Empfehlungen basierend auf "Razorblade Tears"

When a mother is targeted by a dangerous group of masterminds, she must commit a crime to save her kidnapped daughter—or risk losing her forever—in this "propulsive and original" award-winning thriller (Stephen King).It's something parents do every morning: Rachel Klein drops her daughter at the bus stop and heads into her day. But a cell phone call from an unknown number changes everything: it's a woman on the line, informing her that she has Kylie bound and gagged in her back seat, and the only way Rachel will see her again is to follow her instructions exactly: pay a ransom, and find another child to abduct. This is no ordinary kidnapping: the caller is a mother herself, whose son has been taken, and if Rachel doesn't do as she's told, the boy will die."You are not the first. And you will certainly not be the last."Rachel is now part of The Chain, an unending and ingenious scheme that turns victims into criminals—and is making someone else very rich in the process. The rules are simple, the moral challenges impossible; find the money fast, find your victim, and then commit a horrible act you'd have thought yourself incapable of just twenty-four hours ago.But what the masterminds behind The Chain know is that parents will do anything for their children. It turns out that kidnapping is only the beginning."McKinty is one of the most striking and most memorable crime voices to emerge on the scene in years. His plots tempt you to read at top speed, but don't give in: this writing—sharply observant, intelligent and shot through with black humor—should be savored."—Tana French"A masterpiece. You have never read anything quite like The Chain and you will never be able to forget it." —Don Winslow"Diabolical, unnerving, and gives a whole new meaning to the word "relentless". Adrian McKinty just leapt to the top of my list of must-read suspense novelists. He's the real deal."—Dennis Lehane"Pairing an irresistible concept with a winner protagonist, The Chain promises to be your new addiction once you succumb to the first enticing page."—Alafair Burke"A grade-A-first-rate-edge-of-your-seat thriller. I can't believe what went through my mind while reading it." —Attica Locke

After posting a negative review of a horror novel, a woman staying at an isolated beach house begins to wonder if the author is a little touchy—or very, very dangerous—in this pulse-pounding novel of psychological suspense and terror from the critically acclaimed author of No Exit and Hairpin Bridge.Emma Carpenter lives in isolation with her golden retriever Laika, house-sitting an old beachfront home on the rainy Washington coast. Her only human contact is her enigmatic old neighbor, Deek, and (via text) the house’s owner, Jules.One day, she reads a poorly written—but gruesome—horror novel by the author H. G. Kane, and posts a one-star review that drags her into an online argument with none other than the author himself. Soon after, disturbing incidents start to occur at night. To Emma, this can’t just be a coincidence. It was strange enough for this author to bicker with her online about a lousy review; could he be stalking her, too?As Emma digs into Kane’s life and work, she learns he has published sixteen other novels, all similarly sadistic tales of stalking and murder. But who is he? How did he find her? And what else is he capable of?Displaying his trademark command of rapid-fire pacing, unnerving atmosphere, and razor-sharp characterization, Taylor Adams once again delivers a diabolically disturbing—and deadly—game of cat and mouse.

INSTANT NEW YORK TIMES BESTSELLER • A REESE'S BOOK CLUB PICK“It’s perfection, every word, every moment. A masterpiece . . . One of the best books I’ve ever read.” —Lisa Jewell, #1 New York Times bestselling authorNew York Times bestselling author Gillian McAllister has created a thriller unlike any other in this endlessly clever, twisty story of a mother who must move backward through time to prevent tragedy from striking at the heart of her family.Can you stop a murder after it’s already happened?It is midnight on the morning of Halloween, and Jen anxiously waits up for her 18-year-old son, Todd, to return home. But worries about his broken curfew transform into something much more dangerous when Todd finally emerges from the darkness. As Jen watches through the window, she sees her funny, seemingly happy teenage son stab a total stranger.She doesn’t know who the victim is, or why Todd has committed such a devastating act of violence. All she knows is that her life, and Todd’s, have been shattered.After her son is taken into custody, Jen falls asleep in despair. But when she wakes up…it is yesterday. The murder has not happened yet—and there may be a chance to stop it. Each morning, when Jen wakes, she is further back in the past, first weeks, then years, before the murder. And Jen realizes that somewhere in the past lies the trigger for Todd’s terrible crime…and it is her mission to find it, and prevent it from taking place.Both the story of a mother’s love and the sacrifices she will make for her child, and a thriller with a brilliant twist, Wrong Place Wrong Time is a one-of-a-kind novel that begs to be read in one sitting.

