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From Ernest Hemingway's Preface: 'There are many kinds of stories in this book. I hope you will find some that you like - In going where you have to go, and doing what you have to do, and seeing what you have to see, you dull and blunt the instrument you write with. But I would rather have it bent and dulled and know I had to put it on the grindstone and hammer it into shape and put a whetstone to it, and know that I had something to write about, than to have it bright and shining, and nothing to say, or smooth and well-oiled in the closet, but unused.' This is a collection of Hemingway's first forty-nine short stories, featuring a brief introduction by the author and lesser known as well as familiar tales, including "Up in Michigan", "Fifty Grand", and "The Light of the World", and the "Snows of Kilimanjaro", "Winner Take Nothing" and "Men Without Women" collections.

If Dickens was nineteenth-century London personified, Herman Melville was the quintessential American. With a historian’s perspective and a critic’s insight, award-winning author Andrew Delbanco marvelously demonstrates that Melville was very much a man of his era and that he recorded — in his books, letters, and marginalia; and in conversations with friends like Nathaniel Hawthorne and with his literary cronies in Manhattan — an incomparable chapter of American history. From the bawdy storytelling of Typee to the spiritual preoccupations building up to and beyond Moby Dick, Delbanco brilliantly illuminates Melville’s life and work, and his crucial role as a man of American letters.

Eric Lomax (1919-2012) had always been fascinated by steam locomotives; during the Second World War he became a railway man on the notorious Japanese Burma route. In this memoir he describes the captivity and abuse that he somehow survived and his meeting, many years later, with one of his torturers.

In this remarkable book, 103-year-old George Dawson, a slave's grandson who learned to read at age 98, reflects on his life and offers valuable lessons in living as well as a fresh, firsthand view of America during the twentieth century. Richard Glaubman captures Dawson's irresistible voice and view of the world, offering insights into humanity, history, hardships, and happiness. From segregation and civil rights, to the wars, presidents, and defining moments in history, George Dawson's description and assessment of the last century inspires readers with the message that-through it all-has sustained him: "Life is so good. I do believe it's getting better."

"Gipson again has given us a purely wonderful trunk of Americana, and one of those rare books to be enjoyed on many latitudes of brow elevation."--Chicago Sunday Tribune

A brief biography of the slave who escaped to freedom with his family and other runaway slaves on a captured Confederate gunboat.

Kevin Starr is the foremost chronicler of the California dream and indeed one of the finest narrative historians writing today on any subject. The first two installments of his monumental cultural history, "Americans and the California Dream," have been hailed as "mature, well-proportioned and marvelously diverse (and diverting)" (The New York Times Book Review) and "rich in details and alive with interesting, and sometimes incredible people" (Los Angeles Times). Now, in Material Dreams, Starr turns to one of the most vibrant decades in the Golden State's history, the 1920s, when some two million Americans migrated to California, the vast majority settling in or around Los Angeles. In a lively and eminently readable narrative, Starr reveals how Los Angeles arose almost defiantly on a site lacking many of the advantages required for urban development, creating itself out of sheer will, the Great Gatsby of American cities. He describes how William Ellsworth Smyth, the Peter the Hermit of the Irrigation Crusade, the self-educated, Irish engineer William Mulholland (who built the main aquaducts to Los Angeles), and George Chaffey (who diverted the Colorado River, transforming desert into the lush Imperial Valley) brought life-supporting water to the arid South. He examines the discovery of oil, the boosters and land developers, the evangelists (such as Bob Shuler, the Methodist Savanarola of Los Angeles, and Aimee Semple McPherson), and countless other colorful figures of the period. There are also fascinating sections on the city's architecture the impact of the automobile on city planning, the Hollywood film community, the L.A. literati, and much more. By the end of the decade, Los Angeles had tripled in population and become the fifth largest city in the nation. In Material Dreams, Starr captures this explosive growth in a narrative tour de force that combines wide-ranging scholarship with captivating prose.

In the period 1880-1960, advertising pervaded every aspect of British life. It was also the period which witnessed the rise of the British Empire. This text traces the historically changing image of non-white people in British advertising during the colonial period. Drawing on archival sources it analyses the various conflicting and changing ideologies of colonialism and racism in British advertising.

George MacDonald Fraser's famous Flashman series appearing for the first time in B-format with an exciting new series style, ready to please his legions of old fans and attract armies of new ones. The illustrious Flashy gets up to his old tricks in another installment of The Flashman Papers. 'Forward the Light Brigade' Was there a man dismayed? Indeed there was. As the British cavalry prepared to launch themselves against the Russian guns at Balaclava, Harry Flashman was not so much dismayed as terrified. But the Crimea was only the beginning: beyond lay snowbound wastes of the Great Russian slave-empire, torture and death from relentless enemies, headlong escapes, savage tribal hordes to the right of him, passionate and beautiful females to the left of him, and finally that unknown but desperate war on the roof of the world, when India was the mighty prize and there was nothing to stop the armed might of Imperial Russia but the wavering sabre and terrified ingenuity of old Flashy himself.

"Superb. . . . A great American writer speaks with his own voice about matters that still resonate at the center of our lives."--New York Times Book Review Celebrating its eightieth anniversary, Richard Wright's eloquent autobiography about growing up in the Jim Crow South that gives unique voice to being Southern, black, and male in early 20th century America--now available as a special Harper Perennial Olive Edition. When Black Boy exploded onto the literary scene in 1945, it was both praised and condemned. Orville Prescott of the New York Times wrote that "if enough such books are written, if enough millions of people read them maybe, someday, in the fullness of time, there will be a greater understanding and a more true democracy." Yet from 1975 to 1978, Black Boy was banned in schools throughout the United States for "obscenity" and "instigating hatred between the races," and continues to remain controversial, coming under the scrutiny of censors today who are banning an alarming number of books. Wright's celebrated autobiography measures the raw brutality of the Jim Crow South against the sheer desperate will it took to survive it while Black. Enduring poverty, hunger, fear, abuse, and hatred while growing up in the woods of Mississippi, Wright lied, stole, and raged at those around him--whites indifferent, pitying, or cruel and blacks resentful of anyone trying to rise above their circumstances. Desperate for a different way of life, he made his way north, eventually arriving in Chicago, where he forged a new path and began his career as a writer. At the end of Black Boy, Wright sits poised with pencil in hand, determined to "hurl words into this darkness and wait for an echo." Eighty year later, his words continue to reverberate. One of the great American memoirs, Wright's account is a poignant record of struggle and endurance--a pioneering literary work that still illuminates our own time. Harper Perennial Olive Editions are exclusive small-format editions of some of our bestselling and celebrated titles, and feature unique hand-drawn cover illustrations. All Olive Editions are available for a limited time only.