to re-imagine the West, Black womanhood, and the legacies that shape and sustain the pursuit of freedom.

Richard Siken's Crush, selected as the 2004 winner of the Yale Younger Poets prize, is a powerful collection of poems driven by obsession and love. Siken writes with ferocity, and his reader hurtles unstoppably with him. His poetry is confessional, gay, savage, and charged with violent eroticism. In the world of American poetry, Siken's voice is striking. In her introduction to the book, competition judge Louise Gl�ck hails the "cumulative, driving, apocalyptic power, [and] purgatorial recklessness" of Siken's poems. She notes, "Books of this kind dream big. . . . They restore to poetry that sense of crucial moment and crucial utterance which may indeed be the great genius of the form."

National Humanities Medalist and U.S. Poet Laureate Joy Harjo examines the power of words and how poetry summons us toward justice and healing "Her enduring message--that writing can be redemptive--resonates: 'To write is to make a mark in the world, to assert "I am."' The result is a rousing testament to the power of storytelling."--Publishers Weekly "Harjo writes as if the creative journey has been the destination all along."--Kirkus Reviews In this lyrical meditation about the why of writing poetry, Joy Harjo reflects on significant points of illumination, experience, and questioning from her fifty years as a poet. Composed of intimate vignettes that take us through the author's life journey as a youth in the late 1960s, a single mother, and a champion of Native nations, this book offers a fresh understanding of how poetry functions as an expression of purpose, spirit, community, and memory--in both the private, individual journey and as a vehicle for prophetic, public witness. Harjo insists that the most meaningful poetry is birthed through cracks in history from what is broken and unseen. At the crossroads of this brokenness, she calls us to watch and listen for the songs of justice for all those America has denied. This is an homage to the power of words to defy erasure--to inscribe the story, again and again, of who we have been, who we are, and who we can be.

The winning volume in the 1994 Yale Series of Younger Poets competition is Living in the Resurrection by T. Crunk. As James Dickey, distinguished poet and judge of the competition, says in the foreword, "Here is that rare phenomenon, a writer of instinctive formal vision. His real reverence for the simple objects of the everyday world, their ability to present cup, tree, and hand both as they seem and as they are with a kind of mystical iconic starkness, is a quality uniquely Mr. Crunk's. That this starkness eventually begins to warp into the surreal and ultimately windows into the Luminous Beyond, is additional sanction for gratitude." Reliquaria1. Found Hand-Painted on a Tin Flue CoverRibbon of black crapedraped on a door knob like broken stringshanging from a loom with the words: Weep not.What do I need of this world? 2. S. P. Dinsmoor Describes His TombI have made myself a coffin with a glass lid.By the door of my grave house I have set a cement angel and a stone jug.When I see the host coming down, the lid will--fly open and I will sail out into the air like a locust.If I am called above, the angel will help me--on my way. If I have to go below, I will grab my jugand fill it with water somewhere on the road down. Meantime, every day I pray--O Lordteach me that I am but earth, a hollow vessel of clay, only a wisp of thy breath against my emptiness. 3.They have yet to figure out the name of the church two men diving in Barkley Lakearound Cain's Mill a few years ago found the whole steeple of cross and all half-buried in the mud shallows.

This year's winner of the Yale Series of Younger Poets competition is Maurice Manning's Lawrence Booth's Book of Visions. These compelling poems take us on a wild ride through the life of a man child in the rural South. Presenting a cast of allegorical and symbolic, yet very real, characters, the poems have "authority, daring, and] a language of color and sure movement," says series judge W.S. Merwin. From Seven Chimeras The way Booth makes a love story: same as a regular story, except under one rock is a trapdoor that leads to a room full of belly buttons; each must be pushed, one is a landmine. The way Booth makes hope: thirty-seven acres, Black Damon, Red Dog. Construct a pillar of fire in the Great Field and let it become unquenchable. The way Booth ends the Jack-in-the-Box charade: shoot the weasel in the neck and toss it to the buzzards. The way Booth thinks of salvation: God holding a broken abacus, colored beads falling away.