On the day she was abducted, Annie O’Sullivan, a 32-year-old realtor, had three goals - sell a house, forget about a recent argument with her mother, and be on time for dinner with her ever-patient boyfriend. The open house is slow, but when her last visitor pulls up in a van as she's about to leave, Annie thinks it just might be her lucky day after all.Still Missing interweaves the year Annie spent as the captive of a psychopath in a remote mountain cabin, which unfold through sessions with her psychiatrist, with a second narrative following the events after her escape—her struggle to piece her shattered life back together and the ongoing police investigation into the identity of her captor.Still Missing is a shocking, visceral, brutal and beautifully crafted novel.

Paul Tremblay’s terrifying twist to the home invasion novel—inspiration for the upcoming major motion picture from Universal Pictures“Tremblay’s personal best. It’s that good.” — Stephen KingSeven-year-old Wen and her parents, Eric and Andrew, are vacationing at a remote cabin on a quiet New Hampshire lake. Their closest neighbors are more than two miles in either direction along a rutted dirt road.One afternoon, as Wen catches grasshoppers in the front yard, a stranger unexpectedly appears in the driveway. Leonard is the largest man Wen has ever seen, but he is young, friendly, and he wins her over almost instantly. Leonard and Wen talk and play until Leonard abruptly apologizes and tells Wen, “None of what’s going to happen is your fault.” Three more strangers then arrive at the cabin carrying unidentifiable, menacing objects. As Wen sprints inside to warn her parents, Leonard calls out: “Your dads won’t want to let us in, Wen. But they have to. We need your help to save the world.”Thus begins an unbearably tense, gripping tale of paranoia, sacrifice, apocalypse, and survival that escalates to a shattering conclusion, one in which the fate of a loving family and quite possibly all of humanity are entwined. The Cabin at the End of the World is a masterpiece of terror and suspense from the fantastically fertile imagination of Paul Tremblay.

New York Times bestseller“Swanson rips us from one startling plot twist to the next… A true tour de force.” —Lisa Gardner“[A] multilayered mystery that brims with duplicity, betrayal and revenge.” —USA TodayFrom the hugely talented author of The Kind Worth Killing comes a chilling tale of psychological suspense and an homage to the thriller genre tailor-made for fans: the story of a bookseller who finds himself at the center of an FBI investigation because a very clever killer has started using his list of fiction’s most ingenious murders.Years ago, bookseller and mystery aficionado Malcolm Kershaw compiled a list of the genre’s most unsolvable murders, those that are almost impossible to crack—which he titled “Eight Perfect Murders”—chosen from among the best of the best including Agatha Christie’s A. B. C. Murders, Patricia Highsmith’s Strangers on a Train, Ira Levin’s Deathtrap, A. A. Milne's The Red House Mystery, Anthony Berkeley Cox's Malice Aforethought, James M. Cain's Double Indemnity, John D. MacDonald's The Drowner, and Donna Tartt's The Secret History.But no one is more surprised than Mal, now the owner of the Old Devils Bookstore in Boston, when an FBI agent comes knocking on his door one snowy day in February. She’s looking for information about a series of unsolved murders that look eerily similar to the killings on Mal’s old list. And the FBI agent isn’t the only one interested in this bookseller who spends almost every night at home reading. The killer is out there, watching his every move—a diabolical threat who knows way too much about Mal’s personal history, especially the secrets he’s never told anyone, even his recently deceased wife.To protect himself, Mal begins looking into possible suspects . . . and sees a killer in everyone around him. But Mal doesn’t count on the investigation leaving a trail of death in its wake. Suddenly, a series of shocking twists leaves more victims dead—and the noose around Mal’s neck grows so tight he might never escape.

