Empfehlungen basierend auf "Self Harm: The Path to Recovery"

Tara Westover grew up preparing for the End of Days, watching for the sun to darken, for the moon to drip as if with blood. She spent her summers bottling peaches and her winters rotating emergency supplies, hoping that when the World of Men failed, her family would continue on, unaffected.She hadn’t been registered for a birth certificate. She had no school records because she’d never set foot in a classroom, and no medical records because her father didn’t believe in doctors or hospitals. According to the state and federal government, she didn’t exist.As she grew older, her father became more radical, and her brother, more violent. At sixteen Tara decided to educate herself. Her struggle for knowledge would take her far from her Idaho mountains, over oceans and across continents, to Harvard and to Cambridge. Only then would she wonder if she’d travelled too far. If there was still a way home.EDUCATED is an account of the struggle for self-invention. It is a tale of fierce family loyalty, and of the grief that comes with the severing of the closest of ties. With the acute insight that distinguishes all great writers, from her singular experience Westover has crafted a universal coming-of-age story that gets to the heart of what an education is and what it offers: the perspective to see one's life through new eyes, and the will to change it.

This National Book Award finalist is a revealing and beautifully written memoir and family history from acclaimed photographer Sally Mann. In this groundbreaking book, a unique interplay of narrative and image, Mann's preoccupation with family, race, mortality, and the storied landscape of the American South are revealed as almost genetically predetermined, written into her DNA by the family history that precedes her. Sorting through boxes of family papers and yellowed photographs she finds more than she bargained for: "deceit and scandal, alcohol, domestic abuse, car crashes, bogeymen, clandestine affairs, dearly loved and disputed family land . . . racial complications, vast sums of money made and lost, the return of the prodigal son, and maybe even bloody murder." In lyrical prose and startlingly revealing photographs, she crafts a totally original form of personal history that has the page-turning drama of a great novel but is firmly rooted in the fertile soil of her own life.

The extraordinary #1 bestseller - a word-of-mouth literary phenomenon'Do not read this book in public: it will make you cry' Anne Enright'Every line pulses with the pain and joy and complexity of an extraordinary life' Mark O'Connell'I am afraid of being the disruptive woman. And of not being disruptive enough. I am afraid. But I am doing it anyway.'In this dazzling debut, Emilie Pine speaks to the business of living as a woman in the 21st century - its extraordinary pain and its extraordinary joy. Courageous, humane and uncompromising, she writes with radical honesty on birth and death, on the grief of infertility, on caring for her alcoholic father, on taboos around female bodies and female pain, on sexual violence and violence against the self. Devastatingly poignant and profoundly wise - and joyful against the odds - Notes to Self offers a portrait not just of its author but of a whole generation.

'Three in the bed. One not yet born, another dead, and I'm alive.' Puk is 26 years old, preparing for the birth of her second child, when her husband has a heart attack on his morning run. She leaves their toddler with a friend and dashes to the hospital, where Lasse lies unresponsive in a coma. He dies a few hours later. Into a Star follows Puk and her young family for one year after this tragedy, which has shattered the ordinary life she thought she would live, as she finds her way slowly through the enormous grief and, eventually, out the other side. With remarkable dignity, candour and attention to the domestic details that make us human, Puk Qvortrup invites us into the hardest moments of her life. And she reveals, amid the devastation, a powerful thread of hope.

Juno Roche has had a remarkable life. They were born in Peckham in the 1960s, into a working-class family who dabbled in minor criminality. The only one of their siblings to go to university, shortly after beginning their course at Brighton they were diagnosed with HIV, then a death sentence. They spent much of their younger life caught up in serious drug addiction, addiction financed often by sex work, but recovered and, after working for some years as a teacher, have for a long time now been a writer and successful campaigner.Through a series of interconnecting essays covering a range of major topics, but with reference to the intensely personal - pubic lice, drug smuggling on budget airlines, the painful process of dilation after gender reassignment surgery - Juno Roche seeks to debunk complacent preconceptions and radically hone in on our essential humanity. This is beautiful, vulnerable, often very funny writing which, despite the extremeness of the writer's own experience, is constantly, reassuringly relatable. Destructive impulses, sexual and romantic awkwardness, ill equipped parents and a constant sense of feeling out of sorts in and with the world, there is a universality to much of this, and that feels crucially important.

