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Sula and Nel are two young black girls: clever and poor. They grow up together sharing their secrets, dreams and happiness. Then Sula breaks free from their small-town community in the uplands of Ohio to roam the cities of America. When she returns ten years later much has changed. Including Nel, who now has a husband and three children. The friendship between the two women becomes strained and the whole town grows wary as Sula continues in her wayward, vagabond and uncompromising ways.

In this award-winning sequel to Chickadee, acclaimed author Louise Erdrich continues her celebrated Birchbark House series with the story of an Ojibwe family in nineteenth-century America. Named for the Ojibwe word for little bear, Makoons and his twin, Chickadee, have traveled with their family to the Great Plains of Dakota Territory. There they must learn to become buffalo hunters and once again help their people make a home in a new land. But Makoons has had a vision that foretells great challenges—challenges that his family may not be able to overcome. Based on Louise Erdrich’s own family history, this fifth book in the series features black-and-white interior illustrations, a note from the author about her research, and a map and glossary of Ojibwe terms.

The stunning first novel in Louise Erdrich's Native American series, Love Medicine tells the story of two families -- the Kashpaws and the Lamartines. Written in Erdrich's uniquely poetic, powerful style, it is a multigenerational portrait of strong men and women caught in an unforgettable drama of anger, desire, and the healing power that is love medicine.This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

In an open cart Elspeth Huxley set off with her parents to travel to Thika in Kenya. As pioneering settlers, they built a house of grass, ate off a damask cloth spread over packing cases, and discovered—the hard way—the world of the African. With an extraordinary gift for detail and a keen sense of humor, Huxley recalls her childhood on the small farm at a time when Europeans waged their fortunes on a land that was as harsh as it was beautiful. For a young girl, it was a time of adventure and freedom, and Huxley paints an unforgettable portrait of growing up among the Masai and Kikuyu people, discovering both the beauty and the terrors of the jungle, and enduring the rugged realities of the pioneer life.

NATIONAL BESTSELLER • The story of Cynthia Ann Parker and the last days of the ComancheIn 1836, when she was nine years old, Cynthia Ann Parker was kidnapped by Comanche Indians from her family's settlement.She grew up with them, mastered their ways, and married one of their leaders. Except for her brilliant blue eyes and golden mane, Cynthia Ann Parker was in every way a Comanche woman. They called her Naduah—Keeps Warm With Us. She rode a horse named Wind.This is her story, the story of a proud and innocent people whose lives pulsed with the very heartbeat of the land. It is the story of a way of life that is gone forever.It will thrill you, absorb you, touch your soul, and make you cry as you celebrate the beauty and mourn the end of the great Comanche nation.

Her name is Dinah. In the Bible, her fate is merely hinted at in a brief and violent detour within the verses of the "Book of Genesis" that recount the life of Jacob and his infamous dozen sons. The "Red Tent" is an extraordinary and engrossing tale of ancient womanhood and family honour. Told in Dinah's voice, it opens with the story of her mothers - the four wives of Jacob - each of whom embodies unique feminine traits, and concludes with Dinah's own startling and unforgettable story of betrayal, grief and love. Deeply affecting and intimate, "The Red Tent" combines outstandingly rich storytelling with an original insight into women's society in a fascinating period of early history and such is its warmth and candour, it is guaranteed to win the hearts and minds of women across the world. 'If you don't read it you'll be missing out' - Eve. 'I genuinely fell into this rich and colourful world and Dinah and Leah have stayed with me as ancestors and sisters brought to life by Anita Diamant's imaginative novel' - "Maureen Lipman".

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The Earth does not belong to us. We belong to the Earth. The great American Indian Chief Seattle spoke these words over a hundred years ago. His remarkably relevant message of respect for the Earth and every creature on it has endured the test of time and is imbued with passion born of love of the land and the environment. Illustrated by award-winning artist Susan Jeffers, the stirring pen-and-color drawings bring a wide array of Native Americans to life while capturing the splendor of nature and the land. Children and parents alike will enjoy the timeless, poignant message presented in this beautifully illustrated picture book."Together, Seattle's words and Jeffers's images create a powerful message; this thoughtful book deserves to be pondered and cherished by all." (Publishers Weekly )Illustrated by Susan Jeffers.

The adventures of Laura Ingalls and her family continue as they move from their little house on the banks of Plum Creek to the wilderness of the unsettled Dakota Territory. Here Pa works on the new railroad until he finds a homestead claim that is perfect for their new little house. Laura takes her first train ride as she, her sisters, and their mother come out to live with Pa on the shores of Silver Lake. After a lonely winter in the surveyors' house, Pa puts up the first building in what will soon be a brand-new town on the beautiful shores of Silver Lake. The Ingallses' covered-wagon travels are finally over.

The language and images of Carolyn Forché's poetry are so closely bound to the natural cycles of the seasons, of generations, of the body's functioning, that it is surprising to realize how many of her poems deal with uprootedness--hasty emigrations from Czechoslovakia and Kiev, the loss of grandparents and other elders, people leaving and being sent away. But this poetry is not a sentimental celebration of the goodness of nature, and harmony with the world is never something assumed. The harmony Forché seeks goes deeper than simple submission to natural processes or identification with an ethnic group, and it must be fought for with a tenuous faith, the balance that must be found between the ugliness, the harshness of her history--both natural and social--and its intense beauty, is what distinguishes Forché's poetry, gives it is depth and dimension.