“[A] delicious literary Gothic debut.” –THE NEW YORK TIMES BOOK REVIEW, EDITORS' CHOICE“Moody and evocative as a fever dream, Catherine House is the sort of book that wraps itself around your brain, drawing you closer with each hypnotic step.” – THE WASHINGTON POSTA Most Anticipated Novel by Entertainment Weekly • New York magazine • Cosmopolitan • The Atlantic • Forbes • Good Housekeeping • Parade • Better Homes and Gardens • HuffPost • Buzzfeed • Newsweek • Harper’s Bazaar • Ms. Magazine • Woman's Day • PopSugar • and more!A gothic-infused debut of literary suspense, set within a secluded, elite university and following a dangerously curious, rebellious undergraduate who uncovers a shocking secret about an exclusive circle of students . . . and the dark truth beneath her school’s promise of prestige.Trust us, you belong here.Catherine House is a school of higher learning like no other. Hidden deep in the woods of rural Pennsylvania, this crucible of reformist liberal arts study with its experimental curriculum, wildly selective admissions policy, and formidable endowment, has produced some of the world’s best minds: prize-winning authors, artists, inventors, Supreme Court justices, presidents. For those lucky few selected, tuition, room, and board are free. But acceptance comes with a price. Students are required to give the House three years—summers included—completely removed from the outside world. Family, friends, television, music, even their clothing must be left behind. In return, the school promises a future of sublime power and prestige, and that its graduates can become anything or anyone they desire.Among this year’s incoming class is Ines Murillo, who expects to trade blurry nights of parties, cruel friends, and dangerous men for rigorous intellectual discipline—only to discover an environment of sanctioned revelry. Even the school’s enigmatic director, Viktória, encourages the students to explore, to expand their minds, to find themselves within the formidable iron gates of Catherine. For Ines, it is the closest thing to a home she’s ever had. But the House’s strange protocols soon make this refuge, with its worn velvet and weathered leather, feel increasingly like a gilded prison. And when tragedy strikes, Ines begins to suspect that the school—in all its shabby splendor, hallowed history, advanced theories, and controlled decadence—might be hiding a dangerous agenda within the secretive, tightly knit group of students selected to study its most promising and mysterious curriculum.Combining the haunting sophistication and dusky, atmospheric style of Sarah Waters with the unsettling isolation of Kazuo Ishiguro’s Never Let Me Go, Catherine House is a devious, deliciously steamy, and suspenseful page-turner with shocking twists and sharp edges that is sure to leave readers breathless.

