Empfehlungen basierend auf "Ruby Lost and Found"

LONGLISTED FOR THE WOMEN’S PRIZE FOR FICTION‘A deeply humane and genre-defying work of love and uncompromising hope’ Ocean Vuong‘I raced through it. Beautiful, brilliant’ Rebecca F. Kuang, author of Babel‘A dazzling new talent’ Observer‘Will shatter your heart’ Glamour‘Powerful … a bold debut that breaks new ground’ Sunday TimesAn extraordinary story of the journey of one young family through love, loss and unwavering hope.There are the goodbyes and then the fishing out of the bodies – everything in between is speculation.One night, not long after the last American troops leave Vietnam, siblings Anh, Thanh and Minh flee their village and embark on a perilous boat journey to Hong Kong. Their parents and four younger siblings make the crossing in another vessel but as weeks go by it becomes clear that only one party has survived the voyage.Anh, Thanh and Minh suddenly find themselves alone in the world, without family or home. They travel on, navigating refugee camps and resettlement centres until, by a twist of fate, they arrive in Thatcher’s Britain. Here they must somehow build new lives with only each other to turn to, but will that be enough in a place that doesn’t seem to want them?In this piercing debut, the siblings’ faltering journey is deftly interwoven with the voice of their lost younger brother, Dao, following them from a place between the living and the dead, and the records of an unknown researcher intent on gathering the strands of their story. Wandering Souls paints a heart-wrenching portrait of a family in crisis while exploring the healing power of stories.A most anticipated book of 2023 in Vogue, AnOther Magazine, i-D, Independent, Evening Standard and Huffington Post‘A powerful story of courage, love and unwavering hope’ Marie Claire‘An ambitious and promising new talent’ Sharlene Teo, Guardian‘Heartbreaking … a deeply affecting reckoning with history’ i-D‘Tells one of the most important stories of our times’ Lucy Caldwell, author of These Days‘Something special … Reading it is like watching a writer at work’ New York Times

For fans of Inside Out and Back Again and Amina’s Voice comes a breathtaking story of family, hope, and survival from Ellen Oh, cofounder of We Need Diverse Books. When Junie Kim is faced with middle school racism, she learns of her grandparents’ extraordinary strength and finds her voice. Inspired by her mother’s real-life experiences during the Korean War, Oh’s characters are real and riveting.“Both unique and universal, timely and timeless.” —Padma Venkatraman, Walter Award-winning author of The Bridge Home"A moving story that highlights how to find courage in the face of unspeakable hardship." —Hena Khan, award-winning author of Amina’s Voice"Junie discovers where she comes from and gains the courage to make a difference in the future." —Wendy Wan-Long Shang, award-winning author of The Great Wall of Lucy WuJunie Kim just wants to fit in. So she keeps her head down and tries not to draw attention to herself. But when racist graffiti appears at her middle school, Junie must decide between staying silent or speaking out.Then Junie’s history teacher assigns a project and Junie decides to interview her grandparents, learning about their unbelievable experiences as kids during the Korean War. Junie comes to admire her grandma’s fierce determination to overcome impossible odds, and her grandpa’s unwavering compassion during wartime. And as racism becomes more pervasive at school, Junie taps into the strength of her ancestors and finds the courage to do what is right.Finding Junie Kim is a reminder that within all of us lies the power to overcome hardship and emerge triumphant.Asian/Pacific American Award for Literature Honor BookA Bank Street Best Children’s Book of the YearIncluded in NPR’s 2021 Books We Love List2021 Nerdy Award Winner

By turns heartbreaking and hilarious, troubling and uplifting, these "electric" essays come together to create a provocative, conversation-sparking, multivocal portrait of modern America (The Washington Post). From Trump's proposed border wall and travel ban to the marching of white supremacists in Charlottesville, America is consumed by tensions over immigration and the question of which bodies are welcome. In this much-anticipated follow-up to the bestselling UK edition, hailed by Zadie Smith as "lively and vital," editors Nikesh Shukla and Chimene Suleyman hand the microphone to an incredible range of writers whose humanity and right to be here is under attack. Chigozie Obioma unpacks an Igbo proverb that helped him navigate his journey to America from Nigeria. Jenny Zhang analyzes cultural appropriation in 90s fashion, recalling her own pain and confusion as a teenager trying to fit in. Fatimah Asghar describes the flood of memory and emotion triggered by an encounter with an Uber driver from Kashmir. Alexander Chee writes of a visit to Korea that changed his relationship to his heritage. These writers, and the many others in this urgent collection, share powerful personal stories of living between cultures and languages while struggling to figure out who they are and where they belong.

