Empfehlungen basierend auf "Shock Value"

AN INSTANT NEW YORK TIMES BESTSELLERAn electric, searing memoir by the original rebel girl and legendary front woman of Bikini Kill and Le Tigre.Hey girlfriend I got a proposition goes something like this: Dare ya to do what you wantKathleen Hanna’s band Bikini Kill embodied the punk scene of the 90s, and today her personal yet feminist lyrics on anthems like “Rebel Girl” and “Double Dare Ya” are more powerful than ever. But where did this transformative voice come from?In Rebel Girl, Hanna’s raw and insightful new memoir, she takes us from her tumultuous childhood to her formative college years and her first shows. As Hanna makes clear, being in a punk “girl band” in those years was not a simple or safe prospect. Male violence and antagonism threatened at every turn, and surviving as a singer who was a lightning rod for controversy took limitless amounts of determination.But the relationships she developed during those years buoyed her, including with her bandmates Tobi Vail, Kathi Wilcox, JD Samson, and Johanna Fateman. And her friendships with musicians like Kurt Cobain, Ian MacKaye, Kim Gordon, and Joan Jett reminded her that, despite the odds, the punk world could still nurture and care for its own. Hanna opens up about falling in love with Ad-Rock of the Beastie Boys and her debilitating battle with Lyme disease, and she brings us behind the scenes of her musical growth in her bands Le Tigre and The Julie Ruin. She also writes candidly about the Riot Grrrl movement, documenting with love its grassroots origins but critiquing its exclusivity.In an uncut voice all her own, Hanna reveals the hardest times along with the most joyful—and how they continue to fuel her revolutionary art and music.

Finalist for the PEN/Faulkner Award, the Barnes & Noble Discover Prize, and the James Tait Black Prize for Fiction. One of the Washington Post's 50 Notable Works of Fiction in 2023. One of The New York Times' 10 Best California Books of 2023. Longlisted for the Mark Twain American Voice in Literature Award.“Open Throat is what fiction should be.” ―The New York Times Book ReviewA lonely, lovable, queer mountain lion narrates this star-making fever dream of a novel.A queer and dangerously hungry mountain lion lives in the drought-devastated land under the Hollywood sign. Lonely and fascinated by humanity’s foibles, the lion spends their days protecting a nearby homeless encampment, observing hikers complain about their trauma, and, in quiet moments, grappling with the complexities of their gender identity, memories of a vicious father, and the indignities of sentience.When a man-made fire engulfs the encampment, the lion is forced from the hills down into the city the hikers call “ellay.” As the lion confronts a carousel of temptations and threats, they take us on a tour that spans the cruel inequalities of Los Angeles and the toll of climate grief. But even when salvation finally seems within reach, they are forced to face down the ultimate question: Do they want to eat a person, or become one?Henry Hoke’s Open Throat is a marvel of storytelling, a universal journey through a wondrous and menacing world recounted by a lovable mountain lion. Feral and vulnerable, profound and playful, Open Throat is a star-making novel that brings the mythic to life.

Joya Goffney, author of the acclaimed Excuse Me While I Ugly Cry, delivers a powerful second novel about a preacher’s daughter in small-town Texas and her journey toward loving herself and her body, filled with heart, humor, family drama, and a dynamic love triangle. Perfect for fans of Not So Pure and Simple by Lamar Giles and Calling My Name by Liara Tamani!“Powerful, boundary pushing, and charmingly funny.” —Camryn Garrett, author of Full Disclosure and Off the Record"Deeply empowering, sweet yet candid. A fearless story about the path to self acceptance.” —Jenni Hendriks and Ted Caplan, authors of Unpregnant and Save Steve“A heartfelt, funny, and irresistible read…smart, sex-positive, and positively terrific.” —Kirkus (starred review)“A compassionate novel that encourages teens to prioritize the control, safety, and comfort of their own bodies.” –Publishers Weekly (starred review)Monique is a preacher’s daughter who detests the impossible rules of her religion. Everyone expects her to wait until marriage, so she has no one to turn to when she discovers that she physically can’t have sex.After two years of trying and failing, her boyfriend breaks up with her. To win him back, Monique teams up with straight-laced church girl Sasha—who is surprisingly knowledgeable about Monique’s condition—as well as Reggie, the misunderstood bad boy who always makes a ruckus at church, and together they embark upon a top-secret search for the cure.While on their quest, Monique discovers the value of a true friend and the wonders of a love that accepts her for who she is. Despite everyone’s opinions about her virtue, she learns to live for herself, inspiring us all to reclaim our bodies and unapologetically love ourselves.YALSA Best Fiction for Young Adults 2022 List Nominee“A triumph in not just dynamite contemporary fiction but also in critiquing purity culture and the harm it can do.” —Buzzfeed“[Monique's] journey toward recognizing her own value is hard-won, and her awareness of her own worth, when it comes, feels like a true victory. An empowering read.” —Booklist