One of a series of titles first published by Faber between 1930 and 1990, and in a style and format planned with a view to the appearance of the volumes on the bookshelf. Sylvia Plath's only novel is an account of a young woman's breakdown - her attempted suicide, hospitalization and recovery.

What happens when your partner of twenty years suddenly believes you’re nothing but a stranger?What do you do when your history together is gone?How do you prove you’re not an imposter in your own life?When the partner of Emmy Award–winning screenwriter Abi Morgan abruptly collapsed from a mysterious illness, doctors were concerned that he would not survive. Then, six months later, Jacob woke from his coma, to the delight and relief of his family and friends—except this proved to be anything but a Hollywood ending. Because to Jacob, the woman standing at his bedside, who had cared for him all these months, was not his partner. Not his children’s mother. Not the woman he loved. Sure, she looked like his Abi, but this was an imposter, living someone else’s life.Finding herself dropped into a real-life night-mare seemingly ripped from the pages of a thriller, Abi must find a way to hang on to not only their past but also their future together, before it slips away from them both. With grace, an irresistible sense of humor and refreshingly raw honesty, This Is Not a Pity Memoir grapples with a journey through fear and redemption few should have to face.What do you do when you are losing your love?You don’t write a pity memoir.You write a love story.

What I hope is that people reading this book will bear in mind that we are human beings first, inmates second.--Bonnie ForeshawIn a stunning new work of insight and hope, New York Times bestselling author Wally Lamb once again reveals his unmatched talent for finding the humanity in the lost and lonely and celebrates the transforming power of the written word.For the past several years, Lamb has taught writing to a group of women prisoners at York Correctional Institution. At first mistrustful of Lamb, one another, and the writing process, over time these students let down their guard, picked up their pens, and discovered their voices. In this unforgettable collection, the women of York describe in their own words how they were imprisoned by abuse, rejection, and their own self-destructive impulses long before they entered the criminal justice system. Yet these are stories of hope, humor, and triumph in the face of despair. Having used writing as a tool to unlock their creativity and begin the process of healing, these amazing writers have left victimhood behind.In his powerful introduction, Lamb describes the incredible journey of expression and self-awareness the women took through their writings and shares how they challenged him as a teacher and as a fellow author. In "Hair Chronicles," Tabatha Rowley tells her life history through her past hairstyles -- outer signals to the world each time she reinvented herself and eventually came to prize her own self-worth. Brenda Medina admits in "Hell, and How I got Here" that she continued to rebel in prison until her parents' abiding love made her realize that her misbehavior was hurting them and herself deeply. In "Faith, Power, and Pants," Bonnie Foreshaw describes how faith has carried her through trials in life and in prison and has allowed her to understand her past actions, to look toward the future, and to believe that she will once again taste home cooking. Couldn't Keep It to Myself is a true testament to the process of finding oneself and working toward a better day.

Confessions of a Prairie Bitch is Alison Arngrim’s comic memoir of growing up as one of television’s most memorable characters—the devious Nellie Oleson on the hit television show Little House on the Prairie. With behind-the-scenes stories from the set, as well as tales from her bohemian upbringing in West Hollywood and her headline-making advocacy work on behalf of HIV awareness and abused children, Confessions of a Prairie Bitch is a must for fans of everything Little House: the classic television series and its many stars like Michael Landon and Melissa Gilbert; Gilbert’s bestselling memoir Prairie Tale... and, of course, the beloved series of books by Laura Ingalls Wilder that started it all.

"I intend to do everything...to have one way of evaluating experience―does it cause me pleasure or pain, and I shall be very cautious about rejecting the painful―I shall anticipate pleasure everywhere and find it too, for it is everywhere! I shall involve myself wholly...everything matters!"So wrote Susan Sontag in May 1949 at the age of sixteen. This, the first of three volumes of her journals and notebooks, presents a constantly and utterly surprising record of a great mind in incubation. It begins with journal entries and early attempts at fiction from her years as a university and graduate student, and ends in 1964, when she was becoming a participant in and observer of the artistic and intellectual life of New York City.Reborn is a kaleidoscopic self-portrait of one of America's greatest writers and intellectuals, teeming with Sontag's voracious curiosity and appetite for life. We watch the young Sontag's complex self-awareness, share in her encounters with the writers who informed her thinking, and engage with the profound challenge of writing itself―all filtered through the inimitable detail of everyday circumstance.