A luminous, boldly imagined debut novel about three Vietnamese siblings who seek refuge in the UK, expanding into a sweeping meditation on love, ancestry, and the power of storytelling.There are the goodbyes and then the fishing out of the bodies—everything in between is speculation.After the last American troops leave Vietnam, siblings Anh, Thanh, and Minh begin a perilous journey to Hong Kong with the promise that their parents and younger siblings will soon follow. But when tragedy strikes, the three children are left orphaned, and sixteen-year-old Anh becomes the caretaker for her two younger brothers overnight.In the years that follow, Anh and her brothers resettle in the UK and confront their new identities as refugees, first in overcrowded camps and resettlement centers and then, later, in a modernizing London plagued by social inequality and raging anti-immigrant sentiment. Anh works in a clothing factory to pay their bills. Minh loiters about with fellow unemployed high school dropouts. Thanh, the youngest, plays soccer with his British friends after class. As they mature, each sibling reckons with survivor’s guilt, unmoored by their parents’ absence. With every choice they make, their paths diverge further, until it’s unclear if love alone can keep them together.Told through lyrical narrative threads, historical research, voices from lost family, and notes by an unnamed narrator determined to chart their fate, Wandering Souls captures the lives of a family marked by war and loss yet relentless in the pursuit of a better future. With urgency and precision, it affirms that the most important stories are those we claim for ourselves, establishing Cecile Pin as a masterful new literary voice.

SHORTLISTED FOR THE WOMEN'S PRIZESet against the backdrop of developing modern China, this mesmerizing literary debut is part coming-of-age tale, part family and social drama, as it follows two generations searching for belonging and opportunity in a rapidly changing world—perfect for readers of Behold the Dreamers, White Ivy, and The Leavers.Shanghai, 2007: Fourteen-year-old Alva has always longed for more. Raised by her American expat mother, she’s never known her Chinese father, and is certain a better life awaits them in America. But when her mother announces her engagement to their wealthy Chinese landlord, Lu Fang, Alva’s hopes are dashed, and so she plots for the next best thing: the American School in Shanghai. Upon admission, though, Alva is surprised to discover an institution run by an exclusive community of expats and the ever-wilder thrills of a city where foreigners can ostensibly act as they please.1985: In the seaside city of Qingdao, Lu Fang is a young, married man and a lowly clerk in a shipping yard. Though he once dreamed of a bright future, he is one of many casualties in his country’s harsh political reforms. So when China opens its doors to the first wave of foreigners in decades, Lu Fang’s world is split wide open after he meets an American woman who makes him confront difficult questions about his current status in life, and how much will ever be enough.In a stunning reversal of the east-to-west immigrant narrative and set against China’s political history and economic rise, River East, River West is an intimate family drama and a sharp social novel. Alternating between Alva and Lu Fang’s points of view, this is a profoundly moving exploration of race and class, cultural identity and belonging, and the often-false promise of the American Dream.

When three-month-old Lia Lee Arrived at the county hospital emergency room in Merced, California, a chain of events was set in motion from which neither she nor her parents nor her doctors would ever recover. Lia's parents, Foua and Nao Kao, were part of a large Hmong community in Merced, refugees from the CIA-run "Quiet War" in Laos. The Hmong, traditionally a close-knit and fiercely people, have been less amenable to assimilation than most immigrants, adhering steadfastly to the rituals and beliefs of their ancestors. Lia's pediatricians, Neil Ernst and his wife, Peggy Philip, cleaved just as strongly to another tradition: that of Western medicine. When Lia Lee Entered the American medical system, diagnosed as an epileptic, her story became a tragic case history of cultural miscommunication.Parents and doctors both wanted the best for Lia, but their ideas about the causes of her illness and its treatment could hardly have been more different. The Hmong see illness aand healing as spiritual matters linked to virtually everything in the universe, while medical community marks a division between body and soul, and concerns itself almost exclusively with the former. Lia's doctors ascribed her seizures to the misfiring of her cerebral neurons; her parents called her illness, qaug dab peg--the spirit catches you and you fall down--and ascribed it to the wandering of her soul. The doctors prescribed anticonvulsants; her parents preferred animal sacrifices.Winner of the National Book Critics Circle Award for Nonfiction.

"Remarkable...mesmerizing...compelling.... An entire world unfolds in Tolstoyan tide of event and detail....Give yourself over to the world Ms. Tan creates for you." —The New York Times Book ReviewWinnie and Helen have kept each other's worst secrets for more than fifty years. Now, because she believes she is dying, Helen wants to expose everything. And Winnie angrily determines that she must be the one to tell her daughter, Pearl, about the past—including the terrible truth even Helen does not know. And so begins Winnie's story of her life on a small island outside Shanghai in the 1920s, and other places in China during World War II, and traces the happy and desperate events that led to Winnie's coming to America in 1949. The Kitchen God's Wife is "a beautiful book" (Los Angeles Times) from the bestselling author of novels like The Joy Luck Club and The Backyard Bird Chronicles, and the memoir, Where the Past Begins.