'But tonight I am super-charged, alive, looking into the eyes of / men . . .'In this intimate and vital debut, Richard Scott looks into the places not everyone sees or chooses to see. Against the backdrop of London's Soho, he creates an uncompromising portrait of love and shame, questioning our sense of the permissible and the perverse. Scott takes us back to our roots: childhood incidents, the violence our scars betray, forgotten forebears and histories. The hungers of sexual encounters are underscored by the risks that threaten when we give ourselves to or accept another. But the poems celebrate joy and tenderness, too, as in a sequence re-imagining the love poetry of Verlaine. The collection crescendos to the title-poem, 'Soho!', where a night stroll under the street lamps becomes a search for 'true lineage', a reclamation of stolen ancestors, hope for healing, and, above all, the finding of our truest selves.

"A feeling that we could do whatever we liked swept through us in the 60s..."The sexual revolution liberated a generation. But men most of all.We tend to think of the 60s as a decade sprinkled with stardust: a time of space travel and utopian dreams, but above all of sexual abandonment. When the pill was introduced on the NHS in 1961 it seemed, for the first time, that women - like men - could try without buying."It was paradise for men... all these willing girls..."But this book - by 'one of the great social historians of our time' - describes a turbulent power struggle.Here are the voices from the battleground. Meet dollybird Mavis, debutante Kristina, Beryl who sang with the Beatles, bunny girl Patsy, Christian student Anthea, industrial campaigner Mary and countercultural Caroline. From Carnaby Street to Merseyside, from mods to rockers, from white gloves to Black is Beautiful, their stories throw an unsparing spotlight on morals, four-letter words, faith, drugs, race, bomb culture and sex.This is a moving, shocking book about tearing up the world and starting again. It's about peace, love, psychedelia and strange pleasures, but it is also about misogyny, violation and discrimination - half a century before feminism rebranded. For out of the swamp of gropers and groupies, a movement was emerging, and discovering a new cause: equality.The 1960s: this was where it all began. Women would never be the same again.'One of the great social historians of our time. No one else makes makes history this fun' Amanda Foreman'Intimate, immersive, often moving, How Was It For You? subtly but powerfully subverts complacent male assumptions about a legendary decade' David Kynaston'An absorbing study of an extraordinary age. Beautifully written and intensively researched' Selina Hastings'Every baby boomer should read this great and wonderfully revelatory book if only to shout, "Ah yes, that's exactly what it was like for me!"' Anne Sebba'Virginia Nicholson is the outstanding recorder of British lives in the twentieth century... and this account of the 1960s is the most vivid and moving of all her works' Carmen Callil'Essential reading' Marina Lewycka'A dazzling kaleidoscope of facts, feelings and observations' Juliet Nicolson'A hugely ambitious, kaleidoscope of a book' Richard Vinen'Makes it feel like the Sixties have never been away' Hunter Davies'I was there, and she's right' Valerie Grove

Liz Goldwyn's lifelong fascination with the inimitable glamour of classic burlesque inspired her to spend the past eight years corresponding with, visiting, interviewing, receiving striptease lessons from, and forming close relationships with the last generation of the great American burlesque queeens. Goldwyn invites us to step back into an era when the hourglass figure was in vogue and striptease was a true art form. Meet Betty "Ball of Fire" Rowland, who was known for her flaming red hair and bump–and–grind routines. (It turns out she once sued the author's grandfather, Samuel Goldwyn Jr., for using her stage name and costume in his Hollywood picture, Ball of Fire.) Meet Sherry Britton, who, with her long black hair and curvy, trim physique, was among the most stunning of the burlesque stars before Mayor LaGuardia outlawed burlesque in New York. Meet Zorita, whose sexually explicit "Consummation of the Wedding of the Snake" dance (performed with a live snake) and other daring performances earned her legendary status. Goldwyn draws back the curtain to reveal the personal journeys of yesteryear's icons of female sexuality and power, restoring their legacy to an age that has all but forgotten them–despite today's resurgence of burlesque.