An instant New York Times, Washington Post and USA Today Bestseller • AN OPRAH BOOK CLUB SELECTION • ONE OF THE ATLANTIC'S "GREAT AMERICAN NOVELS" • BARACK OBAMA'S FAVORITE BOOKS OF 2021 • WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR FICTIONA BEST BOOK OF THE YEAR: New York Times • Time • Washington Post • Oprah Daily • People • Boston Globe • BookPage • Booklist • Kirkus • Atlanta Journal-Constitution • Chicago Public LibraryFinalist for the PEN/Hemingway Award for Debut Novel • Longlisted for the National Book Award for Fiction • Finalist for the Kirkus Prize for Fiction • Nominee for the NAACP Image Award"Epic. . . . I was just enraptured by the lineage and the story of this modern African-American family. . . . I’ve never read anything quite like it. It just consumed me." —Oprah WinfreyThe NAACP Image Award-winning poet makes her fiction debut with this magisterial epic—an intimate yet sweeping novel with all the luminescence and force of Homegoing; Sing, Unburied, Sing; and The Water Dancer—that chronicles the journey of one American family, from the centuries of the colonial slave trade through the Civil War to our own tumultuous era.The great scholar, W. E. B. Du Bois, once wrote about the Problem of race in America, and what he called “Double Consciousness,” a sensitivity that every African American possesses in order to survive. Since childhood, Ailey Pearl Garfield has understood Du Bois’s words all too well. Bearing the names of two formidable Black Americans—the revered choreographer Alvin Ailey and her great grandmother Pearl, the descendant of enslaved Georgians and tenant farmers—Ailey carries Du Bois’s Problem on her shoulders.Ailey is reared in the north in the City but spends summers in the small Georgia town of Chicasetta, where her mother’s family has lived since their ancestors arrived from Africa in bondage. From an early age, Ailey fights a battle for belonging that’s made all the more difficult by a hovering trauma, as well as the whispers of women—her mother, Belle, her sister, Lydia, and a maternal line reaching back two centuries—that urge Ailey to succeed in their stead.To come to terms with her own identity, Ailey embarks on a journey through her family’s past, uncovering the shocking tales of generations of ancestors—Indigenous, Black, and white—in the deep South. In doing so Ailey must learn to embrace her full heritage, a legacy of oppression and resistance, bondage and independence, cruelty and resilience that is the story—and the song—of America itself.

The Arthur C. Clarke award-winning author of Children of Time brings us an extraordinary space opera about humanity on the brink of extinction, and how one man's discovery will save or destroy us all. The war is over. Its heroes forgotten. Until one chance discovery . . .Idris has neither aged nor slept since they remade him in the war. And one of humanity's heroes now scrapes by on a freelance salvage vessel, to avoid the attention of greater powers.After earth was destroyed, mankind created a fighting elite to save their species, enhanced humans such as Idris. In the silence of space they could communicate, mind-to-mind, with the enemy. Then their alien aggressors, the Architects, simply disappeared—and Idris and his kind became obsolete.Now, fifty years later, Idris and his crew have discovered something strange abandoned in space. It's clearly the work of the Architects—but are they returning? And if so, why? Hunted by gangsters, cults and governments, Idris and his crew race across the galaxy hunting for answers. For they now possess something of incalculable value, that many would kill to obtain.

“This book is fast, furious, compelling, and angry as hell." -- Seanan McGuire, New York Times bestselling authorThe Boys meets My Year of Rest and Relaxation in this smart, imaginative, and evocative novel of love, betrayal, revenge, and redemption, told with razor-sharp wit and affection, in which a young woman discovers the greatest superpower—for good or ill—is a properly executed spreadsheet.Anna does boring things for terrible people because even criminals need office help and she needs a job. Working for a monster lurking beneath the surface of the world isn’t glamorous. But is it really worse than working for an oil conglomerate or an insurance company? In this economy?As a temp, she’s just a cog in the machine. But when she finally gets a promising assignment, everything goes very wrong, and an encounter with the so-called “hero” leaves her badly injured. And, to her horror, compared to the other bodies strewn about, she’s the lucky one.So, of course, then she gets laid off.With no money and no mobility, with only her anger and internet research acumen, she discovers her suffering at the hands of a hero is far from unique. When people start listening to the story that her data tells, she realizes she might not be as powerless as she thinks.Because the key to everything is data: knowing how to collate it, how to manipulate it, and how to weaponize it. By tallying up the human cost these caped forces of nature wreak upon the world, she discovers that the line between good and evil is mostly marketing. And with social media and viral videos, she can control that appearance.It’s not too long before she’s employed once more, this time by one of the worst villains on earth. As she becomes an increasingly valuable lieutenant, she might just save the world.A sharp, witty, modern debut, Hench explores the individual cost of justice through a fascinating mix of Millennial office politics, heroism measured through data science, body horror, and a profound misunderstanding of quantum mechanics.