Yeonmi Park has told the harrowing story of her escape from North Korea as a child many times, but never before has she revealed the most intimate and devastating details of the repressive society she was raised in and the enormous price she paid to escape. Park’s family was loving and close-knit, but life in North Korea was brutal, practically medieval. Park would regularly go without food and was made to believe that, Kim Jong Il, the country’s dictator, could read her mind. After her father was imprisoned and tortured by the regime for trading on the black-market, a risk he took in order to provide for his wife and two young daughters, Yeonmi and her family were branded as criminals and forced to the cruel margins of North Korean society. With thirteen-year-old Park suffering from a botched appendectomy and weighing a mere sixty pounds, she and her mother were smuggled across the border into China.I wasn’t dreaming of freedom when I escaped from North Korea. I didn’t even know what it meant to be free. All I knew was that if my family stayed behind, we would probably die—from starvation, from disease, from the inhuman conditions of a prison labor camp. The hunger had become unbearable; I was willing to risk my life for the promise of a bowl of rice. But there was more to our journey than our own survival. My mother and I were searching for my older sister, Eunmi, who had left for China a few days earlier and had not been heard from since. Park knew the journey would be difficult, but could not have imagined the extent of the hardship to come. Those years in China cost Park her childhood, and nearly her life.  By the time she and her mother made their way to South Korea two years later, her father was dead and her sister was still missing. Before now, only her mother knew what really happened between the time they crossed the Yalu river into China and when they followed the stars through the frigid Gobi Desert to freedom. As she writes, “I convinced myself that a lot of what I had experienced never happened. I taught myself to forget the rest.” In In Order to Live, Park shines a light not just into the darkest corners of life in North Korea, describing the deprivation and deception she endured and which millions of North Korean people continue to endure to this day, but also onto her own most painful and difficult memories. She tells with bravery and dignity for the first time the story of how she and her mother were betrayed and sold into sexual slavery in China and forced to suffer terrible psychological and physical hardship before they finally made their way to Seoul, South Korea—and to freedom. Still in her early twenties, Yeonmi Park has lived through experiences that few people of any age will ever know—and most people would never recover from. Park confronts her past with a startling resilience, refusing to be defeated or defined by the circumstances of her former life in North Korea and China. In spite of everything, she has never stopped being proud of where she is from, and never stopped striving for a better life. Indeed, today she is a human rights activist working determinedly to bring attention to the oppression taking place in her home country. Park’s testimony is rare, edifying, and terribly important, and the story she tells in In Order to Live is heartbreaking and unimaginable, but never without hope. Her voice is riveting and dignified. This is the human spirit at its most indomitable.

Juxtaposing short stories, poetry, painting, and photographs, Troubling Borders showcases the creative work of women of Vietnamese, Cambodian, Lao, Thai, and Filipino ancestry. This thematically arranged collection interrupts borders of categorization and gender, in what preface author Shirley Geok-Lin Lim describes as a "leap over the barbed fences that have kept these women apart in these, our United States of America."The sixty-two contributors have been shaped by colonization, wars, globalization, and militarization. For some of these women on the margins of the margin, crafting and showing their work is a bold act in itself. Their provocative and accessible creations tell unique stories, provide sharp contrasts to familiar stereotypes―Southeast Asian women as exotic sex symbols, dragon ladies, prostitutes, or "bar girls"―and serve as entry points for broader discussions about questions of history, memory, and identity.

“Do you know what happens if you laugh while crying? Hair grows out of your butthole.”It was a constant truism Youngmi Mayer’s mother would say threateningly after she would make her daughter laugh while crying. Her mother used it to cheer her up in moments when she could tell Youngmi was overtaken with grief. The humorous saying would never fail to lighten the mood, causing both daughter and mother to laugh and cry at the same time. Her mother had learned this trick from her mother, and her mother had learned this from her mother before her: it had also helped an endless string of her family laugh through suffering.In I’m Laughing Because I’m Crying, Youngmi jokes through the retelling of her childhood as an offbeat biracial kid in Saipan, a place next to a place that Americans might know. She jokes through her difficult adolescence where she must parent her own parents: a mother who married her husband because he looked like white Jesus (and the singer of The Bee Gees). And with humor and irreverence and full-throated openness, she jokes even while sharing the story of what her family went through during the last century of colonialism and war in Korea, while reflecting how years later, their wounds affect her in New York City as a single mom, all the while interrogating whiteness, gender, and sexuality.Youngmi jokes through these stories in hopes of passing onto the reader what her family passed down to her: The gift of laughing while crying. The gift of a hairy butthole. Because throughout it all, the one thing she learned was one cannot exist without the other. And like a yin and yang, this duality is reflected in this whip-smart, heart-wrenching, and disarmingly funny memoir told by a bright new voice with so much heart and wisdom.