A novel of loss and love. The author has also written Sexing the Cherry and Oranges are Not the Only Fruit which won the 1985 Whitbread Prize and was later adapted as an award-winning BBC dramatization. Her book The Passion won the 1987 John Llewellyn Rhys Memorial Prize.

"Sarah Schulman, as always, hits the nail on the head. I can't imagine a more insightful probe into gentrification and its inhumane consequences. Everyone needs to read this book."—Martin Duberman, author of Stonewall“Sarah Schulman's The Gentrification of the Mind is a bulwark against the collective loss of memory. AIDS, gentrification, the struggle for gay rights, the class war that has driven entire communities of artists, immigrants, and outsiders from the neighborhoods they created—all these things have been erased by the official culture. Schulman's book will make you rage and weep, and then—just maybe—organize.”—Luc Sante, author of Low Life: Lures and Snares of Old New York"Hard-headed, sensitive, and informed, this book will make the confused world of urban redevelopment and gentrification make notably more sense. Schulman has a mind as clear as a bell in evening. You'll be glad you read it. I was."—Samuel R. Delany, author of Through the Valley of the Nest of Spiders

Male homosexual activity in public and semipublic locations is a central but seldom explored dimension of gay culture around the world. The majority of existing research emphasizes the impersonality of such erotic interaction and underscores the element of danger involved. While never denying the danger of anonymous public sex in the age of AIDS, the contributors to Public Sex/Gay Space go beyond narrow moralisms about the need to regulate unsafe sexual practices to discuss the significance of sex in public. William Leap has brought together contributions from such fields as anthropology, sociology, literary criticism, and history to reinvigorate the discussion on this issue, with twelve essays providing a more nuanced portrait of why public sexual activity is such an integral part of gay culture. The authors present rich ethnographic snapshots of male sex in public places--many drawn from interviews with participants or, in some instances, the authors' personal experiences.Contributors investigate a broad cultural spectrum of gay sexual space and activity: in a public park in contemporary Hanoi, at the beachfront community of New York's Fire Island, and in nineteenth-century Amsterdam, for example. They explore issues such as visibility and secrecy, as well as economic status and social class, and interrogate the historical trajectories through which certain locations come to be favored sites for sexual encounters. Together, they offer insight into the ways in which public sex calls into question the very line that divides "public" from "private."

From a writer of astonishing versatility and erudition, the much-admired literary critic, novelist, short-story writer, and scholar (“Dazzling”—The Washington Post; “One of those rare writers who seems to be able to work on any register, any time, any atmosphere, and make it her own” —The Observer), a book that explores the little-known literary tradition of love between women in Western literature, from Chaucer and Shakespeare to Charlotte Brontë, Dickens, Agatha Christie, and many more. Emma Donoghue brings to bear all her knowledge and grasp to examine how desire between women in English literature has been portrayed, from schoolgirls and vampires to runaway wives, from cross-dressing knights to contemporary murder stories. Donoghue looks at the work of those writers who have addressed the “unspeakable subject,” examining whether such desire between women is freakish or omnipresent, holy or evil, heartwarming or ridiculous as she excavates a long-obscured tradition of (inseparable) friendship between women, one that is surprisingly central to our cultural history. Donoghue writes about the half-dozen contrasting girl-girl plots that have been told and retold over the centuries, metamorphosing from generation to generation. What interests the author are the twists and turns of the plots themselves and how these stories have changed—or haven’t—over the centuries, rather than how they reflect their time and society. Donoghue explores the writing of Sade, Diderot, Balzac, Thomas Hardy, H. Rider Haggard, Elizabeth Bowen, and others and the ways in which the woman who desires women has been cast as not quite human, as ghost or vampire. She writes about the ever-present triangle, found in novels and plays from the last three centuries, in which a woman and man compete for the heroine’s love . . . about how—and why—same-sex attraction is surprisingly ubiquitous in crime fiction, from the work of Wilkie Collins and Dorothy L. Sayers to P. D. James. Finally, Donoghue looks at the plotline that has dominated writings about desire between women since the late nineteenth century: how a woman’s life is turned upside down by the realization that she desires another woman, whether she comes to terms with this discovery privately, “comes out of the closet,” or is publicly “outed.” She shows how this narrative pattern has remained popular and how it has taken many forms, in the works of George Moore, Radclyffe Hall, Patricia Highsmith, and Rita Mae Brown, from case-history-style stories and dramas, in and out of the courtroom, to schoolgirl love stories and rebellious picaresques. A revelation of a centuries-old literary tradition—brilliant, amusing, and until now, deliberately overlooked.